Superior craftsmanship and elegant bronzework characterize this tambour front rolltop writing desk by François Linke, the most important French ébéniste of his time. Linke is celebrated for designing highly innovative furnishings by infusing the Rococo style with the Art Nouveau trends of Paris, and this Louis XV-style desk exemplifies his highly original style. Beautifully embellished with Linke's trademark doré bronze mounts and rich inlay, this desk is exemplary of the famed ébéniste's innovative interpretations of the lavish Rococo style. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses of Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. A similar desk is pictured in François Linke: The Belle Epoque of French Furniture by Christopher Payne. Stamped "Ct. Linke/Serrurerie/Paris" beneath lock plate and signed "F. Linke" on an exterior bronze mount Late 19th century 35" wide x 20 1/4" deep x 39 1/2" high
Great size for under kitchen cabinet or secretary desk. Antique Victorian, arts and crafts, art nouveau style silver plated lamp with gold silk pleated shade that clips onto the bulb. less
Superior craftsmanship and elegant bronzework characterize this tambour front rolltop writing desk by François Linke, the most important French ébéniste of his time. Linke is celebrated for designing highly innovative furnishings by infusing the Rococo style with the Art Nouveau trends of Paris, and this Louis XV-style desk exemplifies his highly original style. Beautifully embellished with Linke's trademark doré bronze mounts and rich inlay, this desk is exemplary of the famed ébéniste's innovative interpretations of the lavish Rococo style. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses of Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. A similar desk is pictured in François Linke: The Belle Epoque of French Furniture by Christopher Payne. Stamped "Ct. Linke/Serrurerie/Paris" beneath lock plate and signed "F. Linke" on an exterior bronze mount Late 19th century 35" wide x 20 1/4" deep x 39 1/2" high
Superior craftsmanship and elegant bronzework characterize this tambour front rolltop writing desk by François Linke, the most important French ébéniste of his time. Linke is celebrated for designing highly innovative furnishings by infusing the Rococo style with the Art Nouveau trends of Paris, and this Louis XV-style desk exemplifies his highly original style. Beautifully embellished with Linke's trademark doré bronze mounts and rich inlay, this desk is exemplary of the famed ébéniste's innovative interpretations of the lavish Rococo style. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses of Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. A similar desk is pictured in François Linke: The Belle Epoque of French Furniture by Christopher Payne. Stamped "Ct. Linke/Serrurerie/Paris" beneath lock plate and signed "F. Linke" on an exterior bronze mount Late 19th century 35" wide x 20 1/4" deep x 39 1/2" high
About Modern Art Deco design desk in white oak leaf and gold metal details 44 office desk 44 office desk fuses elements of surrealism vibes with an Art Deco style. The luxury desk is the ultimate edition for director offices of sophisticated chic. Materials: Top in white oak leaf; exterior and interior drawers in gloss walnut leaf; Panel in gloss white oak leaf; structure and metal details in gold polished stainless steel. Dimensions: Width: 250 cm 98,4 in – Depth: 120 cm 47,2 in – Height: 80 cm 31,5 in About Hommés: HOMMÉS was born from a skilled merge of visionary identities, with distinctive perspectives of design, art, fashion, and cultures. Our brand's life motto is introducing an Haute Couture concept in the Interior Design industry. Introducing a nouveau Haute Couture Interiors concept, presenting spaces with bold and unique identities. We have focused on the in-depth study of different interior trends throughout the 20th and the 21st century, paying particular attention to how they can fit contemporary spaces. We Craft our own identity with precision, challenging the interior's boundaries to the limit with that purpose in mind. Our design pieces are a tribute to craftsmanship, honoring the art of creating soulful products with handmade techniques. Customization OptionsFor more customizable options contact us through the message center. Request Customization
