Hannah Waddingham is TZR's October 2022 cover star. The vivacious actor has a bold sense of style, as evidenced by these outfits. Recreate her looks, here.
My favourite form of digital art is the collage so I am enjoying myself this week. Many thanks to Debbie (Huntstrong) for introducing us to the work of Hannah Hoch. She pioneered photo montage and collage and we see many touches of her original work in modern digital art and mixed media work. Hannah Hoch belonged to the Dada Movement but was only just tolerated by the male artists of the day. This was the Weimar period in Germany when galloping inflation forced the government to print money in enormously high denominations. The lady in my collage is obviously smart and trying to work out what she can do to make things better. The man finds the problems of the day too mind-blowing and he has become separated from his brain (literally). The lady is made from three images (E-vint.com). The man's face is from Moonlight Journey (altered and coloured). His torso once belonged to a statue of Icarus. His tights were cut from background paper by Alexeeva. Distressed background from Createwings Designs. Stamp and banknote Googled.
HANNAH DODD as CORRINE FOXWORTH FLOWERS IN THE ATTIC: THE ORIGIN (2022)
Recalée au Prix des Artisanes 2022, la Française Hannah Levesque collabore désormais avec LVMH.
A powerful, intimate memoir of Eritrean-British journalist, Hannah Azieb-Pool, who returns to Eritrea at the age of 30 to meet her family for the first time 'When I stepped off the plane in Asmara, I had no idea what lay ahead, or how those events would change me . . .'In her twenties, Hannah-Azieb Pool is given a letter that unravels everything she knows about her life. She knew she was adopted from an orphanage in Eritrea, and as her adoptive family brought her to the UK, they believed she did not have any surviving relatives. When she discovers the truth in a letter from her brother - that her birth father is alive and her Eritrean family are desperate to meet her - she is faced with a critical choice.Should she go? In this intimate memoir, she takes us with her on an extraordinary journey of self-discovery, as she travels to Eritrea to uncover her own story. With radiant warmth, courage and wisdom, Hannah-Azieb disentangles the charged concepts of identity, family and home. Featuring a new introduction from Bernardine Evaristo and an updated afterword from the author, this is a timeless, essential read.
Radical movements often espouse the most conservative of values. Dada claimed it was radical, anti-bourgeoise, and anti-capitalist in its aesthetics. But two of its key members (George Grosz and John Heartfield) refused to include any women (or their work) in the movement. Women, they said, were there to make the sandwiches, pour the beer, and … Continue reading "Hannah Höch, The Artist Who Wanted ‘to show the world today as an ant sees it and tomorrow as the moon sees it’"
Intervistata da Sky Sport UK Hannah Schmitz, la stratega del team di Chris Horner, racconta le decisioni dietro la vittoria di Max Verstappen
A powerful, intimate memoir of Eritrean-British journalist, Hannah Azieb-Pool, who returns to Eritrea at the age of 30 to meet her family for the first time 'When I stepped off the plane in Asmara, I had no idea what lay ahead, or how those events would change me . . .'In her twenties, Hannah-Azieb Pool is given a letter that unravels everything she knows about her life. She knew she was adopted from an orphanage in Eritrea, and as her adoptive family brought her to the UK, they believed she did not have any surviving relatives. When she discovers the truth in a letter from her brother - that her birth father is alive and her Eritrean family are desperate to meet her - she is faced with a critical choice.Should she go? In this intimate memoir, she takes us with her on an extraordinary journey of self-discovery, as she travels to Eritrea to uncover her own story. With radiant warmth, courage and wisdom, Hannah-Azieb disentangles the charged concepts of identity, family and home. Featuring a new introduction from Bernardine Evaristo and an updated afterword from the author, this is a timeless, essential read.
Radical movements often espouse the most conservative of values. Dada claimed it was radical, anti-bourgeoise, and anti-capitalist in its aesthetics. But two of its key members (George Grosz and John Heartfield) refused to include any women (or their work) in the movement. Women, they said, were there to make the sandwiches, pour the beer, and … Continue reading "Hannah Höch, The Artist Who Wanted ‘to show the world today as an ant sees it and tomorrow as the moon sees it’"
