Maddie Galbraith designer
PARCO SPRING ORDER キャンペーングラフィックデザイン | 札幌市 グラフィック・ロゴ・ブランディング デザイン会社 | スタジオワンダー
A division of UnderConsideration, celebrating the reality that print is not dead by showcasing the most compelling printed projects.
Создадим статусную подпись, которая будет соответствовать вам и вашему делу. Гарантированно научим ей расписываться за пару дней.
Ao invés de usar "mas" e "então" use...
55 Cool DIY Backyard Studio Shed Remodel Design & Decor Ideas HomeSpecially , #Backyard #Cool #Decor #Design #DIY #HomeSpecially #Ideas #Remodel #shed #studio Check more at https://shedstudio.naa7.com/55-cool-diy-backyard-studio-shed-remodel-design-decor-ideas-homespecially-2/
Wedding green screen Effects HD Video for editing | Vfx design video cool green background video 148Join our Website:-https://www.suspense24.com/Join our Tel...
Creative Visuals? Branding? Let's brainstorm! - Webtoon Creator | Content Creator I'm a student who's all about making imagination a reality through graphic design. 📦 Presentations 📦 Digital Materials 📦 Infographics 📦 Branding/Logo 📦 Personalization So, if you're into cool designs, captivating content, or just looking for some digital magic, you're in the right place. Let's connect and create something awesome together! 🌐:https://nukivi.carrd.co/ 📷:https://www.tiktok.com/@nukivi
Based on a beautiful Concept by Tatiana Tyukina. Credit to her for such a cool design. https://www.artstation.com/artwork/nEOd99 A little experiment I made using the new Character Creator 4. I was able to get this result in 2 days which is pretty amazing. Will definitely be using this in future projects!
Icons8 | Crazy bunch of makers fueling your creativity! 🎁 We make free stuff for design: - Icons - UI illustrations - Photos - Music for videos - Tools & software: Lunacy free graphic editor, Mega Creator, Smart Upscaler, Background Remover, etc. Go check our website https://icons8.com/ & follow us on social media! | Connect with them on Dribbble; the global community for designers and creative professionals.
Pinça de mola artesanal Certa noite, faltaram alguns grampos de mola para serviços leves, depois que as lojas fecharam. Então eu vim com este design simples para fazer rapidamente alguns dos meus próprios. Começando com o padrão à direita, estenda e corte as duas partes da braçadeira. Quase qualquer madeira que você tiver servirá, mas usei compensado por sua resistência em todas as direções. Solte as bordas e lixe as superfícies de contato do pivô para uma pegada confortável e operação suave. Enrole elásticos ao redor das mandíbulas para fornecer a pressão de fixação. Variando o número de elásticos, você pode ajustar a pressão para se adequar ao trabalho. texto original aqui: https://mailchi.mp/australianwoodsmith/woodsmith-tip-handmade-spring-clamp? Aqui um artigo de como fabricar um grampo https://www.canadianwoodworking.com/plans-projects/make-set-cam-clamps + uma ideia de grampo Quer saber mais sobre grampos? Visite: https://www.homestratosphere.com/types-of-clamps/ Louise Hay foi uma autora motivacional e fundadora da Casa Hay, uma casa de publicações literárias. Louise lançou vários livros de autoajuda, sendo considerada uma das fundadoras deste gênero de literatura. Palestrante e professora de metafísica, iniciou sua carreira como ministra da Ciência da Mente em 1971. Wikipédia Nascimento: 8 de outubro de 1926, Los Angeles, Califórnia, EUA Falecimento: 30 de agosto de 2017, San Diego, Califórnia, EUA Cônjuge: Andrew Hay (de 1954 a 1968) Filmes: Você Pode Curar Sua Vida, MAIS Álbuns: Self-Esteem Affirmations Saiba mais em: https://pt.wikipedia.org/wiki/Louise_Hay
It's Free Pattern Friday! Today, the Lofty Rug in Bella Chenille (free pattern link here). How cool is this? A member of our design team was inspired by the nifty bobble stitch seen in this tutorial at Kristen McDonnell's Studio Knit, and immediately realized just how soft and springy it would be in plush Bella Chenille. She was right. It's soft and touchable, and just perfect for bare feet. Personally, I'm always looking for new things to try, and this fits the bill. What an interesting tool to have in your repertoire! Here's Kristen's video of how to work this stitch. As Kristen says in the video, you'll make a few mistakes at first. But it looks like you'll have fun doing it! https://youtu.be/20oRxnQP0Mg We hope you keep a spring in your step this weekend. Happy crafting!
Elevating your outdoor culinary adventures requires more than just a standard grill or oven. One key ingredient that can truly elevate your backyard kitchen is the outdoor wall range hood – a functional yet stylish addition that not only ensures proper ventilation by efficiently whisking away smoke and odors but also protects your kitchen investment and infuses your kitchen project with a touch of sophistication.
Outdoor wall hoods come in a kaleidoscope of designs, allowing you to seamlessly blend them into your overall aesthetic vision or make them the star of the show – a bold, eye-catching statement piece. From sleek, contemporary silhouettes that complement modern setups to rustic, farmhouse-inspired designs brimming with warmth and charm, the possibilities are as boundless as your imagination.
Envision yourself crafting a delectable feast while basking in the fresh air and natural surroundings, your outdoor wall hood effortlessly banishing any unwanted smoke or aromas, maintaining a pleasant ambiance for you and your guests to savor. And take comfort in knowing that your investment in your outdoor kitchen remains protected, free from the ravages of smoke damage.
Prepare to feast your eyes on these captivating outdoor wall vent hood designs and kitchen setups. We hope they will ignite your imagination and inspire you to craft the ultimate al fresco culinary haven tailored to your unique style and tastes.
In this culinary space, the PLJW 104 Proline hood commands attention with its striking silhouette against the backdrop of chic, dark subway tiles. The ambient lighting beneath the hood casts a welcoming glow over the grill and the side burner, highlighting the sleekness of the stainless steel that's ready to cater to a chef's touch. The cool tones of the tiles offer a modern edge, while the cabinetry's neutral palette softens the industrial feel, creating a balanced, inviting place. Blue LED knobs inject a dash of futuristic flair, enhancing the kitchen's contemporary charm, making it not only a place for preparing meals but also a statement of style and sophistication.
This is a seamless blend of warm, organic textures and sleek modernity. The PLJW 109 hood from Proline, with its robust and professional design, is an impressive focal point amidst the contrasting rich wood tones and cool, neutral flooring. The natural light and verdant outdoor views streaming in through the windows create a serene and inviting atmosphere, while stylish pendant lights add a touch of elegance. It's a space that perfectly captures the essence of contemporary living, offering both aesthetic appeal and functional sophistication.
This culinary nook is a masterpiece of light and shadow, where the PLJW 109 hood from Proline is both a beacon and a testament to modern design. Its stainless steel surface reflects the natural light that cascades through the generous windows, accentuating the crisp, marble-like backdrop. The warmth of the wooden floor provides an inviting contrast to the coolness of the metal and stone, offering a balanced and harmonious environment for both cooking and comfort. As functional as it is visually stunning, this kitchen merges the boundaries between the indoor sanctuary and the wild beauty of nature just beyond the glass, crafting a serene space to create and dine within.
This elegant outdoor oasis, framed by a stately home and a tranquil pool, reflects a symphony of style and leisure. The covered outdoor kitchen, equipped with a Proline hood, promises al fresco dining experiences that blend effortlessly with the rhythms of nature and the luxury of modern living. The traditional stone fireplace adds a touch of rustic charm, offering warmth and ambiance on cooler evenings.
The pool's mirror-like surface captures the sky and the surrounding architecture, inviting one to dive into its serene embrace. Strategic landscaping provides both privacy and a verdant contrast to the hardscaping, while the subtle interplay of textures—from the shingles to the stone—creates a layered aesthetic that is both sophisticated and welcoming. This is a testament to thoughtful design, offering a perfect haven for relaxation, entertainment, and the pure enjoyment of the environment.
This charming outdoor kitchenette exudes a cozy ambiance with its earthen tones and welcoming simplicity. The mosaic of subway tiles adds a playful yet orderly backdrop, harmoniously uniting with the stainless steel appliances. The standout feature—a vibrant backsplash—injects personality, reminiscent of serene ocean waves, a delightful nod to nature in this compact culinary nook. It's a space that says 'home-cooked meals' with a side of fresh air.
Now, this kitchen speaks to the enthusiast who appreciates the finer points of outdoor entertaining. The clean lines of the grill and the sleek stainless steel finish of the cabinetry blend functionality with modern elegance. The granite countertop adds a touch of luxury, as well as durability to withstand the elements. It's a setup that doesn't just look good—it's designed to host gatherings that linger into the evening. This area is not just about preparing food; it's about crafting experiences. With ample storage below, every tool and utensil has its place, ensuring a clutter-free zone that calms the mind and allows the grill master to shine. A testament to tasteful simplicity, this outdoor kitchen invites moments of culinary creativity and social camaraderie.
What a charming and inviting outdoor kitchen! The stone wall provides a delightful rustic touch that's both elegant and sturdy, perfectly complementing the modern stainless steel range hood—a subtle yet functional centerpiece. The cozy dining area invites guests to linger over meals, creating a relaxed atmosphere that's just right for beach-time vibes. Practical touches like the ceiling fan ensure comfort, while the natural light enhances the airy feel. It’s a space that truly embodies the joy of alfresco living, where every element works in harmony.
It’s a pretty simple, down-to-earth setup. The thoughtful placement of the grill adjacent to the indoor kitchen hints at effortless entertaining. Cozy seating invites conversation and the ceiling fan above promises cool breezes on warm days. The screened enclosure whispers of late evenings free from the intrusion of the elements. Overall, it’s a space that feels like a natural extension of the home, where functionality and warmth are in perfect accord.
The warm terracotta wall color here provides a sunny backdrop for this compact outdoor kitchen, complemented by the stainless steel accents of the range hood and appliances. It's a snug, inviting nook that maximizes its limited space with style and efficiency. The play of sunlight adds a dynamic element to it, highlighting the textures and surfaces. This setup is perfect for an intimate family barbecue or a refreshing beverage on a sunny afternoon. It's a cheerful spot that promises memorable outdoor experiences.
This luxurious outdoor oasis, graced by the sleek ProSW range hood, is a testament to refined outdoor living. The hood’s professional look is a perfect match for the pristine white backdrop, bringing a hint of sophistication to the culinary area. The vibrant greenery frames this idyllic retreat, creating a private sanctuary.
The soft blue accents mirror the pool's inviting waters, harmonizing with the tranquil environment. It’s the kind of space that beckons for leisurely afternoons and grand soirées alike, blending functionality with serenity in a way that elevates the al fresco experience.
This feels like a rustic retreat with a modern twist, highlighted by the PLFW 832 range hood with its clean lines and robust presence. It brings an industrial edge to the natural stone wall, offering a contrast that’s both visually appealing and practically thought out for indoor grilling. The ample windows ensure natural light bathes the area, adding a sense of openness. This cozy corner, nestled among the trees, seems perfect for a serene grilling experience, rain or shine. The setup suggests a homeowner who values tradition but embraces innovation—a delightful blend.
This ProVW range hood makes a striking statement against the playful chevron backsplash, marrying the concepts of movement and modernity in this outdoor kitchen. The cool tones of the tile work in harmony with the stainless steel, offering a fresh and contemporary vibe. The precision in design is evident, from the sleek countertops to the robust grill, ready for culinary adventures. It's a space that feels meticulously curated yet thoroughly welcoming, a testament to the homeowner’s eye for design that's both stylish and serviceable.
Nestled amongst classic brick, the PLJW 101 hood stands as a beacon of modernity. Its sleek design and LED controls add a contemporary flair to the traditional outdoor kitchen, promising culinary excellence and an inviting ambiance.
The Proline hood, with its commanding presence, anchors this outdoor kitchen with an air of professionalism. Flanked by weathered bricks, it provides a perfect contrast that’s both aesthetically pleasing and functional. The bold “H” monogram adds a personal touch, giving the space a bespoke feel. Below, the gleaming grill awaits, promising delectable feasts. Stainless steel drawers offer convenience and a touch of shine, harmonizing with the hood’s finish. This kitchen is a nod to the timeless appeal of brick and the clean lines of modern appliances, creating an inviting hub for culinary creativity.
In this outdoor kitchen, the Proline PLJW 104 hood emerges as a sleek, modern counterpoint to the richly textured, historical patina of the brickwork. Its polished surface reflects light and culinary ambition, offering a clean, professional-grade focal point amidst the rugged charm. The variegated bricks, each telling a story of time, frame the culinary stage with warmth and character.
Granite countertops add to the blend of natural and man-made elegance, providing a durable and stylish workspace. Below, the integrated appliances hint at functionality without sacrificing the beauty of design. It’s an exemplar of how contemporary appliances can enhance the authentic beauty of traditional materials, creating a harmonious and well-equipped outdoor haven for the epicurean enthusiast.
The Proline PLJW 109 hood lends a touch of sleek sophistication to this outdoor kitchen, beautifully contrasting with the mosaic and stone wall that exudes a rustic yet refined vibe. Its presence is a nod to the serious chef, blending effortlessly with the top-notch grill beneath it. This space is thoughtfully designed, merging the comfort of the indoors with the pleasure of outdoor living. The inclusion of a fireplace and a television denotes a place built for entertainment and relaxation, where one can cook while still being part of the fun. It’s a perfect marriage of form and function, creating a luxurious and welcoming environment for all who gather here.
In this well-appointed place, the Proline PLJW 101 hood stands as a testament to modern functionality, its stainless steel finish gleaming against the light-toned wood accents. It perfectly complements the streamlined design of the outdoor kitchen, offering an inviting blend of contemporary style and culinary promise. The interplay of textures, from the stacked stone kitchen island to the smooth wooden planks, creates a visual and tactile feast. The strategic lighting, from pendant fixtures to the soft glow of the skylight, enhances the overall ambiance, inviting one to linger and enjoy the space. This kitchen isn't just about cooking; it's about creating an experience. The cozy seating area beckons for moments of relaxation and conversation, bridging the gap between chef and guests. Every detail, from the layout to the choice of materials, exudes a sense of luxury and comfort, making it a haven for both cooking aficionados and those who simply want to unwind.