💥RARE TO FIND ONE AND ONLY ONE PIECE 💥 A bureau plat desk, in its most basic definition, is a flat-topped writing desk that’s supported by four legs and designed in ornate French styles, like Art Nouveau or Louis XVI. Most bureau plat desks have one shallow central drawer, as well as corresponding drawers at either side. Bureau plat desks are also referred to as leg desks. By taking one look at this writing desk, you’ll already be able to tell that its construction required a master craftsman. Dimensions 62.9 W x 35.4 D x 32.2 H in ——————————————————————————— ℹ️ Dimensions : 62.9“ W x 32.2” H x 35.4 “ Depth ℹ️ Up to 45 days process Time ❗️SHIPPING AND RETURNS ❗️ ✅Free shipping ✅ All items are shipping insured ✅Third party shipping providers assigned so please ensure checking package if there’s any damages REFUSE to receive and contact us ASAP ✅ All Products are HAND MADE ✅Bulk Orders accepted ✅PLEASE REACH OUT for any questions, Happy to help 🔥PLEASE BE ADVISED THAT WE CUTSOM MADE ANY PIECE 🔥 ⭐️You get to choose dimensions/Colors / fabrics as you prefer ⭐️
Superior craftsmanship and elegant bronzework characterize this tambour front rolltop writing desk by François Linke, the most important French ébéniste of his time. Linke is celebrated for designing highly innovative furnishings by infusing the Rococo style with the Art Nouveau trends of Paris, and this Louis XV-style desk exemplifies his highly original style. Beautifully embellished with Linke's trademark doré bronze mounts and rich inlay, this desk is exemplary of the famed ébéniste's innovative interpretations of the lavish Rococo style. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses of Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. A similar desk is pictured in François Linke: The Belle Epoque of French Furniture by Christopher Payne. Stamped "Ct. Linke/Serrurerie/Paris" beneath lock plate and signed "F. Linke" on an exterior bronze mount Late 19th century 35" wide x 20 1/4" deep x 39 1/2" high
Superior craftsmanship and elegant bronzework characterize this tambour front rolltop writing desk by François Linke, the most important French ébéniste of his time. Linke is celebrated for designing highly innovative furnishings by infusing the Rococo style with the Art Nouveau trends of Paris, and this Louis XV-style desk exemplifies his highly original style. Beautifully embellished with Linke's trademark doré bronze mounts and rich inlay, this desk is exemplary of the famed ébéniste's innovative interpretations of the lavish Rococo style. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses of Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. A similar desk is pictured in François Linke: The Belle Epoque of French Furniture by Christopher Payne. Stamped "Ct. Linke/Serrurerie/Paris" beneath lock plate and signed "F. Linke" on an exterior bronze mount Late 19th century 35" wide x 20 1/4" deep x 39 1/2" high
Superior craftsmanship and elegant bronzework characterize this tambour front rolltop writing desk by François Linke, the most important French ébéniste of his time. Linke is celebrated for designing highly innovative furnishings by infusing the Rococo style with the Art Nouveau trends of Paris, and this Louis XV-style desk exemplifies his highly original style. Beautifully embellished with Linke's trademark doré bronze mounts and rich inlay, this desk is exemplary of the famed ébéniste's innovative interpretations of the lavish Rococo style. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses of Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. A similar desk is pictured in François Linke: The Belle Epoque of French Furniture by Christopher Payne. Stamped "Ct. Linke/Serrurerie/Paris" beneath lock plate and signed "F. Linke" on an exterior bronze mount Late 19th century 35" wide x 20 1/4" deep x 39 1/2" high
Desk, mahogany, ebony, white gold gilding, silk, Sir Edward Maufe, Britain, 1925
About Exhibited: Moscow Kremlin, 2001 Published: this particular box is illustrated in W.A. BOLIN COURT JEWELLER, page 187, Nr. 151. Provenance: Ex-private collection Sweden, Ex-private collection USA. This superb gold mounted amazonite small box by the firm of Bolin, jeweler of the Tsarist Court, was made in Moscow between 1899 and 1908. The body is carved from a single piece of amazonite and applied with stylized finely chased gold trees in Art Nouveau taste. The gold trees are set with tiny rubies and rose-cut diamonds. Marked with 56 zolotnik old Russian gold standard (14K ), initials 'I.F' for workmaster Ivan Antonovich Flink, and Moscow assay stamp with initials of Ivan Lebedkin. Original Bolin's scratched inventory number 9179. Height 1 3/4 in. (4,2 cm).
