George Younce sings Side By Side a love story about an elderly couple's honeymoon. Try not to shed a tear as George shares his feelings side by side.

Image size: 8.0 X 5.0 inches. Signed and dated in pencil and annotated with title, printed on felt-finish, cream wove Rives paper, 1.5 - 2.0 inch margins. Fine condition, some smudging with Kyra's fingerprints in printing. Free shipping to US address. Note: Kyra Markham (1891–1967) was an actress, figurative painter and printmaker. Markham was briefly married to the architect Lloyd Wright, and five years later, married the scenographer David Stoner Gaither. She worked for the Federal Arts Project, creating works of social realism that documented American life in the 1930s. During World War II, her art was focused on the propaganda effort against the Nazis. Markham was born Elaine Hyman in Chicago, Illinois. She studied drawing at the Chicago Art Institute from 1907 to 1909, and subsequently worked as a muralist and printmaker. In addition to her work as an artist, Markham was an accomplished actress. She appeared with the Chicago Little Theater from 1909 to the 1920s, with the Provincetown Players from 1916, and in movies in Los Angeles. She lived with the author and playwright Theodore Dreiser in Greenwich Village from 1914-1916, helping him with his writing, editing, and typing. Through Dreiser she became acquainted with H.L Mencken, Edgar Lee Masters, and other writers. Due to Dreiser’s womanizing tendencies, Markham left him in 1916 and moved to Provincetown to escape his desperate pleas of reconciliation. While there, Markham continued acting alongside George Cram Cook, Susan Giaspell, and Eugene O’Neill, who founded the Provincetown Playhouse. During this early stage, Markham supported herself by making bookjackets and illustrations, and later working as an art director for film companies like Fox and Metro. In 1922 she married the architect Lloyd Wright and briefly had Frank Lloyd Wright as a father-in-law. In 1927, she married David Gaither and collaborated with him on the set design for a children's play, The Forest Ring, staged at the Roerich Museum Theatre in 1930. Gaither encouraged Markham to pursuit "her first love, painting." Markham returned to the Art Students League in New York City in 1930, where she studied with Alexander Abels.[6] Before the stock market crash, Markham was a successful bathroom muralist. From the 1920s until the Depression she obtained commercial commissions from clubs and restaurants. During the 1930s, Markham's artistic career began to gain momentum, regularly winning prizes for her lithographic work. In 1934, Markham organized her first solo exhibition in Ogunquit, Maine, featuring prints, murals and lithographs. Markham created works of social realism depicting street beggars, musicians, actors and scenes from department stores. In recognition of her work, Markham received the prestigious Mary S. Collins Prize at the Philadelphia Print Club's annual exhibition the following year for her lithograph Elin and Maria (1934). Markham sold work to the Whitney Museum of American Art, the Library of Congress and the Metropolitan Museum of Art. From 1935 to 1937, she worked in the Graphic Arts Division for the Federal Arts Project, a New Deal program designed to provide employment for artists during the Depression. The Hall of Inventions at the 1939 World's Fair in New York included 40 dioramas by Markham. During World War II she created propaganda satirizing the Nazis and promoting patriotism at home. In 1946 Markham and Gaither moved to Halifax, Vermont. Markham stopped making prints after moving to her new Vermont farm, but continued to work in more accessible mediums such as painting and drawing. She was a member of the Southern Vermont Artists Associated and participated in their annual exhibitions in Manchester. Over the next twenty years she sold her designs to a postcard company, American Arts, Inc., and had her prints published in prestigious publications. Markham also worked as an illustrator for Children’s books during this time. Markham moved to Port-au-Prince in Haiti as a widow in 1960. She was still enthusiastic for her work, and her later work reflected Markham's new home. While living in Haiti, Markham continued to paint and established a salon for local celebrities, American expatriates, and island visitors. Markham died in