Lligat (2006), técnica mista sobre madeira * Mur (2006), técnica mista sobre madeira * Muntanya Llac (2000), técnica mista sobre madeira Arc, corda (2000), técnica mista e montagem sobre madeira Heus aquí el cos (1997-99), técnica mista sobre madeira Terra, manta (2000), técnica mista e montagem sobre tábua Sabata (1995), técnica mista sobre madeira Ventall I Ous (1996), bronze e montagem Cara marró (2000), técnica mista sobre tela Terra, écrits blancs (2000), técnica mista sobre madeira Oida (2006), técnica mista sobre tela Trapezi negre (2005), técnica mista sobre madeira Terra, palla (2000), pintura, terra, palha e montagem sobre madeira Esfera, cadena (1999), bronze e montagem Peu I cistella (1999), bronze e pintura Cames (2001), pintura, colagem e técnica mista sobre madeira Symétrie blanche (1991), pintura e verniz sobre papel Antoni Tàpies was born December 13, 1923, in Barcelona. His adolescence was disrupted by the Spanish Civil War and a serious illness that lasted two years. Tàpies began to study law in Barcelona in 1944 but decided instead within two years to devote himself exclusively to art. He was essentially self-taught as a painter; the few art classes he attended left little impression on him. Shortly after deciding to become an artist, he began attending clandestine meetings of the Blaus, an iconoclastic group of Catalan artists and writers who produced the review Dau al Set. Tàpies’s early work was influenced by the art of Max Ernst, Paul Klee, and Joan Miró, and by Eastern philosophy. His art was exhibited for the first time in the controversial Salo d’Octubre in Barcelona in 1948. He soon began to develop a recognizable personal style related to matière painting, or Art Informel [more], a movement that focused on the materials of art-making. The approach resulted in textural richness, but its more important aim was the exploration of the transformative qualities of matter. Tàpies freely adopted bits of detritus, earth, and stone—mediums that evoke solidity and mass—in his large-scale works. In 1950, his first solo show was held at the Galeries Laietanes, Barcelona, and he was included in the Carnegie International in Pittsburgh. That same year, the French government awarded Tàpies a scholarship that enabled him to spend a year in Paris. His first solo show in New York was presented in 1953 at the gallery of Martha Jackson, who arranged for his work to be shown the following year in various parts of the United States. During the 1950s and 1960s, Tàpies exhibited in major museums and galleries throughout the United States, Europe, Japan, and South America. In 1966, he began his collection of writings, La practica de l’art. In 1969, he and the poet Joan Brossa published their book, Frègoli; a second collaborative effort, Nocturn Matinal, appeared the following year. Tàpies received the Rubens Prize of Siegen, Germany, in 1972. Retrospective exhibitions were presented at the Musée National d’Art Moderne, Paris, in 1973 and at the Albright-Knox Art Gallery, Buffalo, New York, in 1977. The following year, he published his prize-winning autobiography, Memòria personal. In the early 1980s, he continued diversifying his mediums, producing his first ceramic sculptures and designing sets for Jacques Dupin’s play L’Eboulement. By 1992, three volumes of the catalogue raisonné of Tàpies’s work had been published. The following year, he and Cristina Iglesias represented Spain at the Venice Biennale, where his installation was awarded the Leone d’Oro. A retrospective exhibition was presented at the Galerie Nationale du Jeu de Paume, Paris, and the Guggenheim Museum SoHo, New York, in 1994–95. Tàpies lives in Barcelona. Salomon R. Guggenheim Museum, New York * Fundació Antoni Tàpies, Barcelona *
Completed in 1963, La Ricarda House, or Casa Gomis designed by architect Antoni Bonet i Castellana is one of the critical midcentury buildings in Spain.
Completed in 1963, La Ricarda House, or Casa Gomis designed by architect Antoni Bonet i Castellana is one of the critical midcentury buildings in Spain.
About This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon became an informal artist, working in a style known as pintura matèrica, in which non artistic materials are incorporated into the paintings. This lithograph on Japon is signed in pencil. It measures 30 x 22 inches and is in excellent condition.