In this well-conceived outdoor kitchen, the striking Proline ProVW range hood not only promises robust functionality but also contributes a sleek, professional look to the space. Its stainless steel finish reflects the ambient light, complementing the vibrant turquoise walls, which infuse the area with a cheerful and welcoming aura.
Below, the juxtaposition of the modern grill and traditional ceramic smoker suggests a versatile culinary playground for both the aspiring and seasoned chef. The use of varied wood tones in the cabinetry adds warmth and a natural touch, harmoniously blending with the outdoor environment.
In this setting, function meets festivity; it's easy to imagine friends and family gathering around, sharing stories and savoring flavors under the comforting watch of this efficient and stylish Proline hood.
This cozy nook showcases the Proline hood that nestles seamlessly amidst the earthy tones of the mosaic backsplash. Its presence is understated yet indispensable, offering silent guardianship against the culinary fervor that takes place below. The soft glow of its lights creates an intimate ambiance, perfect for indoor grilling. It’s a practical space that doesn’t skimp on charm, designed for the creation and enjoyment of many home-cooked meals.
Nestled in a charming blend of textures and eras, the ProSW hood stands as a gleaming focal point in this inviting outdoor kitchen. Its professional grade beckons the culinary enthusiast while its polished look contrasts beautifully against the rustic brick backdrop, offering a touch of modernity. The balance between the sleek stainless steel and the warm, weathered brick creates a captivating dialogue between the new and the nostalgic. With ample space for gathering, this kitchen is not just a place for meal prep, but a hub of social interaction, all under the quiet hum of the ProSW's efficient ventilation.
In this outdoor retreat, the Proline PLFW 832 hood merges effortlessly with the coastal-inspired decor, adding a breath of fresh air to the culinary space. Its sleek design provides a modern counterpoint to the traditional brick, creating a layered aesthetic of comfort and sophistication. The hood’s clean lines echo the neatly framed maritime artwork above, designed for both function and leisure. It's a spot where sea breezes mingle with the aromas of cooking, and style meets the serenity of coastal living.
Beneath the gentle gaze of the peacock artwork, the Proline ProSW hood anchors this outdoor kitchen with both strength and elegance. Its stainless steel exterior gleams against the varied greys of the stone backsplash, a nod to the fusion of natural elements and modern craftsmanship. This hood doesn't just command the space with its presence, it harmonizes with the rugged stone and soft shiplap, encapsulating a design that's as functional as it is beautiful.
As an outdoor sanctuary for the senses, the kitchen is a testament to the balance between utility and aesthetic appeal. Whether it's a quiet family dinner or a lively gathering of friends, this space, under the ProSW's quiet hum, promises memorable moments amid the subtle luxury of its surroundings.
Here, the Proline PLFW 832 hood presents a sleek, modern touch to the neutral palette of the outdoor kitchen. It stands confidently above the grill, promising a clear, smoke-free environment. The mosaic backsplash and granite countertops echo the kitchen's blend of elegance and practicality, while the spacious design invites social cooking experiences, unhindered by the elements.
Enveloped by the warmth of natural wood paneling, the Proline hood stands as a modern centerpiece in this rustic kitchen. Its professional-grade stature and commanding width ensure a culinary prowess that matches the visual impact of its surroundings. The linear mosaic tile backsplash introduces a contemporary edge, its colors picked up by the variegated tones of the wood, creating a dynamic yet cohesive aesthetic.
Artfully chosen accents like the bold blue bowl on the counter add a splash of color, energizing the space without overwhelming it. The overall design marries the rugged charm of a mountain lodge with the polished finesse of modern appliances, making for a kitchen that's as inviting as it is impressive. It's a space that pays homage to traditional comforts while embracing the efficiency of contemporary design.
This outdoor kitchen has a delightful rustic-yet-modern vibe. The stainless steel appliances, including the Proline PLJW 101 range hood, provide sleek functionality, while the open shelving, wicker basket, and decorative birdcages add warm, natural elements. The gas grill and counter space allow for ample cooking opportunities in this charming al fresco dining area. The industrial-style sconce lighting complements the overall aesthetic nicely, creating an inviting ambiance for entertaining or casual meals outdoors. It's a well-designed kitchen that seamlessly blends practical cooking amenities with cozy, stylish decor touches.
This light-filled living space exudes a relaxing coastal vibe with its soothing blue and white color palette. The plush sectional sofa invites lounging with its cozy woven textures and azure accent pillows, complemented by the bright seaside artwork on the walls. The open-concept layout seamlessly integrates the living area with the well-appointed kitchen, featuring stainless steel appliances and stone countertops, anchored by a striking stacked stone fireplace. Natural materials like the rustic wood beams and stone veneer lend an organic, earthy feel, while the large windows and sliding doors allow ample natural light to filter in, creating an airy, inviting ambiance perfect for casual entertaining or unwinding after a day at the beach.
In this inviting outdoor kitchen, the rugged charm of stone blends with sleek cabinetry, creating a cozy yet sophisticated vibe. The Proline PLJW 108 hood, with its clean lines, is a functional showpiece that speaks of many shared laughter and stories during meal prep. It’s a space that feels less like a chef's corner and more like the heart of the home, promising warmth, not just from the grill, but from the memories sure to be made here.
Nestled within the comfort of this screened porch, we find a seamless blend of indoor ease and outdoor freshness. The charcoal hue of the Proline hood anchors the space, while the classic brick backsplash adds a touch of rustic charm, harmoniously uniting with the cool, modern siding. Plush seating invites relaxation, and the strategic placement of the grill promotes social interaction, turning cooking into an inclusive experience.
Ample natural light bathes the area, highlighting the woven textures and soft cushions, making it a perfect nook for both lively social gatherings and tranquil moments alone with nature's serenade. This design encapsulates the essence of a personal retreat while maintaining the functionality for entertainment—a true haven for all seasons.
In this compact culinary corner, the striking Proline hood exudes modern elegance against the bold blue wall. Its sleek stainless steel design offers a contemporary contrast, with functionality at its core. The terracotta tiles underfoot add warmth, and the whimsical bird sculpture provides a playful touch, balancing the serious tone of the appliances with a hint of charm in this thoughtfully designed, space-efficient kitchen.
This al fresco kitchen exudes an air of understated elegance; the Proline hood, with its striking presence, commands attention, yet gracefully complements the outdoor setting. The soft cream walls and stone countertop underscore a natural aesthetic, whilst the metallic sheen of the grill and storage brings a modern twist. The "Live, Laugh, Love" mat underfoot adds a whimsical mantra to the culinary artistry that unfolds here. With every detail, from the petite cactus to the sleek waste bin, this space is a testament to functional beauty—crafted to foster both gourmet experiences and heartwarming moments under the open sky.
Here we're enveloped by the warmth of wood, setting a rich backdrop for this luxurious outdoor kitchen. The Proline hood, poised and prominent, adds a sleek, modern touch to the rustic ambiance. Stacked stone cladding infuses timeless charm, marrying well with the robust stainless steel appliances that promise endless evenings of gastronomy. The granite countertop's earthy tones and sumptuous pattern are a feast for the eyes, making this space not just a kitchen, but a centerpiece for gathering, reflecting a perfect symbiosis of nature and sophistication.
In this cozy nook, classic brickwork and sleek appliances merge to craft an intimate culinary oasis. The Proline PLJW 104 hood, with its industrial elegance, rises above, ensuring the space remains a clean, smoke-free haven for culinary adventures. Understated cabinet hues soften the strong architectural lines, offering a nod to homey comfort amidst the robust outdoor kitchen setting. Slivers of light from sconces cast a warm glow, accentuating the space's inviting ambiance, making it an idyllic backdrop for both quiet family dinners and spirited social gatherings.
This kitchen harmoniously juxtaposes the rich, organic texture of the wood ceiling with the modern sheen of the Proline hood and stainless steel appliances. The deep black backsplash sets a dramatic stage for culinary performance, contrasting with the cabinets’ creamy tones. It's a study in contrasts that creates an unexpected yet cohesive culinary canvas, ready for the creation of both comfort food and gourmet experiments.
Bathed in natural light, this kitchen's subtle palette and earth-toned tiles offer a tranquil culinary sanctuary. The brushed finish of the Proline hood brings a slice of sophistication, hovering above the robust grill, hinting at delectable feasts to come. A tableau of fresh ingredients awaits on the counter, suggesting not just a meal but an experience, ready to unfold in this elegantly simple and warmly inviting space. It's a haven for both the seasoned chef and the casual cook to revel in the joys of open-air cooking.
This open-air kitchen is a fusion of rustic charm and contemporary flair, where the gleaming Proline BBQ Pro hood anchors the space with industrial grace. The natural wood backdrop and exposed beams overhead evoke the spirit of a countryside retreat, while the granite countertop and modern stools around the bar beckon guests to sit and savor. It’s a space designed not just for cooking, but for communal engagement, where the sizzle of the grill and the clink of glasses become the soundtrack to unforgettable gatherings under the subtle glow of the pendant light.
In this minimalist setup, the Proline hood stands out as a sleek, stainless steel testament to clean design and culinary promise. The smooth contours of the hood are echoed by the simple lines of the cabinetry, creating a harmonious and functional space. The natural light kisses the surfaces, highlighting the grill's readiness for a chef's touch. Here, simplicity reigns, allowing the quality of each component, from the robust grill to the efficient hood, to shine without competition, reflecting a space designed for the pure joy of outdoor cooking.
Beneath a vaulted ceiling with rich wooden tones, this outdoor kitchen strikes a balance between nature and sophistication. The Proline hood rises above the stone façade, an embodiment of modern functionality within the timeless embrace of the elements. The fan overhead promises a gentle breeze on warmer days, making the space as comfortable as it is elegant. With appliances nestled into the rugged stonework, the design speaks to those who savor the act of grilling as a part of the experience of the great outdoors.
This kitchen corner is a delightful blend of functionality and tropical charm, where the Proline PLFW 832 hood stands as a modern marvel amid the organic decor. It draws the eye with its robust form, a guardian to the culinary arts below. The surrounding textured walls are a canvas for playful accents, like the whimsical parrot duo and the sun's carved radiance, which bring a sense of joy and relaxation. The outside world peeks in through the windows, connecting the chef to the serene environment beyond. This kitchen tells a story of balance: sleek, professional-grade tools paired with decorative touches that invite a laid-back, island-time mindset—a sanctuary for both serious cooking and serene living.
Here, modern living meets cozy comfort, with the space masterfully blending indoor luxury and outdoor ease. The central Proline hood, with its elegant form, stands sentinel over the grill, integrating effortlessly into the chic brickwork. The sitting area, dressed in neutral tones with plush cushions, invites relaxation and conversation, while the vibrant rug injects a burst of color and texture, creating a welcoming place that’s perfect for both intimate family gatherings and entertaining friends. The wood finishes above add a touch of rustic charm, completing a scene that's as much about community as it is about cuisine.
Enveloped by the cool, multi-tonal stone backdrop, this kitchen radiates a serene yet sophisticated ambiance. The Proline PLJW 104 hood takes center stage with its striking silhouette, not only drawing out unwanted aromas but also drawing attention as a statement piece within this culinary haven. Flanked by windows dressed in crisp white, the space is bathed in natural light that dances across sleek countertops and stainless steel finishes, infusing the area with a fresh and airy feel.
The well-appointed grill whispers promises of sumptuous feasts to come, nestled between subtle yet stylish cabinetry that offers a clean, uncluttered aesthetic. Each appliance and detail has been selected not just for its functionality but for its contribution to the overall beauty and harmony of the space. This kitchen isn't just a place to cook; it's a tranquil retreat that caters to the senses, blending the indoors and outdoors into a seamless symphony of design and practicality.
This kitchen exudes a breezy elegance with its clean lines and bright space, crowned by the Proline PLJW 104 hood. The patterned backsplash adds a touch of whimsy, beautifully framed by stark white cabinetry. The island, with its natural stone, offers an earthy counterpoint to the stainless steel's shine, creating a place
that's both modern and timeless.
The Proline PLJW 185 hood is a standout feature in this kitchen, with its sleek design nestled among the classic richness of dark wood cabinetry. The light backsplash offers a pleasing contrast, harmonizing with the granite countertops for a look that is both warm and inviting. Details like the ornate rug and decorative touches on the wall add a personal and homely feel, making the space welcoming and lived-in. It’s a kitchen where every element melds to create a functional yet cozy heart of the home.
The Proline PLJW 130 hood brings a sleek, professional edge to this charming kitchen, its clean lines illuminated by the warm glow of under-cabinet lighting. The playful sign "I Kiss Better Than I Cook" adds a touch of humor and personality, complementing the modern, laid-back vibe. The linear backsplash ties together the stainless steel and cool gray tones, crafting a space that's both stylish and inviting, hinting at culinary explorations and affectionate moments in equal measure.
This outdoor kitchen features the Proline Hurricane insert, seamlessly integrated into a vibrant setting that's as playful as it is practical. The hood's sleek lines and powerful presence sit above the grill, ready to take on the elements. Surrounded by the whimsical, wave-patterned tile backsplash and flanked by stainless steel cabinetry, the space is a clear testament to the joy of outdoor living. It's a perfect blend of fun and function, where every meal is an adventure waiting to happen.
The Proline PLJW 105 hood, with its clean and contemporary design, crowns this open-air kitchen space with understated elegance. Perched above the grill, its brushed finish complements the natural limestone structure, while the mosaic backsplash adds a pop of texture and color, creating a harmonious blend of modernity and rustic charm.
This kitchen is a striking example of industrial chic, where the Proline Wall hood PLJW 109 not only stands as a testament to functionality but also as a statement piece. Its substantial form and brushed finish reflect the industrial design trend, yet there’s a warmth here too, echoed in the exposed brick and rich wooden ceiling. The hood's robust appearance is softened by the homely touches around it, like the quaint window treatment and the inviting seating area.
Sophistication meets home comfort in this culinary haven, creating an area that's equally suited for crafting gourmet meals as it is for sipping coffee on a lazy Sunday morning. It’s a space that articulates the harmony between professional-grade appliances and the comfort of residential design, all under the quiet and efficient assurance of the PLJW 109.
Perched in an alcove of mixed textures, the Proline PLFW 832 hood is a testament to thoughtful design in this outdoor kitchen. It exudes a quiet confidence with its angular lines and stainless steel finish, complementing the robust grill it presides over. The natural stone backdrop, with its mosaic of earthen hues, and the contemporary wooden slats above, frame the hood in an organic tableau.
