Reproduction of historical costume from the Renaissance period, handmade in our atelier. The dress is enriched with trimmings and attention to detail. Having laces at the back it adapts to multiple sizes. Comprehends : - skirt - dress complete with torso stiffened by splints. - guardinfante or crinoline (undergarment that is worn under the skirt) -handbag Size S-M This costume is adaptable to these two sizes thanks to the presence of the back lacing. UNIQUE piece already in stock. Ready to ship. Not included: - Gorget, can be purchased separately in our Etsy shop. Important: When purchasing, indicate your telephone number because it is necessary for the transport company
Transport yourself to a realm of romance and with our Renaissance Costume. This meticulously crafted ensemble captures the essence of historical authenticity while ensuring modern comfort, captivating all who set eyes upon it at Renaissance Fairs and themed events. The purple corset, artfully adorned with delicate adjustable straps and a traditional lace-up system, harmonizes with the pleated chocolate linen skirt. Elevate its allure by pairing it with a graceful white linen apron and a versatile black petticoat. Every detail of this costume has been passionately handcrafted using natural linen and cotton, resulting in a visual charm that is surpassed only by the comfort it provides. Immerse yourself in the charm of a bygone era as you don this truly authentic Renaissance costume, where elegance and grace reign supreme. Design Features of our Renaissance Costume in Purple & Chocolate Linen Renaissance Corset: Robust cotton lining with a tight weave for durability Adjustable straps for a customizable fit Inclusion of a modesty panel Bronze grommets hand-set for a sophisticated finish Synthetic whalebone plastic boning selected for its pliability and resilience; molding to your body shape as it warms to your body heat Sturdy satin lacing ribbon for strength Each corset is meticulously designed to ensure both quality and comfort for our customers. Chemise: Short sleeves featuring integrated gussets ensure a comfortable fit, allowing for freedom of movement without restriction. The neckline is crafted with an adjustable ribbon tie, providing the versatility to precisely conform to the unique neckline of your corset or period costume. Cut to a stylish knee-length, this piece strikes an elegant balance between modern convenience and historical charm. Skirt: 2 panels of linen fabric, joined at the sides with an open upper end on each side for effortless wear. Pleating according to the 18th-century style. The front pleats extend from the central box towards the sides, while the back pleats start from the sides and converge in the middle of the back. Length: 95 cm / 37,5 inches In the photos, the linen skirt is shown layered over a bum pad, which adds volume to the hips and accentuates the waist's finesse. Fabrics and Care of your Renaissance Costume Corset Outer Fabric, Skirt & Apron: 100% European medium weight linen - 6.05 oz/yd² / 205 g/m² Laundered & mechanically softened Corset Lining: Composition: 100% Raw Cotton (155 gr/m²) Color: Beige Chemise: Composition 100 % Natural Cotton Type of fabric: Poplin Approximate weight: 70 gr/m² Soft Texture Care Instructions: To care for your Renaissance costume, we recommend dry cleaning only (except for the chemise) ensuring your costume remains in pristine condition for all your historical adventures. Renaissance Costume Options The basic Renaissance costume comprises a Renaissance corset, a white cotton chemise, and a long pleated linen skirt. To enhance your costume, you can incorporate a white linen apron or a black linen petticoat. Alternatively, you can opt for the complete costume set, which includes the basic costume along with the apron and black petticoat. How to Wear your Costume To wear your Renaissance costume, please follow these steps: Skirt: Secure the linen skirt by tying the back panel ties and knotting them at the front. Adjust the front panel by wrapping it like an apron around the waist, making a double turn. In the accompanying photos, the skirt is styled with a bustle pad to add volume to the hips and highlight the waist. Bodice: Put on the corset. Cross the cord through the metal eyelets, starting from the bottom and going to the top. Before tightening the drawstring, slide the modesty panel behind it and ensure a comfortable, snug fit around the chest. Adjust the straps. About Sizing Finding the Right Size: Please refer to the size chart to select the correct size for your Renaissance Costume. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. Here's a complete guide on how to measure yourself. Custom Sizing: If your measurements don't align with the sizes on the chart, we recommend choosing the "custom size" option. After placing your order, submit your measurements through our Custom Sizing Form as soon as possible. Delay in receiving your measurements will also delay your order. Processing Times All our garments, including the Isolde Renaissance Costumes, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come.The typical production time for Renaissance Costumes ranges from 6-8 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
Jacket, 1890s. Emily Reynolds Historic Costume Collection.