Port-au-Prince, Haiti in 1967. In the time between the two World Wars, American Scene printmakers, like Markham, opposed the Etching Revival style and instead embraced lithography. During the Great Depression, lithography exploded – the WPA/FAP alone published roughly 240,000 prints from 11,285 original images. Like Markham, many other artists working in this style, such as Mabel Dwight, Reginald Marsh, Elizabeth Olds, Caroline Durieux, and Russell Limbach, used lithography as a vehicle to employ humor and satire of daily life. Often categorized as social realism, Markham’s work presents extracted scenes from everyday life in a dramatic manner, turning the ordinary into the extraordinary. Markham’s work explored the incredible and grim aspects of modern society with a strong interest in labor themes, like much of the socially concerned art of the 1930s. This examination of labor roles was especially vital during Depression-era politics, and Markham often expressed this theme through the environment she knew best: theater. A repeated theme in Markham’s work, theater is presented in several prints through the unique perspective of the backstage.[8] Although similar in subject matter to Mabel Dwight’s Houston Street Burlesque (1928) and Elizabeth Old’s Burlesque (1939), Markham’s Burlycue (1938) differs by focusing on the dancers identities as workers, rather than as objectified figures. Markham emphasizes the dancers confidence, workplace solidarity, and relaxed interactions – allowing viewers to see the Burlesque in a new light and shifting the mood from tantalizing to lighthearted amusement. Although many of her prints depict scenes of entertainment, whether backstage in the dressing room or performing under the spotlight, Markham is also interested in other leisure activities such as attending lively night clubs and social gatherings. Often evoking a dream-like state, Markham’s use of light, combined with detailed realism, results in fantastical compositions of daily life . Similarly to Paul Cadmus and George Tooker, Markham injected fantasy into the social realist genre. References: https://en.wikipedia.org/wiki/Kyra_Markham http://americanart.si.edu/collections/search/artwork/results/index.cfm?rows=10&q=&page=1&start=0&fq=name:%22Markham%2C%20Kyra%22

IN 2014, a surveillance camera caught the abduction of then-22-year-old Carlesha Gaither while she was walking home. Now Lifetime is releasing a movie of the troubled incident — here’s everyt…

Guy Penrod is a gospel music singer, who is mostly known for his work as the lead singer of the Gaither Vocal Band, a position he held from 1994 to 2008. Guy Penrod Penrod in 2013 Background information Born July 2, 1963 (age 51) Abilene, Texas Origin Lynchburg, Virginia Genres Christian, southern gospel Occupation(s) Singer Instruments Vocals Years active 1988–present Associated acts Gaither Vocal Band Gaither Homecoming is the name applied to a series of videos, music recordings and concerts, which are organized, promoted and usually presented by Christian music songwriter and impresario Bill Gaither. To date, the Gaither Homecoming title is applied to more than 60 videos, dozens of music recordings, and an annual concert tour that drew more than half a million fans in 2004 (the most recent year for which statistics are available). David Phelps, Gordon Mote, Bill Gaither (left to right) in April 2009 Gaither Vocal Band Gaither Vocal Band, 2014 Background information Also known as New Gaither Vocal Band (1981–1984) Genres Christian, southern gospel, contemporary Christian Years active 1981–present Labels Spring Hill Music Group Associated acts Larnelle Harris, Russ Taff, Steve Green, Ernie Haase & Signature Sound, Mark Lowry Website Gaither Vocal Band Members Bill Gaither David Phelps Wes Hampton Adam Crabb Todd Suttles The Gaither Vocal Band is an American southern gospel vocal group, named after its founder and leader Bill Gaither. As of February 2014, it consists of David Phelps, Wes Hampton, Adam Crabb, Todd Suttles, and Bill Gaither. Although the group started out recording contemporary Christian music in the 1980s, it became known for southern gospel after the popularity of the Gaither Homecoming videos.