Eugenio Quarti (Desk , chair and Trash ) Style: Liberty or Art Nouveau or Modernism or Jugendstil Furniture realized mainly in inlays of nacre and metallic applications, parchament bronze ferrules. Eugenio Quarti was born in Villa d'Almè, a small village in the province of Bergamo, from an artisan family of woodworkers. In 1881, at the age of 14 years old he goes to Paris, where he will learn new techniques and broaden his horizons. In 1886, he returned to Italy and settled in Milan where he worked, for a short period, with Carlo Bugatti and then open his own workshop in via Donizetti 3. His early works are strongly marked by Bugatti Moorish’s style, but already the exhibition of Turin of 1898 you can see the first signs of Art Nouveau and his personal style. He was always attentive to the quality and originality of his accomplishments, always attentive to every art form. Furniture realized mainly in walnut with inlays of nacre and metallic applications. Develop over time a harmonic elegance of the decor, with thread-like grounds, valuable wood species and inlays and high quality bezels with fine materials (nacre, silver, copper, bronze, pewter, etc.), this characteristic was called "the goldsmith of furniture makers." In 1900 he participates at the Paris International exposition where he received the "Grand Prix" of the jury. Will participate in a number of other exposures as that of Turin in 1902 and Milan in 1906 where he will receive the "Grand Royal Award" and the "Diploma of gold medal". Eugenio Quarti worked with the most prestigious architects of his time (Giuseppe Sommaruga, Luigi Broggi, Alfredo Campanini, etc.) well as with the great artists/craftsmen of his time as Alessandro Mazzucotelli. He also worked as a decorator, designing entire furniture for both public and private buildings. It was he who designed the furniture for Palazzo Castiglioni in Milan, Villa Carosio in Baveno, Grand Hotel and Casino in San Pellegrino Terme, Hungaria Palace Hotel in Venice Lido. One of his most significant works were the vessels of the "Bar Camparino", at the entrance site of the Galleria Vittorio Emanuele in Milan. however not disdain also committed less important such as the furniture for Villa Mariani to Bordighera residence of the painter Pompeo Mariani. To its activities before cabinetmaker, decorator and then also join a teaching and become Director of applied art workshop for timber, the Company Umanitaria He was, without doubt, one of the great Italian cabinetmakers of the twentieth century, and some of his furniture is exhibited in various museums around the world, including the Museum of Decorative Arts of Castello Sforzesco in Milan, the Orsay Museum of Parigi, the Wolfsonian Museum Miami, etc. At his death in 1929. We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we are at your disposal Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Bueno Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1986, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of high society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th century to the mid-20th century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest community of Italians outside of Italy, as it is estimated that 70 percent of the inhabitants have at least one Italian descendant, followed by Spanish immigrants. The most Important furniture stores in Argentina: Comte is founded in 1934 (under the direct management of Jean Michel Frank in 1940). Nordiska (Swedish company established in 1934). Churba in 1960, a company that brought foreign designers to present their furniture in the country: Denmark: (Arne Jacobsen, Finn Juhl, Bender Madsen, Ejner Larsen, Poul Kjaerholm, Hans Wegner) Sweden: (Hans Agne Jakobsson, Gustavsberg) United States: (Herman Miller) Finland: (Lisa Johansson, Folke Arstrom, Tapio Wirkkala, Alvar Aalto, Timo Sarpaneva) Swedish Factory: (Orrefors) Italy: (Littala, Vico Magistretti, Emma Gismondi, Gae Aulenti, Angelo Mangiarotti, Elio Martinelli, Gianna Celada, Angelo Mangiarotti, Mario Bellini, Carlo Scarpa) Finland: (Olivia Toikka) Plata Lappas (Lappas Silver): a goldsmith shop founded in 1887 in Argentina by Alcibiades Lappas of Greek origin. In 2019, in Argentina took place “the Art Deco world congress”, in which we participated as hosts invited by Geo Darder, founder of the Copperbridge – Foundation, in which prominent people from all over the world attended to learn about Art Deco in Argentina. Argentina currently has more than 100 Art Deco buildings and another 90 Art Nouveau buildings throughout the city of Buenos Aires. Argentina is a country that has not been involved in many wars, which is why
Wrought in Syracuse: Onondaga Metal Shops and Benedict Art Studios Click here to learn more about Dalton's American Decorative Arts & Antiques as well as browse items for sale.
