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If you stumble across Haruko Hayakawa’s work on your feed, it’s impossible to scroll past it swiftly. Exquisitely choreographed, each of her compositions are pretty hard to look away from. Whether it’s a jar of Blueland hand soap levitating over a field of spring blooms, a glinting bottle of Casa Malka’s tequila set amidst a lush desert landscape, or a bowl of slurpy noodles – topped with Fly By Jing’s Chengdu Crunch hot sauce – sitting in a bamboo forest, Hayakawa’s digital trompe l’oeils take notes from the reality of the physical world around us, and then push things a bit further. From SKKN, Bon Appétit to The Telegraph, the Brooklyn-based CG artist and creative director has worked with a wide range of clients, helping brands tell their stories through her fantastical compositions.

They'll make you do a double-take.

If you stumble across Haruko Hayakawa’s work on your feed, it’s impossible to scroll past it swiftly. Exquisitely choreographed, each of her compositions are pretty hard to look away from. Whether it’s a jar of Blueland hand soap levitating over a field of spring blooms, a glinting bottle of Casa Malka’s tequila set amidst a lush desert landscape, or a bowl of slurpy noodles – topped with Fly By Jing’s Chengdu Crunch hot sauce – sitting in a bamboo forest, Hayakawa’s digital trompe l’oeils take notes from the reality of the physical world around us, and then push things a bit further. From SKKN, Bon Appétit to The Telegraph, the Brooklyn-based CG artist and creative director has worked with a wide range of clients, helping brands tell their stories through her fantastical compositions.

If you stumble across Haruko Hayakawa’s work on your feed, it’s impossible to scroll past it swiftly. Exquisitely choreographed, each of her compositions are pretty hard to look away from. Whether it’s a jar of Blueland hand soap levitating over a field of spring blooms, a glinting bottle of Casa Malka’s tequila set amidst a lush desert landscape, or a bowl of slurpy noodles – topped with Fly By Jing’s Chengdu Crunch hot sauce – sitting in a bamboo forest, Hayakawa’s digital trompe l’oeils take notes from the reality of the physical world around us, and then push things a bit further. From SKKN, Bon Appétit to The Telegraph, the Brooklyn-based CG artist and creative director has worked with a wide range of clients, helping brands tell their stories through her fantastical compositions.

You see a lot of stress-eating on campus this time of year.

You know what commercial I can't get out of my head? The Amex commercial the one where faces are found where they shouldn't be. That's the Shooting Challenge for this week. Make inanimate objects animate.

Julian Beever is an English chalk artist who has been creating chalk drawings on pavement since the mid-1990s that create the illusion of three dimensions when viewed from the right location. These trompe-l'oeil drawings are created using a...

Exquisite paper art crafted from this humble medium.