Attending an Edwardian evening affair or wedding? This Titanic and Downton Abbey time period is a romantic one filled with stunning vintage evening gowns of lace, beading, chiffon, and silk. You can easily achieve a romantic vintage-inspired look by using a new Edwardian style gown or dress and adding period shoes and accessories to take
In the absence of any surviving clothing, art and literature provide the only evidence of classical dress, opening a Pandora’s box of confusion and contradiction.
Dressed to go out, the Parisian woman is wearing an afternoon gown whose jet embroidery and velvet appliqué work set off its deep black colour. The way in which it drapes around her hips is inspired by 18th century dresses with panniers which had been updated by designers of collections for major Parisian fashion houses.
The last group! 1888: House of Balmain. "The inspiration for this dress was a design created by Worth for the Empress Elizabeth of Austria. Empress Elisabeth of Austria (1837-1898) was the wife of Emperor Franz Joseph (1830-1916). She was known for her keen fashion sense as well as strict health and beauty regimen." 1889: Marron. 1890: Georgette Renal. "This dress was inspired by a design by Redfern. British-born designer John Redfern opened his salon in the English seaport town of Cowes. As the house's popularity grew in Britain, it was expanded to the United States, and later Paris in 1891 under the design direction of John Poynter. After years of success Redfern was "By Royal Appointment to Her Majesty the Queen and H.R.H. The Princess of Wales" in 1888. After Redfern's death the house continued under the direction of Poynter, becoming a member of the Chambre Syndicale de la Haute Couture." 1892: Germain Lecomte. "The inspiration for this dress came from a painting by Leon Bonnat (1833-1922)." 1894: Fourrures Max 1896: Bruyere. "Though the exact garment is not known, the inspiration for this dress came from a design by Jacques Doucet (1853-1929)." 1900: Calixte. 1902: Robert Piguet. 1903: Canada Furs 1904: Louis O'Rossen. 1906: Elsa Schiaparelli. So, which one is your favorite? I'm rather in love with 1902, but I do also like 1867, 1788, and 1762.
Dress 1905-1910 Nasjonalmuseet for Kunst, Arketektur, og Design
Step back in time and experience the elegance of the 18th century with our LOUISE, 18th-Century Dress in Ocean Blue Linen. This breathtakingly beautiful historical garment is a faithful reproduction of the "English dress" popularly worn in Western Europe and America from 1770-1785. Crafted from high-quality ocean blue linen, this one-piece dress is a testament to the timeless allure of historical fashion. Our LOUISE, 18th-Century Dress Ocean Blue is designed with meticulous attention to detail, featuring eyelets on both sides of the front opening to ensure a perfect fit. The large skirt, a prominent feature of 18th-century fashion, is pleated in the same manner as it was in the era, measuring 37.5 inches (95 cm) long. The ocean blue color not only captures the aesthetic of the period but also adds a modern touch, making this dress perfect for historical reenactments, themed parties, or simply to satiate your love for vintage fashion. This dress is not just a product; it's a meticulously handcrafted piece of history. The quality of the linen used, the thoughtful design, and the skilled craftsmanship that goes into each dress reflects the authenticity and creativity that Atelier Serraspina stands for. With the LOUISE, 18th-Century Dress in Ocean Blue Linen, you're not just wearing a dress; you're wearing a piece of history, lovingly recreated for the modern woman. ☆ FABRICS ☆ LOUISE is made of prewashed medium-weight linen (205gr/m), in a range of colors matching Atelier Serraspina's color palette. — Outer Fabric — · 100% European linen · Medium weight linen - 6.05 oz/yd² / 205 g/m² · Prewashed so it didn't shrink anymore · Mechanically softened so it is very soft and especially pleasant for your skin · Fabric woven according to universally accepted quality requirements which correspond to OEKO-TEX 100 standards — Bodice Lining — · Composition: 100% Cotton · Type of fabric: Raw Cotton · Approximate weight: 155 gr/m² — Sleeve Lining: — · Composition: 100% Cotton · Type of fabric: Poplin · Approximate weight: 110 gr/m² ☆ SIZING ☆ — Finding the Right Size: --- Please refer to the size chart in the photos gallery to select the correct size for your dress. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. — Custom Sizing:---- If your measurements don't align perfectly with the sizes on the chart, we recommend choosing the "custom size" option. Please submit your measurements in the customization field when placing your order. — Important Note: … Made-to-order items cannot be returned. Please make sure you're certain about the size you choose. If unsure, opt for the custom fit option. ☆ CARE INSTRUCTIONS ☆ To care for your costume, we recommend dry cleaning only, ensuring your costume remains in pristine condition for all your historical adventures. ☆ HOW TO DRESS ☆ · After putting on your historical underwear, step into the dress by sliding it over your head. · Allow the back of the dress to hang behind you, and position the front panel against your abdomen (ensuring the waistband covers the lower ribs). · Secure the front panel around your waist with the cotton ties. · Finally, put your arms through the sleeves and arrange the train folds. · To finish, thread the cord through the eyelets from bottom to top and conceal the knot in the neckline. ☆ PROCESSING TIMES ☆ All our garments, including the LOUISE dresses, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come. Please note that our items are meticulously handmade, which means it will take some time for us to create them. The typical production time for a LOUISE dress ranges from 6-8 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
The dress was inspired by an actual royal wedding dress?! Who's? It reminded me of Sarah Chatto's a little bit. Well I dont know if it was actually inspired by an actual royal brides gown, but it is...