Antique Square Pressed Glass Ink Well, Gold Tone Metal Collar on Ornate Ormolu Tray, Art Nouveau Library, Desk Set, Office Decor This stunning gold-tone, pressed tin tray, with ornate flowers, scalloped shell and scroll decoration, holds a solid glass inkwell, soldered into the tray. It cannot be removed. There is a hollow cylinder for ink in solid glass cube, with beveled edges. The hinged lid of the well is missing. Otherwise, the pressed glass bottle is clear, without nicks or chips, gilded metal tray and collar are in very good antique condition. Some patina. Please see all photos, as they are considered part of the description. 7 1/2" x 4 1/2" x 2 1/8"
About Modern Art Deco design desk in white oak leaf and gold metal details 44 office desk 44 office desk fuses elements of surrealism vibes with an Art Deco style. The luxury desk is the ultimate edition for director offices of sophisticated chic. Materials: Top in white oak leaf; exterior and interior drawers in gloss walnut leaf; Panel in gloss white oak leaf; structure and metal details in gold polished stainless steel. Dimensions: Width: 250 cm 98,4 in – Depth: 120 cm 47,2 in – Height: 80 cm 31,5 in About Hommés: HOMMÉS was born from a skilled merge of visionary identities, with distinctive perspectives of design, art, fashion, and cultures. Our brand's life motto is introducing an Haute Couture concept in the Interior Design industry. Introducing a nouveau Haute Couture Interiors concept, presenting spaces with bold and unique identities. We have focused on the in-depth study of different interior trends throughout the 20th and the 21st century, paying particular attention to how they can fit contemporary spaces. We Craft our own identity with precision, challenging the interior's boundaries to the limit with that purpose in mind. Our design pieces are a tribute to craftsmanship, honoring the art of creating soulful products with handmade techniques. Customization OptionsFor more customizable options contact us through the message center. Request Customization
Antique Square Pressed Glass Ink Well, Gold Tone Metal Collar on Ornate Ormolu Tray, Art Nouveau Library, Desk Set, Office Decor This stunning gold-tone, pressed tin tray, with ornate flowers, scalloped shell and scroll decoration, holds a solid glass inkwell, soldered into the tray. It cannot be removed. There is a hollow cylinder for ink in solid glass cube, with beveled edges. The hinged lid of the well is missing. Otherwise, the pressed glass bottle is clear, without nicks or chips, gilded metal tray and collar are in very good antique condition. Some patina. Please see all photos, as they are considered part of the description. 7 1/2" x 4 1/2" x 2 1/8"
New this spring at the V&A - the delights of Art Deco
This magnificent inkwell is gold gilt bronze and the faces of two maidens and sleek curvilinear lines of Art Nouveau pieces.
Vintage Inkwell ITALY Solid Brass Art Nouveau Rococo, Gold Brass Desk Organizer Fancy Brass Scroll Cherubs Double Inkwell Office Decor ♥ Gorgeous antique solid brass desk organizer featuring fancy open work scrolls with angels and cherubs, two lidded ink containers with removable brass cups, a mail/stationary holder, and a frontal tray to hold pens. An old sticker on the bottom reads "Made in Italy" ♥ Measures approx. 11-1/2" long, 8" deep, 7-1/2" tall ♥ Very good condition with lovely warm patina on the brass and a touch of verdigris. Both removable inkwell liners (cups) are present. Inkwell hinges are strong and work well. Comes unpolished, as seen in the photos. Please review the pictures. ♥ A highly collectible and decorative piece for your home or office, a prized addition to your collection and a stunning gift! Buy with confidence and enjoy! ♥ Packed carefully, insured and shipped promptly - GUARANTEED ♥
Antique desk calls for an Antique French Ink and Pen holder. Depose Brass, Ornate Art Nouveau Inkwell, Elegant Desk Organizer Heavy Antique European Brass The actual glass inserts are not there. Easy to replace J. H Depose #120 Great condition Very old probably still from end 1800
Style: Tripod Lamp Brighten up any room with this custom table lamp from Lamp-In-A-Box. Personalize the lamp shade with original artwork, photography, or bold graphics to create a statement piece that will add instant style to your home decor. Choose your trim and shade material for a special, one-of-a kind home or office accent. Dimensions: 7" W (Shade) x 11" H; 2 lbs Choose from film polyester, rice paper, or linen lamp shades Base is sturdy & light-weight, includes non-scratch rubber bottoms Printed with state-of-the-art 14 color vibrant printing with fade resistant ink 120 Volt; Up to 60-watt incandescent light bulb (light bulb not included) Includes a 6' Power Cord, 2-prong USA plug Proudly made in the USA This product is recommended for ages 14+ Designer Tip: To ensure the highest quality print, please note that this product's customizable design area measures 8.9"x 22". For best results please add 3/4" bleed. /!\ WARNING: CHOKING HAZARD – Small parts. Not for children under 3 yrs.