It blends rustic charm with the sleekness of modern appliances, offering a tranquil yet sophisticated setting for al fresco culinary adventures. It's a place where nature meets nurture, all under the capable and stylish vigil of the PLFW 832.
This kitchen embodies a monochrome palette brought to life by the Proline PLJW 105 hood, a sleek sentinel amidst the cool marble veins that grace the walls. The hood's professional-grade stainless steel mirrors the high-end appliances below, creating a streamlined effect. Its presence is bold yet unintrusive, allowing the dramatic marble to make a statement while providing a functional anchor to the cooking space.
The dark cabinetry grounds the room, offering a striking contrast that elevates the design, making it modern and timeless. The expansive windows usher in natural light that dances on the surfaces, enhancing the kitchen's clean lines and the meticulous details that speak of a space designed not just for function but for the sheer pleasure of aesthetic appreciation.
Framed by the embrace of the great outdoors, the Proline PLJW 104 hood is a sleek addition to this rustic, yet refined, entertainment space. The hood's clean lines and industrial flair are a nod to modernity that stands in beautiful contrast to the natural stone and warm wood surroundings. This open-air kitchen, with its panoramic views, encourages the flow of indoor comfort to the great outdoors.
The thoughtful placement of vintage-inspired pendant lights adds an inviting glow, harmonizing with the natural light that floods the space. It's a setting that’s both grounded and elevated, where the stainless steel of the PLJW 104 reflects the tranquility of nature and the joy of shared meals. This kitchen is not just a place to cook but a sanctuary to commune with nature and nourish the soul.
The Proline Hurricane insert is a sleek, unassuming guardian in this elegantly subdued kitchen. Mounted above the grill, it offers a clean, almost ethereal presence amidst the white shiplap walls and classic cabinetry. The dark grill beneath it provides a compelling visual anchor, adding depth and focus to the space.
A linear interplay of textures, from the wood plank ceiling to the smooth countertops, creates a serene and balanced environment. It's a place where culinary simplicity meets sophistication, where the Hurricane insert works quietly in the background, allowing the beauty of the design—and the flavors of the food—to truly shine.
The Proline PLFW 750 hood sits majestically in this spacious outdoor kitchen, its polished silhouette reflecting the natural beauty of the sprawling fields beyond. It offers a modern touch to the rustic charm of the stone wall and rich wooden ceiling, marrying sleek design with the tranquility of country living. The generous space around the grill invites open-air feasting and leisurely afternoons spent in the comfort of the breeze. Here, the PLFW 750 is not just a functional appliance but a bridge between the elegance of man-made design and the wild, open sky.
The Proline PLFW 832 hood anchors this kitchen's aesthetic, offering a clean and modern canopy over the culinary space. Its brushed stainless steel surface harmonizes with the black cabinetry, creating a sophisticated monochromatic theme, punctuated by the granite countertop's speckled charm.
The natural light from the glass block window casts a serene glow, illuminating the hood and highlighting the vibrant pops of green and red from the potted plants, which inject life and color into the room.
This kitchen strikes a balance between functionality and homey elegance, a testament to the thoughtful design that allows for both the creation of hearty meals and the enjoyment of a bright, inviting interior space.
In this breezy, light-filled kitchen, the wall-mounted PLJW 129 from Proline takes center stage with its commanding presence and sleek design. It stretches elegantly towards the ceiling, a modern sentinel paired harmoniously with the horizontal lines of the tile backsplash. The pristine white cabinetry and chairs underscore the kitchen's clean, minimalist vibe, while the hood itself promises powerful functionality amidst this tranquil setting. It's a space where the beauty of simplicity is celebrated, and the art of cooking is enjoyed in airy openness.
The Proline PLJW 109 hood, with its professional-grade silhouette, makes a subtle yet impactful statement in this cozy kitchen corner. It's perched above the range, a beacon of stainless steel set against the warmly textured wall, suggesting an embrace of hearty, home-cooked meals. The décor speaks of comfort and personal joy, with nautical accents and words of love setting a cheerful tone. It’s clear this kitchen is not just a space for preparing food but a beloved haven for creating memories, all under the watchful efficiency of the PLJW 109.
The Proline hood stands with a quiet sophistication in this open-air kitchen, blending seamlessly into the stone-clad space. The hood’s clean, angular lines and professional shine offer a sleek contrast to the rugged, natural beauty of the stonework. This culinary oasis, nestled in the embrace of the home’s exterior, is as functional as it is visually appealing, with the vent hood serving as a beacon of modern design amidst the verdant surroundings. It’s a perfect stage for gastronomic delights and outdoor entertainment, where every meal is complemented by the freshness of the outdoors.
With a backdrop of cool, textured stone, the Proline PLJW 109 hood exudes contemporary elegance in this outdoor kitchen. Its stainless steel finish shines against the subtle grey palette, offering a sleek, modern touch. The hood's presence is as much about form as function, enhancing the space with a professional look that promises gatherings filled with good food and great ambiance.
This kitchen is beautifully anchored by the wall-mounted Proline ProSW hood, whose professional-grade design shines amidst the warm, mosaic tile backsplash. The hood's clean lines and stainless steel finish provide a contemporary contrast to the rustic charm of the decorative wall art, creating a well-balanced focal point. It's clear that functionality and style go hand in hand here, with the ProSW hood playing a crucial role in a kitchen that’s as inviting as it is equipped for culinary creations.
Surrounded by the industrial charm of corrugated metal walls, the Proline grill exhaust hood is a striking addition to this kitchen, offering both style and substance. Its robust form and brushed metal finish reflect the utilitarian aesthetic, while providing a focal point that’s both functional and visually appealing. The hood's commanding presence suggests a serious approach to culinary endeavors, complementing the sturdy grill below it. This space, with its blend of industrial elements and modern equipment, is clearly designed for someone who enjoys the art of cooking in a space that's as unique and bold as the dishes likely created there.
Here, the PLFW 129E hood from Proline, though creatively enclosed in a custom surround, maintains its essential role in this luxuriously appointed outdoor kitchen. Its functionality is discreetly integrated within the classical architecture, complementing the custom stonework and elegant cabinetry. This kitchen, with its sweeping ocean views and palatial design, is an ode to culinary excellence and sophisticated outdoor living. The bespoke hood surround adds to the timeless charm, ensuring that the space is as much a feast for the eyes as it will be for the palate.
The PLJW 109 hood from Proline is a stunning centerpiece in this well-appointed outdoor kitchen, its stainless steel design reflecting the sophistication of modern outdoor cooking. It towers above the grill, a testament to both style and function, harmonizing beautifully with the muted tones of the cabinetry and the elegant marble backsplash. This space is designed for the connoisseur who savors both the cooking experience and the aesthetic appeal.
In this thoughtfully designed kitchen, the singularly mentioned ProVW hood from Proline stands with understated elegance, its stainless steel finish gleaming amidst the charming dichotomy of rustic wood and crisp white shiplap. This singular element of modern sophistication is perfectly positioned above the grill, promising efficient ventilation while subtly commanding the space without overwhelming the senses.
The kitchen strikes a delicate balance, weaving together various textures and aesthetics into a cohesive tapestry. Industrial-style pendant lights dangle with purpose, providing not just illumination but also framing the culinary stage set for gastronomic adventures. Accents of coastal decor and the gentle reminder of sun and sand infuse the space with a laid-back, leisurely atmosphere, inviting relaxed conversations and lingering meals.
Here, in this inviting arena where every element is thoughtfully curated, from the ProVW hood to the vintage-inspired fixtures, a sense of harmony and effortless functionality is achieved, offering a welcoming space for both cooking enthusiasts and their guests to gather and revel in the pleasures of food and fellowship.
In this elegantly appointed outdoor kitchen, the Proline PLJW 104 wall hood exudes contemporary sleekness, enhancing the area's clean and crisp aesthetic. The geometric backsplash in muted tones complements the stainless steel's high shine, creating a mesmerizing interplay of textures and reflecting the natural light that floods in from the windows. This setup, with its symmetrical cabinetry and robust appliances, offers a space that is not only a chef's dream for efficiency but also a visually stunning enclave for gathering and entertaining in the great outdoors.
Surrounded by the bold, graphic allure of patterned tiles, this Proline ProSW hood makes a statement with its lustrous form and functional elegance. It crowns the cooking area with a sense of modernity, offering a striking contrast to the ornate backdrop.
The stainless steel grill beneath it complements the hood’s sleek design, with the whole ensemble exuding a contemporary vibe that's at once vibrant and chic. This space truly marries culinary prowess with artistic flair, creating a vibrant stage for gastronomic creations.
The Proline PLFW 755 hood, with its stylish, angular design, casts an ambient glow over a state-of-the-art grill, nestled against a backdrop of warm wooden tiles. It's a space where elegance meets function, and the blue LED knobs on the grill add a futuristic touch to the culinary ensemble.
Bathed in soft light, the sleek Proline hood complements the grill's stainless steel, creating a harmonious fusion of form and function.
Flanked by windows that frame the greenery beyond, this space is a tranquil culinary retreat where the beauty of nature meets the art of cooking.
The Proline hood is a shining beacon in this rugged, nearly finished brick-clad kitchen. Its robust stainless steel design, combined with the ambient glow of its lights, offers a modern counterpoint to the warm, earthy bricks. The herringbone pattern above the grill adds an artisanal touch, and the contrasting wooden ceiling injects a cozy cabin-like feel into the space. This kitchen marries the old-world charm of brick with the sleekness of modern appliances, creating a place that's full of character and ripe for culinary adventures.
This outdoor living space, with the Proline ProSW hood, blends leisure and luxury. The hood’s modern silhouette stands out against the dynamic backdrop of graphic black and white curtains, offering a touch of contemporary flair. Comfortable seating invites relaxation, while the overhead fan promises a cool breeze on warm days. Here, form meets function in an area designed for enjoyment and entertainment, with the allure of open-air dining and the comfort of an indoor setting. It’s a testament to the art of outdoor design, where every meal is enhanced by the ambiance of stylish, thoughtful surroundings.
Illuminated by the natural light spilling in, this kitchen features the Proline hood as a sleek, modern centerpiece, contrasting beautifully with the vibrant, patterned backsplash. The clean lines of stainless steel bring a professional touch to the home, while the playful tiles add character and warmth, creating a welcoming space for both cooking and socializing. This kitchen strikes a delightful balance between utility and style, inviting the creation of both feasts and memories.
When planning your dream outdoor kitchen, don't just think about the cabinets and covered patio. Look at details like the backsplash tile and the range hood design as well. They can make your space look really special.
An outdoor range hood is an important part of an outdoor kitchen. It removes smoke and cooking smells from your outdoor grill area and saves your investment in your outdoor entertaining space. The hood you choose should be made of materials that can withstand outdoor weather conditions while still looking nice with your kitchen design, like stainless steel.
The right outdoor kitchen setup depends on how you want to use it - for small cookouts or big parties. Don't just put in a basic hood. Talk to experts who understand outdoor kitchens. They can help you create an outdoor cooking area that fits your lifestyle perfectly.
As you have explored these outdoor wall hood ideas and deck or garden inspirations, remember that investing in a quality range hood is one of the essentials for your outdoor kitchen design. Not only does a proper hood vent provide crucial ventilation and protection for your grills and cooking appliances, but it can also serve as a stylish focal point. Details like a subway tile backsplash or ceiling fans can further enhance the functionality and aesthetics of your space.
For homeowners looking to build their dream outdoor oasis, it's wise to plan ahead and access expert guidance from the start. This not only ensures your desired features like a sink, pergola, or wide cooking area are seamlessly integrated, but it can also protect your money and the longevity of your investment. With so much inspiration from search results and marketplace offerings, having professionals help you navigate options will allow you to create an outdoor kitchen that perfectly fits your lifestyle for years to come.
55 Great Outdoor Island Range Hood Ideas
How To Replace The Driver On Your Proline Range Hood (Video Tutorial)
How To Replace The Lights On Your Proline Range Hood (Remove and Replace)
Fun Mom, Cricut Cut Files, Silhouette SVG Digital Cut File & PNG - for use with cutting machines, use with vinyl too. - DIGITAL DOWNLOAD These are Digital Designs - No physical items will be sent. You will receive your file as soon as you place your order. A copy will also be sent to your email address provided at checkout. Files Included: (Please make sure your machine supports one of these files) • SVG file - for use with Cricut Design Space, Silhouette Designer/Business Edition, Brother Scan N Cut • PNG file - for projects that require a clear/transparent background Get creative and have fun! Use to make t-shirts, coffee mugs, tumblers, hats, signs, bags and more! ------------------ COMMERCIAL USE: You may sell up to 100 PHYSICAL items with the purchase of each design. In other words, you may sell finished products like shirts, pillows, mugs, invitations, wooden signs, ornaments etc. You may not resell the files digitally, must be physical items. (PLEASE READ BELOW FOR INFO ON PRINTED TRANSFERS AND SUBLIMATION TRANSFERS) If you plan to sell more than 100 items of one design, please purchase our extended commercial license: https://www.etsy.com/listing/932410659/extended-license-for-selling-printed * PRINTED TRANSFERS & SUBLIMATION TRANSFERS - If you are interested in using our designs to sell Printed Transfers And Sublimation Transfers, you must purchase an extended license. (items must be printed, not digital) https://www.etsy.com/listing/932410659/extended-license-for-selling-printed Our extended license is $24.99 and covers unlimited production of all designs in our shop. You must purchase the individual designs that you would like to print, separately. Your small business must be making the items in house. No print on demand services (Printful, Printify, Zazzle, Tee Spring, etc) are allowed. For more information on how to download your files, visit: https://www.etsy.com/help/article/3949 >>> It is the buyer’s responsibility to check the USPTO trademark database for trademarks before selling any items with our designs. We check our designs periodically, however, with people trademarking phrases everyday, it’s possible that a saying or phrase we use will be trademarked in the future. It’s best to continue to check the phrases you use on items you sell throughout the year. >>> Our designs (whole or in part) may not be copyrighted or trademarked, incorporated into any digital product for resale, sold as a transfer or stencil, or digitized for embroidery. (for personal use or resale of a physical item) >>> This file is NOT to be resold or used to create a new file being resold. Please do not re-sell or distribute this file. >>> By purchasing and downloading these files, you are agreeing to the terms and conditions stated above.
