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geela lehsun chutney recipe | Mumbai street food lehsun chutney | wet red garlic chutney for roadside food | with 8 amazing images. geela lehsun chutney is a must-have ingredient if you wish to recreate the magic of Mumbai’s street food! geela lahsun ki chutney combines wonderfully with plain and simple dishes like bajra rotla and jowar roti. Made with garlic and chilli powder, this pungent geela lehsun chutney is quick and easy to make, and lends its vibrant flavour to classic roadside recipes like pav bhaji and bhel puri. Handy tips : You can make a batch of this geela lehsun chutney and store it in an airtight container for at least a week. Enjoy how to make geela lehsun chutney recipe | Mumbai street food lehsun chutney | wet red garlic chutney for roadside food | with detailed step by step photos.
The Ultimate Guide with 50+ Jain Recipes for Paryushan! Be it Jain recipes for breakfast or main-course or parna, be it curries, rice or paratha's, or be it snacks, this will be your ultimate guide.
Health advocate Stephen Lewis called on the federal government to provide more help for Nunavut's on-going tuberculosis crisis. The incidence of TB among Inuit is 277 times higher than among non-Indigenous Canadians born in the country.
With 2017 coming to an end, we looked back at your best user-submitted photos of the year. Many more are deserving, but here are the 10 best from across the North, plus 20 honourable mentions, as chosen by CBC North.
A simple tweet asking for school supplies led to another tweet that got the attention of Canadian actor Ryan Reynolds and a donation of 300 Canada Goose parkas and other winter wear for children in Arctic Bay.
Pangnirtung Tapestries are characterized by a unique collaboration between artist and weaver. The images used in the tapestries begin as drawings commissioned from local artists. These are interpreted by the weaver, who will select the size, colour and composition of the image as it will be expressed in wool fibre. The weaver may refer back to the artist for confirmation, but will make the critical artistic choices which will determine the final appearance of the tapestry. Woven Tapestry Approx. 31.5 x 43.5" Geela Keenainak of Pangnirtung began the art of weaving in 1981, making small sashes to put on women’s parkas. In the next 21 years, she became a master at the loom, weaving images of animals and landscapes onto large wall hangings. Elisapee Ishulutaq (Inuktitut: ᐃᓕᓴᐱ ᐃᓱᓗᑕᖅ, 1925 – 2018) recipient of the 2014 Order of Canada, was a renowned artist whose drawings, paintings and sculpture offer recollections of traditional life often contrasted with her experiences and issues of the contemporary world. Ishulutaq's work was driven by a narrative thread that paired traditional ways of life, before settlements, alongside contemporary social and environmental issues affecting Inuit across the North. She was born in 1925 at Kagiqtuqjuaq, a small seasonal camp in the Northwest Territories and moved to Pangnirtung, NU in the late 1960s where she began her artistic practice. She is among the first artists to make prints with the Pangnirtung Co-operative, now the Uqqurmiut Centre for Arts & Crafts.
Pangnirtung Tapestries are characterized by a unique collaboration between artist and weaver. The images used in the tapestries begin as drawings commissioned from local artists. These are interpreted by the weaver, who will select the size, colour and composition of the image as it will be expressed in wool fibre. The weaver may refer back to the artist for confirmation, but will make the critical artistic choices which will determine the final appearance of the tapestry. Woven Tapestry Approx. 31.5 x 43.5" Geela Keenainak of Pangnirtung began the art of weaving in 1981, making small sashes to put on women’s parkas. In the next 21 years, she became a master at the loom, weaving images of animals and landscapes onto large wall hangings. Elisapee Ishulutaq (Inuktitut: ᐃᓕᓴᐱ ᐃᓱᓗᑕᖅ, 1925 – 2018) recipient of the 2014 Order of Canada, was a renowned artist whose drawings, paintings and sculpture offer recollections of traditional life often contrasted with her experiences and issues of the contemporary world. Ishulutaq's work was driven by a narrative thread that paired traditional ways of life, before settlements, alongside contemporary social and environmental issues affecting Inuit across the North. She was born in 1925 at Kagiqtuqjuaq, a small seasonal camp in the Northwest Territories and moved to Pangnirtung, NU in the late 1960s where she began her artistic practice. She is among the first artists to make prints with the Pangnirtung Co-operative, now the Uqqurmiut Centre for Arts & Crafts.