Step back in time with our exquisite CHARLOTTE, 18th Century Overdress in Toffee Linen & Skirt. Inspired by the popular fashion of Western Europe and America from 1770-1785, the dress is a beautiful blend of historical accuracy and contemporary craftsmanship. The costume includes a long overdress and a skirt. The Overdress features a fitted bodice with metal eyelets, pre-shaped elbow sleeves with pleated lace trim, and a wide pleated train. The skirt (in chocolate, white, or toffee) is an 18th century pleated petticoat made of linen panels. Discover the timeless beauty and exquisite craftsmanship of the past with CHARLOTTE, our 18th Century Overdress in Toffee Linen & Skirt. Experience the luxury of authentic style, expertly crafted to elevate your wardrobe and transport you through time. Design Features Eyelets on both sides of the front opening, ensuring a perfect fit. Synthetic boning on the back and both sides of the front opening, ensuring a flattering silhouette. Preformed elbow sleeves adorned with delicate lace ribbon (color: beige) Large train measuring 3 meters wide and a length of 37.5 inches (95 cm), with a pleating following the traditional 18th-century style. Fabrics & Care Outer Fabric: 100% European medium weight linen - 6.05 oz/yd² / 205 g/m² Color: Cherry Red Laundered & mechanically softened Bodice Lining: Composition: 100% Raw Cotton (155 gr/m²) Color: Beige Sleeves Lining: Composition: 100% Poplin Cotton (110 gr/m²) Color: White Care Instructions: We kindly recommend dry cleaning only. About Sizing Finding the Right Size: Please refer to the size chart to select the correct size for your dress. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. Here's a complete guide on how to measure yourself. Custom Sizing: If your measurements don't align with the sizes on the chart, we recommend choosing the "custom size" option. After placing your order, submit your measurements through our Custom Sizing Form as soon as possible. Delay in receiving your measurements will also delay your order. Processing Times All our garments, including the Charlotte Overdress, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come. The typical production time for an 18th Century Overdress ranges from 4-6 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
This page looks at the best brown costumes in period movies as wore by women.
theladyscloset: Marie Antoinette (via hyacinthas)
Wow. Does anyone else fall into a well of old Christmas cookies, prolonged sleep and shuffling around in bathrobes post New Year? Sometim...
Catherine Howard's White Gown.
💜 This Versailles style dress is made of natural silk and richly decorated with crystals, silver floral appliques, delicate lace and ruffles 💜 3 pieces set includes: dress + skirt + 18th century shape crinoline 💜 The bodice and the crinoline are made using high-quality steel boning 💜 This dress is made-to-measure after taking individuals’ measurements. It’s not an "in stock" item, it will be made when the order is placed. Once you have placed your order you will be contacted regarding measurements 💜 Free shipping on our official website alicecorsets.com 💜 Processing time 9 weeks 💜 The dress can be made using taffeta or silk. Please message me to know what colors are available for ordering. If you are interested in changing design or embellishment, feel free to contact me __________________________________________ This Royal Dress is a perfect choice for the Venice Carnival ~ Labyrinth of Jareth Masquerade Ball ~ Fêtes Galantes or Grand Masked Balls of Versailles ~ Historical Wedding Ceremony ~ Photoshooting ~ as a Costume for Halloween and any LARP or Period Costumes Event
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
Transport yourself to the glamour of the 18th-century with our elegant sunflower linen dress. Crafted with meticulous attention to detail, this authentic historical costume is ideal for reenactments, period events, or simply indulging in your love for the past. Embrace the timeless beauty of the era with this perfect addition to your wardrobe. Experience the elegance of the past with the LOUISE, 18th-Century Dress in Sunflower Yellow Linen. This meticulously crafted historical garment is a faithful reproduction of the English dress worn in Western Europe and America around the years 1770-1785. Each dress is cut and sewn with precision, following the design features that made these gowns a symbol of grace and style during the 18th-century. The LOUISE, 18th-Century Dress in Sunflower Yellow Linen is a complete ensemble in one piece. Its vibrant sunflower yellow color will make you stand out at any historical reenactment or themed event. The large skirt, pleated in the traditional 18th-century manner, spans an impressive 4.5 meters and is 37.5 inches (95 cm) long, perfect for making a grand entrance. Crafted from high-quality linen, the LOUISE, 18th-Century Dress