#mystory2
Aela the Huntress costume is wearing only light armor to help her move fast. She wears a mostly brown outfit with a spattering of light steel armor.
*Ready to Ship* Protect your arm and hand with this beautiful Woodland deluxe shooting glove and arm guard combination! High quality leather construction with elastic in the fingers and forearm for a one size fits most comfortable fit, whether slim or big. The combination of eyelets and steel speed lacing hooks allows you to quickly put it on over a jacket or on a bare arm with a comfortable elastic shock cord. The cord comes long and can be easily adjusted for a perfect fit by the user, and once adjusted can be removed and re-worn without any further adjustment. This comfortable leather arm guard allows free movement of the wrist while providing ample protection of the forearm from string slap and the top of the hand from fletching. The optional finger tab allows for comfortable shooting and a clean string release. Perfect for hunting or the range! ****This listing is for a LEFT glove, for an archer who holds the bow in the LEFT hand, and pulls back the string and arrow with the right hand. This is the majority of people.**** ****Finger tab fits on the right hand.**** ***Sizing*** The length of your forearm is proportional to your height, so the following guidelines will help you to pick the arm guard that is right for you: 5'2" and under (158cm) -- Small/Junior/Petite Size 5'2" to 5'10" (158cm to 178cm) --Medium/Large Size 5'10" to 6'8" or so (178cm to 203cm) -- XL Size Other arm guard options available at https://www.etsy.com/shop/UpshotArchery?section_id=16615664 Coordinating quivers available at https://www.etsy.com/shop/UpshotArchery?section_id=14597688
Jean Cocteau's Villa Santo Sospir. ©barlowandbarlow / Instagram At this very moment, a drunken Dionysus naps in the doorway of a villa overlooking the French Riviera. In another room, the head of Apollo keeps guard of a marble fireplace, and Diana the Huntress rounds up her nymphs in scenes of co
I enjoy using scrap matboard as a painting surface. In addition to using up 'scrap' materials that would otherwise be thrown away, the variety of color and texture makes it an excellent acid-free canvas. This is an acrylic painting on a 5X7 sheet of green matboard. The colors used were: Titanium White Mars Black Burnt Sienna Raw Umber Colbalt Blue Naples Yellow Cadmium Yellow (just a tiny bit for the eyes) Blocking in basic values I did scan the sketch, but since the matboard is so dark, my pencil lines didn't show up in the scan. So this is the earliest scan in the process - basic, grayed values. Here, I add a little raw umber to my gray mixture. More value, blocking in rough details I'm still not getting too detailed - here I'm still using a rather large brush to block in rough details, such as the feather patterns. I eventually switch to a round for the thinner feather edges. I'm still only using black, white and raw umber. Painting details, finalizing value As I push my values, I start to add subtle colors to the grays, such as a little burnt sienna to where the golden nape feathers are. My values are at about 85% here, since I know when I add my color glazes, I'll lose a little bit of my value and have to go back and touch up my highlights. Glazes, final painting From grayed browns, to a full-color eagle! By glazing a little burnt sienna with naples yellow over the nape, I give the golden eagle its 'golden' title. This eagle is inspired by Chrysos, the golden eagle at Horizon Wings, so named because of her scientific name - Aquila chrysaetos - which literally translates to "golden eagle" I use raw umber mixed with a tiny bit of colbalt blue in areas where I want a duller brown, and to push the value away from the bright orange-gold of the neck and back of the head. To make your golds really pop, you need to surround them with duller colors. A completely-golden golden eagle will look a bit boring, just as the surrounding green and white feathers of a ruby-throated hummingbird are what make that vibrant gorget so stunning.