We had been after Millicent Safro, the extraordinary owner of the extraordinary button shop, Tender Buttons, to let us interview her for Idiosyncratic Fashionistas for better part of a year. But Millicent, a woman of unflagging energy (and a woman of a certain age), was often away on business (buying and selling buttons), Jean was occasionally away on business, and Valerie was occasionally down with yet another cold. When at last all our various schedules aligned, the two of us grabbed our opportunity like gleeful children. We promised Millicent we would take as little of her time as twenty minutes, but no more than an hour. Famous last words! Tender Buttons, which opened in 1964, is now an icon and an institution. (Inquiring minds want to know if the name Tender Buttons comes from the Gertrude Stein book. Yes, it did.) In 1991, after nearly three decades in business, Millicent and her late partner and Tender Buttons founder, Diana Epstein, published Buttons, a book on a subject they started out knowing little about, but wound up being the go-to experts for. The foreward is by artist Jim Dine, the preface is by Tom Wolfe, and the long story of Tender Buttons is filled with an eclectic assortment of other dazzling names that many readers will recognize. Even the TENDER BUTTONS sign above our heads in the opening photo was painted by artist Ray Johnson. So it was with great excitement that we made our way to the tiny little townhouse/shop with the HUGE button landmarking its place in the universe. In response to our opening question - whether she has favorites, Millicent had the most delightful response. She said she has "weekly favorites and daily romances". In anticipation of our visit, Millicent put together a box of some of her favorite buttons. She said that because Diana Epstein loved and collected Eskimo buttons, she continued to do the same in her memory and had amassed quite a large collection. These two adorable hand-carved seals, probably made of walrus ivory, are her favorites. We love them too. This very rare button, a celluloid image of a '40s woman in a picture hat, is another of Millicent's favorites. Perfect choice for a member of the Red Hat Society. This vintage set of Japanese buttons inlaid with coral, tortoiseshell, jade, mother of pearl and other materials was also among her most treasured buttons. Double click to get a better idea of the craftsmanship involved in these. A set of European buttons (possibly Austrian), another of Millicent's favorites, dates back to approximately the Art Nouveau period, and bears some resemblance to the Alphonse Mucha posters that were so popular around the same time. We, of course, had favorites of our own. Jean picked out this card of bakelite buttons. You can decide whether they are leaves or spades. When this posting hits, Jean will be in Vegas, so let's hope they bring her luck! Jean's all-time favorite -- dice -- looked great as buttons. They've been beveled, to give the illusion of three dimensionality. This was Valerie's favorite out of Millicent's collection of favorites. Some of you will undoubtedly be asking why. Here's why: Doesn't this raise all sorts of questions? Like - was it a traveling salesman's sample extension arm that someone made into a button? Was it something a metalsmith or engineer made for his wife (or himself)? Did it originally have an entirely different use, becoming a button only later in its life, in an early example of repurposing? Did it have mates? And here are Valerie's alltime favorites - bone buttons with hares in samurai attire, which she bought at Tender Buttons years ago. She has never used them, and probably never will, but using them or not is not the point. They are always a joy to look at. This coat started out with an awful brass button, but got a new lease on life when the brass button was replaced with a Tender Buttons bone button in black and white stripes. Almost everything in the store is carefully organized in small brown boxes of identical size and shape. An example of the actual button contained inside is fastened to the front of the box, with a neatly hand written description and a price, so clients who know what they want can work fairly independently and efficiently. Most buttons are sorted by color or by material, so someone wanting a basic black plastic button, a multicolored mother of pearl button and a brass button can find varieties of all three in just a few moments. (And all without index cards or computers!) We both loved the City Mouse and the Country Mouse. These plastic Mickey Mouse buttons are colorful and quirky, and on the right outfit could be "killah". We also found the old style Mickey Mouse in this shop that has everything. If you saw our posting on the Schiaparelli / Prada show at the Met, you might remember the aerialist buttons on the pink jacket. We asked Millicent if copies had ever been made of those or other famous Schiap buttons. She was uncertain whether there were copies (wouldn't it be great if there were?!), but instead