Super cute and aesthetic Sun and Moon shirt just in time for Spring / Summer! Our tees are made of super soft fabric and have the most comfortable fit. ✨ WHY YOU’LL LOVE IT ✨ ❥ Unique design, not sold in stores ❥ Exceptionally soft blend cotton, super comfortable fit ❥ All our tees are ethically made in WRAP certified factories ❥ Printed fresh to order using eco friendly ink ❥ Direct to garment print, ensuring higher-quality and longer lasting results ✴︎ SIZING + FIT ✴︎ ‣ Our tees are unisex, so sizing is more relaxed ‣ Most women find their typical size works best, since they are meant to fit a touch loose ‣ Please review the size chart in the photos for measurements ✴︎ QUICK FACTS ✴︎ ‣ Solid colors are 100% cotton. Heather colors are 52% cotton, 48% polyester (Athletic Heather and Black Heather are 90% cotton, 10% polyester) ‣ Wash and dry normally (on cool and inside out for best results). ‣ When ordering, please keep in mind that colors may vary slightly on different computer screens ✴︎ SHIPPING TIMES ✴︎ Our items are individually made with love for each of our buyers. Because of this, our processing time is 2-5 business days (depending on order volume) plus transit time, but typically much faster. We know our customers want their items as quickly as possible! ⇢ All orders ship FREE over $35! (no code necessary) ✴︎ IMPORTANT ✴︎ We want you to love your items, so if anything you buy from us isn't perfect, please contact us and we will process a replacement right away. ❤ Thank you for supporting our small business ❤ ✴︎ KEEP SHOPPING ✴︎ ↓↓↓ ↓↓↓ Shop our entire Kindred Twelve collection here: https://www.etsy.com/shop/KindredTwelve
Such is the level of competition at the World Championship of Custom Bike Building that the bike which placed seventh – Christian Dotson’s Aileron – had previously been named America’s Most Beautiful Motorcycle at the Grand National Roadster Show. Get more details at our blog at www.amdworldchamps.com. CHRISTIAN Dotson is no stranger to accolades; his first bike Swingshot was not only named America’s Most Beautiful Motorcycle in 2007 it also placed 10th in the World Championship of Custom Bike Building the same year. Given that it was his first bike build that’s quite an achievement. He has now followed it up with Aileron, this year placing seventh at the World Championship and once again being named America’s Most Beautiful Motorcycle at the Grand National Roadster Show. Aileron, like Swingshot, defies conventional custom bike designs, a result no doubt of Christian’s background in automotive design and hot rod construction. Indeed parts of the frame and front end of Aileron have been constructed using radius arms from the front suspension of ‘30s cars. In his own words, Christian says of the bike: “I wanted to blend modern sport bike design with vintage board track construction.” It is interesting to note that according to Christian the relationship of the bars, seat and foot pegs is identical to that of the Suzuki GSX-R he rode as a teenager. Bringing the vintage board track flavor to the build is the use of an 84ci Indian flat head motor. The particular one used in the bike is one of the reproduction ones built in California by Kiwi Indian, which has been polished and powder coated. It breathes through a Mikuni carb and a one-off set of brushed stainless steel pipes, while the sparks are fired by a Morris magneto that alleviates the need for a battery on the bike. The chain drive generator that supplies the power for the lights is not a generator, but is actually a cover for an alternator and associated electrics. Backing the engine is a four-speed Indian transmission and clutch assembly, once again from Mike Thomas at Kiwi Indian. The frame that houses the engine is a one-off that Christian put together himself. While it may seem unusual for the top of the frame not to run as close to the engine as possible, it has been designed to put the seat in a certain position; one that means in relation to the pegs and bars it is the same as on a Suzuki GSX-R and that means the riding position is relatively comfortable unlike some bikes on the show scene. Rather more unusual than the seating position is the bike’s rear suspension. The tubular swingarm is suspended on a single quarter epileptic leaf spring mounted on the left of the frame. This style of suspension is more normally found on the ‘suicide’ style front ends of hot rods and shows the cross-over of ideas from Christian’s work in hot rod design. Mixing of car and bike technology also takes place at the front of the bike, where Christian designed and built his own Girder fork. However, rather than following conventional thinking and running a coil over or air shock between the upper and lower linkages, Christian has again made use of a leaf spring. The spring is secured at the top of the headstock and then pivot between the extended upper linkages, where the headlamp also mounts. Wheel size choices on Aileron is another area where Christian has mixed vintage board track with sport bike. The 23in front wheel shod with a 120-section Monster tire from Vee Rubber is typically board tracker and conventional wisdom would suggest that a similar set-up be used at the back too. What there is at the back though is a 20in rim wearing a 200-section tire, which gives a foot print more akin to that of a modern sports bike. The single brake on the bike is also a modern addition. The rear wheel being stopped by an ISR six-piston caliper and sprotor. However both have been cleverly disguised by a cover over the sprotor that makes it look like a drum brake and the caliper by what looks at first like an air scoop to supply cool air to the fake drum. Despite the fact the gas tank has two caps, one for gas and one for oil, it is not a split tank. The oil filler cap allows the oil to flow into the frame tubes with the tank being just for the gas. Also in the frame tubes is stainless steel conduit tube to allow the wiring to be hidden away, too. Having twice won the title of America’s Most Beautiful Motorcycle with his first two custom build Christian Dotson is doubtlessly an extremely talented builder but such is the standard of engineering and design of the machinery competing in the World Championship that he has yet to break into the top three in that event. However, it took six years before there was an American Champion when Dave Cook became the first domestic winner, so Christian has is surely only has to carry on building with such unique ideas for him to one day add World Champion to his list of achievements.
Merry Christmas to all those celebrating today! We have two outfits to cover in this post: the ensemble worn for church today and the look seen in a video the Princess taped as part of the Christmas carol concert that aired last night. We'll begin with the outfit worn for the Christmas Day church service at Sandringham. The King and Queen led a full complement of royal family members to St. Mary Magdalene Church. From The Telegraph's coverage. The King and Queen led the way smiling at more than 2,000 wellwishers who had gathered to watch the traditional procession of royals to church, with many waiting hours to get a prime spot. For much of the walk, Prince Louis held hands with Mia Tindall. A closer look at the pair. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'rLOVXSIdR4ByTkpeQumt1w',sig:'6xxX0XI-lt-Q0t0T5U4BAcQp-80phYqBESKjDTkXKG8=',w:'382px',h:'594px',items:'1881995327',caption: true ,tld:'com',is360: false })}); The Duke and Duchess of Edinburgh. And their children, James, the Earl of Wessex, and Lady Louise Windsor. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'067tVOvbRMJlxXRw2acfJw',sig:'bPLnKimDFkytGHmPKSq51YFjwPIGeS2U4thdknDWPb8=',w:'506px',h:'594px',items:'1874651197',caption: true ,tld:'com',is360: false })}); More from the BBC's coverage. Royal enthusiasts lined the route to the church to catch a glimpse of the family during their traditional Christmas morning - some from as far afield as Washington DC, USA. For ardent fans of the royal family, Sandringham is the place to be on Christmas Day. Hundreds wake up early and queue outside the church gates for a chance to see senior royals up close and personal. Princess Anne and her husband, Vice Admiral Sir Timothy Laurence. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'hJkoZo8qQPt1b77gjc7vog',sig:'hqMSe67-GYeCCNivXd3JPzMeJoKbddsY1MFDkq4hMMI=',w:'396px',h:'594px',items:'1874765386',caption: true ,tld:'com',is360: false })}); The Duke and Duchess of York. This is the first time in decades that Sarah, Duchess of York, was invited to participate in the event. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'mCMa2grBQKViga-FRVmnBg',sig:'UwSgrDoPqQR0JfFaw0FyurWEqzQlfYmSITzs7NuN9Y8=',w:'594px',h:'396px',items:'1874786541',caption: true ,tld:'com',is360: false })}); We return to The Telgraph's report. It has been decades since the Duchess of York made the walk from Sandringham House to St Mary Magdalene Church with royals - normally reserved for close family - but in recent years it is thought she has been a guest for Christmas lunch. She has won plaudits in recent months for her battle with breast cancer, praised for speaking openly about her treatment and setting an example for other women to get screened. Princess Beatrice and her husband, Edoardo Mapelli Mozzi. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'b1OhWX35RN1IrgEAf2s25Q',sig:'4lweCfNnQbDosUL2Puk1D-7v9pmie5JCo5PorIssUaY=',w:'370px',h:'594px',items:'1874698776',caption: true ,tld:'com',is360: false })}); Princess Eugenie and her husband, Jack Brooksbank. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'ta4Yx92oT9Nm5O94eH2k7w',sig:'FJm5L01YsA3vrApGtxetgm5Y6ByC3ujpQe_ENWHU6pE=',w:'397px',h:'594px',items:'1874222334',caption: true ,tld:'com',is360: false })}); Mike, Zara, and Lena Tindall. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'Z5xtOXolTOBuFVxcPQeCAA',sig:'zgfMaGui-nYemJddXEbrZEesPnX141ybZaQb5ls1KT0=',w:'374px',h:'594px',items:'1874610845',caption: true ,tld:'com',is360: false })}); From left to right, Charles Armstrong-Jones, Lady Margarita Armstrong-Jones, and their father, David Armstrong-Jones (2nd from right), the Earl of Snowdon and Princess Margaret's son. I believe the gentleman on the far right is Major Lt. Colonel Johnny Thompson, the King's equerry. (Thank you to Sue for letting me know he was no longer a major!) The Chatto boys, Arthur and Samuel, and their mother, Lady Sarah Chatto, Princess Margaret's daughter. Also present, but not shown in this photo, is Lady Sarah's husband, Daniel Chatto. The King and Queen with the vicar, Reverend Canon Dr. Paul Williams. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'3ATPGP61R29vr5F5aL7GfA',sig:'RITr5hfDSFxeDqMG0jpk4rECM5td38aJd6AEnSfOYZQ=',w:'594px',h:'412px',items:'1874730037',caption: true ,tld:'com',is360: false })}); The Princess and her sons following today's service. After the service, royal family members greeted well-wishers. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'BF-ajWBIRh1N34cgherZbA',sig:'Oy-oKNkpaPOzCLLbRi-xvtfoECODMRW7PmRJ2WDyRHo=',w:'594px',h:'465px',items:'1882188303',caption: true ,tld:'com',is360: false })}); The King with members of the public. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'mWCUfO-LS4tCOA0_3QjpCQ',sig:'pfiDnyULorZzYmTvPHcimbb0zORryGvOHZ4mRDii6ag=',w:'396px',h:'594px',items:'1874576992',caption: true ,tld:'com',is360: false })}); The Queen meets a four-legged friend. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'k60-GfTHQBJxccT28Pmg5A',sig:'77U-klv-3ETXuM7_U12Urtbk2TlMfUy8x7FtyeWiYn4=',w:'594px',h:'396px',items:'1874454020',caption: true ,tld:'com',is360: false })}); Crowds eager to see the royals in person started gathering early this morning. Prince George and Princess Charlotte. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'GxMr6hDtSmNfJVuNtV-OBw',sig:'oBI_6UhbmgIi9abUj_WlQAOzqSF7vsh-PpbvjoaTYSk=',w:'410px',h:'594px',items:'1882179226',caption: true ,tld:'com',is360: false })}); More about today's crowds from The Telegraph's story. The Prince and Princess of Wales were handed flowers and their three children were given personalised wooden moneyboxes by royal fan Gemma Clark, 43. Ms Clark gives the royal children presents each Christmas - and last year handed the young Waleses novelty toys known as “gonks”. She said: “The children were very sweet and said thank you and Happy Christmas. They always seem to like my presents.” The Princess of Wales was heard asking her youngest son what the wooden gift was. “It’s a money box,” said Prince Louis. “Oh that’s so cool, isn’t it,” his mother replied. The Duchess of Edinburgh and her daughter. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'iZqlYrDTReNGtNoc7mFZhQ',sig:'qTQcoSlQvC1WsXX17QBxmtvKI1MlPmUnXIcU0I65Y24=',w:'594px',h:'396px',items:'1874731156',caption: true ,tld:'com',is360: false })}); The Princess chatting with a little girl who brought her flowers. Mia Tindall helped the Princess with flowers. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'DADTEoZMRixukT4WaYxHKg',sig:'Qvm40bTfzn9aC-ukk5ul_gZM0xGd1B0dtgOSQJBu3-E=',w:'594px',h:'396px',items:'1874660179',caption: true ,tld:'com',is360: false })}); Princess Charlotte and Mia Tindall. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'zXsfw3vwTeFXLdXu3PjFQw',sig:'SWWDyKLeA03NpuywIg6T3f8lYkeQxi7tRh7m_NNcC6E=',w:'395px',h:'594px',items:'1882174708',caption: true ,tld:'com',is360: false })}); Now, let's take a look at some of the styles seen today. The Queen wore a camel cashmere coat and a paisley silk dress by Anna Valentine, and a beret by Philip Treacy. Thank you to Rebecca English for the fashion details. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'zVpegmpsSE5bnp0c3btXnw',sig:'nuf5JpRqeSHJ47WiyMZq0jIbJ-3qj-aE7XvXXAMuja4=',w:'298px',h:'594px',items:'1875616335',caption: true ,tld:'com',is360: false })}); With thanks to UFO No More, the Duchess of Edinburgh wore a coat by Claire Mischevani today. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'haB0G4FQTelQe_oatPW2Gg',sig:'-qLyuI_YdbCVXqejfvMGRlw_494JOvUoKyUcVM1K3y4=',w:'301px',h:'594px',items:'1874616731',caption: true ,tld:'com',is360: false })}); At least four family members wore the same scarf today. Below, Princess Anne. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'J067PrsRTvlbDU5M1zwX_A',sig:'SCaFfHti__e8yQv9lZV_yu4ZRYUVDZ1-Hkx-Jl8FDJo=',w:'332px',h:'594px',items:'1874685665',caption: true ,tld:'com',is360: false })}); And Lady Louise. