A strange and fascinating piece of abstract electronic music surfaces in a key sequence in The Hunger Games. The track "Sediment," used to great effect during the movie's "cornucopia scene," was composed in 1972 by pioneering composer Laurie Spiegel, who used an analog synthesizer and old-school tape machines to create the sweeping, nine-minute epic.

https://youtu.be/nXlkfOD-jQo?t=11 I can practically see myself playing Mr. Sandman by The Chordettes on this! Meet the VOC-25, a rather weird little synth from our favorite mad-scientist, Love Hultén. It sports a 25-key synth that's directly hooked to a, well, display and control board that sports 25 plastic teeth that open to sing out the notes

Designed to distill the spirit of the now-legendary OB-X, Four Voice, and TVS into the sonic essence of the Oberheim sound, the TEO-5 unleashes the breadth and depth of Tom Oberheim’s timeless tonal palette, all from a compact, modern analog synthesizer.

Pack Preview: https://on.soundcloud.com/RKtnV A quick method to achieve that vibrant acid sound. Simplify your creative process with this drag-and-drop MIDI collection, designed to improve your music. Dive into a world of hypnotic melodies that harmonize effortlessly with heavy 808 progressions. "303 Acid Spikes" comprises over 50 meticulously programmed MIDI files, meticulously categorized by key for smooth navigation. It's the ultimate tool for diverse electronic music genres, including techno, trance, and house. Inspired by the legendary Roland TB-303 Bassline Synth. Pack Details: 50+ MIDI Loops. Expertly Programmed for Seamless Integration - Categorized by Key for Easy Navigation - Universal Drag & Drop Compatibility with Any DAW

The VCS3 takes up a special place in the history of synthesizers – educational tool come avant-garde studio in a box, highly idiosyncratic and melodically unstable, a melding of technological ingenuity with cost-effective army surplus electronics – it was never designed for conventional music yet its application and legacy have endured. The product of a […]

