Ridere ci ha reso invincibili non come coloro che vincono sempre ma come coloro che non si arrendono (Frida Kahlo)

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Fine art print printed with water-based inks on cotton mix archival art paper . • Available in multiple sizes • Trimmed with a 2cm / 1" border for framing • Available framed in white, black and oak wooden frames

Traditional Tehuana dress Anyone with the remotest familiarity with the paintings of Frida Kahlo will have noticed that one of her primary subjects is her own physical pain and the fragility of her own body, especially after a life-altering accident with a bus that occurred in 1925. In that accident, the bus she was riding on collided with a trolley car, and the list of the ailments that resulted would give even the staunchest stoic pause: a broken spinal column, a broken collarbone, several broken ribs, a broken pelvis, eleven fractures in her right leg, a crushed and dislocated right foot, a dislocated shoulder; an iron handrail pierced her abdomen and her uterus as well. It wasn’t just her paintings that referenced her broken body (Tree of Hope, 1946, is a good example); her wardrobe inevitably did as well. Her clothes were an expression of her indomitable will as much as anything else—she was determined to live a fulfilled, independent, and creative life, and thus created for herself ad hoc clothes that fused skirts and corset or prosthetic leg and boot, and accommodated her misshapen, asymmetrical legs (as a result of which, she wore long, traditional Tehuana dresses to...

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