she was able to show us these: Holy cow! The top buttons are fishing hooks with flies; the bottom are jewel-like buttons fashioned from ceramics. Quintessential Schiaparelli - whimsical, tongue-in-cheek, unique. Delicately carved frogs made from bone are textured and colored. Some of the boxes have notations like "our own design", or "copy of a 1930s button", or "vintage '60s", adding to their flavor and educating the client at the same time. This tiny African turtle head (smaller than a dime) is beautifully crafted. His little pointy, curved nose is adorable and his expression? Priceless! Buttons that need careful treatment or come in limited sets are fastened to a cardboard backing. This card contains a wide assortment of buttons, from cowboy boots to fruits, an anchor, a star, black cats, a clown and a squirrel. The shop has buttons on practically any theme or in any shape. What if you were dating an author? Wouldn't you love to give him or her a typewriter? This selection has a school house theme, with classroom items and toys. (Valerie thinks she saw it in the window display when the shop did a back to school theme.) This pastel plastic alphabet would look great in a frame or sewn onto a jacket or needlepoint. Most of the buttons in the "Sin Theme" card are bakelite. If cigarettes and booze were considered sinful back then, we wonder what people would make of society today? We, of course, love the black and white Martini button, but the matches are also wonderful - each match is individually cut, not just painted. But if we've given you the impression that Tender Buttons has only novelty items, that's just because we're so taken with the unusual designs at a time when the fashion market is kind of lacking in, well, fashion. And style. We also found these simple, tiny purple square buttons. Deceptively understated, they would look spectacular on a plain white shirt. We also saw a number of buttons with famous faces on them. This portrait of JFK and Jackie would look great at the collar of a shirt and would be a conversation starter. Millicent also showed us an Amelia Earhart button, and we found three buttons with each of the Three Stooges on them. And raise your hand if you're old enough to remember garter buttons. Here are just two of a number in Millicent's collection. The 1920s policeman on the left issues a stern warning. The flapper on the right (issuing an invitation?) is none other than Betty Boop. Her ribbon blocks her name printed on the card. We've taken several of our out-of-town friends here. When Judith Boyd, The Style Crone, came to New York, we arranged to meet her at Tender Buttons. Our logic was this: the address is easy, so anyone can find it; it's a small shop, so you can't get lost in it, and if any one of the parties is late, those who wait can entertain themselves endlessly. It is the perfect spot and like no other -- unique, memorable, and full of surprises. Judith, who arrived first (big surprise!) made a purchase before we got there. She sent us the photo below of the three platform shoes she got. She was thinking more along the lines of using them as decorative accessories (possibly on a hat), and we totally agree. Buttons don't need to be restricted to button holes. But back to our visit with Millicent. Time flew by. We hated to leave. There was so much left to be explored! We arrived at 6:30 PM and were shocked to realize when we said our goodbyes that it was nearly 9:30 pm. And we'd only seen the tip of the iceberg! (Sooooo many photos we don't have room to show you!!) If you're coming to the Big Apple, put Tender Buttons on your itinerary. It's the smallest museum in town, the staff is great and the gift shop is fabulous! If you’d like to read more about what makes Tender Buttons an institution, click here. And click here to read Slate.com’s article, The Simple, Humble, Surprisingly Sexy Button, by Jude Stewart. Many thanks to Arlene W., who knew we were doing this post, for a great tip. (Read it! Among other things, Stewart says that buttons helped make clothes sexy by allowing fabric to be fitted to the body's curves. He also says "rooms of buttons" (stanze di bottoni) was once Italian slang for what we would now derisively call "the suits".) A separate bit of button lore (which we keep hearing, but haven't substantiated, either with Millicent or the web): The custom of putting non-functional sleeve buttons on men's jackets can be traced back to Frederick the Great of Prussia, who had buttons sewn on the sleeves of his soliders' coats to keep them from wiping their noses on their sleeves. (If true, this would make sense because of the high cost of material. But then, one has to ask, why didn't he supply them with handkerchiefs?) BONUS PHOTOS A jacket with stunning tails that makes eye-popping use of buttons. By the late Patrick Kelly, who knew the value of a good button. And while we're on the subject, we mustn't forget England's Pearly Kings and Queens. For more on this century-old cultural phenomenon, click here.