Exhibited: Moscow Kremlin, 2001 Published: this particular box is illustrated in W.A. BOLIN COURT JEWELLER, page 187, Nr. 151. Provenance: Ex-private collection Sweden, Ex-private collection USA. This superb gold mounted amazonite small box by the firm of Bolin, jeweler of the Tsarist Court, was made in Moscow between 1899 and 1908. The body is carved from a single piece of amazonite and applied with stylized finely chased gold trees in Art Nouveau taste. The gold trees are set with tiny rubies and rose-cut diamonds. Marked with 56 zolotnik old Russian gold standard (14K ), initials 'I.F' for workmaster Ivan Antonovich Flink, and Moscow assay stamp with initials of Ivan Lebedkin. Original Bolin's scratched inventory number 9179. Height 1 3/4 in. (4,2 cm).
About An exceptionally rare objet d'art, this opulent and incredibly rare French miniature clock is crafted of solid 18-karat gold and jade. Crafted by Parisian jeweler Paul Frey and retailed by Gompers, this handcrafted masterpiece is exemplary of the Art Nouveau aesthetic, boasting exquisite gold mounts hand-cast with unmistakable Gothic elements, including gargoyles and grotesque figures, accentuated by intricate foliate motifs. The resplendent, rich green jade column provides the perfect contrast; gracefully twisting in an elegant display of beauty and craftsmanship. The vast majority of such luxurious objects were composed of gilt bronze, making 18K gold specimen an exceptional rarity of French decorative art. Renowned for his innovative designs, French jewelry designer and manufacturer Paul Frey were a leading name in the creation of high Art Nouveau jewelry. His superlative workmanship was masterfully combined with the most luxurious materials such as precious stones and metals. Frey's unparalleled creations earned him great prestige, especially at the great International Exhibitions, including his winning of the silver medal at the Exhibition Universelle in 1900 and the Gold Medal at the Milan exhibition of 1906. This clock bears the "PF" makers mark for Paul Frey and is signed "GOMPERS PARIS" on the reverse. Several mounts bear the assay mark of the Greek physician's head in a hexagon, indicating it was crafted between 1838-1919 in Paris of 18K gold. The original protective case that accompanies this objet d'art contains a pocket holding the winding key and bears the gold labeling "GOMPERS / Joaillier / 28 Place Vendôme / PARIS / MONTE CARLO / AIX LEX BAINS / Deauville" Late 19th to Early 20th Century Measures: Clock 2" wide x 2" deep x 5 3/8" high Case 3 1/2" wide x 4" deep x 8" high.
About An Austrian Art Nouveau cast bronze and glass decorated Sunflower Desk Lamp decorated with a blue iridescent decorated shade with white applied decoration with in a cast and gilt bronze sunflower decorated lamp base. The shade when illuminated is in a turquoise - watery blue with gold-yellow shining through. The lamp is circa 1900
🌙Add a touch of celestial magic to your workspace with our Art Nouveau Moon Phase Desk Mat!🌙 Elevate your desk with this exquisite desk mat featuring three oval frames with flowers, a full moon, and ultrafine detailed art nouveau design. The gradient black-green-gold color palette creates a stunning celestial atmosphere, perfect for those who adore the enchanting beauty of the night sky. Our high-quality, extra-large desk mat is ideal for gamers, art enthusiasts, and lovers of unique and captivating desk accessories. Enjoy smooth and precise mouse control on this extended surface designed for both work and play. This witchy, cute desk mat also makes for an exceptional gift for friends who appreciate celestial and dark academia aesthetics. Whether you're a fan of mystical moon phases or simply want to enhance your workspace with an eye-catching art nouveau design, this desk mat is the perfect addition to your space. Bring the magic of the celestial night sky to your desk today! ✨ Also Available as a Laptop Sleeve In search of a matching laptop bag? Take a look at our matching laptop sleeve listing to create the perfect set! www.etsy.com/listing/1493323437 ⭐ HOW TO ORDER ⭐ From the drop-down