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Going To Class, from the Architecture Series by George S. Zimbel. MIT, 1958.
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Since being quarantined inside her home in Buenos Aires, Lucía Morón has struggled with insomnia. “I have not been sleeping well and there are even days when I cannot seem to find the energy to get out of bed,” she says. As a way to manage her difficult moments, Morón has been documenting her uneasiness. “Photographing helps me to externalize and exorcise my inner fears, nightmares, and anxieties,” she says. “It has become a way of escape in which to express myself during (these) hard and lonely times.” Morón’s joined more than 400 other womxn with similar practices on a collaborative project that’s helping to capture the mundane, monotonous, and worrisome moments in their lives. More
Fainting and swooning were more prevalent in the Victorian era, to the point that they created a piece of furniture for use when feeling weak and dizzy. It was mostlywomen who fainted. There are ma…
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A brief history of animation’s beginnings through the seminal work of five early animation pioneers.
Despite the meticulous control and calculated perspectives, Canadian artist Adam Lupton’s oil paintings are constantly fidgeting. They mostly feature youth in various incarnations in a blur of motion represented as simultaneous frames, or with different layers of paint exposed. This jitteriness is revealed both through substance, by showing the layers of material creation, or through time, as the viewer pans multiple freeze-frames overlaid on top of each other. What stands still throughout all his work is an obsession with time and chaos, and the individual’s navigation of the two in the constant present.
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Last Light