is not only beautiful but also durable. It is a testament to the handcrafted quality, creativity, and authenticity that Atelier Serraspina stands for. To ensure the longevity of this exquisite piece, we recommend dry cleaning only. This dress is a testament to the artistry and craftsmanship of the past, and we are proud to offer it as a unique and timeless piece in your wardrobe. ☆ FABRICS ☆ LOUISE is made of prewashed medium-weight linen (205gr/m), in a range of colors matching Atelier Serraspina's color palette. — Outer Fabric — · 100% European linen · Medium weight linen - 6.05 oz/yd² / 205 g/m² · Prewashed so it didn't shrink anymore · Mechanically softened so it is very soft and especially pleasant for your skin · Fabric woven according to universally accepted quality requirements which correspond to OEKO-TEX 100 standards — Bodice Lining — · Composition: 100% Cotton · Type of fabric: Raw Cotton · Approximate weight: 155 gr/m² — Sleeve Lining: — · Composition: 100% Cotton · Type of fabric: Poplin · Approximate weight: 110 gr/m² ☆ SIZING ☆ — Finding the Right Size: --- Please refer to the size chart in the photos gallery to select the correct size for your dress. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. — Custom Sizing:---- If your measurements don't align perfectly with the sizes on the chart, we recommend choosing the "custom size" option. Please submit your measurements in the customization field when placing your order. — Important Note: … Made-to-order items cannot be returned. Please make sure you're certain about the size you choose. If unsure, opt for the custom fit option. ☆ CARE INSTRUCTIONS ☆ To care for your costume, we recommend dry cleaning only, ensuring your costume remains in pristine condition for all your historical adventures. ☆ HOW TO DRESS ☆ · After putting on your historical underwear, step into the dress by sliding it over your head. · Allow the back of the dress to hang behind you, and position the front panel against your abdomen (ensuring the waistband covers the lower ribs). · Secure the front panel around your waist with the cotton ties. · Finally, put your arms through the sleeves and arrange the train folds. · To finish, thread the cord through the eyelets from bottom to top and conceal the knot in the neckline. ☆ PROCESSING TIMES ☆ All our garments, including the LOUISE dresses, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come. Please note that our items are meticulously handmade, which means it will take some time for us to create them. The typical production time for a LOUISE dress ranges from 6-8 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
Famous costumes worn for scenes from films and TV shows shot at the historic Ely Cathedral in Cambridgeshire are going on show for the public to enjoy from tomorrow.
Medieval Torque Headdress Historic Costume Piece Historical Headwear and 14th Century Re-enactment Fashion The medieval times gave way to a almost comical era in lady's head wear with many styles adopting unusual shapes and over the top styles to create headdress that seam to defied the laws of practicability. This headdress is styled from one of the more practical and wearable fashions of the time called the Torque and worn by richer class women. Its made from velvet in a selection of different colours, structured with buckram to give the shape then decorated with hand sewn peals and filigree Gold laser cut embellishments. The top and bottom edges are edged with a gold trim then white linen fabric hangs over the Torque and another under the chin in proper medieval fashion. I offer this in 3 head sizes 21" 22" 23" This product is made to order so please give 3-4 weeks for the item to be made for you. If you are UK Based you can expect the order on average 2-3 days after day of shipment Across seas post takes longer so please keep this in mind when ordering Most over seas packages get delivered between 5 to 10 days but on occasion can take up to 14 days If you need or want a customisation (eg: colour, size) of this product drop a message about your requirements and i will see if its possible.
I am happy to see the Edwardian era seeing a revival in both vintage events and trendy inspired outfits (such as #cottagecore). Turn of the century fashion, weather it be the Gibson Girl look, farmhouse fashion, a white tea gown, an elegant ballgown, or Edwardian sportswear, has many great outfits to wear for a 1900s
ONLY FOR ORDER NOT READY TO WEAR dress inspired by the 1600s. taffeta yellow and colorful floral fabric. silk ribbons. bodice with balloon sleeves. stomacher and padded fence. It can be made of any fabric, color and size. completely handmade in every detail pay attention, before purchasing please contact me to check availability of fabric and processing time. pay attention, before purchasing please contact me to check availability of fabric and processing time.
