Supermodel Freja Beha Erichsen stars in New Romantics story captured by fashion photographer Christian Macdonald for WSJ. Magazine's March 2018 Women's Style edition. In charge of styling was George Cortina, with beauty from makeup artist

Hugo Boss Hugo Woman / Man Fragrance S/S 2015Freja Beha Erichsen... {simple}

So I'm sure that by now you all know Freja won Best Female Model of the Year at the Dansk awards held on Wednesday. No surprise there. Even in an off year her body of work was more substantial than her competitors Agnete and Charlotte. Granted Freja's been on the modeling circuit longer than the two of them, but she's one of the top ten working models today so the odds were tough to beat. Freja's is also the most well-known model to come out of Denmark since Helena Christensen, and if she keeps on working I have a feeling they'll be giving this award to her next year, and the year after that, and the year after that. She attended the awards looking beautiful, while staying true to her own style. There were elements of glamor--some makeup, heels, and new bag--but there were elements of Freja's everyday style as well. She wore tight, skinny black pants and layered tees under a black blazer. It's a uniform we've seen many times during fashion week, but the presence of the heels made all the difference. Choosing to forgo her usual flat boots, Freja opted for Isabel Marant studded, heeled boots straight off the FW0910 runway. (Perhaps a take-away from walking the show?) She also left the Balenciaga bag at home in favor of the very popular black Alexander Wang hobo. Her sartorial choices may be simple, but they exude fashion, quality and quiet, relatable luxury. That's what the best models do. They make all clothes look good no matter when or where they wear them. Yes, Freja could have gone a little more lux considering it was an awards gala. But I'm kind of glad she didn't because I always love seeing a woman who is completely at ease in her own style and sense of self. On a last note, of course I have to mention Freja's hair. She's definitely growing it out now. Maybe my musings on commercialism actually have some substance? She already has the Gap campaign on her plate for this season. Maybe next we'll see her reprising her commercial role in an H&M campaign? If this happens, then you read it here first. :) Image Credits: 7inch.dk, msndk.starlounge.com, uniquemodels.blogspot.com -- all courtesy of Candlebougie at tFS (thank you!) Other images: celebritycity.com, kirnazabete.com

RRP: $289.00 Condition: Brand New With Original Tags Seller: Danielle & Nicole (WhenWordsFail) Care: Cold hand wash. Do not tumble dry.

Thanks to the hard work of tFS member Diciassette (17), we now have complete scans of the mega 80 page Vogue Italia editorial. If you want to see the whole thing, it's broken up into six parts: 1 2 3 4 5 6. For the sake of brevity and staying true to the topic on hand, below is just Freja's contribution. Runway Vogue Italia January 2010 Ph: Steven Meisel Leave it to Meisel to push boundaries and get people talking. After all these years, he has still maintained his edge, freshness and knack for innovation. It's an amazing feat that demands respect regardless of whether or not you like his work. We also have to give huge credit to Franca Sozzani for consistently providing a place where Meisel is free to indulge his creative whims. I think I'm a little overwhelmed at the sheer enormity of the editorial because I don't really know what to say. So many models, so many looks, so many great moments captured...or rather, constructed. I love the black and white backstage shot of Freja being assaulted by hair and makeup because it's so realistic. It would have fit right in with this old post I did about actual backstage moments from past fashion weeks. I also love the last two shots that show us all the people who worked on this editorial. Meisel blurred the line between reality and fantasy by constructing backstage situations that usually depend on spontaneity, but he brought us all definitively back down to earth by showing us his real staff behind the scenes. As for Freja, I'm delightfully surprised at how much she's featured here. She looks like...well...like she usually looks backstage. But that's good because it's what we should expect from an editorial called "Runway" where the models are essentially playing themselves. You even have her requisite smoking picture, but sadly no middle fingers. Nothing too special, yet very special at the same time because it's Meisel we're talking about. This isn't like the last editorial where she took her own picture. He's actually working with Freja now. And like all of you are thinking, and like I've said before, I hope he photographs her for an ad campaign or solo edit so that we can see what magic he'll really draw out from her. Even if this doesn't happen, I hope they at least continue to work together for these huge, multi-girl editorials because it's something new and different for Freja. (As much as I'm grateful for all the work he gives her, there's no Karl in sight!) For this to happen at this stage in her career is pretty amazing and can only increase her fashion currency even more. And frankly, it's the thing I've been hoping for--the thing that might possibly reignite that feeling of excitement that I lost towards the latter half of last year. So even if Freja kind of gets lost in the model shuffle, at least she'll be a part of the relevant conversation. Image Credits: Scans by tFS member Diciassette (17)

As the pandemic continues to affect the entire world, Zara enlists models to pose at home. Leading face Freja Beha Erichsen appears in a photoshoot wearing new arrivals for spring-summer 2020. From pl

Freja at Bottega Veneta Spring Summer 2011