From the September 15, 1910 issue of Ladies Home Journal. My vintage website: www.vintage123.com
...or "What I Would Have Worn".... I have been gleaning a lot of inspiration from my Pinterest files lately. There are just so many images of breathtaking original historical garments floating around in cyberspace - it's wonderful to just look and dream! Sometimes certain items will jump out at me as something that I *know* would have aboslutely been in "my" wardrobe if I had lived in a certain time period of the past.....(don't you ever get that feeling??) So, these are the items I have laid claim to, organized by era. Enjoy! 18th Century... Perfectly charming jacket, sash, and scarf ensemble My favorite colors - and with bows! Regency... 1790s, rose silk day dress 1810, Ball gown in bright yellow? - Yes. 1820, perfect walking dress 1820s -Everyone needs at least one crazy spencer jacket, right? 1820s-30s A day out shopping...I love the eccentric hat! Victorian... 1830s soft summertime dress 1830s ruffled wrapper 1840 silk dinner dress 1840s yellow tucked sheer 1850s brown and blue. I adore this one especially! 1850s-60 wrapper. The colors are best! Corded cotton bonnet for outdoor work Ball gowns! 1850s-60s Swiss waist and attached bows and sash. This I plan to make to accessorize my next ballgown... White sheer summer dress, accented with blue silk. Perfect in every way. Edwardian... I love ridiculously frilly dresses, and this defines it - 1890s. 1905 cook's dress and apron (yes,I think I could do some very inspired baking in this outfit....) Sweater, 1905. So feminine and sporty! 1900s, gold and yellow Worth evening gown 1910 French silk petticoat 1910 evening dresses 1930s-40s... 1930s cotton polka dot! 1930s flowy red stripes 1942 plaid heels......:) Do you have any speical historical favorites? Ones that you want to create, or just like to dream about? Please share! To see more finds, check out my Pinterest account!
Dress, 1902-03 France, the Met Museum
Josephine "Jo" Bhaer (née March) is the second oldest March sister. She is seen as the protagonist of Little Women. Josephine was a reckless, daring child. She used slang and ruffles up her clothes (which were a great trial to her, especially when she grew old enough to wear long skirts). Josephine loved to read, and would spend hours doing so, reading books such as The Heir of Radcliffe. The attic at Orchard House was a favourite haunt of hers. She had a desk where she could be found when in a
NOS / deadstock dress from the early part of the 1930s. This piece features a lovely floral print, a matching belt with green buckle, and a big collar. No closures. . Label: Sadie Shay . Measurements: { large } Bust: 40" Waist: 37" Hips: 45" Length: 45" Sleeve Length: 6" . Condition: nearly excellent - so I washed it but there's still some discoloration on the belt but the dress is good now, I also noticed some lines underneath the pockets which I think are original sketch lines for where the pockets may have gone but then somehow didn't come out even in it's bath which is just kinda cool - sold as found. washed and ready to wear ☆Shop☆ http://www.trunkofdresses.com/
Продолжая выкладывать результаты трудов. На этот раз платье эпохи Возрождения, стилизация. У меня, правда, ощущение, что делаю я это в пустоту, и судя по отсутствию комментариев это никто не смотрит и никому не интересно. Но ничего, мы со Свель лишинй раз полюбуемся :) Фото: Ю. Катаев Обработка:…
With this page, I hope to let people experience a new forgotten world of folk-lore, fairy tales, romance, and legends; it is my desire to have them retold and brought back to life in your hearts.
Evening dress, London, ca. 1908.
Skating Ensemble 1890s The Kyoto Costume Institute
Our wedding... A small picture sampling of some of my favorite moments from the day: Waiting for the ceremony... Family... Walking down the aisle Saying our vows... First kiss So happy! Lots of family! Cakes... brothers Dancing in the rain end of a fairytale day... The full story coming soon.....lots of posts and pictures! :) Pictures credit Sophie Covey
In 2015 I had less than a week to make a gown for the Saturday night gala, so it had to be something simple, fast and straight forward. I decided to make a Victorian court presentation gown after one of Worth's gowns. Truly Victorian had just come up with a perfect skirt pattern that I was happy to use to save time on guess work. I only lengthened the train a little. The bodice pattern is my own. It's made of duchess silk satin. The skirt and train are faced and the bodice lined with glazed cotton. The trim is silk tulle that was originally soft but was starched stiff, pleated and sequinned. It's worn over a lobster style bustle and two petticoats. I found Kat's research for presentation accessories very helpful. The inspiration
This beautiful evening dress is French and dates to 1865. It is a fantastic example of how the hoop skirt began to evolve into the bustle in the late 1860s.
Set of 10 Fashion plates from the 1860's. Day wear to ball gowns and wedding dresses. This set is great for the history and vintage fashion buff or those who just love beauty. The cards are printed on warm white 80 lb. cover stock and come with matching envelopes. They are available in three sizes- 3.5" x 5" when folded, 4.25" x 5.5" when folded, and 5" x 7" when folded. you can also ad your own custom message, use one of ours, or leave them blank. Now available in Postcards printed on 4" x 6" 100 lb. warm white cover stock. All designs are available in single cards. Make great invitations or announcements. Postcards do not come with envelopes.
Evening dress, 1906 From the De Young Museum
Up until the mid-19th century, almost all dyes were made from materials found in plants (indigo, woad, woad, madder, brazilwood, tumeric and others), animals (shellfish purple, cochineal), and minerals. While these dyes could produce an amazing range of colours, there were still some colours that couldn’t be produced by natural means, and some of the colours that could be produced by natural means were inclined to run, fade, or to destroy the very fabrics they dyed. Then, in 1856 William Henry Perkin, a young chemistry student, working at home, after hours, in a makeshift laboratory, trying to create a chemically identical artificial version of quinine (a very valuable plant-based drug which was used to treat malaria), thought to experiment with the results of another failed attempt. The result of his experiment on his experiment was mauveine (also known as Perkin’s mauve, aniline purple, harmaline,Tyrian purple, plain old mauve, and, if you want to be extremely technical, 3-amino-2, ±9-dimethyl-5-phenyl-7-(p-tolylamino)phenazinium acetate). Mauveine was a combination of aniline (a common extract of coal tar) and other compounds which …