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
Wearing History #R101-Cordelia- Circa 1909-1914 Edwardian Skirt Pattern Multi-Size Waist 22"-40" Intermediate-Advanced Sewing Skill Recommended This listing is for an E-Pattern to print yourself at home on your home printer's USA letter and A4 sized paper. Now also includes A0 files to send away to a copy shop for wider format printing. --- DESCRIPTION --- A Resto-Vival pattern from the Edwardian period and is suitable for looks from 1909-1914. The skirt is in the Edwardian "directoire" style, and meant to fall gracefully from the top of the fitted interior waistband, skim the waist and the hips, and fall gracefully to the floor. This pattern has LOTS of options and covers all your basic skirt needs of this period and can be used to make the following in both DAY and EVENING versions: --- Day or Evening Versions with Hem Options of --- -A skirt with a small sweep -A skirt with a rounded, longer train -A skirt with a pointed train -A skirt with a squared train --- This skirt can be--- -seamed up the back with a pain, normal center back seam -pleated at the back OR: -Made as a one-piece skirt, buy cutting on the fold and seaming up center back. -Made as a two-piece skirt, with seams at both center front and center back -Made a a skirt for a dress, by attaching a bodice at the raised waistline and using ANY of the above options. --- More Features About this Skirt --- -This skirt is shaped with a wide, long dart at the hip. -It is not meant to be fitted at the natural waist, but is fitted to the top of the raised waistband. -The hem of this skirt should be weighted, as done with the tucked version or the trains. -This is shown in photographs with the Wearing History 1910s Blouse Pattern. -This skirt is from, essentially, one GIANT piece, and will most likely require piecing to get it to fit -on a fabric width, especially for larger sizes. -The two-piece skirt is seamed up center front and may be cut on the straight of grain and is suitable for stripes, which will fall at a diagonal at center back. -This skirt can fall straight at the front or be pleated at the side front and accented with appliques or trim, or left plain. -This skirt is constructed with an interior waistband made of 2" wide belting, and the waist hits above the natural waist. -This skirt is best made in fabrics with a nice drape such as cottons, linens, satins, or wools. It does not look as well in fabrics with a stiff hand. -This pattern may be worn without corsets if you do not wish to style this in a period way and choose to use it for modern wear but adjustments may be needed and it still looks best when worn with period foundations and at least one petticoat. -Waist and hip size should be determined by taking your waist and hip measure as taken over period foundation garments such as corsets and petticoats. This pattern includes original period instructions which are text only and very minimal. No cutting charts are given, and yardage charts may not be reliable, since they are for fabric widths of 100 years ago, not today. No period yardages are given for sizes 36, 38, & 40 waist, as this pattern was not originally available in these sizes. ---This Pattern Includes--- -Text only instructions, which are minimal, transcribed directly from this century-old pattern. -New pattern markings, to aid in understanding the pattern piece (original was unmarked). -Basic written tips by me to aid in construction -A multi-size pattern, in sizes 22"-40" waist. The original was single size, in a 28" waist. -Instructions and cover on BIG pattern layout sheet you assemble. This is done to conserve paper, as there was blank space after pattern placement. ---This Pattern DOES NOT include--- -NO illustrations to go with instructions -NO detailed sewing instructions- instructions are basic and sparce. -NO cutting charts -NO instruction included for piecing fabric widths. -NO yardages given for sizes 36", 38", & 40" waist. -There are no side seams for pattern adjustment. Adjustments may be made at the waist by taking in or letting out the dart placed at the hip. A muslin mock up is highly suggested to test fit before cutting into your fashion fabric. --- About Wearing History Resto-Vival™ Patterns --- Resto-Vival™ Patterns are original historic patterns that have been restored and revived. Original patterns are usually available only in single sizes, precut from tissue paper and totally unprinted, with details like grainlines and darts indicated only by small perforations. Resto-Vival™ patterns are clearly marked with drawn and labeled markings. These markings aid the modern sewer in understanding the markings of the original pattern and the construction of the garment. Resto-Vival™ patterns follow the period shapes of the original patterns, maintaining the historical accuracy of the completed garment. Original period instructions are included. These instructions are text only (unless otherwise noted) and fairly minimal, especially compared to instructions for modern patterns. At least an intermediate knowledge of dressmaking and a good familiarity with pattern construction is suggested. You may choose to have a modern or period sewing book handy to help with basic construction methods that the pattern instructions do not cover in detail. Also, fitting a muslin mockup is strongly recommended, as all garments were meant to be worn over period foundation garments or corsetry. - HOW TO USE THIS E-PATTERN - YOU WILL NEED ADOBE READER, A FREE PDF READER PROGRAM, IN ORDER TO OPEN AND PRINT THIS PATTERN. This pattern is formatted for USA Letter Size and A4 sized paper. You will need to print this pattern to 100% scale. Open the "READ-ME-FIRST" File for instructions on printing and piecing your pattern. This pattern is tiled into letter sized paper. You will print these documents on your home printer, cut, and tape them together, to form a larger pattern layout. Then you cut and use your pattern just as you would a normal home sewing pattern. This pattern comes in 2 files, and uses a LOT of paper. -56 sheets of paper for the pattern and sewing instructions in 1 file -1 for the e-pattern "how to" sheet. 