My starting point was to try and learn more about the emotions and motivation while travelling, to gain empathy and understand the entirety of their experience by secondary user research.
About This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon became an informal artist, working in a style known as pintura matèrica, in which non artistic materials are incorporated into the paintings. This lithograph on Japon is signed in pencil. It measures 30 x 22 inches and is in excellent condition.
Lligat (2006), técnica mista sobre madeira * Mur (2006), técnica mista sobre madeira * Muntanya Llac (2000), técnica mista sobre madeira Arc, corda (2000), técnica mista e montagem sobre madeira Heus aquí el cos (1997-99), técnica mista sobre madeira Terra, manta (2000), técnica mista e montagem sobre tábua Sabata (1995), técnica mista sobre madeira Ventall I Ous (1996), bronze e montagem Cara marró (2000), técnica mista sobre tela Terra, écrits blancs (2000), técnica mista sobre madeira Oida (2006), técnica mista sobre tela Trapezi negre (2005), técnica mista sobre madeira Terra, palla (2000), pintura, terra, palha e montagem sobre madeira Esfera, cadena (1999), bronze e montagem Peu I cistella (1999), bronze e pintura Cames (2001), pintura, colagem e técnica mista sobre madeira Symétrie blanche (1991), pintura e verniz sobre papel Antoni Tàpies was born December 13, 1923, in Barcelona. His adolescence was disrupted by the Spanish Civil War and a serious illness that lasted two years. Tàpies began to study law in Barcelona in 1944 but decided instead within two years to devote himself exclusively to art. He was essentially self-taught as a painter; the few art classes he attended left little impression on him. Shortly after deciding to become an artist, he began attending clandestine meetings of the Blaus, an iconoclastic group of Catalan artists and writers who produced the review Dau al Set. Tàpies’s early work was influenced by the art of Max Ernst, Paul Klee, and Joan Miró, and by Eastern philosophy. His art was exhibited for the first time in the controversial Salo d’Octubre in Barcelona in 1948. He soon began to develop a recognizable personal style related to matière painting, or Art Informel [more], a movement that focused on the materials of art-making. The approach resulted in textural richness, but its more important aim was the exploration of the transformative qualities of matter. Tàpies freely adopted bits of detritus, earth, and stone—mediums that evoke solidity and mass—in his large-scale works. In 1950, his first solo show was held at the Galeries Laietanes, Barcelona, and he was included in the Carnegie International in Pittsburgh. That same year, the French government awarded Tàpies a scholarship that enabled him to spend a year in Paris. His first solo show in New York was presented in 1953 at the gallery of Martha Jackson, who arranged for his work to be shown the following year in various parts of the United States. During the 1950s and 1960s, Tàpies exhibited in major museums and galleries throughout the United States, Europe, Japan, and South America. In 1966, he began his collection of writings, La practica de l’art. In 1969, he and the poet Joan Brossa published their book, Frègoli; a second collaborative effort, Nocturn Matinal, appeared the following year. Tàpies received the Rubens Prize of Siegen, Germany, in 1972. Retrospective exhibitions were presented at the Musée National d’Art Moderne, Paris, in 1973 and at the Albright-Knox Art Gallery, Buffalo, New York, in 1977. The following year, he published his prize-winning autobiography, Memòria personal. In the early 1980s, he continued diversifying his mediums, producing his first ceramic sculptures and designing sets for Jacques Dupin’s play L’Eboulement. By 1992, three volumes of the catalogue raisonné of Tàpies’s work had been published. The following year, he and Cristina Iglesias represented Spain at the Venice Biennale, where his installation was awarded the Leone d’Oro. A retrospective exhibition was presented at the Galerie Nationale du Jeu de Paume, Paris, and the Guggenheim Museum SoHo, New York, in 1994–95. Tàpies lives in Barcelona. Salomon R. Guggenheim Museum, New York * Fundació Antoni Tàpies, Barcelona *
My starting point was to try and learn more about the emotions and motivation while travelling, to gain empathy and understand the entirety of their experience by secondary user research.
Completed in 1963, La Ricarda House, or Casa Gomis designed by architect Antoni Bonet i Castellana is one of the critical midcentury buildings in Spain.
