Architectenbureau Hyde + Hyde Architects ontwierp deze woning, gelegen in een ongebruikte steengroeve, met de naam "House for a Photographer" voor... je kan het al r
Architectenbureau Hyde + Hyde Architects ontwierp deze woning, gelegen in een ongebruikte steengroeve, met de naam "House for a Photographer" voor... je kan het al r
Image 2 of 17 from gallery of Hyde Park House / Robeson Architects. Photograph by Dion Robeson
Design You Trust
Image 3 of 14 from gallery of House 01, Hyde Park / Daffonchio Architects. Photograph by Adam Letch
Why let money stand in the way of your dream home?
This house has been designed to be highly flexible and adapt to the owners' changing needs. The house has two skins throughout: the sliding glass...
The house is set on a secluded, tranquil stand surrounded by established trees. The main house consists of 2 wings: the living wing and the bedroom...
Frank Lloyd Wright - Robie House in Oak Park, IL - USA (1910) . Look more in a [HD] Video on YouTube: youtu.be/8cFohx1K3eg . Designed and built between 1908-1910, the Robie House for client Frederick C. Robie and his family was one of Wright's earlier projects. Influenced by the flat, expanisve prairie landscape of the American Midwest where he grew up, Wright's work redefined American housing with the Prairie style home. According to Wright, “The prairie has a beauty of its own and we should recognize and accentuate this natural beauty, its quiet level. Hence, gently sloping roofs, low proportions, quiet sky lines, supressed heavy-set chimneys and sheltering overhangs, low terraces and out-reaching walls sequestering private gardens."More on the Robie House after the break. The Robie House creates a clever arrangement of public and private spaces, slowly distancing itself from the street in a series of horizontal planes. By creating overlaps of the planes with this gesture, it allowed for interior space expanded towards the outdoors while still giving the space a level of enclosure. This play on private spaces was requested by the client, where he insisted on the idea of "seeing his neighbors without being seen." Wright specifically approached this request with an enormous cantilever over the porch facing west that stretched outwards 10' feet from its nearest structural member and 21' from the closest masonry pier. As is seen in many of Wright’s project, the entrance of the house is not clearly distinguishable at first glance due to the fact that Wright believed the procession towards the house should involve a journey. Wright also expressed the importance of the hearth in a home with a fireplace that separated the living and dining room that is open to the ceiling above the mantelpiece for the billiard room and playroom. The program of the house includes a living room, a dining room, a kitchen, a billiards room, four bedrooms, and a servant's wing which are defined while still flowing into one another. The rooms were determined through a modular grid system which was given order with the 4' window mullions. Wright, however, did not use the standard window in his design, but instead used "light screens" which were composed of pieces of clear and colored glass, usually with representations of nature. The purpose for these windows was to allow light into the house while still giving a sense of privacy. Wright also stated about the light screens, "Now the outside may come inside, and the inside may, and does, go outside." There are 174 art glass windows in the Robie House made of polished plate glass, cathedral glass, and copper-plated zinc cames, which are metal joints that hold the glass in place. The protrusions of these windows on the East and West facade, along with low ceilings, emphasized the long axis of the house and directed views towards the outside. These windows were also stretched on French doors along the entire south wall on the main level, opening up to a balcony. The sun angles were calculated so perfectly with this cantilever that a midsummer noon’s sun hits just the bottom of the entire facade while still allowing light to flood in to warm the house during the spring and autumn months. The entire house is sheathed in Roman brick with yellow mortar, and only the overhangs and the floating brick balcony have steel beams for structural support. Using the horizontality of the brick, Wright added the finishing touches to the Robie House to create the ideal modern Prairie style home where he was able to build with the principles he believed in. The sweeping horizontal lines, extensive overhangs, warm well-lit interiors with furniture designed by Wright himself, and the balance of public and private spaces made the Robie House, in the words of Frederick C. Robie, "…the most ideal place in the world." . Join the PAGE on FaceBook: www.facebook.com/DiCAPUA.Channel . Photos by Franco Di Capua www.facebook.com/dicapua.franco Di CAPUA on YouTube: www.youtube.com/user/franckyOtedesc Di CAPUA GROUP: www.facebook.com/groups/DiCapua.Channel/ .
Image 2 of 15 from gallery of Silver House / Hyde + Hyde Architects. Photograph by Michael Sinclair
The Copper House is a new high quality contemporary two levels addition to an existing home in Cardiff, South Wales, United Kingdom
Image 12 of 14 from gallery of House 01, Hyde Park / Daffonchio Architects. First Floor Plan
Gammelt kan sagtens være moderne, og det beviser Hyde + Hyde Architecture Silver House, som du selv kan se her i billederne.
