LEMKOS According to one version, Lemko ancestors were the ancient tribes of White Croats who lived on the slopes of the Carpathian Mountains. The number of Lemkos on territories of pre-war Poland was estimated between 100,000 and 150,000 people. The Lemkos survived many tragic moments in their long history: first, internment in the Talerhof camp,...
Chinese traditional costume
A folk costume (also regional costume, national costume, or traditional garment) expresses an identity through costume, which is usually associated with a geographic area or a period of time in history. It can also indicate social, marital and/or religious status. Such costumes often come in two forms: one for everyday occasions, the other for festivals and formal wear. Below is a collection of 22 stunning color photographs that shows women in their traditional dresses in their counties from the 1900s to 1920s. Alsatian girl Arab girl Austrian girl Belgian girls Dominican girl Dutch girl Egyptian girl French girls German girls Greek girls Hungarian girls Irish girl Japanese girls Mongolian girl Native American girl Norwegian girls Palestinian girls Polish girls Portuguese girl Romanian girl Spanish girl Vietnamese girls
Hello all Today i am going to write about the costume of the region of Kapsai, somewhat of a sister region to Zanavykia. Kapsai is south of Zanavykia, between Lithuania Minor and Dzukija, bordering on Poland to the south. This corner of Poland historically had a sizeable Lithuanian community, and actually i am not familiar with any Polish costume native to this corner of Poland. Here is a map showing the Kapsai region. This map shows Dzukia extending to the south of Kapsai. Different maps do not agree as to the exact extent of the various regions, Dzukia in particular. Kapsai has perhaps the most colorful and impressive costume of LIthuania. Sometimes artists mix pieces from different regions in their drawings. When this is the case, they almost always depict an apron from the region of Kapsai. Here is the most prominant of the Lithuanian costumes on display in a museum in Moscow. A good representation of the Kapsai costume. Here are a couple of prints from V. Palaima representing the Kapsai costume. A couple of images from Jurkuviene. An example from Glemžaitė front and rear. And a couple of photos from Tamošaitis. , The most evident differences between this and the Zanavykian costume is that the bodice has a different cut, generally being much longer, and the apron has horizontal ornament. Starting with the chemise, It has the usual Lithanian cut, tunic type with narrow shoulder tabs. It was ornamented with overshot weaving, hemstitching, broderie anglaise [which was exceptionally popular in this region] or other embroidery. The embroidered chemises tend to have shoulder pieces which have been widened. Here is a closeup of the costume from the Russian museum. Overshot weaving in white and ecru on a lower sleeve. Hemstitching on lower sleeve and shoulder piece. Broderie Anglaise on a shoulder piece. Cross stitch on a chemise. You will notice that the upper sleeve is gathered into the shoulder as in Zanavykia, and the tulip and rue plant are major motifs. The skirt is most commonly woven with vertical stripes on a dark background, as in Zanavykia, sometimes solid stipes, and sometimes the stripes have ornamental motifs woven in.But plaid and solid color skirts, perhaps with spot motifs woven in, are more common than in Zanayvkia as a result of influence from neighboring Dzukija. Again, as in Zanavykia, the apron takes center stage. Peruse the images in the posting. Horizontal arrangement is distinctive for this region. Sometimes the upper part is left unornamented or made from a cheaper material, because the bodice covers it. The sash is wide, with very ornamental motifs, it is tied either under or over the bodice. Tulip motifs are often prominant, and the supplemental weft fringes are well in evidence. The bodice varies somewhat, but tends to be longer than anywhere else in Lithuania, resembling the kersetka of eastern Ukraine. It is made either of home woven or bought material. Some examples flare more widely. Here is a back view of one example, and two different patterns. The headpieces greatly resemble those of Zanavykia, kerchiefs with or without front pieces, galloons, netted caps with front pieces. The beaded headbands are apparantly not found in Kapsai. Here is an image of a somewhat different type of karuna found in Kapsai. This is a headress called pakalke, similar to the karuna, but without points and higher. A linen kerchief with woven ornament and attached frontpiece. Necklaces of amber, coral or glass beads complete the