Roland Juno-106 synthesizer "Synful" full page colour advertisement from page 7 in the June1984 issue of Keyboard Magazine. This ad ended up running in Keyboard Magazine for five months starting in the June1984 issue of Keyboard (skipping July). I had a subscription to Keyboard, but I ended up going down to my favourite gear store and buying a second copy just so I could cut out the big colour front cover photo of the Thompson Twins as well as a few of the black and white photos from the feature article on Tom Bailey. I remember being particularly angry when, coincidentally, a girl with the last name of Bailey drew a moustache on both Tom and Alannah Currie when I put up that photo in my locker at school. True story - you can't make that sh!t up. Roland had regularly advertised on the coveted inside front cover of Keyboard Magazine from around March 1980 (starting with a Jupiter-4 ad) until around January 1983 (ending with a Jupiter 8/MC-4 ad). Then it more sporadically took over the page 7 spot with ads for the Juno-60, SH-101 and this ad for the Juno106. If the inside front cover of a 1984 issue of Keyboard Magazine was equivalent to living on a private island, then page 7 was like living in the South of France. Still a pretty good gig if you can swing it. And early on it was clear the Juno-106 deserved a nice little property in the South of France. The Juno-106 is kind of a big deal and it really is amazing just how iconic it has become. There are a number of ways to measure the popularity of a vintage synthesizer. Some use the new-to-now price ratio, others the number of times it pops up in interviews with artists in magazines. And of course, you can measure it by looking at the number of comments that can be found on such sites as Vintage Synth Explorer. In the case of that latter measurement, the number of comments would be 176 at the time of this writing. Let me throw out another number at you: 11. That would be the number of comments that the Siel DK600 (another synth that came out around 1984) has managed to pull together on VSE. Poor thing. :) If you believe the ad-copy for this Juno-106 advertisement, you would think this thing was packed to the brim with features. "Roland's JUNO synthesizers are known for packing them in. More features, (and followers) than you can count. But this time, the JUNO has outdone even itself" Wait... what? More features than I can count? Like multiple oscillators? Nope. Just one. Loads of modifiers like ADSRs and LFOs? Nope. Again, just one of each. Arpeggiator? Sequencer? Nope. Nope. Truly, not feature-rich. In fact, if all I had were the specs of the machine written on a piece of paper, I would more likely turn my nose up at this single-oscillator synth. And many readers only had just that when the Spec Sheet promo for the Juno-106 appeared the following month in the July 1984 issue of Keyboard. More than a few probably stopped reading after that second sentence: "Roland Synthesizer. The Juno-106 polyphonic synthesizer is the latest addition to the Juno line, which includes the Juno-60 and Juno-6. The 106 features a 61-note, 5-octave keyboard with six DCOs - one per voice. each voice has its own VCF, VCA, and envelope generator. There is also an LFO and a chorus circuit. Performance controls include a portamento section, pitch-bend, LFO trigger sensitivity control, and master volume. The instrument features 128 user-programmable memory positions, arranged in two groups of eight banks each. Each bank holds eight patches. Hands-free switching between memory positions can be accomplished via a rear panel patch shift jack. A cassette interface for off-loading programs is also included. The unit is equipped with MIDI in, out and thru ports. The instrument can receive note event, pitch-bend, LFO modulation, and program change information via MIDI. Stereo and mono outputs as well as a headphone jack are provided. Measurements are 29.68" wide, 4.6" high, and 12.6" deep. Price is $1,095.00. RolandCorp., 7200 Dominion Circle, Los Angeles, CA 90040." But, to cast aside the Juno-106 based purely on specs misses the point I'm trying, and as yet, to make. The rest of the ad-copy doesn't hit this point either, but does tell readers a few other things. The 106 includes 128 programs - double that of the Juno-60. It has polyphonic portamento. And MIDI (This is 1984! A new era!). But like I said. It still doesn't really get to the real point of the Juno-106. Keep on reading that August 1984 issue of Keyboard Magazine, and you will eventually hit page 78 with a Keyboard Report on the Juno-106 by Dominic Milano. Right at the beginning, he points out what could have been the Juno-106's Achilles heel. But quickly puts that myth to rest - well, at least as far as the Juno-106 is concerned. "Polyphonic synthesizers that feature a single oscillator per voice have been looked on with disdain for years by experienced synthesists. the contention is that somehow they don't sound as good as the "standard" two-oscillator-per-voice instruments... But it's also true that there are single-oscillator instruments that offer a lot more than just relatively low cost. Roland's new Juno-106 is one of them." And finally we get to the point. THE SOUND! The Juno-106 offers sweet sweet sound. Enough to make this $1095 synthesizer worth every penny. And more. And to help get that sound, the Juno-106 includes low and high pass filters, a noise source, a stereo chorus unit built in, and a juicy sub-octave generator. As Dominic states: "For a single-oscillator instrument, it really punches." Got that right. Super yummy punchy bass! End note: Oh. And like I mentioned before - this thing has sweet sweet MIDI as well. Or as Dominic puts it in his keyboard Report: "...the instrument packs more control over MIDI functions than any instrument we've seen to date". In fact, apparently one little known feature of the Juno-106 even among my fellow 106-fanatics is the ability to hook two 106s together with MIDI such that the front panel controls of the master can affect the controls of the slave. And even though I tend to use my Juno-106 mostly for bass sounds - never holding down more than one note at a time - I'm always on the look out for another realistically-priced 106 just so I can hook them together and try this out. I'm still waiting. :)

Free Download Exquisite Beats Presence (One Shot Kit) WAV Today I'll be showing y'all my new one shot kit "Presence". This kit includes over 100 sounds in many

The History, Mystery and Romance of Magnetic Tape- Open Reel and Cassette...... Nakamichi, TDK, TEAC, Akai, Aiwa, Onkyo, Sony, BASF, Thats, Pioneer

In the summer of 1970, after popping into a pub for a pint, rock keyboardist Keith Emerson sat down at his enormous Moog modular synthesizer in London’s...