Casa Batlló Paseo de Gracia, 43 Barcelona obra del arquitecto Antoni Gaudí, que acomete la remodelación integral de un edificio pre-existente entre los años 1904 y 1906 propiedad del industrial Josep Batlló i Casanovas y construido en 1875 por Emili Sala Corté. Gaudí añadió la galería, los balcones, el desván y dos pisos adicionales así como toda la cerámica policroma. El patio interior se cubrió mediante un lucernario de hierro y cristal y se revistió de azulejo, que gradúa su color para un mejor aprovechamiento de la luz. El proyecto de fue cuestionado por las autoridades municipales por superar los límites de las ordenanzas municipales. El mobiliario, diseñado por Gaudí, se conserva actualmente en la Casa-Museo del Parque Güell. Gaudí contó con la colaboración de Josep Maria Jujol, Joan Rubió i Bellver, Domènec Sugrañes y Josep Canaleta; y realizo la obra con los constructores Jaume y Josep Bayó i Font, con los herreros Lluís y Josep Badia i Miarnau; los ceramistas Pujol & Baucis, el vidriero Sebastià Ribó y el carpintero Casas & Bardés La fachada, de piedra arenisca de Montjuïc, se revistió con cerámica policromada –el característico "trencadís"-, obtenida en los desechos de la vidriería Pelegrí. Conserva la forma rectangular de los balcones del edificio anterior compuestos con barandillas de hierro con forma de antifaz-, La fachada adquiere una forma ondulada en sentido ascendente y la culmina con una bóveda recubierta con cerámica vidriada en forma de escamas que recuerda el lomo de un dragón, una torre cilíndrica y la cruz gaudiniana de cuatro brazos. En la cubierta destacan las chimeneas revestidas de vidrio transparente y de cerámica, y rematadas por bolas de cristal transparente rellenas de arena de distintos colores. En el interior las columnas tienen forma ósea, con representaciones vegetales. La Casa Batlló forma parte del Patrimonio de la Humanidad de la Unesco, dentro del Conjunto «Obras de Antoni Gaudí», también esta declarada Bien de Interés Cultural en su categoría de Monumento.
My starting point was to try and learn more about the emotions and motivation while travelling, to gain empathy and understand the entirety of their experience by secondary user research.
About This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon became an informal artist, working in a style known as pintura matèrica, in which non artistic materials are incorporated into the paintings. This lithograph on Japon is signed in pencil. It measures 30 x 22 inches and is in excellent condition.
Lamina Pendant Light features a line of light and a thin metal sheet which create a soft but effective levity.
Entitled "Fulla," this black-and-white etching wonderfully captures the expressive style of contemporary artist Antoni Tàpies. Considered one of the most important Spanish painters of the 20th...
Completed in 1963, La Ricarda House, or Casa Gomis designed by architect Antoni Bonet i Castellana is one of the critical midcentury buildings in Spain.
My starting point was to try and learn more about the emotions and motivation while travelling, to gain empathy and understand the entirety of their experience by secondary user research.
Antoni Gaudí’s Casa Batlló in Barcelona has served as the host for a major projection mapping artwork by Sofia Crespo over the weekend. Titled Structures of Being, the event drew 95,000 visitors across its showing on January 27th and 28th. Image credit: Claudia Maurino Image credit: Claudia...
About This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon became an informal artist, working in a style known as pintura matèrica, in which non artistic materials are incorporated into the paintings. This lithograph on Japon is signed in pencil. It measures 30 x 22 inches and is in excellent condition.
Everything you need to know about visiting Gaudi's Park Guell, including how to get there, tips for visiting, ticket information & more.
Completed in 1963, La Ricarda House, or Casa Gomis designed by architect Antoni Bonet i Castellana is one of the critical midcentury buildings in Spain.
