PENICILLIN’S GISHO AND HAKUEI
Gentle Cindy- a great visual for the soft sounds for g and c *A blank copy has been added for your students to fill in themselves! ...
A sanguine ribbon encircles Eternal Apsaa G2, a profound yet unspoken literary nod, where crimson intimacies and burgundy shadows embrace, their narrative unfolding within the confines of original artworks. Deep mars black edges pirouette in contrast to the fiery landscape, implying a visual art dance both earthy and intense. There's an exquisite harmony found in the detailed, percolated essence of the vermilion range that dominates, while around it, touches of slate grey and subtle white accents melt into the canvas's rugged topography, fostering a minimalist art aesthetic that dares to challenge the dichotomy of warmth and abyss.The allure of the larger prints beckons one to consider the master collection, where the visual cohesiveness of Eternal Apsaa could transform a gallery wall or become the museum-quality statement piece within a home gallery - a treasure trove of vibrant art for the discerning art patron. By engaging with the Eternal Apsaa scales 'C2, D2, E2, F2', collectors might envisage a symphony of adjacent narratives - a linear procession of auspicious color and form, complementing one another in a luxurious art exhibit for office decor or private sanctuaries.In interior spaces bathed in earthen hues or dressed in stark minimalist design, Eternal Apsaa G2 would claim its rightful place - a bright, brilliant contrast to its surroundings. The muted whispers of its complex simplicity invite contemplation, where each spectator may see not just oil paintings for sale, but an artisan-crafted portal to their introspections. It is a collector's gem, imbued with the potential of rich, saturated memories and the warm, sumptuous embrace of red abstract art, accentuated by the faintest inklings of grey abstract art, waiting to be unearthed by the artistic innovation of a creator's touch.
Sekai, 1970 https://www.instagram.com/p/B7t8G9KIg7Q/?igshid=hx23glyqjkq7
Atsushi Sakurai, Rockin On Japan, January 1993, Vol 68 Nothing new, but i love this photo shoot. Dark and Sensual Acchan. Just couldn't resist scanning these.
一双
epentesis: If I were a fish… by ~murkithefrog : alphalemon
What's the greatest thing since sliced bread? Yukari Ohba's costumes for Visual Kei bands, uh huh, uh huh. Take a look at these images and tell me you don't agree.Ohba designed performance outfits for all the J-rock giants: I'm talking Malice Mizer, Kamijo, D'espairsRay. Such vision, such attention to detail! Above are her designs for
Sí, eso!!!… ¿y qué pasa?, ¿qué puede pasar? ¿Cuántas veces damos el 100% y a pleno rendimiento?, ¿cuántas veces nos encontramos en la vorágine del “non-stop”? ¿Y qué pasa si ahora se necesita, parar, pensar, sentir??, ¿no es acaso también estar a pleno rendimiento? ¿Qué es lo que no nos estamos permitiendo?, ¿qué ritmo nos obligamos a llevar?, ¿para llegar a dónde?, ¿para llegar a qué???, ¿dónde queremos estar??, ¿cuál es nuestro objetivo final?? Pues…. muchas veces ni lo sabemos, no sabemos cuál es nuestro fin, nos ponemos a hacer y hacer y nos olvidamos del SER o ESTAR. La totalidad de la persona se compone del SER/ESTAR y de la ACCIÓN. Muchas cosas se nos pasan por alto cuando estamos únicamente en la ACCIÓN. Se resta importancia al SER o ESTAR cuando es desde ahí que viene todo nuestro impulso. Voy a tratar de explicarme un poco mejor. Si yo conozco realmente quién soy, y con esto me refiero a conocer MIS propios valores, mis fortalezas, qué habilidades tengo, qué me hace enfurecer, qué tira de mí hacia delante, qué es lo que me inspira o quiénes me inspiran –qué habilidades tienen para que sean admirables para mí- qué cosas se me dan bien, qué cosas o actitudes deseo mejorar… , conociendo esto de mí, es mucho más fácil que mis acciones vayan en consonancia conmigo, con quien soy, y esto va a hacer que lleve una vida más satisfactoria; y esto no quiere decir que ya no se sufra más, que ya no vaya a venir ningún mal a nuestras vidas, sino que lo tomaremos de otra forma, desde la consciencia, sin esa ansiedad de querer salir a toda costa de ahí. Un amigo, coach también y que considero una persona sabia y coherente, me dijo hace varios meses: “sabes, realmente el secreto de la felicidad está en SENTIR!” Desde entonces esa palabra: SENTIR, ronda por mi cabeza para todo lo que hago y en todas las situaciones que paso. ¡Eso es fluir!!, ¡eso es dejarme llevar!! Desde ese fluir, todas las acciones cobran significado, salen desde el SER y se ESTÁ presente en la situación. Si sientes –SENTIR –, estás presente en el momento –ESTAR- y sabes quién eres –SER-, entonces, tus ACCIONES cobrarán sentido y disfrutarás mucho más del camino. ;-) Adelante… Conócete y SIENTE!!!
To think any one of these lifeforms exists in our galaxy, let alone on our planet, simply boggles the mind. Photographer Steve Axford lives and works in the Northern Rivers area of New South Wales in Australia where he spends his time documenting the living world around him, often traveling to remote locations to seek out rare animals, plants, and even people. But it’s his work tracking down some of the world’s strangest and brilliantly diverse mushrooms and other fungi that has resulted in an audience of online followers who stalk his work on Flickr and SmugMug to see what he’s captured next. More
Визуальный английский.#visual@english_is_fun
The Sims (2000) and The sims 2 (2004) ads.
What makes life worth living? “Food, sex and irony”. The renowned Italian artist Enrico Robusti knows exactly how to portray life’s pleasures and human vice in
Actress Maria Germanova in character as a fairy for the 1908 stage production of ‘The Blue Bird.’ The captivating images of actors in full costume and character for a performance of The Blue Bird are apparently the only extant visual reminders of the play as it premiered, originally directed by Konstantin Stanislavski in 1908 at Moscow Art Theatre. Written by Belgian playwright and poet Maurice Maeterlinck, it has had many adaptations throughout the decades since, most notably the 1940 film by director Walter Lang who cast a twelve-year-old Shirley Temple as an irritable child who, with her brother, set out in search of the Bluebird of Happiness. The intention of 20th Century Fox was to give the smash The Wizard of Oz a run for its money, but it was a dismal box office failure. To its credit, the film would later be nominated for two Academy Awards for Best Cinematography and Best Visual Effects. Another notable adaptation would come in 1976 when director George Cukor would try his had at another remake of the film this time with starring Elizabeth Taylor. Though it was packed with star power—including Jane Fonda and Ava Gardner—it was a twelve million dollar flop. At...