menu on the upper right: • Select a size • Select the quantity you would like to purchase • Click "Buy it Now" ⭐ PRODUCT DETAILS ⭐ • Made from high-quality neoprene material for enhanced comfort and durability • Non-slip rubber bottom ensures the mat won't slide while in use, offering a stable and reliable surface • The product is sewn around the edges, making it durable and longer-lasting • We use thermal transfer printing to produce vibrant, long-lasting prints • Multifunctional use: The supportive surface makes it great for computer use, gaming, writing, typing, or crafting • Perfect Gift Idea: Our unique and stylish mousepads and desk mats make great gifts for Father's or Mother's Day, birthdays, anniversaries, or as thoughtful presents for your loved ones, friends, and colleagues." ⭐ SIZES ⭐ • 9" Wide x 7" Tall x 3mm Thick • 18” Wide × 12” Tall x 4mm Thick • 22” Wide × 12” Tall x 4mm Thick • 31" Wide × 15.5" Tall x 4mm Thick ⭐ CARE INSTRUCTIONS ⭐ To clean stains from your pad, use warm water and dish soap. It's not necessary to soak the entire pad. Use a soft-bristled brush to clean any difficult areas. Avoid using harsh chemicals or abrasive cleaning materials to prevent damage to the product. ⭐ FREE SHIPPING ⭐ Happy customers are our priority. So we offer free shipping on all orders in the United States. ⭐ AVERAGE PROCESSING TIME ⭐ Orders usually ship within 3–7 business days. ⭐ RETURN POLICY ⭐ We offer a 14-day return policy. If you're not satisfied with your purchase, please contact us within 14 days of receiving the item to initiate a return or exchange. ⭐ PLEASE NOTE ⭐ • We make every effort to ensure that the colors you see in our listing are an accurate depiction of the product. However, because every monitor displays colors differently, the hue you see on your screen may vary slightly from the printed item. • Depending on your selection, you will receive one mousepad or desk mat. Images containing props are for reference only--these items are not included. ⭐ QUESTIONS? ⭐ If you have questions about this product, feel free to contact us via Etsy chat, and we'll be happy to help. 😊 ****** DISCLAIMER ****** The artwork in this listing was made with the help of AI tools.
About French Art Nouveau walnut wall mirror with a beveled glass, two burl walnut top panels, and floral motif gilt bronze trim. (by LOUIS MAJORELLE)
LOETZ DESK LAMP. Cast bronze Art Nouveau base with triangular shaped openwork foot supporting tall slender curving stem giving way to adjustable cast stylized flower shade holder finished with Loetz shade decorated with blue pulled feather design and gold iridescent zipper design against rich clam broth background. Lamp is unsigned.
French Art Nouveau (Secessionist style) bronze dore double inkwell with floral design and green fabric under glass base.
About The "Newell Post" lamp by Tiffany Studios New York, features three gold Favrile glass shades with purple iridescence, suspended from a gilt bronze “Wilson” base with a twisted stem. The "Wilson" base is wonderfully dynamic, with a splayed, stylized, striated foot, organically shaped ribbing on the stem, and a whimsical, vegetal swirl crowning the composition. The Favrile glass shades, in their refined decoration, subdued coloration, and delicate outline balance the weight and drama of the base nicely, providing their own visual punch when the light is turned on, as their warmth and iridescence shine, casting magical light downward. Item #: L-20293 Artist: Tiffany Studios New York Circa: 1900 Dimensions: 16.5" height, 6.75" diameter Materials: Favrile glass, Gilt Bronze Shade Signed: “L.C.T.”; "L.C.T.Favrile 5"; “L.C.T. Favrile” Base Signed: “Tiffany Studios New York 339” Literature: Similar Lamp Pictured in Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models by Alastair Duncan, p. 64 Macklowe Gallery Curators notes: Combining the strength of the gilt bronze's visual effect, as well as the weighty design of the base with the beautiful lightness of the Favrile shades, creates a perfectly harmonious composition that all Tiffany Studios New York collectors look diligently for.