About Black Fan is a vintage offset print after Antoni Tàpies, printed on handmade paper and part of a deluxe edition of reproductions published in 1982 and limited to 2.000 specimens. Signed on the plate. Titled on the rear and dated, plate no.34. Good conditions. The artwork represents a poetical composition in intense black, through confident and strong strokes. The artwork is created with harmony in colors and shapes. The artwork is one of the typical graphic works realized by the artist. Over the course of his career in painting, printmaking, and etching, the Catalan artist has created his own artistic language characterized by symbols and marks from the politic and the social ground. His graphic production focuses on the same themes of this painting: love for his Catalan roots and loyalty to politics. In this artwork, noteworthy is the writing "Libertat", realized by the artist in the center of the composition above the Informal abstract shapes. Antoni Tàpies (Barcelona, 1923 – 2012). One of the greatest Spanish artists of the XX century, he is considered one of the leading figures of Informalism. After establishing his first atelier in Barcelona in 1946, he moved to Paris, where he met Picasso. In 1950, he was elected to represent Spain at the Biennial Art Fair in Venice. From this moment, Tàpies' career kept developing in influence and volume of work. Indeed, he was commissioned many works for public spaces and buildings. Tàpies was also an innovator in many fields, such as scenography and illustration. He exhibited his works throughout the world, winning many honors and awards. In 1987, the artist founded the Fundació Antoni Tàpies in Barcelona.
My starting point was to try and learn more about the emotions and motivation while travelling, to gain empathy and understand the entirety of their experience by secondary user research.
Casa Batlló Paseo de Gracia, 43 Barcelona obra del arquitecto Antoni Gaudí, que acomete la remodelación integral de un edificio pre-existente entre los años 1904 y 1906 propiedad del industrial Josep Batlló i Casanovas y construido en 1875 por Emili Sala Corté. Gaudí añadió la galería, los balcones, el desván y dos pisos adicionales así como toda la cerámica policroma. El patio interior se cubrió mediante un lucernario de hierro y cristal y se revistió de azulejo, que gradúa su color para un mejor aprovechamiento de la luz. El proyecto de fue cuestionado por las autoridades municipales por superar los límites de las ordenanzas municipales. El mobiliario, diseñado por Gaudí, se conserva actualmente en la Casa-Museo del Parque Güell. Gaudí contó con la colaboración de Josep Maria Jujol, Joan Rubió i Bellver, Domènec Sugrañes y Josep Canaleta; y realizo la obra con los constructores Jaume y Josep Bayó i Font, con los herreros Lluís y Josep Badia i Miarnau; los ceramistas Pujol & Baucis, el vidriero Sebastià Ribó y el carpintero Casas & Bardés La fachada, de piedra arenisca de Montjuïc, se revistió con cerámica policromada –el característico "trencadís"-, obtenida en los desechos de la vidriería Pelegrí. Conserva la forma rectangular de los balcones del edificio anterior compuestos con barandillas de hierro con forma de antifaz-, La fachada adquiere una forma ondulada en sentido ascendente y la culmina con una bóveda recubierta con cerámica vidriada en forma de escamas que recuerda el lomo de un dragón, una torre cilíndrica y la cruz gaudiniana de cuatro brazos. En la cubierta destacan las chimeneas revestidas de vidrio transparente y de cerámica, y rematadas por bolas de cristal transparente rellenas de arena de distintos colores. En el interior las columnas tienen forma ósea, con representaciones vegetales. La Casa Batlló forma parte del Patrimonio de la Humanidad de la Unesco, dentro del Conjunto «Obras de Antoni Gaudí», también esta declarada Bien de Interés Cultural en su categoría de Monumento.
Antoni Tapies.
About This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon became an informal artist, working in a style known as pintura matèrica, in which non artistic materials are incorporated into the paintings. This lithograph on Japon is signed in pencil. It measures 30 x 22 inches and is in excellent condition.
My starting point was to try and learn more about the emotions and motivation while travelling, to gain empathy and understand the entirety of their experience by secondary user research.
Lamina Pendant Light features a line of light and a thin metal sheet which create a soft but effective levity.
Completed in 1963, La Ricarda House, or Casa Gomis designed by architect Antoni Bonet i Castellana is one of the critical midcentury buildings in Spain.
Entitled "Fulla," this black-and-white etching wonderfully captures the expressive style of contemporary artist Antoni Tàpies. Considered one of the most important Spanish painters of the 20th...
