Art and Artists, Paintings, Painters, Prints, Printmakers, Illustration, Illustrators
Animation Resources is a 501(c)(3) California non-profit corporation. We are providing self-study resources and training material to animation professionals, cartoonists, designers, Illustrators, students and researchers. Animation Resource's Director, Stephen Worth can be reached at... [email protected].
Whether or not you know it, you’ve probably seen Danish illustrator Kay Nielsen’s work before.
"So the man gave him a pair of snowshoes." From "The Three Princesses of Whiteland," from East of the Sun and West of the Moon: Old Tales From the North, illustrated by Danish artist Kay Nielsen (1886-1957), 1914. Taschen 2015 edition.
Kay Nielsen knew his way around a fantasy. The Danish illustrator was raised in a “tense atmosphere of art” (his words) during the Golden Era of Illustration – a time when folks one-upped each another with books bearing golden spines and marbled end papers; elaborately illustrated copies of Grimm's
Zephyr from "Felicia and the Pot of Pinks," In Powder and Crinoline, 1913. Scan from East of the Sun and West of the Moon: Old Tales From the North, illustrated by Danish artist Kay Nielsen (1886-1957), 1914. Taschen 2015 edition.
Kay Nielsen knew his way around a fantasy. The Danish illustrator was raised in a “tense atmosphere of art” (his words) during the Golden Era of Illustration – a time when folks one-upped each another with books bearing golden spines and marbled end papers; elaborately illustrated copies of Grimm's
Kay Nielsen's interpretation of Bluebeard for London Illustrated News - beautiful!
Whether or not you know it, you’ve probably seen Danish illustrator Kay Nielsen’s work before.
Kay Rasmus Nielsen (1886 – 1957) was a Danish illustrator who was popular in the early 20th century, during the “golden age of illustration.” He joined the ranks of Arthur Rackham and Edmund Dulac in enjoying the success of the Gift Books of the early 20th century. Nielsen is also known for his collaborations with Disney for whom he contributed many sketches and illustrations. See part 1 - Introduction for full biographical notes on Kay Nielsen. This is part 2 of a 6–part post on the works of Kay Nielsen: 1911 Deserted Moment pencil, watercolour and gouache 21 x 15 cm Private Collection. A note on the verso of the frame describes this as an illustration for the Matthew Arnold poem 1913 "In Powder and Crinoline" by Arthur Quiller-Couch: In 1913 Kay Nielsen received his first English commission for publisher Hodder and Stoughton to illustrate a collection of fairy tales, providing 24 colour plates and more than 15 monotone illustrations for “In Powder and Crinoline, Fairy Tales Retold by Sir Arthur Quiller-Couch.” 1913 The Illustrated London News: In 1913 Nielsen was also commissioned by “The Illustrated London News” to produce a set of four illustrations to accompany the tales of Charles Perrault. Nielsen’s illustrations for “Sleeping Beauty,” “Puss in Boots,” “Cinderella” and “Bluebeard” were published in the 1913 Christmas Edition. 1913 The Illustrated London News Christmas Number 1913 "Cendrillon" ( Cinderella ) from Christmas edition of The Illustrated London News 1913 "La Barbe Bleue" ( Bluebeard ) from Christmas edition of The Illustrated London News 1913 "La Belle au Bois Dormant" ( Sleeping Beauty ) from Christmas edition of The Illustrated London News 1913 "Le Chat Botté" ( Puss in Boots ) from Christmas edition of The Illustrated London News 1913 "When Winter Winds are Piercing Chill" after the drawing by Kay Nielsen from Christmas edition of The Illustrated London News
Kay Nielsen, a Danish fairy tale illustrator, born in 1886. Discover and explore the life and art of illustrator Kay Nielsen...
The Story of a Mother by Kay Nielsen, Art Nouveau print Kay Rasmus Nielsen was a Danish illustrator who was popular in the early 20th century, the "golden age of illustration" Mat and Frame not included Choose the PAPER Premium Archival Matte Fine Art Paper: a smooth, neutral-white, matte paper. or a Bright White Heavy Textured Matte Fine Art Paper a 100% cotton rag inkjet paper with a bright white, textured surface with an extremely-high colour gamut. This surface replicates that of traditional watercolour artist papers. Watermark will be removed before printing.There will be a .25 inch border all around the print unless you ask us to print to the edge.
2headedsnake: “ Kay Nielsen 1914 ”
Animation Resources is a 501(c)(3) California non-profit corporation. We are providing self-study resources and training material to animation professionals, cartoonists, designers, Illustrators, students and researchers. Animation Resource's Director, Stephen Worth can be reached at... [email protected].
Kay Nielsen knew his way around a fantasy. The Danish illustrator was raised in a “tense atmosphere of art” (his words) during the Golden Era of Illustration – a time when folks one-upped each another with books bearing golden spines and marbled end papers; elaborately illustrated copies of Grimm's
Kay Nielsen He was a Danish artist and designer. What Nielsen offers in his beautiful paintings is a retreat into a world of childhood fantasy East of the Sun and West of the Moon Page size: 8.5” wide x 11.75” high Actual image size: 6.5” wide x 8.5” high You are receiving the authentic book print page, not a copy or a scan These are in good vintage condition, outer edges show some slight age patina The backside is blank except for the title and description of the front print ******************************************** Thank you for shopping RaesVintage KN75 PD12
Portrait of novelist and Hollywood screenwriter Vicki Baum, 1934. Scan from East of the Sun and West of the Moon: Old Tales From the North, illustrated by Danish artist Kay Nielsen (1886-1957), 1914. Taschen 2015 edition.