Moog ad.

Vangelis scoring Blade Runner 1982

Brand Roland Model AX-Synth 49-Key Shoulder Synthesizer Finish Black Sparkle White Year 2009 - 2012 Categories Keyboard Synths Keytar MIDI Controllers Analog / Digital Digital Key Size Full Size Keyboard Action Synth Action MIDI I/O MIDI Input MIDI Output USB MIDI Number of Keys 49 Keys Polyphony 128 Voices Show More

"They really didn't have a perception of women as people." Suzanne Ciani explains the obstacles she faced en route to becoming one of early electronic music's most respected composers.

The Korg Mono/Poly is a 44 key "mono-polyphonic" analog synthesizer manufactured by Korg from 1981 to 1984. This keyboard is the sister synthesizer to the Korg Polysix. It has four highly stable voltage-controlled oscillators (VCOs), a 4-pole, self-oscillating low pass filter (LPF), several modulation capabilities and pseudo-polyphony (paraphony).

Explore HalfLifeTO's 36 photos on Flickr!

Ultra-realistic Virtual Analogue sounds - Performance power, larger-than-life sounds KingKORG, the acclaimed and powerful Virtual Analog synth, is back in a compact 37 Full-size key model with fresh, new sounds, great vocoder, and a refreshed new look. Introducing the KingKORG NEO, a virtual analogue synth that stands in a league of its own. Designed for today's musician, this compact powerhouse combines a classic analogue-like synth layout with swift, intuitive editing, offering an unmatched level of depth and flexibility. With its XMT sound engine, 37 full-size keys, dynamic vocoder, and a suite of user-friendly features, the KingKORG NEO is more than just a synthesizer; it's a comprehensive tool for artists who aspire to explore new realms of sound and push the boundaries of musical creativity. Powerful sound engine boasts flexibility KingKORG NEO features our XMT virtual analog sound engine. XMT stands for eXpanded Modelling Technology and was created to offer an expansive array of sounds while ensuring simplicity in operation. Gone are the days of laborious oscillator adjustments for sound crafting. The KingKORG NEO streamlines this process with pre-set algorithms. These carefully designed combinations of different oscillator types and quantities empower you to quickly shape rich, stage-ready tones with ease. Embracing the demand for diverse tonal capabilities, the KingKORG NEO comes loaded with a wide range of oscillator algorithms. From the classic sawtooth and square waves to the more intricate noise patterns typical of analog synthesizers, and extending to PCM/DWGS, this synthesizer is equipped to cater to an extensive variety of musical needs and preferences. Crafting character with iconic modelled filters In the heart of the KingKORG NEO lies its meticulously designed filter section, a cornerstone in defining the synthesizer's unique sonic character. We've infused KingKORG NEO with a diverse range of filters, each adding a distinct flavor to your sound creations, an aspect where analog modeling truly shines. The KingKORG NEO's filter collection is a treasure trove for sound designers. It encompasses a wide array of essential analog modeling filter types, enabling you to sculpt sounds with precision and ease. But we didn't stop there. We've painstakingly modeled filters that echo the iconic analog monophonic synths of the '70s - the go-to for punchy leads and deep basses. We've also captured the essence of polyphonic synths from the vibrant new wave era of the '80s, and the legendary filters from Korg's own MS-20 analog synth. One of the most captivating features of these filters is their ability to self-oscillate when you dial up the resonance - a hallmark of classic analog synthesis. This capability opens up a world of sonic possibilities, from creating ethereal textures to crafting powerful, resonant tones. Vocoder wizardry KingKORG NEO synth comes equipped with a balanced XLR input on its front panel, and includes a rugged, high-quality microphone. This setup invites you to dive into the world of vocoding instantly. At the core of the KingKORG NEO's vocoder is a sophisticated 16-band filter, rivaling dedicated vocoder machines. This powerful feature allows you to craft classic vocoder tones, but that's just the beginning. By shifting the filter frequency with the formant shift function and finely adjusting the level and pan of each band, you open the doors to an array of unique and original sounds. Whether you're aiming for vintage charm or contemporary edge, this