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'RHowradBQXZfqjeEXTdigw',sig:'21mUCFoF0cz45MpLq9BMQIJ8P1Hk8RQa0WPWCzX8w_M=',w:'360px',h:'594px',items:'1874623582',caption: true ,tld:'com',is360: false })}); My friend Micki messaged to say it was the Prince of Wales Highgrove Heritage Scarf (£115) in ultrafine Merino wool. Micki's theory is that the King may have given the scarf as a Christmas gift to family members, which makes sense. Milliner Jane Taylor posted on Instagram that Lady Louise wore her trilby in midnight luxury felt with gunmetal crystal trim. Princess Charlotte was in a coat by Friki, a Spanish brand, the English Coat ($229) in dark olive green. Thank you to Found by Bojana for this ID. Embed from Getty Imageswindow.gie=window.gie||function(c){(gie.q=gie.q||[]).push(c)};gie(function(){gie.widgets.load({id:'2eiKW5iNQGF7jvpmuBuVBQ',sig:'TEV3abcUs1oLBlKlYJ0x5CJBlQqCsxvuJzabqPswjS8=',w:'246px',h:'594px',items:'1875619804',caption: true ,tld:'com',is360: false })}); The double-breasted style is handmade in Spain of 100% wool. She also had on her Manuela de Juan Mimi Mary Janes (€128, about $140) in black patent leather. It looked like Prince Louis wore the same tartan trousers his big brother wore in a Dec 2019 video and photo shoot, along with his Trotters Heritage Pea Coat. Now for our look at what Kate wore, featuring a few designs you have seen before but in different colors. If the coat looked familiar, it is with good reason: the Princess wore it in green for welcome ceremonies in Boston last November. It is a bespoke Alexander McQueen piece in a structured style with notched lapels, flap pockets, an inset waistband with buttons, sleeve bands, and a back vent. The Princess accessorized with Juliette Botterill's Bow and Arrow Percher hat (£600, roughly $760 at today's exchange rates) crafted in peachbloom felt and trimmed with a bow and two arrow feathers. It is available in a variety of colors and is worn on a slim headband and hat elastic in your choice of hair colour. The Princess wore this style in black when celebrating St. David's Day with the Welsh Guards (below right). The Princess brought back the custom Gianvito Rossi boots first noted last December at a Westminster Abbey tree planting. The style closest in design to the Princess's boots is the Glen ($1017, 40% off), but it has a rounded toe, not a point-toe style like the pairs made for the Princess. It looks like the Princess carried her Natasha Clutch in Lake ($440) by go-to brand Emmy London. The Princess wore the diamond and sapphire cabochon cluster earrings that belonged to Diana, Princess of Wales. Thank you to the House of Windsor and Sarah's Secret for their ID work today. Here is a look at the Princess's previous Christmas ensembles. In 2013, we saw two ensembles because the Duchess of Cambridge attended both morning services at St. Mary Magdalene. In 2020, there were no services because of the pandemic, and in 2021, the Cambridge family attended services at Sandringham, but there were limited photos of the family as they drove to church. Also today, a new photo of the Wales children was released on the Kensington Palace social media accounts with this message. The photo was shot by Josh Shinner, who also took the image used for the family's Christmas cards. Next, the cheery red ensemble worn by the Princess for a Christmas tea taped earlier in the month for inclusion in last night's Royal Carols: Together At Christmas on ITV. More from The Standard's article. The video shows Kate feature as part of a surprise Christmas tea party to celebrate the contribution people are making in shaping future generations. In the footage, the princess asks Rico: “Seeing and building this relationship with Mr Gray, has it helped you with your own relationships with your friends?” A video has been released showing Kate meeting 13-year-old Rico and Russell Gray, 70, and discussing how Mr. Gray has helped by building Rico’s confidence and allowing him to pursue his passion in football in Manchester. Rico replied: “It’s like, brought trust because if you can trust one person then you trust more people.” Below, Rico, the Princess, and Mr. Gray. And from The Daily Mail's coverage. The special was filmed last month in London, and Kate Middleton spent time hearing how those around the table had helped to inspire young people; they were accompanied by five children whose lives had been helped by positive mentors....guests at the gathering are seen looking wide-eyed with shock as Kate, 41, quietly enters the room through a side door. Below, the Princess with Brenda Ford, and 11-year-old Poppy. Ms. Ford is a retired mental health nurse from Sussex who volunteers in local schools, helping children develop new skills through their intergenerational program. Here is a clip of the video. We return to The Daily Mail's piece. The Princess also met brothers George and Henry Barnard, aged 12 and 10, who have benefited from musical therapy at East Anglia Children's Hospice, where Kate is Patron. The royal spoke to the brothers for fifteen minutes about their love of music, sharing that Prince George enjoys the guitar, Princess Charlotte loves singing, and Prince Louis is a fan of the drums. The Princess then gave the boys 'beautifully wrapped presents', which they are saving for Christmas Day. Here, you see George and Henry Barnard on the right, with Ray Travasso (far left), a music therapist at East Anglia's Children's Hospices. Mr. Travasso provided music therapy to Henry and his family after Henry was diagnosed with Spinal Muscular Atrophy when he was 18 months old. The Princess brought back the Miu Miu Cashmere Jacquard Cotton-Trim Cardigan (£1350, no longer available) worn for a shoot promoting the 2021 carol concert (shown below). The jacquard-woven cardigan features white and black roses in a diamond pattern. It has domed buttons covered in faux pearls, a detachable cotton collar, and cotton cuffs. A closer look at the details. The Princess paired the sweater with coordinating red trousers that could be the Alexander McQueen Leaf Crepe Slim Bootcut Pants ($890) worn for the Shaping Us campaign launch in January. She also repeated her Cassandra Goad Cavolfiore Pearl Stud Earrings (£5430, about $6900 at today's exchange rates. They are shown here when worn on another occasion. ++++++++++++++++++++++++++++++++++++++++++++++++ One other item of note today comes via a story by Rebecca English in The Daily Mail. The Prince and Princess of Wales will make a high-profile visit to Rome in the spring as part of a European charm offensive. It will be Kate’s first working trip abroad in over a year, and the couple’s first to Italy. While Kensington Palace has not officially announced the trip, the Mail can reveal talks are under way at the highest level and a date has been ‘pencilled in’. I'll keep an eye out for more details on the trip. VIDEOS: The Wales family greeting well-wishers after the service. Mia helping the Princess of Wales with the flowers ☺️ pic.twitter.com/qNjT4VReyl — ChristinZ (@ChristinsQueens) December 25, 2023 Here is more than two minutes of coverage from ITN's Royal Family Channel. The King's full Christmas Day speech can be seen here. The Evening Standard has about 1:30 of coverage in this video.
LEDA E OS CISNES, por arturjotaef LEDA E O CISNE / AFRODITE E O GANÇO. 1 LETO.. 2 LEDA E O CISNE / AFRODITE E O GANÇO. Figura 1: A bela Afrodite a cavalo do seu “animal de transporte”, o fálico, esbelto e canoro Cisne. (Restauro cibernético do autor.). O tema de Leda e o Cisne, foi muito popular na arte renascentista italiana porque, não tão paradoxalmente quanto isso, por se tratar de meras alegorias mitológicas, era mais aceitável representar artisticamente uma mulher a copular com um cisne do que com um homem. Assim, foram vários os grandes renascentistas que criaram obras explícitas com este tema do que poderiam ousar faze-lo com casais humanos. ([1]) Figura 2: Uma das versões de Leda e o Cisne de Leonardo da Vinci. Figura 3: Xilogravura 166 do livro Hypnerotomachia Poliphili. Figura 4: Xilogravura atribuida a Giulio Campagnola. Uma xilogravura, publicada em 1499 no Hypnerotomachia Poliphili, romance alegórico de Francesco Colonna, editado em Veneza em 1499, mostra Leda e o cisne copulando alegremente no alto de um carro triunfal puxado por um pequeno elefante. Figura 5: Rapto de Europa Figura 6: Leda e o Cisne. Figura 7: Rapto de Ganimedes. Bartsch thought it an early work by Agostino Musi, called Veneziano. A.M. Hind thought it most likely an early work by Giulio Campagnola, citing in particular “the treatment of the ground, the modelling of the figure, and the tree-stump”. Mark J Zucker, in The Illustrated Bartsch, rejects emphatically the attribution to Campagnola, and thinks it could be by Agostino Veneziano. Outras gravuras dos anos seguintes retomam a cena em diferentes ambientes. Uma delas atribuída a Giulio Campagnola Leda na mesma atitude ambígua da xilogravura do livro Hypnerotomachia Poliphili, de que parece cópia mas mais refinada na composição e mais explícita no êxtases erótico. Nas figuras 4 a 6 Giovanni Battista Palumba (1503 e 1512) parece ter glosado todos os temas das metamorfoses eróticas de Zeus, em máximo paroxismo sexual no rapto de Ganimedes. Figura 8: Os quatro filhos de Leda segundo a versão mais fidedigna de Leonardo da Vinci. Entretanto, a tolerância para com a licenciosidade pagã da renascença caiu abruptamente no período mais moralista da Contra-Reforma e abateu-se sobre estas obras e novamente o hipercriticismo fez desaparecer muitas destas obras alegóricas, inclusive a célebre pintura de Leonardo da Vinci de que se conhecem pelo menos seis cópias. Do quadro de Michelangelo conhecem-se cópias em xilogravura e recopias assinadas por autores conhecidos que revelam ser também elas copias do tema licencioso iniciado em Veneza por Francesco Colonna. Figura 9: Leda and the Swan, a 16th century copy after a lost painting by Michelangelo (National Gallery, London). Figura 10: A rare panel painting of Leda and the Swan by Michelangelo did make its way to France in the possession of Michelangelo’s pupil, Antonio Mini, who seems to have sold it to François. It entered the royal collection at Fontainebleau in the early 1530s, and François’s court painter, Rosso Fiorentino, even painted a copy of it. The painting has since been lost. This print, engraved and published by the Flemish artist Cornelis Bos, is the only record of Michelangelo’s completed painting. Figura 11: Leda e o cisne. Escultura de Bartolomeo Ammanati, possivelmente cópia de pintura perdida de Michelangelo, feita ao estilo, ou mesmo a partir de desenhos preparatórios deste. A última grande pintura renascentista sobre o tema foi a de Correggio (1530), que foi esfaqueada quando estava na colecção de Filipe II, duque de Orléans, quando este era regente da França, durante a menoridade do rei Luís XV (entre 1643 e 1654). Foi o próprio rei que a esfaqueou, durante uma de suas crises de consciência. As pinturas de Leonardo e Michelangelo também desapareceram quanto faziam parte da colecção da família real francesa, provavelmente destruídas por sucessores mais moralistas, ou por suas viúvas. Figura 12: Leda e o cisne. Na mitologia grega, Leda era rainha de Esparta, esposa de Tíndaro. Certa vez, Zeus transformou-se em um cisne e seduziu-a. Dessa união, Leda chocou dois ovos, e deles nasceram Clitemnestra, Helena, Castor e Pólux. Helena e Pólux eram filhos de Zeus, mas Tíndaro os adotou, tratando-os como filhos de sangue. Cuando caminaba junto al río Eurotas, se le presentó Zeus transformado en cisne y fingiendo ser perseguido por un águila, la violó. (…) Leda luego es divinizada por Némesis, la diosa del castigo justo. En las versiones más antiguas, Leda simplemente encuentra un huevo en donde está el germen de Helena, hija de Zeus y Némesis. En ese relato, Némesis trata de escapar de Zeus mediante la metamorfosis, convirtiéndose en distintos animales para poder escapar del dios. Pero Zeus hace exactamente lo mismo y compensando cada cambio con el suyo propio, hasta que finalmente ella se convierte en una oca y él la viola en forma de cisne. Pone luego el huevo en un pantano en donde lo encuentra Leda. En otras versiones, Zeus transformado en cisne y fingiendo estar en peligro, se refugia en el seno de Némesis y luego la viola. Hermes pone el huevo en los muslos de Leda para que sea ella quien lo "alumbre". Em boa verdade, a lenda de Leda cruza-se com o mito de Némesis precisamente para deste modo se dar início à má fama da justiça da deusa das leis naturais ou quiçá precisamente por isso! Inicialmente Nemesis Ramanussa (nome que é uma redundância e uma recorrência do nome da Senhora das leis) não seria tão implacável como veio a ser porque teria sido uma deusa amorosa, variante de Afrodite possivelmente responsável pela distribuição da justa fortuna e da ajuda medicinal aos necessitados como se depreende da dupla Némesis & Elpis. Ver: AS DEUSAS DAS LEIS (***) Nemesis | Ramanussa < Ur- | ma-nu-sha = Ni-me-ish > Nemesis|. Pelas voltas que a mitologia pode levar e mais ainda os nomes que andaram aos tombos ao longo da história e que, por vezes, acabaram corroídos de poluição e irreconhecíveis podemos concluir que o «ladino» Larano era irmão gémeo de Lethano, por acaso casados com a etrusca Turan que era a mesma que a Vénus dos romanos e o mesmo que Latino. Figura 13: Leda, a deusa mãe cisne e o Ovo cósmico, ou a improvável lenda dos dois ovos da rainha de Esparta? Na mitologia grega, Leda era rainha de Esparta, esposa de Tíndaro. Certa vez, Zeus transformou-se em um cisne e seduziu-a. Dessa união, Leda chocou dois ovos, e deles nasceram Clitemnestra, Helena, Castor e Pólux. A histórica Leda seria apenas uma das muitas rainhas casadas com maridos estéreis que e acabavam por ter filhos de deus. Neste caso, os mitógrafos não se entendem porque parecem considerar que uma tragédia tão grande como a guerra de Tróia não poderia ser obra exclusiva de uma mulher que apenas pretendeu salvar o casamento e a dinastia com um filho bastardo. Claro que tanto Tíndaro quanto Leda, a rainha de Esparta e suposta mãe de Helena de Tróia, podem ter existido realmente duma qualquer forma histórica compatível com a realidade e com estes ou outros nomes semelhantes a estes mas...a verdade é que a sua relação com os deuses é pura mitologia decalcada, por puro oportunismo cultural, de variantes de mitos em voga! De facto, a semi-lendária guerra de Tróia marca a transição entre a mitologia pura e a História. Antes da guerra de Tróia foram os tempos lendários em que os deuses e os homens se misturavam. No entanto, procurar saber que parte do mito é lenda ou que porção da lenda é história seria praticamente impossível, pelo menos em termos de onomástica, a menos que na arqueologia de Tróia aparecessem os nomes dos seus heróis! O nome de Helena era apenas um «avatar» da deusa Hera, a Sr.