costume. Thank you for reading, i hope you have found this interesting and possibly inspiring. Jurkuviene treats this costume together with the one from Zanavykia in her article.on Suvalkija. http://ausis.gf.vu.lt/eka/costume/cost_suvalkija.html Feel free to contact me with requests for research. I hope to eventually cover all of Europe and the Former Russian Empire/Soviet Union. I also gratefully accept tips on source materials which i may not have. I also accept commissions to research/design, sew, and/or embroider costumes or other items for groups or individuals Roman K. Rkozakand@aol Source Material: AntanaTamošaitis and Anastazija Tamošaitienė, 'Lithuanian National Costume', Toronto, 1979 Vida Kulikauskienė et al, 'Lithuanian National Costume', Vilnius, 1994, Kati Reeder Meek, 'Reflections from a Flaxen Past, For Love of LIthuanian Weaving', Alpena, Michigan, 2000 Teresė Jurkiuvenė, 'Lithuanian National Costume', Vilnius, 2006 Mikalina Glemžaitė, 'Lietuvių Tautiniai Drabužiai', [Lithuanian National Clothing] Vilnius, 1955 Stasė Bernotienė, 'Lietuvių Liaudies Moterų Drabužiai XVIII a XX pr.' [Lithuanian Women's Folk Clothing from the XVIII to the XX cent], Vilnius, 1974, Stasė Bernotienė, 'Lietuvių Valstiecių Išeiginės Prijuostės XIX a. - XX a. pradžia' [Lithuanian Aprons of the 19th and 20th cent], Vilnius, 2007 J. Grigienė et al, 'Lietuvių Liaudies Menas - Drabužiai' [Lithuanian Folk Art - Clothing], Vilnius, 1974 Elena Matulionienė, 'Klaipėdos Krašto Tautiniai Drabužiai' [Folk Clothing of the Klaipeda Region], Klaipeda, 2005 V. Palaimas, artist, set of postcards, 'Lithuanian Folk Costume', 1961 R. Paknys, photographer, set of postcards, 'Lietuvių Tautiniai Drabužiai', 1991 Tatyana Razina et al, 'Folk Art in the Soviet Union', Leningrad, 1990 Irma šidiškienė, 'Buti LIetuve', Vilnius, 2004
Let’s take a closer look at some of the country’s best known traditional costumes, as well as their history and origin!
Cretan Greek traditional dress from the region of Sfakiá, created by Maria Skoula.
Women's Traditional Outfits Worldwide: The planet Earth homes 7.9 billion people. Due to those 7.9 billion, al
A historically inspired traditional Persian / Middle East / Iranian robe called ghaba. This coat is very pleasant to wear, light and easy to wash. Does not impair movement - it is completely possible and easy to ride a horse or shoot from a bow while wearing it. Perfectly suitable for many occasions such as historical or fantasy events, cosplay, horseback archery or just general use if you want to add some Middle East/historical flavor. :) Different primary colors/patterns available, please message me for more information regarding options. Available in different sizes and with or without white cotton underdress. Please see last picture for measurement references. Comes with a gorgeous bordo silky sash. Other colors also available. Feel free to CONTACT ME if you have any questions or wish to make any adjustments to this model, so I could find a solution specifically for you. :) Custom orders are always welcome! All of my items (including this) are handmade in Lithuania. BUYING ANY ITEM IN MY SHOP YOU GET A 10% OFF COUPON FOR YOUR NEXT PURCHASE! You can also read my policies here: https://www.etsy.com/shop/sagittariuslt/policy
Temple rings in Russian women’s costumes, 12-13 century. Temple rings (temporal rings) were part of Slavic, Scandinavian and others' medieval women's dress. Most were made of base metals such as...
Wow. Does anyone else fall into a well of old Christmas cookies, prolonged sleep and shuffling around in bathrobes post New Year? Sometim...
Our Habesha Kemis are expertly crafted with intricate embroidery, beading, & weaving, featuring vibrant colors and patterns that are sure to make a statement.
Utilizing her talents as a former designer for fashion, film, and opera productions, Bavarian-born Annina Pfuel married her love for traditional Alpine clothes with her expertise in historical costumes. Annina Dirndl features silhouettes that pay homage to a bygone era with modern-day sensibility. Suitable for a range of dress codes, each handmade garment is a unique wardrobe investment. The Tara Dirndl is crafted from a bright Toile de Jouy fabric, and finished with a white silk taffeta apron. Product Details Dress: 100% cotton. Lining: 100% cotton. Apron: 100% silk. Made in the U.K. Upon purchase, an Over The Moon customer care team member will request measurements. Care Instructions Dry-clean only. Size & Fit This item is cut for a tight fit. Shipping Details This item is made-to-order. Please allow 3 weeks for production and 5-7 days for standard delivery. Return Policy This item is final sale and not available for return.