57 total sheets of 8.5" x 11" sized paper or A4 sized paper are needed. This pattern file is formatted to fit on both sizes of paper, and there will be varying thicknesses of white border, which will be cut off, according to pattern instructions. --- USE POLICY --- By purchasing this pattern you agree to the following terms: This e-pattern is licensed exclusively to the person who purchases this pattern from Wearing History for the sole purpose of home sewing use by the individual who purchases the pattern. Commercial or production use or making items to sell from this pattern is prohibited. Do not share this pattern by email or any other form. Remember, I make my living by using my talents to make these patterns available. Help support indie small business by telling your friends to purchase their own copy of this pattern from http://wearinghistory.etsy.com Please view my other items by visiting my store, and read my shop policies prior to ordering. Thanks!
I purchased this INCREDIBLE costume for an opera from COUTUREatCOURT (check out her shop), a brilliant costumer in Warsaw, last fall and unfortunately it was stuck in customs and I was unable to use it in my Production. She was very gracious, and is allowing me to use her original photos and description to resell these items. I wish I could keep them for my collection, but I have to recoup the lost budget. (I had to make two additional gowns to replace these). This costume is hand made, one of a kind, and so beautiful. it is also ready to ship from the US, so it would be perfect for a historical event or production on short notice. Please note that a set of stays, chemise, and bum roll are not included, but you can buy your own reasonably priced undergarments ready to ship in the USA from samsonhistorical.com Here is her original listing: " Let me tender to you a unique, handmade high quality SILK PIERROT GOWN. The item is a professional reenactment garment, highly detailed and accurate to stunning XVIIIth century couture requirements. Sewn as per the authentic period’s preserved pattern and construction techniques. Mostly hand-sewn, the finishes are hand-styled with self-made haberdashery. Each of my costumes is made only in one copy to guarantee the ultimate exceptional and historically correct visage. PERIOD: circa 1780’ - early 1790’ THE LOT: 1. outer silk taffeta pierrot jacket with wriggly back ruffle, decorated with delicate silk trim. Fastened with metal hook and eye hidden under self-made death’s head buttons. Cotton lined. 2. nether silk batiste chemisette, laced under the dress around waist 3. silk batiste chemise dress, strapped at the neckline, loosen cut, tied at the waist with silk sash 4. decorative silk sash, tied at the side, trimmed with handmade fringe MEASUREMENTS (by dummy’s size with bust flattened against the torso and waist figured in line with period’s silhouette - boned XVIIIth c. stays required): 1. dummy’s BUST 30.7 in / 78 cm (stays flattening included) 2. dummy’s WAIST 25.6 in / 65 cm (stays figure-tightening included) 3. pierrot BUST 30.7 in / 78 cm (stays figure-tightening included) 4. dress LENGTH 54.7 in / 139 cm (on the front - shoulder down) 5. dress WIDTH max 107.8 in / 274 cm and more due to loosen cut, tied at the waist only with silk sash Size: 6/8 UK (32/34 EU). The dress is strapped at the neckline and tied with sash to enable you to adjust the size to your measurements. The rest of the dress is left loose - the sash is the only tightening. Pierrot buttons’ resewing possible to adjust to your measurements (+ 0.8 in / 2 cm). PLEASE, TAKE YOUR MEASUREMENTS HAVING 17TH CENTURY STAYS PUT ON. FABRICS USED: 6 yards silk batiste, 1 yard silk taffeta, 1/4 yard silk taffeta, 3/4 yard cotton lining. The striped lightly crinkled fabric trim- silk taffeta. The white fabric - silk batiste. The pink and white sash - silk taffeta. NOTES: 1. This ensemble is strictly made to be worn over a 1770 - 90’s accurate underwear to fit properly and create a bona fide representation of XVIIIth century garment. Thereby a shift, stays, a bump/hips pad and a petticoat are a must (as shown at the end of the photo list). Though they are not included, they are easily available in other Etsy’s reenactment stores. 2. Stitchings, trims and other haberdashery are mostly hand made and may vary in uniformity with natural small imperfections 3. This particular gown has been worn once for a photo shoot (included in the valuation). There are no signs of wear except tiny stain spots at the very bottom of the dress, practically invisible when put on (shown in the photos)."
