14th century International Gothic fresco showing medieval costumes
Noble lady, from Emperor, Knight and his Lady, 14th-15th century fresco International Gothic, Baronial Hall, Castle of the Princes of Saluzzo
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Gótico Lluís Borrassà Retablo dedicado a san Antonio y santa Margarita Barcelona Primer cuarto del siglo XV Pintura al temple sobre madera 165 x 172 cm Procedente de la iglesia parroquial de Santa Maria de Rubió (Anoia) MEV 949 Lluís Borrassà, segundo hijo del pintor Guillem Borrassà, formó parte de un linaje familiar de pintores de origen gerundense que trabajaron en nuestro país desde mediados del siglo XIV hasta mediados del siglo XV. En 1383 ya se tiene constancia documental de que Lluís Borrassà tenía abierto su taller de pintura en la ciudad de Barcelona, que se transformaría rápidamente en uno de los obradores más grandes de la ciudad en el que trabajaron numerosos artistas, ayudantes y colaboradores. Su llegada a Barcelona coincidió con el momento en que el estilo italogótico, dominante en nuestro país a lo largo de la segunda mitad del siglo XIV, y cuyo máximo difusor había sido el taller de los hermanos Serra, se estaba agotando e iniciaba su decadencia. El nuevo arte gótico internacional que en estos mismos años se empezaba a hacer en Flandes, París o Milán se caracterizaba por dejar atrás el equilibrio y la armonía sobria de las formas y los colores, puesto de moda por los artistas sieneses del trescientos, con el fin de introducir una nueva estética naturalista basada en el dinamismo y el movimiento de las figuras y por el uso de pigmentos de colores muy vivos y contrastados. El Museo Episcopal conserva posiblemente la colección más representativa de obras de Lluís Borrassà, a través de las cuales podemos seguir la introducción y la evolución de esta nueva corriente artística en su obra. El retablo de san Antonio Abad y santa Margarita de Rubió, si bien se trata de un retablo de dimensiones modestas, introduce en las escenas laterales este nuevo lenguaje narrativo basado en gestos muy explícitos como la escena del diálogo de la santa negándose a la seducción de Olibrio. www.museuepiscopalvic.com/es/colleccions/gotic/retablo-de...
Gothic architecture flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. Originating in 12th century France and lasting into the 16th century, Gothic architecture was known during the period as "the French Style", with the term Gothic first appearing during the latter part of the Renaissance. Its characteristic features include the pointed arch, the ribbed vault and the flying buttress. Itis most familiar as the architecture of many of the cathedrals, abbeys and churches of Europe. It is also the style of many castles, palaces, town halls, universities and to a lesser extent, private dwellings.It is in the great churches that the Gothic style was expressed most powerfully, its characteristics lending themselves to appeal to the emotions. A great number of ecclesiastical buildings remain from this period, of which even the smallest are often structures of distinction while many of the larger cathedrals are considered priceless works of art. A series of Gothic revivals began in 18th century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, into the 20th century. Presented in digital format, for the first time on one amazing data DVD are 72 rare, vintage books on the subject of Gothic Architecture. Each book, in pdf format, is a 300 dpi scan of the original pages so you will be reading each book exactly as intended. Features 100's of excellent illustrations, photographs and diagrams. The complete list of titles on the DVD is as follows: A Glossary of Terms Used in Grecian Roman Italian & Gothic Architecture Part 1 - JH Parker (1845) A Glossary of Terms Used in Grecian Roman Italian & Gothic Architecture Part 2 - JH Parker (1845) A Guide to English Gothic Architecture, Illustrated by Numerous Drawings & Photographs - S Gardner (1922) A Guide to Gothic Architecture - T Bumpus (1914) A History of Architecture Volume 3 Gothic in Italy, France & Northern Europe - A Frothingham (1907) A History of Gothic Art in England - ES Prior (1900) A History of the Gothic Revival - C Eastlake (1872) A Manual of Gothic Mouldings - FA Paley (1902) A Treatise on the Ecclesiastical Architecture of England During the Middle Ages - J Milner(1811) A Treatise on the Rise and Progress of Decorated Window Tracery in England - E Sharpe (1849) ABC of Gothic Architecture - JH Parker (1907) An Analysis of Gothick Architecture Volume 1 - R & JA Brandon (1849) An Analysis of Gothick Architecture Volume 2 - R & JA Brandon (1849) An Elucidation of the Principles of English Architecture, Usually Denominated Gothic - J Kendall (1842) An Introduction to the Study of Gothic Architecture - JH Parker (1849) Animal Symbolism in Ecclesiastical Architecture - EP Evans (1896) Architecture Gothic & Renaissance - TR Smith (1884) Brick & Marble in the Middle Ages - GE Street (1874) Cottage, Lodge, & Villa Architecture - W Audsley (1870) Development & Character of Gothic Architecture - C Moore (1890) English Church Architecture of the Middle Ages - AF Smith (1922) Essay on the Origin & Progress of Gothic Architecture in Ireland - T Bell (1829) Essays on Gothic Architecture - T Warton (1802) Fifty Pictures of Gothic Altars - P Dearmer (1910) Flowers From Mediæval History - MD Kellogg (c1910) Gloucester Cathedral - HDM Spence (1897) Gothic Architecture - EA Browne (1906) Gothic Architecture Applied to Modern Residences - DH Arnot (1849) Gothic architecture -E Corroyer (1892) Gothic Architecture Improved by Rules & Proportions in Many Grand Designs - B Langley (1742) Gothic Architecture in England - F Bond (1906) Gothic Architecture in France, England & Italy Volume 1 - T Jackson (1915) Gothic Architecture in France, England & Italy Volume 2 - T Jackson (1915) Handbook to Gothic Architecture - T Perkins (1897) Handbook to the Cathedral Church of St. Peter, York - G Benson (1895) he Cathedral Church of York - A Clutton-Brock (1899) History & Antiquities of the Cathedral Churches of Great Britain Volume 1 - J Storer (1914) History & Antiquities of the Cathedral Churches of Great Britain Volume 2 - J Storer (1914) History & Antiquities of the Cathedral Churches of Great Britain Volume 3 - J Storer (1914) History & Antiquities of the Cathedral Churches of Great Britain Volume 4 - J Storer (1914) How France Built Her Cathedrals; A Study in the Twelfth and Thirteenth Centuries - E Boyle O'Reilly (1921) Illustrations of Geometric Tracery, from the Paneling Belonging to Carlisle Cathedral - RW Billings (1842) Lectures on the Rise & Development of Mediæval Architecture Volume 1 - G Scott (1879) Lectures on the Rise & Development of Mediæval Architecture Volume 2 - G Scott (1879) Modern Gothic Architecture - TG Jackson (1873) Old German Architecture - K Langewiesche (1922) On the English Origin of Gothic Architecture - JH Parker (1870) Progress in Art & Architecture With Precedents for Ornament - J Pollard Seddon (1852) Six Lectures on Architecture - RA Cram (1917) Some Account of Gothic Architecture in Spain Volume 1 - G Street (1914) Some Account of Gothic Architecture in Spain Volume 2 - G Street (1914) Specimens of Gothic Architecture Selected from Ancient Buildings at Oxford - F Mackenzie (1825) The Cathedral of Rheims 1211-1914 (1915) The Construction of Lombard & Gothic Vaults - AK Porter (1911) The Gothic Quest - RA Cram (1907) The History & Antiquities of the Abbey & Cathedral Church of Gloucester - J Britton (1829) The Nature of Gothic A Chapter of The Stones of Venice - J Ruskin (1892) The Principles of Gothic Ecclesiastical Architecture Volume 1 - MH Bloxam (1882) The Principles of Gothic Ecclesiastical Architecture Volume 2 - MH Bloxam (1882) The Substance of Gothic - R Cram (1917) Foreign Language Texts: Ce Qu'était Reims Ce Qu'elle est Devenue (1918) Description de la Basilique Saint-Remi de Reims a` l'Usage des Visiteurs (1896) Formprobleme Der Gotik - W Worringer (1912) La Filiation Généalogique de Toutes les Ecoles Gothiques Volume 1 - JF Colfs (1882) La Filiation Généalogique de Toutes les Ecoles Gothiques Volume 2 - JF Colfs (1882) La Filiation Généalogique de Toutes les Ecoles Gothiques Volume 3 - JF Colfs (1882) La Filiation Généalogique de Toutes les Ecoles Gothiques Volume 4 - JF Colfs (1882) Les Cathédrales Gothiques - L Cloquet (1914) Origines Françaises de L'Architecture Gothique en Italie - C Enlart (1894) Raccolta de' Migliori Ornamenti del Medio Evo e Profili di Architettura Gotica; Disegnati e Descritti - CA von Heideloff (1859) Reims La Cathédrale - J Mayor (1900) Sainte-Croix D'Orléans - G Chenesseau (1921) ~ABOUT THE DVD~ These are ELECTRONIC BOOKS. You will receive 1 DVD-Rom disc containing 72 e-books as stated above. The books are in PDF format which means that you will need to have Adobe Reader installed on your computer to read them. If you don't have this, you can download it free from www.adobe.com. If you don't understand this, please contact me prior to purchase. The disc comes supplied to you exactly as pictured in the image shown. This is a data DVD for computer use (requires DVD-Rom drive). It WILL NOT WORK in a CD-Rom drive, an audio CD player or the DVD player connected to your TV. *MAC USERS* This disc is designed for Windows based computers. It has an auto-run menu feature which is incompatible with Mac computers. I cannot guarantee that the menu feature will function on any Mac computer or that a disc including this feature will function in any way on any Mac computer. If you are a Mac user, please message me for a possible solution. ~SHIPPING~ Please note that I am based in the UK. If you are outside the UK please allow extra time (at least 28 days) for international shipping and customs clearance in your country. *E.U. CUSTOMERS* The U.K. is no longer in the E.U. customs union. This means that the customs authorities in your country may levy additional taxes / customs charges on goods entering your country from outside the E.U.. I cannot advise on what these charges may be in individual countries. Such charges are the RESPONSIBILITY OF THE BUYER NOT THE SELLER. If your postal services advise you that they have a package which requires payment of taxes / import charges before release and you decide not to pay these charges, the package will eventually be returned to me or destroyed and I will have wasted time and money shipping the package so please consider this carefully prior to purchase. If you are unsure, please enquire with your local customs authorities or post office and they may be able to advise you. Thanks so much for understanding. I voted "Remain" and I hate all this!
В понедельник хочется красоты! Хотя, в другие дни недели тоже:) Подборка вперемешку, как я люблю. Все ссылки тут http://www.pinterest.com/bymuravka/pins/
Heures à l'usage de Paris