Women's Traditional Outfits Worldwide: The planet Earth homes 7.9 billion people. Due to those 7.9 billion, al
Kazakh woman, Kazakhstan, Aya Shalkar
Transport yourself to the colonial era with our handmade Colonial Costume in Chocolate and Toffee Linen. Meticulously handcrafted with the utmost attention to detail, this exquisite ensemble is perfect for history enthusiasts, time-travellers, and anyone seeking an authentic, one-of-a-kind look for reenactments, celebrations, or themed parties. Created from high-quality chocolate and toffee linen fabrics, this costume features a long skirted jacket and an historical skirt, pleated in the traditional fashion, which spans 3 meters. To enhance versatility, the costume includes two matching stomachers in coordinating colors. Step into the past with confidence, knowing your costume is a true work of art. Don't miss the opportunity to own this exquisite piece of history – order your Colonial Costume in Chocolate and Toffee Linen today! Design Features of your Colonial Costume in Chocolate & Toffee Linen Colonial Jacket: Introducing the JANET Long-Skirted Jacket, designed to exude effortless style and sophistication. Crafted from high-quality linen with a cotton lining, this jacket offers a perfect blend of comfort and elegance.Featuring a beautifully curved waist and long, ample basques measuring approximately 25 cm from the waist, the jacket of the colonial costume flatters your figure with its timeless silhouette.The wide front opening is adorned with hidden metal rings on both sides, adding a touch of intrigue to the design. For added versatility, the jacket of the colonial costume comes with two stomachers in matching colors (chocolate & toffee), allowing you to personalize your look.With its mid-length sleeves, the JANET colonial jacket strikes the perfect balance between coverage and freedom of movement. A 18th Century Skirt to complete your Colonial costume The skirt of the colonial costume consists of 2 toffee linen panels, connected at the sides while leaving the upper ends open on each side. This design enables easy wearing of the skirt. The panels of this historical skirt feature 18th-century-style pleats. At the front, pleats extend towards the sides, while at the back, they converge in the middle. In the photos, the skirt is worn over a bustle pad, which adds volume to the hips and accentuates the waist's slenderness. Fabrics and Care of your Colonial Costume JANET colonial costume is made of prewashed medium-weight linen (205gr/m), in a range of colors matching Atelier Serraspina's color palette. Y Jacket Outer Fabric & Skirt 100% European medium weight linen - 6.05 oz/yd² / 205 g/m² Color: Chocolate / Toffee Prewashed and mechanically softened Fabric woven according to universally accepted quality requirements which correspond to OEKO-TEX 100 standards Bodice & Sleeve Lining: Composition: 100% Cotton Type of fabric: Poplin Approximate weight: 110 gr/m² Care Instructions: We kindly recommend dry cleaning only. How to Wear Your Colonial Costume To wear your colonial costume, please follow these steps: Skirt: Secure the linen skirt by tying the back panel ties and knotting them at the front. Adjust the front panel by wrapping it like an apron around the waist, making a double turn. In the accompanying photos, the skirt is styled with a bustle pad to add volume to the hips and highlight the waist. Jacket: Put on the jacket. Cross the cord through the hidden metal rings, starting from the bottom and going to the top or from top to bottom. Before tightening the drawstring, slide the stomacher behind it and ensure a comfortable, snug fit around the chest. About Sizing Finding the right size Please refer to the size chart to select the correct size for your colonial costume. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. Here's a complete guide on how to measure yourself. Custom Sizing If your measurements don't align with the sizes on the chart, we recommend choosing the "custom size" option. After placing your order, submit your measurements through our Custom Request Form as soon as possible. Delay in receiving your measurements will also delay your order. Processing Times All our garments, including the Janet Colonial Costumes, are handmade in our workshop. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come.Please note that our items are meticulously handmade, which means it will take some time for us to create them. The typical production time for a Colonial Costume ranges from 6-8 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
Princess Marie Alexandrine of Saxe-Weimar-Eisenach dressed in folk costume, early 1860s. She was a first cousin to German Emperor Frederick III (Queen Victoria's son-in-law).
Sicilian traditional clothing is part of our culture. Learn more about typical fashion for women and men, read our post on Sicilian Secrets' blog.