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
By Lisa J. Yarde When the Normans crossed the Channel and invaded England in 1066, they brought a new culture, language, architectural style and legal codes to the conquered country. They also replaced at least ninety percent of the landed aristocracy with members of their own class. The new Norman nobility could afford to be fashionable with their increased lands and wealth. At first, they wore costumes that would have been familiar to their English counterparts, having encountered the Norman retinue of King Edward the Confessor prior to the Conquest. The types or colors of dyes used for fabric, the quality of the fabric, and embellishments including embroidery or colored, ornamented braid known as passements, indicated class distinctions. For instance, the nobility had access to fine linen, woolen cloth and later, silk, but the average person would have worn a homespun cloth of russet or coarse wool. Clothing styles for women often changed; the tight-fitting sleeves for women’s dresses in the late eleventh century became elongated during the reign of King Stephen, only to revert to the former fashion in the late twelfth century. The Crusades also influenced fashion, with the introduction of silk and the surcote, modeled on twelfth-century Persian garments. From 1066 through the 1130’s, the dress of a Norman noblewoman followed the example at the left, a representation of Queen Matilda, wife of William the Conqueror. In this representation of William’s diminutive queen, she wears a white robe as her outermost garment. Embroidery decorates the wrists and neckline of the robe. The bodice is form-fitting, while the skirt widens at the hips and falls in folds. Although not visible, it's likely she wears a camise / chemise next to the skin as an undergarment. The material for the undergarment would be chainsil, made from flax into a fine cloth. The girdle, which the Normans also introduced, drapes her hips with tasseled ends trailing almost to the floor. The blue mantle covering the robe also bears the same rich embroidery on its border. Mantles were a distinct mark of the nobility. Cords fastened them across the shoulders. A thin veil, the Norman couvrechef, covers her head. The Normans typically used white cambric or chainsil for the veils. A Norman noblewoman might have worn a circlet of silver or gold to hold the veil in place. The costume of Queen Matilda's granddaughter and namesake from the late twelfth century is shown on the right. She was the daughter of Henry I and fought her cousin Stephen for the English crown during a period known as the Anarchy. Her outermost garment is the bliaut, fashioned from silk and dyed in varying colors. The most noticeable difference is the addition of voluminous sleeves, fitting closer at the shoulder before widening to the wrists. The bliaut also has a wider skirt with many folds. This one is also lined inside with a green material. A billowing red mantle falls around the shoulders and back. A sleeveless corsage over the bliaut seems to have gold or jewels on its surface. Another change is the visible hair in an elaborate style of nearly floor-length braids bound in gold ribbon. The girdle of previous decades remains, but the veil is no longer strictly white. Fashionable Anglo-Norman women also enhanced their costumes with brooches, fastenings for their mantles and girdles ornamented with pearls, gold and silver, precious gemstones and enamels. One standard remained the same no matter the decade. Women always wore long garments covering them from neck to ankles. Lisa J. Yarde writes fiction inspired by real-life events. She is the author of historical novels set in medieval England and Normandy, The Burning Candle,based on the life of Isabel de Vermandois, and On Falcon's Wings, chronicling the star-crossed romance between Norman and Saxon lovers. Lisa has also written Sultana and Sultana’s Legacy, novels set during a turbulent period of thirteenth century Spain,where rivalries and ambitions threaten the fragile bonds between members of a powerful family.