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PLEASE READ DESCRIPTION AND SHIPPING POLICY CAREFULLY AT THE BOTTOM OF THIS DESCRIPTION. Upcycled vintage kindney bean writing desk with glass top. One of a kind hand painted desk. There Will absolutely never be another like it. i wanted to convey my artistic expression, quite like one my canvas art abstracts. Painted in bright bold colors in an art nouveau style. Each drawer has raised design of Eye of Fatima. the entire piece has brushed gold elements. This is a vintage desk, it is in perfect vintage condition, and as with vintage items, there are imperfections. This as with most vintage furniture has had a life before it was upcycled, a life that gave it’s character. Keep this in mind before purchasing. Please zoom in and inspect all photos. Specifications: approximately 55lbs Height: 30” inches Length: 46” inches Depth/width: 22 ” at the widest point, Wise Owl Chalk Synthesis Paint. Daydream Apothecary Paint. White wax and Sealed with water based sealer. As a vintage item, it carries the unique charm of imperfections, echoing its history and character earned over the years. Embrace its previous life, for it is these very quirks that make it special.Our commitment to sustainability shines through as we grant furniture a second chance at life, breathing new vitality into this vintage gem. Take a moment to consider the timeless appeal of this desk before making it a part of your space.********************* PLEASE READ****************** ***PLEASE READ SHIPPING POLICY***PLEASE READ DESCRIPTION AND SHIPPING POLICY CAREFULLY.***SHIPPING: SHIPPING IS INCLUDED ON THIS ITEM****SHIPPING DEPENDS ON WEIGHT, SIZE DIMENSIONS AND DISTANCE. THIS ITEM WILL BE SHIPPED USING “WHITE GLOVE” SHIPPING SERVICE. IF A PROBLEM OCCURS DURING SHIPPING, AND PRODUCT IS DAMAGED, PLEASE REACH OUT TO ME AND WE WILL HANDLE THE BEST WAY POSSIBLE. *SHIPPING ONLY IN THE CONTINENTAL UNTIED STATES** if you are in the South Florida area, local pick up can be arranged.Please allow up to 6 weeks for delivery, in most cases, it’s delivered in a week to two weeks. Shipping: This item will be shipped using “white glove” shipping service or equivalent moving company hired to deliver large furniture. Please contact before purchasing for SHIPPING QUOTE. Location is the defining factor here. Shipping cost can vary depending on location, and can widely vary. IF YOU ARE LOCATED IN THE SOUTH FLORIDA AREA, we can arrange for local pick up. I will do my best to ship out as soon as possible, but please allow, 3 to 4 weeks to arrive. If there is a problem occurs or arrives damaged, please reach out to me as soon as possible, so that I may reach out to the delivery company and we will handle the best way possible.Returns and exchanges on furniture: once item arrives safely to its destination, I do not offer returns or exchanges. Once furniture leaves my possession, there are no cancellations. ********************THIS ITEM CANNOT SHIP INTERNATIONALLY *************************
Stoneware table lamp with white stoneware glazed banding and sgraffito textured matte chocolate glaze, in the style of Bitossi for Bergroms, new wiring and artist paper shade, France circa 1960's.
An Art Nouveau gold gilt metal single candlestick depicts classic flowing Art Nouveau lines with footed base. Circa 1910. Very good condition, without breaks or repairs. Wear to gilt in places, consistent with age and use. Very nice accent piece for desk top, table or vanity. Measures: 10” Height x 3.25” Width x 3.25” Depth Top width: 1 7/8” See photos. Extra care will be taken in preparation for shipping this fragile piece. I usually ship in 1-2 business days. Thank you for viewing BelleEpoqueCadeau!
About A highly unusual and rare Art Nouveau gilt bronze strut clock in the manner of Cole and Signed "Howell James and Co. to the Queen London & Paris No. 898". The typical Cole style oval strut clock dial and movement with silvered engine turned dial of high quality and fine blue steel hands. The gilt bronze case of trefoil shape with two classically draped nymphs flanking the dial, two cherubs to the base and all entwined with typical Art Nouveau leafy foliage.
About A beautiful miniature desk timepiece, rectangular case with blue enamel, accented by silver bands, centering a circular brushed silvered dial with gilt Arabic numerals, dial signed Cartier, case signed European Watch and Clock Co., no. 44 13144 2411, movement signed Geneva Clock Co, no. 5752. Measures 1 3/4 x 1 1/8 x 11/16 inches.