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Kay Nielsen knew his way around a fantasy. The Danish illustrator was raised in a “tense atmosphere of art” (his words) during the Golden Era of Illustration – a time when folks one-upped each another with books bearing golden spines and marbled end papers; elaborately illustrated copies of Grimm's
Kay Nielsen knew his way around a fantasy. The Danish illustrator was raised in a “tense atmosphere of art” (his words) during the Golden Era of Illustration – a time when folks one-upped each another with books bearing golden spines and marbled end papers; elaborately illustrated copies of Grimm's
I actually chose to go with Kay Nielsen this time because of a comment you ended up making last February when I first came to the university, ha! A portion of "A Story of a
If you’ve seen Fantasia, you are, whether you know it or not, familiar with the work of Kay Nielsen, a Danish artist whose illustrations collide light and dark in sublime, often disquieting quantities, with patterns of feverish detail abutting vast stretches of negative space. His work was used in Fantasia’s “Ave Maria” and “Night on […]
I actually chose to go with Kay Nielsen this time because of a comment you ended up making last February when I first came to the university, ha! A portion of "A Story of a
Explore Halloween HJB's 19415 photos on Flickr!
Kay Nielsen (1886-1957) was a Danish illustrator, popular in the early 20th century, the "golden age of illustration". In 1939 he worked fo...
Kay Rasmus Nielsen (1886 – 1957) was a Danish illustrator who was popular in the early 20th century, during the “golden age of illustration.” He joined the ranks of Arthur Rackham and Edmund Dulac in enjoying the success of the Gift Books of the early 20th century. Nielsen is also known for his collaborations with Disney for whom he contributed many sketches and illustrations. See part 1 - Introduction for full biographical notes on Kay Nielsen. This is part 2 of a 6–part post on the works of Kay Nielsen: 1911 Deserted Moment pencil, watercolour and gouache 21 x 15 cm Private Collection. A note on the verso of the frame describes this as an illustration for the Matthew Arnold poem 1913 "In Powder and Crinoline" by Arthur Quiller-Couch: In 1913 Kay Nielsen received his first English commission for publisher Hodder and Stoughton to illustrate a collection of fairy tales, providing 24 colour plates and more than 15 monotone illustrations for “In Powder and Crinoline, Fairy Tales Retold by Sir Arthur Quiller-Couch.” 1913 The Illustrated London News: In 1913 Nielsen was also commissioned by “The Illustrated London News” to produce a set of four illustrations to accompany the tales of Charles Perrault. Nielsen’s illustrations for “Sleeping Beauty,” “Puss in Boots,” “Cinderella” and “Bluebeard” were published in the 1913 Christmas Edition. 1913 The Illustrated London News Christmas Number 1913 "Cendrillon" ( Cinderella ) from Christmas edition of The Illustrated London News 1913 "La Barbe Bleue" ( Bluebeard ) from Christmas edition of The Illustrated London News 1913 "La Belle au Bois Dormant" ( Sleeping Beauty ) from Christmas edition of The Illustrated London News 1913 "Le Chat Botté" ( Puss in Boots ) from Christmas edition of The Illustrated London News 1913 "When Winter Winds are Piercing Chill" after the drawing by Kay Nielsen from Christmas edition of The Illustrated London News
Kay Nielsen (Danish-American, 1886-1957) Kay Nielsen was an art nouveau illustrator who specialized in books for children. He worked as a concept artist for the Walt Disney company from 1937-1941. His...
Kay Rasmus Nielsen (1886 – 1957) was a Danish illustrator who was popular in the early 20th century, during the “golden age of illustration.” He joined the ranks of Arthur Rackham and Edmund Dulac in enjoying the success of the Gift Books of the early 20th century. Nielsen is also known for his collaborations with Disney for whom he contributed many sketches and illustrations. See part 1 - Introduction for full biographical notes on Kay Nielsen. This is part 2 of a 6–part post on the works of Kay Nielsen: 1911 Deserted Moment pencil, watercolour and gouache 21 x 15 cm Private Collection. A note on the verso of the frame describes this as an illustration for the Matthew Arnold poem 1913 "In Powder and Crinoline" by Arthur Quiller-Couch: In 1913 Kay Nielsen received his first English commission for publisher Hodder and Stoughton to illustrate a collection of fairy tales, providing 24 colour plates and more than 15 monotone illustrations for “In Powder and Crinoline, Fairy Tales Retold by Sir Arthur Quiller-Couch.” 1913 The Illustrated London News: In 1913 Nielsen was also commissioned by “The Illustrated London News” to produce a set of four illustrations to accompany the tales of Charles Perrault. Nielsen’s illustrations for “Sleeping Beauty,” “Puss in Boots,” “Cinderella” and “Bluebeard” were published in the 1913 Christmas Edition. 1913 The Illustrated London News Christmas Number 1913 "Cendrillon" ( Cinderella ) from Christmas edition of The Illustrated London News 1913 "La Barbe Bleue" ( Bluebeard ) from Christmas edition of The Illustrated London News 1913 "La Belle au Bois Dormant" ( Sleeping Beauty ) from Christmas edition of The Illustrated London News 1913 "Le Chat Botté" ( Puss in Boots ) from Christmas edition of The Illustrated London News 1913 "When Winter Winds are Piercing Chill" after the drawing by Kay Nielsen from Christmas edition of The Illustrated London News
Kay Nielsen knew his way around a fantasy. The Danish illustrator was raised in a “tense atmosphere of art” (his words) during the Golden Era of Illustration – a time when folks one-upped each another with books bearing golden spines and marbled end papers; elaborately illustrated copies of Grimm's