Transport yourself to a realm of romance and with our Renaissance Costume. This meticulously crafted ensemble captures the essence of historical authenticity while ensuring modern comfort, captivating all who set eyes upon it at Renaissance Fairs and themed events. The purple corset, artfully adorned with delicate adjustable straps and a traditional lace-up system, harmonizes with the pleated chocolate linen skirt. Elevate its allure by pairing it with a graceful white linen apron and a versatile black petticoat. Every detail of this costume has been passionately handcrafted using natural linen and cotton, resulting in a visual charm that is surpassed only by the comfort it provides. Immerse yourself in the charm of a bygone era as you don this truly authentic Renaissance costume, where elegance and grace reign supreme. Design Features of our Renaissance Costume in Purple & Chocolate Linen Renaissance Corset: Robust cotton lining with a tight weave for durability Adjustable straps for a customizable fit Inclusion of a modesty panel Bronze grommets hand-set for a sophisticated finish Synthetic whalebone plastic boning selected for its pliability and resilience; molding to your body shape as it warms to your body heat Sturdy satin lacing ribbon for strength Each corset is meticulously designed to ensure both quality and comfort for our customers. Chemise: Short sleeves featuring integrated gussets ensure a comfortable fit, allowing for freedom of movement without restriction. The neckline is crafted with an adjustable ribbon tie, providing the versatility to precisely conform to the unique neckline of your corset or period costume. Cut to a stylish knee-length, this piece strikes an elegant balance between modern convenience and historical charm. Skirt: 2 panels of linen fabric, joined at the sides with an open upper end on each side for effortless wear. Pleating according to the 18th-century style. The front pleats extend from the central box towards the sides, while the back pleats start from the sides and converge in the middle of the back. Length: 95 cm / 37,5 inches In the photos, the linen skirt is shown layered over a bum pad, which adds volume to the hips and accentuates the waist's finesse. Fabrics and Care of your Renaissance Costume Corset Outer Fabric, Skirt & Apron: 100% European medium weight linen - 6.05 oz/yd² / 205 g/m² Laundered & mechanically softened Corset Lining: Composition: 100% Raw Cotton (155 gr/m²) Color: Beige Chemise: Composition 100 % Natural Cotton Type of fabric: Poplin Approximate weight: 70 gr/m² Soft Texture Care Instructions: To care for your Renaissance costume, we recommend dry cleaning only (except for the chemise) ensuring your costume remains in pristine condition for all your historical adventures. Renaissance Costume Options The basic Renaissance costume comprises a Renaissance corset, a white cotton chemise, and a long pleated linen skirt. To enhance your costume, you can incorporate a white linen apron or a black linen petticoat. Alternatively, you can opt for the complete costume set, which includes the basic costume along with the apron and black petticoat. How to Wear your Costume To wear your Renaissance costume, please follow these steps: Skirt: Secure the linen skirt by tying the back panel ties and knotting them at the front. Adjust the front panel by wrapping it like an apron around the waist, making a double turn. In the accompanying photos, the skirt is styled with a bustle pad to add volume to the hips and highlight the waist. Bodice: Put on the corset. Cross the cord through the metal eyelets, starting from the bottom and going to the top. Before tightening the drawstring, slide the modesty panel behind it and ensure a comfortable, snug fit around the chest. Adjust the straps. About Sizing Finding the Right Size: Please refer to the size chart to select the correct size for your Renaissance Costume. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. Here's a complete guide on how to measure yourself. Custom Sizing: If your measurements don't align with the sizes on the chart, we recommend choosing the "custom size" option. After placing your order, submit your measurements through our Custom Sizing Form as soon as possible. Delay in receiving your measurements will also delay your order. Processing Times All our garments, including the Isolde Renaissance Costumes, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come.The typical production time for Renaissance Costumes ranges from 6-8 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
В прошлый раз мы с вами внимательно рассмотрели платья Джейн Эйр времен 1840-х годов. Сегодня рассказ пойдет о мужской одежде той поры. Я сознательно не стала мешать мух и компот, потому что давно хотела подобраться к этой теме поближе. Подтолкнул меня к написанию этого поста Майкл…