ª e rainha do Céu, como Innana, ou precisamente e em tal qualidade, ela era Selene, a Lua! Urania < Kurinna(na) > Helen > Selene. «Lua» < Luna < Luana < Ulana < Urania. Urania seria nome da esposa de Urano, o sol primordial e pai de todos os deuses! Dito de outro modo Helena, era uma espécie de diminutivo de Artemisa. Helena = Hera + An ó Her Innana) => (deusa ou) Sr.ª Hera + Themis = deusa Artemis. Ora, desta mística e mítica união nasceu Castor e Pollux, a forma romana dos Polydeuces, irmãos gémeos de Helena de Tróia. Figura 14: Afrodite transportada ao colo fálico de um cisne, um dos seus animais totémicos preferidos. Este facto terá sido causa de confusões na figuração mítica com o mito de Leda. Então, Apolo, porque filho da deusa duma deusa do Amor de nome Leda / Leto, pode ter sido inicialmente apenas um dos Erotes e, por isso mesmo, quando jovem adulto, um deus do Amor no masculino. Assim sendo e comparando os dois mitos é fácil de verificar que Pollux º Apollo e que Helena pode estar no lugar de Artemis. Obviamente que o mito de Leto é muito mais arcaico porque, mais de acordo com a lógica da tradição exclusivamente mitológica do que o de Leda que corresponde a um remanejamento do mito de Leto com intenções político-ideológicas relacionadas com factos lendários em torno dos acontecimentos da guerra de Tróia. Pollux < Kar-lu-kaki > Phaullu Dewi > Polideuses º Apollo < Phaullu < Kar-lu. Ora, o traço de união que se pode evidência nestes mitemas de amorosas metamorfoses entre deuses, humanos e animais é precisamente o cisne. Figura 15: Afrodite sobrevoando o mar a cavalo de um cisne, seu animal de transporte celeste! Objectivamente este foi o animal de transporte de Afrodite, Anfitrite e Leda, tal como foi também de Artemisa, faltando apenas demonstrar que tenha sido também de Leto. Figura 16: Kamarina ou Anfitrite esvoaçando sobre um cisne como Afrodite na espuma do mar. Então, indirectamente pelo menos começa a suspeitar-se que tenha sido porque Apolo era um deus solar e alado como o cisne porque filho do deus sumério do pensamento e de Innana / Afrodite! Kamarina: The Okeanis Nymphe of the city of Kamarina in Sicily. She was probably the Naias of the town fountain or well. Tanto terá sido assim que também Anfitrite, seguramente a forma clássica da arcaica *Kertu, a mãe e esposa do deus supremo da talassocracia cretense, o deus sol senhor dos mares, aparece representada cavalgando um cisne como Afrodite e como Leda na variante de ociânide que deu nome à cidade de Camarina tanto mais que esta ninfa seria a protectora do «camarão» por ser Ka-Mar-an, literalmente a “Sr.ª da vida do Mar”. "[Estando Leto em trabalho de parto] estavam com ela todas as grandes deusas, Dione e Rhea e Ichnaea (Nemesis) e Themis e a gemebunda Amphitrite e as outras deusas imortais exepto Hera, que armada de branco se sentou nos corredores de nuvens junto de Zeus. – Hino Homérico a Apolo de Delos.[2] Estavam todas as deusas presentes ao trabalho de parto de Leto menos Afrodite…porque estas seriam a mesma deusa? Figura 17: Attic red-figure lekythos with image of Aphrodite riding a swan, from Tomb 57 at Arsinoe (Marion) donated by Cyprus Exploration Fund (AN1891.451) (…) She is often depicted in Greek and Roman figurines and on pots as carrying a sceptre (as here) or a mirror. The swan was sometimes considered to be her special bird, along with the dove and the sparrow. Figura 18: Afrodite de Kouklia. Este mosaico encontrado no templo de Afrodite em Kouklia e um dos muitos equívocos da cultura do senso comum. Toda a literatura o refere como sendo uma representação de Leda e o Cisne. No entanto, ou Leda foi uma mera variante anatólica de Afrodite, o que é uma forte possibilidade, ou neste caso o mosaico apenas descreve uma situação típica de Afrodite que se prepara para o banho matinal na companhia da sua ave de transporte, o ganço. Aliás os animais sagrados de Afrodite eram: Pombos, Gansos, Cisnes, Pardais, Peixes, Marisco de Concha, Lebre (sagradas também a Eros), Porco (sagrado e proibido pela sua semelhança com o javali que matou Adonis). Leda deve ser variante de Leto e, ambos os nomes, epítetos duma arcaica Deusa Mãe correlacionada com Afrodite que em várias representações antigas aparece como “Leda e o cisne”. Leto deve ser variante de Leda e ambos os nomes epítetos duma arcaica deusa mãe correlacionada com Afrodite pois é muito estranho que a representação de “Leda e o Cisne” se possa confundir com figurações conhecida da deusa do amor! Figura 19: Afrodite voando sobre um cisne acompanhada de um erote. De facto, Leto, mãe dos deuses Apolo & Artemisa derivaria de uma arcaica Deusa Mãe com anatólica o nome de Lada. Estas deusas seriam todas variantes da deusa da aurora de que a N.ª Sr.ª do Loreto é a sobrevivente foneticamente mais próxima! Mas mais inesperado ainda é dar conta que a deusa do amor dos hindus era uma «rata» porque Rati é a deusa hindu da volúpia, esposa de Kama ou Kamadeva, o deus do amor. Ora, adiante se verá que existiu uma relação muito estreita entre os «ratos» e Aplo e por isso entre as «ratas» e Latona. LETO Talvez a primeira deusa da Lua que os gregos conheceram, Febe (Φοίβη) é confundida com sua sobrinha Selene (filha de Hipérion e Téia), e também com suas netas Ártemis e Hécate. Febe é a deusa da lua, relacionada com as noites de lua cheia. Seu nome quer dizer "brilhante", nome que foi emprestado ao seu neto Apolo, chamado de Febo. Febe era uma antiga deusa da profecia e a terceira a presidir o oráculo de Delfos, após Gaia (sua mãe) e Têmis (sua irmã). Mais tarde deu o oráculo a seu neto Apolo como presente de aniversário. Por tudo isso Febe, apesar de brilhante, era considerada uma deusa de mistérios e segredos. Era representada como uma bela mulher com os seios nus, voando pelo céu e levando numa das mãos um cântaro de prata. Figura 20: “Leto & o cisne” em pose afrodisíaca apenas confirmada pela presença do Onfalos de Delfos em frente de Apolo. Febe era afinal uma potinija que fazia jus ao nome da sua neta Artemisa como Potnia Teron. É evidente que uma deusa que voava pelo céu com um cântaro de prata tinha que ser uma deusa equivalente da egípcia Nute. Pour Jean Haudry, à la suite de Hermann Osthoff, le nom de Léto serait le diminutif en -o^' du nom de la «Nuit» représenté par le védique ratri (Râtri est la déesse de la nuit). L'épithète de Nychia va dans le sens de cette interprétation. Rat-taui, an Egyptian goddess. Reret, An Egyptian hippopotamus goddess. Ruti, a pair of lions worshipped in Egyptian Letopolis. Renen-et = Goddess of nurturing, defines a babe's personality, fortune, and name at birth. Renen-utut = Cobra goddess, protector of royalty Renpet = Goddess of youth and spring, measurable time into immeasurable eternity = Renph. Nut = Dea egizia del cielo e del Paradiso, figlia di Shu, sposa e sorella di Geb, madre di Osiride, Iside, Neftis, Set. Mentre si accoppiava con Geb, il padre interruppe il loro rapporto e Ra, il dio Sole, fece assoluto divieto alla dea di riaccoppiarsi con Geb in qualsiasi giorno dell'anno. Thoth, però, vincendo diverse partite con la Luna, in cui la posta in gioco erano delle parti di tempo riuscì a creare i cinque giorni epagomeni, in cui Nut potè accoppiarsi con Geb e concepire i suoi figli. Fu identificata dai Greci con Rea. Obviamente que Leto só pode ser Ísis na medida em que ambas são esposas ou filhas de Ra, guja esposa era Ret ou Rea. Leto < Re-tu > Ret < Re®-et > Rat(-taui) ≡ Iusaas > Ísis. Ueret-He-kau < Weret- | He-kau | ó Taveret = Mut ≡ Nut. Re-ne-Net ó Re-ne-Nut-ut ó Renpet < Renph < Re-| Ne-phet < Neftis. Se é verdade que a mitologia mais arcaica coloca a geração primordial no seio da Terra Mãe e do Mar Primordial a verdade é que os teólogos egípcios subverteram os mitos que puseram o sol no centro da sua cosmologia e masculinizaram a terra na forma de Gebo que teria concebido os primeiros deuses com a Noite. No entanto, teologias mais heliocêntricas colocam Ra e Nute como pais dos primeiros deuses. Segundo a genealogia dos deuses egípcios por Ra (Menfítica), Isis seria neta mas tinha como esposa a deusa Ret (cujo nome é a versão feminina do nome Ré) ou Rettaui ("Ret das Duas Terras", ou seja, do Alto Egipto e do Baixo Egipto). Em outras versões surgem como suas esposas as deusas Iusaas e Ueret-Hekau. Os deuses Hathor, Osíris, Ísis, Set, Hórus e Maet eram por vezes apresentados como filhos de Ré. Leto era a filha dos titãs Febe e Coio, embora noutras teogonias a lua estivesse na dependência de Febe e Atlas. Leto era mãe de Apolo Febo que assim seria neto de Febe, que por sua fez seria sua esposa e irmã enquanto Artemisa. Como o nome de Febo anda ligado o de Febe, que afinal não seria senão a esposa lunar dum Phoibos apolíneo e solar, etimologicamente falando, Febe deveria ser a esposa lunar do deus solar Febo Apolo. Claro que este facto levanta alguma dúvida e algum espanto quando se aceita esta possibilidade mítica porque neste caso Phoebe seria Artemisa, uma deusa máscula, sempre virgem e avessa a relações sexuais masculinas mas protectora da caça, e, logo, protectora dos animais selvagens. Pensando-se que o cisne seria um dos primeiros animais domésticos, tanto pela sua elegância como pelo sua carne e fácil trato, Artermisa pode ter sido também um cisne. Afinal o espanto pode até nem ser assim tanto se aceitarmos que também ela era filha dum cisne se postularmos a suspeita de que o mito de Leda seria uma variante perdida do mito de Leto. Figura 21: Outra deusa que, pelo menos nesta representação de belas tonalidades, aparece metida de amores com um cisne é Artemisa, a deusa de todos os animais. Do mesmo modo se poderia inferir que sendo Letona = Leda = Afrodite também Artemisa e seguramente Anat e Atena seriam variantes de Afrodite e Anfitrite que primitivamente seriam deusas mães aladas, ma forma de várias aves sagradas, como acontece na tradição caldeia onde são todas variantes de Istar a deusa duma miríade de nomes e faces. De facto, a variante nocturna e lunar desta deusa alada como ave agoirenta caldeia seria Lilit ou Allat(u), deusa da fornicação e esposa do deus dos infernos, Nergal, ou seja, a “rainha da noite” que foi Ereshkigal e, por isso representada com pés de ave como. Ver: ERESHKIGAL, A RAINHA DA NOITE (***) A fusão de várias linhagens teológicas num mesmo panteão acabaria por dar origem a confusões deste tipo o que significa que para o caso, pouco crédito têm as relações familiares dos deuses primordiais já que se suspeita que estas tenham sido forjadas pelos hititas durante a revisão do panteão no reinado de Tudálai IV. A recordar vagamente a relação com arcaicos deuses da luz (Phanus) e do fogo estaria o nome do irmão e seguramente esposo de Febe, Coeus (Ancient Greek: Κοῖος, Koios). Assim sendo, com Phoibos estaríamos diante dum nome virtual *Pha-ukos de que terão derivado, por via erudita, o «foco» e, por via popular, o «fogo». Phoebus Apollo é a forma latina do grego (Φοίβος) Phoibos, “resplandescente”, (também Pheabus) um teónimo usado na mitologia clássica para o deus Apolo. Também era usado em geral para Helios, o deus sol. Apolo, enquanto *Kakiko teria que ser filho de Zeus / Ea / Kako. De facto, tudo aponta para que na origem remota destes nomes esteja Kakus que não era senão Cacus, o arcaico deus do fogo, literalmente o macho de Ki (ou Caca), entidade que tudo aponta como estando relacionado por Cronos com o Velho deus sumério Enki e também um nome arcaico de Zeus. Coeus (= «caos» < kahos) < Koios < Kauj-us < < Kakus => Zeus. «Febo» < Phoibos < Kau-hiwos < *Kakiko. «Febe» < Pho-ibe < Pha-| Hiwe >Hebe |. Como nestes tempos se cometia frequentemente incesto é de aceitar que, pelo menos no plano mítico, a «Lua e o Sol» foram um divino e incestuoso casal celestial. En la mitología griega, Leto (en griego antiguo Λητώ Lêtố', en dórico Lato, ‘la oculta’) es una hija de los titanes Ceo y Febe y, en el panteón olímpico, madre con Zeus de los gemelos Apolo y Artemisa. En la mitología romana su equivalente, como madre de Apolo y Diana, es Latona. Con su hermana Asteria, fue venerada como diosa de la noche y alternativamente de la luz del día. Phoebe went to Koios' bed of much desire. Then the goddess conceived in philotês with a god and Bore dark-robbed Leto, always gracious, Gentle to men and immortal gods, Gracious from the beginning, most kindly within Olympus. -- Hesiod, Theogony. Figura 22: Leto, Artemis e Apolo. Adaptação from Caskey & Beazley, plate LXI of the Museum of Fine Arts, Boston. Nesta indefinição de Leto, filha de Febe / Nute, ser ora deusa da noite, ora deusa do dia, ora da noite clara o que importa é dar conta que esta deusa “de vestido negro”, só podia ser uma das faces da lua ou seja uma metáfora teológica da «lua cheia» que seria também visível no claro dia e por isso mesmo “sempre graciosa e gentil tanto para com os homens como para com os imortais”. Além de Leto, outra deusa gentil vestida de preto era Deméter. Quando a saudosa Deméter, depois de Hades lhe ter raptado sua filha, foi estuprada como uma égua pelo cavalo do seu irmão Poseidon, no meio da vara de cavalos de Oncião, filho de Apolo, Deméter ficou literalmente uma Erínia furiosa e foi lavar estes insultos nas águas do rio Ladon e transformou-se na desenxovalhada Demeter Lousia[3] e, vestida de preto, entrou na caverna de Figaleia transformando-se na Deméter negra, e decidiu não voltar para o Olimpo enquanto sua filha não lhe fosse devolvida, e culpando a terra por ter aberto a passagem para Hades levar sua amada filha, ela disse: – Ingrato solo, que tornei fértil e cobri de ervas e grãos nutritivos, não mais gozará de meus favores! Claro que a semelhança do vestido não basta para fazer de Leto uma variante de Deméter mas a verdade é que esta grande deusa não estava presente como Anfitrite, sua cunhada, no nascimento de Apolo e Artemisa o que pode deixar a suspeita de que o nome de Deméter seria apenas um genérico que neste caso seria bem aplicado a Leto. O rio Ladon onde a deusa mãe lavou as suas dores afinal recebeu o nome de Letona. Adiante se verá que Ladon era a serpente que guardava as maçãs das Hespérides da arvore do paraíso das ilhas Afortunadas. Figura 23: Apolo, Artemisa & Leto sendo recebidos com uma libação de Hebe, a copeira do Olimpo! Selon les premiers mythographes, Léto est l'épouse de Zeus avant que celui-ci n'épouse Héra. L'un des Hymnes homériques la mentionne ainsi dans l'histoire de Niobé, et Homère la montre amie des Troyens pendant la guerre de Troie, tout comme son fils Apollon. Leto era assim uma deusa mãe por direito próprio, muito arcaica porque titânide e esposa do deus