vocoder adapts effortlessly to any genre or style. But there's more - the KingKORG NEO redefines flexibility. Timbre B can ingeniously be used as a modulator, providing an alternative to the traditional microphone input. This allows the vocoder effect to be seamlessly blended with the synth sound, paving the way for limitless sonic exploration. Moreover, each of the three oscillators, A and B timbres, can be individually selected as a source for the microphone input. This unique feature enables you to synthesize a rich mix of voice and instrument, creating a fusion of timbres that's both innovative and captivating. Built-in preset programs adaptable to the contemporary music scene KingKORG NEO's extensive library of 200 stage-ready preset programs is created for the modern music maker. These presets span across eight categories like SYNTH, LEAD, and BASS and offer an intuitive gateway to finding the perfect sound for any scenario. Masterful effects The KingKORG NEO elevates your sound with three master effect slots, each offering six distinct effect types. The PRE FX slot brings the grit and edge of effects like distortion and amp simulator. MOD FX infuses your tracks with the classic charm of phaser, chorus, and tremolo. For creating expansive atmospheres, the REV/DELAY slot offers ambient effects including hall reverb and modulation delay. Adjusting and selecting these effects is straightforward, thanks to dedicated dials on the front panel for each slot, complemented by FX control knobs for detailed fine-tuning. Virtual patch function Embrace the spirit of classic synthesizers like the MS-20 with the KingKORG NEO's innovative Virtual Patch system. This intuitive feature brings the flexibility of physically patching synthesizers into the digital age. With six Virtual Patch assignments available for each timbre, you can virtually connect control signals like EG, LFO, or joystick movements to key sound parameters, including pitch and cutoff. This seamless integration allows for intricate modulation and a deeper exploration into sound-shaping, giving your music a new dimension of sonic creativity. Step arpeggiator function The KingKORG NEO comes equipped with a versatile step arpeggiator, a tool that breathes life into your performances by automatically generating arpeggio phrases based on the chords you play. Tailor your sound even further by selecting from six different arpeggio types. You can specify the duration, interval, and on/off status of each step, opening up a vast array of rhythmic possibilities. Effortless control The KingKORG NEO is designed with an original panel layout that combines the classic feel of analog synthesizers with the best of today's technology. Its layout is thoughtfully organized into blocks, streamlining your workflow by putting the right controls at your fingertips as you edit. The oscillator section boasts a dedicated display showing the name of the currently selected algorithm. With a simple turn of the adjacent dial, you can browse through the options, see descriptive names, and quickly jump to different categories like ANALOG or DWGS. The control knobs are strategically placed to adjust the most crucial parameters of each oscillator, allowing you to experience the tactile satisfaction of shaping sound in real-time. Enhancing this intuitive experience, the KingKORG NEO features dedicated dials for each of its three master effects. This setup makes experimenting with different effects and hearing their impact on your sound as straightforward as it gets. And thanks to the self-luminous organic EL display, visibility is crystal clear, whether you're under the bright lights of the stage or in a studio setting. Favorites function for convenience in live performance The Favorites function lets you recall frequently-used programs at a single touch. You can assign a total of 40 programs to the eight category favorite buttons for easy recall. Free bundle of music software The KingKORG NEO comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, as well as software synths from KORG and other brands. In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.

Details are to come next week – but here’s a quick look at the new monster synth.

The 2023 Korg Wavestate Mk II is in new condition. What's included in this bundle:Korg Wavestate Mk II 37-Key Wave Sequencing Synthesizer - QTY 1Korg Wavestate Mk II is the next step in digital synt.... Amazing Digital Synth now only $699.99