Pourquoi c'est bon ? Kave Home est créé en 2013 par Francesc Julià, fondateur du groupe Julià Grup. La marque crée Kave Cares, un projet engagé pour l'environnement et la société. Le but : produire mieux et ne jamais cesser de s'améliorer.  Nous avons validé les produits Kave Home selon notre Charte TRÈS.écodesign.Grâce à ses engagements en tant que marque, mais aussi grâce aux efforts fournit sur ses produits : Son travail sur la durabilité et la circularité des matériaux Son attention constante sur la diminution de leur impact Leur travail sur un design intemporel et sur une qualité de fabrication. Si vous souhaitez en savoir plus sur notre charte, n'hésitez pas à consulter la page dédiée. Pourquoi c'est beau ? Les formes fluides et les nuances du bois d’eucalyptus caractérisent la collection Xoriguer. Pensées pour s’intégrer dans vos espaces extérieurs, les pièces qui la composent sont réalisées avec des matériaux naturels. Xoriguer transformera votre jardin ou votre terrasse en une oasis d’élégance et de confort. Dimensions & Caractéristiques Matériaux : 45% Bois d'eucalyptus (Eucalyptus grandis), 30% Aluminium, 15% Osier synthétique, 8% Mousse polyuréthane, 2% Tissu Certification FSC : Oui Dimensions : Haut.74 cm x Long.76 cm x Larg.80 cm. Poids : 20.5kg Caractéristiques : Pour usage extérieur : Oui Pour un usage intérieur : Oui Charge maximale totale :  160kg Conseils d'entretien :  Ne pas utiliser de produits abrasifs tels que l'acétone, l'eau de javel, les blanchisseurs, les dissolvants, etc. Pour prolonger la durée de vie à l'extérieur des meubles en bois, suivre les instructions spécifiques d'entretien et d'usage Laver en le brossant avec une brosse douce et un chiffon sec. En cas de liquides renversés sur le produit, laver le plus rapidement possible pour éviter l'apparition de taches. Retirer la poussière avec un plumeau. Instructions d’utilisation et d’entretien pour extérieur Conserver vos meubles dans un endroit sec. Si vous souhaitez les utiliser en extérieur, protégez-les avec une couverture imperméable en automne, en hiver et les jours de pluie. Conçu selon la norme EN 581 : 2017 pour les sièges à usage domestique extérieur

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Neons & Neutrals: A Knitwear Collection Curated by Aimée Gille of La Bien Aimée is a sequel to Aimée’s first book, the best-selling Worsted. This collection, if possible, is even better and includes 16 patterns from 16 talented designers. It is an eclectic collection of patterns that invites crafters to combine yarn in new and unexpected ways across brands and bases. The designs showcase modern knitting at its best, using a variety of techniques and unique and unexpected color combinations. Most of the patterns are photographed in two different samples – worked in different colors and yarns, giving you ample inspiration for your own versions. The collection celebrates solidarity and cooperation: to showcase the many talented people in the knitting community, Aimée has put together a collection of not only patterns from designers around the world, but yarns from a variety of producers and dyers. All of them work beautifully together and different sizes and price points have also been taken into account. Aimée writes: “My goal was to curate a knitwear collection that you’ve never seen before. Neons and Neutrals is a collection full of unexpected colors and textures that hopefully will invite you to knit beyond your comfort zone. I believe anyone can wear any color or texture as long as you believe in the fiber story you are making.” Aimée Gille was born and raised in the United States, in Kansas, and later moved to France, where her passion for knitting was reignited. In Paris, where she now lives with her family, she first opened L’OisiveThé, a wonderful knitting café, and later La Bien Aimée, a yarn company whose gorgeous hand-dyed yarns are sold worldwide. Her debut book, Worsted, was published by Laine Publishing in 2021. Neons & Neutrals is her second book. 200 pages 16 knitting patterns (4 sweaters, 4 cardigans, 4 shawls, 2 hats, 1 vest and 1 cowl) Hardback (Print only, no digital download code available.) (Note: A separate digital book will be available through Laine's online shop on 3 March, 2023) Editor: Aimée Gille Weight: Approx. 740 g / 1.65 lb Dimensions: 195 x 232x 23 mm Printed in Latvia. Sweaters and cardigans are graded into various sizes, reaching from size 1 (30" / 75 cm bust circumference) to at least size 8 (or 60" / 152 cm bust circumference). The book features designs by the following designers: Inese Sang, Maaike van Geijn, Karen Cronje, Anna Husemann, Layla Yang, Caitlyn Turowski, Cecelia Campochiaro, Valerie Ng, Maysa Tomikawa, Florence Spurling, Lotta H Löthgren, Brandi Cheyenne Harper, Marie Régnier, Susan Chin, Brienne Moody and Julia Wilkens.

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Dans les collections de porcelaine du château de Nymphenburg, présentées au premier étage du Marstallmuseum, on tombe nez à nez avec ces deux pots d´un goût très discutable, et que le conservateur du musée ne semble pas avoir attribué, du moins le visiteur ne trouve-t-il pas d' étiquette. Deux pots à couvercles qui veulent imiter sans doute le château de Hohenschwangau, ici une tour à créneaux surmontée comme le château d´un grand cygne. Sur le pot du fond, on peut voir des scènes de bergers et de bergères en montagne. Le premier présente des châteaux et des paysages de la région de Hohenschwangau. Une des facettes représente le Marienbrücke, qui semble encore en bois, ce qui permet de supposer que les pots sont antérieurs à 1866, année où le pont fut reconstruit en métal par la maison Eisengießerei Klett & Comp (aujourd'hui MAN). Hohenschwangau Marienbrücke Ruine de Falkenstein Alpensee Ehrenberg (Reutte)

C'est ma troisième de la collec, et je les adoooore! Petite africaine Brigitte Leman - collection dolly dots