pai muito antes de Hera pelo que os ciúmes desta teriam sido à posteriore ou disfarçam mal uma inimizade inventada pelos mitógrafos para justificarem a existência de diversas tradições de deusas mães que em certos momentos se tornaram rivais por razões de estado. No caso de Leto, por ter sido protectora dos troianos porque seria particularmente adorada na Anatólia. Several explanations have been put forward to explain the origin of the goddess and the meaning of her name. Possibly related to "lethe" (λήθη; oblivion) and "Lotus" (the fruit that brings oblivion to those who eat it). It would thus mean "the hidden one". It is most likely to have a Lycian origin, as her earliest cult was centered there. Leto may have the same Lycian origin as "Leda", meaning "woman/wife" in the ancient Lycian language. A relação de Leto com o esquecimento e a morte é incontornável por causa do rio Letes que obviamente tiveram muito a ver com os cultos funerários a que presidiria a deusa mãe da vida e da morte como adiante se verá. No entanto, que Leda fosse nome de mulher na Anatólia só poderá espantar os ingleses que divagam em torno da etimologia do seu termo para Senhora. Figura 24: A família de Apolo! Lady = M.E. lafdi, lavede, ladi, from O.E. hlæfdige "mistress of a household, wife of a lord," lit. "one who kneads bread," from hlaf "bread" (see loaf) + -dige "maid," related to dæge "maker of dough" (see dey (1); also compare lord). Not found outside English except where borrowed from it. Será memo como os eruditos pensam ou terá o termo sido trazido da Cítia pelo famoso linguista Gaythelos que colonizou a Grande Bretanha e a Irlanda no tempo dos povos do mar? Leto = A primordial Goddess whose children were the Sun and Moon. She may have laid them while in the form of a swan, likening her to Great Hathor, the goose who laid the golden egg; while in this form she was often titled Ortygometra 'mother of the birds.' Herodotus referred to Leto as an ancient queen of Lower Egypt. Like Artemis, she was known by many names over many lands. Lat the fertility Goddess of the Etruscans, Swan Goddess Leda of pre-Hellenic Greece whom Goodrich says was earlier called Arachne. Whether her name was rendered Lada, Leda, Leto, Lat, or Lado, it meant 'Goddess' or 'woman.' Sometimes she was called Latona, 'Queen Lat,' especially by the Thrakians who worshipped her under this name. Like the Amazons, she was strongly associated with the river Danube. Her name also refers to milk, 'latte, lait' connecting her to the divine cow whose milk made up the stars. As such she ruled Latium, and was occasionally called the Moon herself, in which case she had two sisters, Asteria 'of the stars' and Ortygia 'quail island'... or Klytia 'invoked, the voice' and Melanippe 'black or nightmare', or Althaea 'Goddess who heals all' and Hypermnestra 'one who woos from on high.' In other words, Leto was a Triple Goddess of Moon, Sun, and Sky. She ruled Lykia as well, and there she could take wolf form and turn men into frogs, which actually meant to give them rebirth, because frogs were symbolically equivalent to fetuses. [4] Figura 25: Apolo recebendo uma libação de sua mãe Leto. It is believed that Leto was one manifestation of the wide-spread mother-goddess religion which originated in Anatolia and spread throughout the ancient world. Most likely, the worship of Leto began alongside that of an older mother goddess (Eni Mahanahi in Lycia) at Letoon and later superseded the older goddess. The Cult of Leto was mostly concentrated along the western regions of Anatolia’s southern shore. In Lycia she was worshiped as a national and family deity, as well as the guardian of the tomb. According to legend, Leto was loved by Zeus and persecuted by the jealous Hera. Fleeing from the goddess’s wrath, Leto fled to Patara where she gave birth to her twins. In one story Leto is harrassed by some Lycian shepherds at a spring as they try to drive her away from the water. She punishes them by turning them into frogs. In another story, the persecuted Leto is aided by wolves who guide her to the river Xanthos where she quenches her thirst and washes her children. In memory of this occasion she changes the name of the country from Termilis to Lycia, "lykos" being the Greek world for "wolf". This legend of Leto and the wolves existed for a long time in western Anatolia - still under the Roman Empire coins were minted depicting the fleeing Leto with her children. Some believe that the cult of Leto existed in Lycia prior to the Greek period and that Leto's name may be related to "lada" which is Lycian for "woman" or "wife". Leto cults also existed in Halicarnaussus, Cnidus, Phrygia, Caria and Cilicia. [5] Leto, filha taurina de arcaicos titãs e deuses do caos primordial e do fogo de Prometeu, Coeus e Phoebe, só podia ter sido Ki, deusa mãe do par de gémeas Istar / Ereshkigal, do amor e da guerra, que viria a ser Artemisa de Éfeso ou mesmo, quiçá, uma mero epíteto da deusa mãe da fertilidade como Anfitrite / Afrodite. Na fenícia esta deusa tinha uma conotação de divindade primordial, draconiana, reptilínea e vencida pelos deuses patriarcais e manda chuvas como Tiamat. O nome de Leto seria variante da deusa suméria de Ki que foi Uraz... Lat(u) ó Urat < Sumer. Uraz / Uraš / Urash ó UR-KI, a lua. Rat®i Hind. > U®shas Uraš o Urash, na mitologia suméria, foi uma deusa ctónica (veja ctónico) e uma das consortes de Anu e mãe de Nin'insima. Ratri, who is often also called Ratridevi is the goddess of night in the Vedas, and the mythology of India and Hinduism. She is sister to Ushas, the Vedic goddess of Dawn. Obviamente que entre as deusas hindus Ratri e Ushas deveria haver uma tal cumplicidade original a partir da suméria Urash e uma tal complementaridade funcional que seriam aprendidas nas escolas védicas em simultâneo justificando assim que o erre que uma tem amais tenha sido perdido pela outra Por outro lado, Leto parecer ser em dialecto hitita uma variante anagramático do nome de Tellus, Deusa Mãe dos Romanos, ou nome da deusa mãe dos cretenses *Kertu, de que Leto é quase de certeza uma variante grega de Deméter, se pensarmos que Hera e Thera o poderão ter sido também. Hera < Thera <= Urash > Ther-(lu-)ush > Tellus. Leda < Leth < Lat < Rat- < *Ur-at < Urash < Haur-kaki, lit. «filha da Aura matinal < Kur-Kaki + An > Horatian, da lendária guerra latina dos «horácios e coriáceos» de que derivará o trocadilho bélico das iras com «raios e coriscos» taurinos e jupiterianos > Latian > Latona, nome latino da mãe de Apolo => Afrodite. Ver: VIRGEM DO ROCIO (***) & TALO (***) & HERA (***) Horus vingava-se contra Set do assassinato de seu pai Osíris - O rei sagrado e bem-fadado da Tripla deusa-Lua Isis, ou Lat, que o respectivo sucessor sacrificava a meio do Verão e em meados do Inverno, e do qual Horus era a própria reincarnação. O mito de Leto perseguida pela serpente Piton corresponde ao mito de Isis perseguida por Set (durante os setenta e dois dias mais quentes do ano). Por outro lado, Piton é identificado com Tifon, o Set grego no hino Homérico a Apolo, e no escólio a Apolónio de rodes. – OS MITOS GREGOS, DE Robert Gaves. Deixando por ora de lado a origem hiperbórea de Leto, parece que esta terá nascido em Creta como todos os restantes deuses primordiais. On Krete she was called Phytia 'the creator,' protector of children.[6] Leto was also worshipped at Phaistos in Crete where it is purported that she gave birth to Apollo and Artemis at the islands known today as the Paximadia. (…) In ancient Crete they were also known as Dionysioi after the god Dionysus and also as Letoai after the goddess Leto who was worshipped at Phaistos, where she was also known as Fitii in ancient times. De facto, se Leto era Fitia em Creta é porque era literalmente e tão-somente Fi ó Ki. Des auteurs postérieurs brodent sur cette histoire. Léto devient l'une des nombreuses maîtresses de Zeus encourant la colère d'Héra: cette dernière interdit à la terre d'accueillir la parturiente et décrète que ses enfants ne devraient pas naître dans un lieu où brillait le soleil. Elle fait poursuivre Léto par le serpent Python. Se mitologias tão contraditórias nunca poderiam ter sido sustentadas sem fundas razões de política cultural é óbvio que a hegemonia olímpica de Hera tudo terá feito para destruir Leto quer votando o seu passado ao rio Letes quer inventando mitos que tornam a mitologia anterior mais arcaica insustentável. Obviamente que em teologia as versões mais arcaicas dos mitos não são nunca os mais verdadeiros porque a verdade é sempre por definição e por regra pragmática a que sendo mais funcional é por isso mesmo a mais actual ou vice-versa. No entanto, se Leto era na tradição cretense, Phytia, é fácil de ver que esta seria a mãe das cobras cretenses que por um lado deu origem à Piedade cristã mas que seria ela a própria Python, como teria que ser sendo que foi assim na fenícia, enquanto Lada ou Latona, Tiamat na suméria e o monstro bíblico Leviatan…ou a demoníaca cobra hitita Illujanka. Illujanka < Lilush-Anka < Lilit An-Ki Tiamat < Ki-Amat Most accounts agree that she found the barren floating island of Delos, still bearing its archaic name of Asterios, which was neither mainland nor a real island, and gave birth there, promising the island wealth from the worshippers who would flock to the obscure birthplace of the splendid god who was to come. The island was surrounded by swans. As a gesture of gratitude, Delos was secured with four pillars and later became sacred to Apollo. A golden burst of light showered the island on the birth of Apollo, and seven swans circled it. Hera's jealousy caused Leto to be in labor for nine days. Figura 26: Espelho etrusco representando os filhos de Leto, Apolo & Artemisa, cercados por dois cisnes. Se não temos o Cines de Leda no mito de Leto temos sete cisnes voando em volta da ilha de Ortígia ou seja toda uma corte de cisnes esperando a nidação de um fêmea que só poderia ser a esposa do chefe do bando e, por isso, ser Zeus. Adiante se verá que a alma de Apolo era um cisne. Outra relação mal escondida entre o mito de Leda e o de Leto está no aparecimento Témis no final do nascimento de Apolo. But Leto, still running from Hera, had to entrust her newborn children to Themis, who brought them up on ambrosia and nectar, with the result that Apollo attained manhood in only a few hours, and escaped from Themis, declaring his destiny was to become a bowman, a player of the lyre, and a supplier of truthful oracles to mankind. Temis seria mãe de Artemisa e uma variante de Némesis que era uma alternativa no mito de Leda e o Cisne. Dito de outro modo, embora nunca de forma explícita existem suficientes coincidências entre o mito de Leda e de Leto que permitem pressupor que seriam originalmente o mesmo. Por outro lado, as alegrias de parto da deusa mãe teriam dado origem na cultura latina ao nome de uma deusa menor do canto e alegria, obviamente que pela via da deusa suméria do canto que era Alala. Laetitia was a minor Roman goddess of gaiety, her name deriving from the root word laeta, meaning happy = Laetus, Laeta, Laetum. Laetitia < Laet-Teia = Deusa Laet, La | < Alala |-te => Leda ou Leto. Figura 27: Apolo tocando cítara em família. [1] http://marinni.livejournal.com/390156.html [2] "[Leto was in labour] and there were with her all the chiefest of the goddesses, Dione and Rhea and Ikhnaia and Themis and loud-moaning Amphitrite." -- Hymn to Delian Apollo 94. [3] De Lousia deriva (ou corre em paralelo) o nome da «lousa» lusitana que por ser ardósia de xisto negro é sempre preta como Demeter Lousia e, lavada, lisa e luzidia! [4] http://www.moonspeaker.ca/Amazons/PartTwo/chapterfive.html [5] http://www.lycianturkey.com/cults_of_lycia_deities.htm [6] http://www.moonspeaker.ca/Amazons/PartTwo/chapterfive.html
EXCLUSIVE TO THE STYLE SALONISTE: Come with me to meet the wonderfully talented designer Stephen Brady and learn how he has created his own private retreat, a peaceful realm near San Francisco Bay. This week we visit Stephen at home in Mission Bay, San Francisco, to capture his tips on interior design and find ideas in his tailored apartment. It’s new, and has never been published. You see it here first. You’ll discover how Stephen designs for his own pleasure. For the last twenty years, he has been designing GAP Inc. international flagship stores and retail concepts for high profile Banana Republic and Old Navy stores and new acquisitions like Athleta. Recently he has been traveling often to China where the company is expanding. Stephen has also designed several highly successful San Francisco restaurants, including the popular Spruce in Pacific Heights, and Café des Amis, on Union Street. I’ve written about Stephen rather a lot over the past two decades. And yet you won’t find him featured in design magazines…but you will find his influence on thousands of retail stores around the world. If you leap over to your library and flick through some of my earlier books, you will find him. His rustic house at Stinson Beach is in ‘Seaside Interiors’ one of my Taschen books (or was it ‘California Interiors’?) His city house is in ‘San Francisco Interiors’ where he is definitely on Page 129. Let me know if you find him in others. His beautiful garden was featured in Garden Design magazine (I was one of the founders) and ‘The Garden Design Book’ His private work is personal, graphic, classic, old-school, and always wonderful to photograph. Stephen has just completed decorating his new San Francisco apartment, and I shot it with David Duncan Livingston to give my readers the first look. The Mission Bay apartment is in a superbly designed new complex in the newly developed Mission Bay district, formerly a tumbleweed area along the bay, east of the city. (Think former railroad yards, warehouses, an industrial area time had passed by.) Stephen’s new two-bedroom apartment is chic, relaxed, and immensely comfortable. It’s his perfect weekend escape. Come for a visit. As a special extra treat, I’m included below a list of design tips and ideas from Stephen. You’ll find them inspiring. Who is Stephen Brady Stephen Brady has devoted his life to interior design and interior architecture. He is the Executive Vice-President Creative Services at GAP Inc. and recently celebrated his twentieth year with the company. If you’ve walked into a new Banana Republic flagship store in Shanghai, Rome, London or Paris or New York, you’ve seen the work Stephen and his team have created. He directs and collaborates with highly talented teams for high-profile GAP Inc. stores, as well as Banana Republic and Old Navy. Stephen put his imprint on many stores including glossy Banana