[1] Beginnings On February 19, 1991, the Gaither Vocal Band had just wrapped up a recording session in a Nashville, Tennessee, working on an album called Homecoming, which featured many of the great voices of southern gospel music: The Speers, the Gatlins, Jake Hess, The Cathedrals, Howard & Vestal Goodman, Buck Rambo, Eva Mae Lefevre, James Blackwood, Hovie Lister, Jim Hill, and J.D. Sumner & The Stamps. After the session, the artists stayed around to chat, swap stories and sing old standards around the piano. The impromptu session was recorded on video and later published. The recording was so well received that Gaither began a series of professionally-produced videos with larger gatherings of gospel musicians. Format The format for almost all of the videos in the series is very similar. A studio set or concert stage is home to a group of several dozen singers, with the front row featuring artists with longstanding and legendary careers in Southern Gospel music. They would be joined by younger artists, some of them up-and-coming acts in the Gaither Music Group publishing stable. Gaither would lead the group in several songs, with soloists and groups featured in additional songs. Comments by veteran singers, who would reminisce about their careers, are a staple of the series. In later videos, the inevitability of death found its way into the videos, as segments remembering artists who had died since the previous taping were featured. Most videos also have accompanying CDs which can be purchased in a set or separately. The videos and CDs regularly top sales charts, even many years after the series' inception and after the death of many favorite artists. The most recent videos, Gaither Homecoming Tour: Live From Toronto and Canadian Homecoming, were first and third, respectively, on Billboard's music video chart, and the companion CDs also hit the CCM charts. [1] More recently, the 2007 recording of "How Great Thou Art" was nominated for a Dove Award. Concert series In 1996, the video series gave birth to a concert tour, with a format similar to the videos but usually performed "in the round" in arenas. The concert dates are normally on Fridays and Saturdays, usually in separate cities. In 2004, the Gaither Homecoming concert tour ranked 16th in Pollstar rankings of all tours, beating out pop music heavyweights such as Elton John, Fleetwood Mac and Rod Stewart.[1] Television series The video series is repackaged into a series of hour-long or half-hour-long television shows. They can be found on the following Christian or family-oriented cable/satellite channels. (There is also an Internet TV channel – gaither.tv) In the U.S. Christian Television Network (CTN) PBS (titled Classic Gospel) RFD-TV TBN (titled Precious Memories) TCT Total Living Network (TLN) TNN In Canada CTS Grace TV Miracle Channel VisionTV Cruises The Gaither Homecoming series has branched out into twice-yearly cruises. One cruise normally sails to Alaska in September, and the other to tropical ports in February. It was on one of these cruises, in 2006, where regular pianist Anthony Burger, a longtime favorite of the Homecoming series, collapsed on-stage as a result of a heart attack while accompanying Gaither, his wife Gloria and the rest of the Homecoming Friends. In 2009, for the first time, a Homecoming cruise was recorded for DVD/CD release. Alaskan Cruise Homecoming was released in January 2011. Source:Wikipedia.org Somebody Come and Play In the Traffic With Me! Earn as You Learn, Grow as You Go! The Man Inside the Man from Sinbad the Sailor Man A JMK's Production [email protected] Sinbadthesailorman.info Sinbadthesailorman.com Sinbadthesailorman.net Sinbadthesailorman.org Share this page, If you liked It Pass it on, If you loved It Follow Me! Delicious | Digg | Newsvine | Reddit | StumbleUpon | Twitter TTFN CYA Later Taters! Thanks for watching. Donnie/ Sinbad the Sailor Man Somebody Come and Play in "Traffic" with me. If you would like to "Join" A Growing Biz Op! Here is Your Chance to get in an Earn While You Learn to Do "The Thing" with us all here at Traffic Authority. Simply click this link and Grow as you Go Come and Play In Traffic With Me and My Team at Traffic Authority! P.S. Everybody Needs Traffic! Get Top Tier North American Traffic Here!

Rory writes: This past weekend, Indy and I went home to Indiana…without Joey. It was the first time that we’d been back there, since my wife’s passing in early March. I was excited and nervous about the trip at the same time. Part of me wasn’t ready to go back. Not yet. But another part...