Frank Lloyd Wright - Robie House in Oak Park, IL - USA (1910) . Look more in a [HD] Video on YouTube: youtu.be/8cFohx1K3eg . Designed and built between 1908-1910, the Robie House for client Frederick C. Robie and his family was one of Wright's earlier projects. Influenced by the flat, expanisve prairie landscape of the American Midwest where he grew up, Wright's work redefined American housing with the Prairie style home. According to Wright, “The prairie has a beauty of its own and we should recognize and accentuate this natural beauty, its quiet level. Hence, gently sloping roofs, low proportions, quiet sky lines, supressed heavy-set chimneys and sheltering overhangs, low terraces and out-reaching walls sequestering private gardens."More on the Robie House after the break. The Robie House creates a clever arrangement of public and private spaces, slowly distancing itself from the street in a series of horizontal planes. By creating overlaps of the planes with this gesture, it allowed for interior space expanded towards the outdoors while still giving the space a level of enclosure. This play on private spaces was requested by the client, where he insisted on the idea of "seeing his neighbors without being seen." Wright specifically approached this request with an enormous cantilever over the porch facing west that stretched outwards 10' feet from its nearest structural member and 21' from the closest masonry pier. As is seen in many of Wright’s project, the entrance of the house is not clearly distinguishable at first glance due to the fact that Wright believed the procession towards the house should involve a journey. Wright also expressed the importance of the hearth in a home with a fireplace that separated the living and dining room that is open to the ceiling above the mantelpiece for the billiard room and playroom. The program of the house includes a living room, a dining room, a kitchen, a billiards room, four bedrooms, and a servant's wing which are defined while still flowing into one another. The rooms were determined through a modular grid system which was given order with the 4' window mullions. Wright, however, did not use the standard window in his design, but instead used "light screens" which were composed of pieces of clear and colored glass, usually with representations of nature. The purpose for these windows was to allow light into the house while still giving a sense of privacy. Wright also stated about the light screens, "Now the outside may come inside, and the inside may, and does, go outside." There are 174 art glass windows in the Robie House made of polished plate glass, cathedral glass, and copper-plated zinc cames, which are metal joints that hold the glass in place. The protrusions of these windows on the East and West facade, along with low ceilings, emphasized the long axis of the house and directed views towards the outside. These windows were also stretched on French doors along the entire south wall on the main level, opening up to a balcony. The sun angles were calculated so perfectly with this cantilever that a midsummer noon’s sun hits just the bottom of the entire facade while still allowing light to flood in to warm the house during the spring and autumn months. The entire house is sheathed in Roman brick with yellow mortar, and only the overhangs and the floating brick balcony have steel beams for structural support. Using the horizontality of the brick, Wright added the finishing touches to the Robie House to create the ideal modern Prairie style home where he was able to build with the principles he believed in. The sweeping horizontal lines, extensive overhangs, warm well-lit interiors with furniture designed by Wright himself, and the balance of public and private spaces made the Robie House, in the words of Frederick C. Robie, "…the most ideal place in the world." . Join the PAGE on FaceBook: www.facebook.com/DiCAPUA.Channel . Photos by Franco Di Capua www.facebook.com/dicapua.franco Di CAPUA on YouTube: www.youtube.com/user/franckyOtedesc Di CAPUA GROUP: www.facebook.com/groups/DiCapua.Channel/ .
Image 2 of 15 from gallery of Silver House / Hyde + Hyde Architects. Photograph by Michael Sinclair
The Copper House is a new high quality contemporary two levels addition to an existing home in Cardiff, South Wales, United Kingdom
Completed in 2017 in United Kingdom. Images by Michael Sinclair. Ask Kay and Kristian Hyde to name the things that help make a good design a great place to live, you can never be quite sure what the response will...
[Rouben Mamoulian • 1931]
Image 12 of 14 from gallery of House 01, Hyde Park / Daffonchio Architects. First Floor Plan
Gammelt kan sagtens være moderne, og det beviser Hyde + Hyde Architecture Silver House, som du selv kan se her i billederne.
Image 13 of 15 from gallery of House 02, Hyde Park / Daffonchio Architects. Photograph by Adam Letch
Take a step back in time and explore a French drawing from the early 19th century. See a glimpse of the past and marvel at the differences from modern day life. Don't miss the J. Crew!
Image 10 of 15 from gallery of Silver House / Hyde + Hyde Architects. Photograph by Michael Sinclair