Republic interiors on Regent Street, London, the Champs-Elysées, Paris, and in Tokyo and Rome. In other words, Stephen is devoted to style—and he is always traveling long-distance to finesse and fine-tune bold new retail concepts. In San Francisco recently, he took six months to find his ideal apartment, a two-bedroom, 1,600 square foot south-facing residence that feels spacious, and gets sun much of the day. His apartment is both a private refuge from a busy life, and a clubby retreat where he likes to entertain friends with impromptu dinners and casual gatherings. And perhaps because his very early career was at Britches, the venerable menswear store in Georgetown, Washington, DC, he has a deep love of menswear fabrics like suede, tweed, linen, wool, cashmere, cotton oxford, and patterns like herringbone and houndstooth. That’s a great habit to pick up. Oh, and his bed is upholstered in tan faux ostrich. “I was looking for a two bedroom apartment to acquire, and heard about new construction in Mission Bay by a top Canadian developer that specializes in high-quality design,” said Stephen. “I went to check out floor plans and finishes and materials when the building had barely broken ground. I love real estate and was attracted to this new neighborhood fifteen minutes from my office, and twenty minutes from SFO. I liked the refined floor plans, the fourteen-foot ceilings, and the well-considered design. My favorite floor plan had a quiet sheltered terrace where I could enjoy breakfast in the morning.” The neighborhood he discovered has been developed over the last decade, from a neglected former drive-by area to a thriving community of top research hospitals, and low-rise apartments. “Today’s glamour should be seductive, personal, comfortable, and just a little bit eccentric. These concepts were the motivation behind my new apartment,” said Stephen. That’s the driving force for Stephen whose new apartment suggests the nuanced colors and connoisseurship of Coco Chanel, the quiet sculptural refinement of Jean-Michel Frank, and the wildly confident passion for art in thirties Paris. Tobacco-colored suede club chairs, softly faded Aubusson rugs, mirrored black lacquer screens which refract shards of sunlight, and a panoply of portraits and iconic black and white twentieth-century photography whisper of the intrigue of Paris salons and the designer’s worldly travels. A handsome eighteenth-century French painted chinoiserie chest, a shimmering pair of mirror-topped brushed nickel cigarette tables, and a sleek glass and nickel Art Deco coffee table, along with voluptuous twenties and thirties bronze figures on tables and shelves show Stephen’s knowledgeable and discerning eye. “Eclectic antique and art collections are always an important part of my rooms,” said Stephen. Essentially, the furniture is overscale. This approach makes his rooms feel more expansive, more comfortable, and certainly grander. Furnishings in a chiaroscuro of dark brown, black and off-white create a background, a mood, and a frame for the paintings, photography, and objects he has collected over many years. Brady has made it his practice to create mood, individuality and mystery in his rooms. For his work, Stephen Brady is always on a plane or on-site or in his studio in San Francisco overlooking the bay. His job is intense, highly collaborative with many specialist teams, and very rewarding as he sees stores designed, built, polished, perfected efficiently with his specialists, and then opened. He had previously worked in top design positions for Ralph Lauren and for Calvin Klein. Stephen has done city chic in Manhattan, a Stinson Beach beach cottage, and a sleek Palm Springs retreat. In the Hamptons his shingled saltbox weekend house is all cushy sofas, down pillows, open doors, and sunny terraces. When he first arrived in San Francisco from New York in the early nineties, he created richly-detailed rooms in an Arts & Crafts house near Buena Vista Park, complete with a redwood paneled sitting room and a romantic formal living room with hand-plastered walls. That apartment is in my book, San Francisco Interiors. Stephen is a serial apartment lover. Returning to Manhattan in 1995, as a design director for Ralph Lauren Home, he shaped his French-accented art deco townhouse in the East Village. Heading uptown to Sutton Place, he designed a glamorous art deco apartment overlooking the East River. “There’s a thread between the various California and New York City apartments and co-ops I’ve lived in,” said Brady, who heads every spring to celebrate his birthday in a rustic cottage in St Bart’s. “Everywhere I go, I find antiques, sculptures, paintings, and my rooms have a mix of eccentric and rare antiques from London, Paris, New York, or Morocco. I like diversity. I like pieces that have odd proportions that show signs of age and wear. They all live with my collections of black and white photography by Angus McBean, Jacques-Henri Lartigue, and Horst. In all his dwellings, Brady selects console tables, hall tables, chests, dressers and cigarette tables on which he arranges vignettes of gilt-framed portraits, crystal lamps, antique silver candlesticks, arcane design books, flea market collections of tortoiseshell boxes, along with French silver vases filled with tulips and garden roses, and antique Murano and Daum glass vases. To give his living room a feeling of pure luxe, and to enhance its apparent size, Stephen kept the window shades ultra-simple. “I wanted a romantic, Paris salon-style apartment overlooking trees and a quiet park,” said the designer. “For me it has a New York sensibility, and the interior could also be in Paris.” His rooms seduce the senses with soulful paintings, wax-buffed hardwood floors, gestural sculptures, French art books and fragrant candles (Cire Trudon and Diptyque.). “My collections have come together over decades,” said Brady. “When I return home in the evening, there’s an air of tranquility. It’s very quiet and meditative. It’s a bit formal, but I entertain very casually. I don’t stand on ceremony.” In composing rooms of quiet beauty, harmony and elegance, he has also painted a very artful portrait of himself. Weekends with Stephen... “On a Saturday morning, it’s very quiet and private here,” he said. “I may go up one flight of stairs to the gym. I could swim at the Olympic-size outdoor pool. Or I might go over to Dogpatch and meet a friend for lunch at Piccino. There’s the Mission Rock Resort, with fantastic views over the bay. I can drive to the Ferry Plaza for lunch with friends at Bouli Bar on Sunday.” In particular he said, he likes the simplicity of life here—after the excitement of working on a glamorous new flagship in Shanghai or Paris or Tokyo. Hot Tips from Stephen Brady: Interior designer Stephen Brady’s decorating ideas are cool-wherever you hang your hat. COOL COLORS — Keep your color scheme uncomplicated and fresh. Brady loves timeless blue and white fabrics, and white walls. He’s also a fan of charcoal, dove, off-white and black…very Chanel…for a color scheme with an edge. Black is his go-to color. DOUBLE DUTY — Versatile furniture makes life simpler. A large upholstered ottoman can also be used as a coffee table topped with a tray. A day bed instantly becomes an extra guest bed. (Dress it with a selection of throws, blankets and wraps.) PRACTICAL UPHOLSTERY — Stephen loves fabrics that look like men’s haberdashery--tweeds, wool herringbone, checks, slubby linen, and flannel. For his country house on Long Island he uses slipcovers in natural off-white denim, or indigo washed denim feel good against bare skin--and can be thrown in the washing machine for instant cleaning. CANDLELIGHT — Keep a stock of natural beeswax candles--tapers, columns and votives. Dozens. Candlelight helps everyone relax. NO HARSH LIGHTING — In the evening, banish overhead lights. “They should be taboo,” said Brady. “Overhead lighting is harsh and unflattering.” CUT A RUG — Choose carpets (like rush matting) that you can pick up, shake out, and change at will. Faded, somewhat tattered Oriental carpets are especially hardwearing even outdoors. They can turn a patio or terrace into an outdoor room. TABLE OF CONTENT — Select a very generous, sturdy dining table-to use for everything. It’s the perfect family gathering place all day, children can do projects on it on a cool day, and it’s ideal for a buffet. CREDITS:Photography exclusive to THE STYLE SALONISTE by David Duncan Livingston. ABOUT DAVID DUNCAN LIVINGSTON: David Duncan Livingston is an interior and architectural photographer working throughout the country from his Mill Valley, California studio. Interior designers, architects and publishers work with Livingston to create photos of interiors for portfolios and editorial, along with the people and products that reside within them. Livingston brings a cohesive vision to his assignments by carefully overseeing the art direction, styling and post-production of his photography. His editorial style creates photos that are inviting, with a natural light-filled feeling. David Duncan Livingston is the photographer of six books of interior design among them: Shingle Style, by Rizzoli, San Francisco Style, California Country Style by Chronicle Books. Hawaii a Sense of Place, by Mutual Publishing, and by Taunton Press; The New City Home, Patterns of Home. www.davidduncanlivingston.com415-383-0898 All images used with permission from the photographer, David Duncan Livingston.
I’ve always admired and loved the color experimentation and singular focus and dedication of Pierre Bonnard. His saffron-hued and fuzzily intimate interior scenes invite us into his world, to dine, to linger in soft focus, to dream in eternal sunshine, to chat, to meet the family and their sleeping cat, and to chat with his somnolent his models. Pierre Bonnard was a contemporary of Cezanne and Picasso and Matisse, but his singular devotion to depicting and honoring domestic life left art critics cool and dismissive. After his early career as a rather provocative figure, he settled down and immersed himself in his gardens, his landscapes, and his compliant and happy accomplices, his family. He painted his wife for fifty years, and perfected his craft in his rustic retreats near Paris, and later in the white-hot light and luscious intensity of the South of France. Bonnard now gets his recognition with a delightful new exhibition that recently opened at the Legion of Honor museum in San Francisco. Come with me to view my edit of some of the paintings—and then dash over to the glorious Legion galleries to immerse in the glory of Bonnard’s vivid and painterly private universe. I hope you’ll be inspired to visit the wondrous Legion of Honor museum, to feast on the Bonnards, and perhaps afterwards to venture along the adjacent walking trail high above the bay. Now that’s a well-spent afternoon. In the words of Pierre Bonnard: “Draw your pleasure, paint your pleasure, and express your pleasure strongly.” “Color does not add a pleasant quality to design — it reinforces it.” “A painting that is well composed is half finished.” Pierre Bonnard: Painting Arcadia The California Palace of the Legion of Honor is the exclusive US venue and the exhibit comes to San Francisco after being on view in both Paris and Madrid. The Legion exhibit debuted at the Musée d’Orsay where many of these paintings are on permanent show. This is the first major international presentation of Bonnard’s work to be mounted on the West Coast in half a century. The intimate exhibition celebrates Pierre Bonnard as one of the defining figures of modernism in the transitional period between Impressionism and abstraction. It also shows that, like Monet and Manet and Picasso and many other French painters of the period, he was fascinated and influenced by Japanese woodcuts, and traditional Japanese imagery, composition, and lyricism. But for Bonnard, immersing himself and constantly painting interiors in ‘contrejour’…into or against the light…that was his obsession. Canvas after canvas features a model or a table set with lunch and large open windows casting sun and light and contrast into the room. Shadows fall on white tablecloths. All is backlit. He also loved to distort for effect and was particularly fascinated with tricks of perspective. In The Dining Room (1913), for example, he employed different levels of perspective and varied the transitions of tone, from warm to cool. Gardens in spring have the same magical feeling of life, the universe and spheres and sun spinning. It’s a dream—and Bonnard’s very compelling and celebratory one. About the Artist Born in the countryside near Paris in 1867, Pierre Bonnard (1867–1947) was the son of a high-ranking bureaucrat in the French War Ministry. In 1887 he enrolled in classes at the Académie Julian in Paris, where he became a student and a follower of Paul Gauguin. Gauguin’s teaching inspired a group of young painters known as Les Nabis and the young Bonnard joined. By the early years of the twentieth century, the Nabis had disbanded, and for the remainder of his career, Bonnard resisted affiliation with any particular school or movement. Instead, he alternated between the themes and techniques of the Impressionists and the abstract visual modes of modernism. Bonnard worked in many genres and techniques, including painting, drawing and photography. From the domestic and urban scenes of his early Nabi period to the great elegies of the twentieth century, Bonnard’s output is grounded in a modernity transformed by his exploration of other cultures, including Japanese woodblock prints and Mediterranean mosaics. About the Fine Arts Museums of San Francisco The Fine Arts Museums of San Francisco, comprising the de Young in Golden Gate Park and the Legion of Honor in Lincoln Park, are the largest public arts institution in San Francisco. The Legion of Honor was inspired a replica of the Palais de la Légion d’Honneur in Paris, at San Francisco’s Panama-Pacific International Exposition of 1915. The museum opened in 1924 in the Beaux Arts–style building designed by George Applegarth on a bluff overlooking the Golden Gate. Its holdings span 4,000 years and include European painting, sculpture and decorative arts; ancient art from the Mediterranean basin; and the largest collection of works on paper in the American West. The museum is superbly sited with views of the bay, the Golden Gate Bridge, and the Pacific Ocean. For more information: http://legionofhonor.famsf.org CREDITS: Images of the Bonnard paintings are used here with permission from SFAS. A Note: More Peru posts, including Machu Picchu, coming soon.