From the Wall Street Journal review of a new book about Balenciaga, the reclusive couturier whose sculptural sophitication defined the extravagance of post-war fashion. “It is from Dior (wh…
Designer: Charles James (American, born Great Britain, 1906–1978). Date: 1948–49. Culture: American. Medium: silk. Credit Line: Gift of Jane Love Lee, 1...
Haute couture wedding gown in vintage style 50s inspired by Dior and Balenciaga. Of course inspired also by historical rove a la francaise, but in modern style. Luxurious creation made of heavy, silk satin, with silk satin lining and under petticoat also made of silk. Hand finished. Antique hat and matching long gloves in set. Hand embroidered (antique silver threads) belt with antique art deco clasp. The quality is the highest. This special gown is also very comfortable and smart. It's one piece dress with invisible zip and it not required corset. This is xs / s size, but ask for measures in private. We can fit it to you or make new gown for individual measures in different color and different design in similar style.
Minimalist grey-brown, expensive looking and elegant even in jeans. Gucci Sunglasses and extravagant dogs as accessory. I think one can never tire of people-watching in Italy.
Sheila Metzner for American Vogue, December 1986. Gowns by Christian Dior, circa 1949.
After looking back, it’s time to look ahead! As usual, my most concrete plans have to do with events, and everything else is a bit less defined. Firstly, 1895! I’ll be going to Bath in …
Do you ever feel like you were born in the wrong time? Find out what era of history you should have been born into based on your personality.
1855: Véra Boréa. "The unique style of this dress, representing the year 1855, was taken from one launched by Empress Eugénie during her trips to the Pyrenees Mountains. The skirt is lopped up by tabs from the underskirt. The shoes are particular highlights of this ensemble, featuring incredible care and minute detail." 1863: Weill 1866: Marcelle Chaumont. "The inspiration for this doll came from a painting by Winterhalter. Franz Xaver Winterhalter (1805-1873) was a German painter best-known for his royal portraiture. His most well-known works include portraits of Empress Eugénie and Empress Elisabeth of Austria." 1867: Jacques Fath 1870: House of Balenciaga. "Balenciaga's doll was inspired by a dress made for Princess Metternich. Princess Metternich was a great patron of the arts, and responsible for introducing Charles Fredrick Worth to the Empress Eugénie, his greatest client." 1873: Madeleine Vrament. 1874: Jungmann 1876: Jacques Heim 1878: House of Lanvin. "The house of Lanvin was inspired by the paintings of Sir Lawrence Alma-Tadema when designing her contribution to the Gratitude Train. Alma-Tadema (1836-1912), was a Dutch-born painter who later settled in England was one of the most renowned artists of late 19th-century. He painted classical subjects, most often scenes of the luxurious Roman Empire. Known for his meticulous research, Alma-Tadema's paintings were used in the 20th century as source material for several Hollywood movies including, "Ben Hur", "Cleopatra", "The Ten Commandments", and "Gladiator". Though Lanvin's doll represented the year 1878, the classical draping and brilliant colors of Alma-Tadema's work are evident in the design." 1880: House of Dior 1884: Nina Ricci
I know everyone wants to hear about the talk and see pictures, but that won’t happen yet for three reasons 1) I’m exhausted, 2) I hardly took any, so have to wait to get them from other people and 3) I’ve been asked to do a last minute talk on Sat and it gives me an excuse to pull out a few dresses I haven’t shown in a long time, so I’m frantic with that. So, in lieu of a Pompeii to Paris post, here is a pretty eye candy post in response to a readers question about early Worth gowns. There aren’t a lot of extent Worth gowns from before 1870 around, but the ones that are are fascinating glimpses into his aesthetic development, as he became more adventurous with colours and trim. Here are the early Worth gowns I can find images of: From the Metropolitan Museum of Art: From the Chicago History Museum From the Museo de la Moda: From the FIDM Museum: From the Royal Ontario Museum: More dresses were on …
Evening dress of embroidered silk zibeline, designed by Antonio Castillo for Lanvin with materials manufactured by Staron, Paris, 1957.
Established by Charles Frederick Worth in 1858
Я часто думаю на тему: какой все - таки резкий скачок сделала женская мода в в ХХ веке: от корсета до мини-юбки. А ведь были женщины, которые жили в те десятилетия, когда так стремительно менялся женский костюм. С этой точки зрения интересно взглянуть на гардероб норвежской королевы Мод,…
