This is my result for the final brief, unfortunately I'm having hard time uploading my other images due to my shitty internet connection but here is my final typeface I also made some inline stroke versions same as the color variations shown in the triangles. Creating this type face was much tougher than I had imagined it would be. It really forced me to acknowledge the tedious hours of labour it takes typographers to create typefaces which are not only legible but also beautiful. This project was a nice way to end of the semester I'm pleased with the final results and plan to continue experimenting and perfecting this typeface as a portfolio piece.
Clothespin alphabet by Pablo Abad. Beard alphabet by Tim Yarzhombek. Cubic alphabet by Svetoslav Simov. Hairy alphabet by Craig Ward. Office clip shadow alphabet by Dave Wood. above all via: RUBEN MILLER So exciting, RIGHT?!?! You will be creating an experimental typeface design (3/d or mashup of two faces - like cutting up helvetica and cross breeding it with didot to make helvitot babies). Or you may choose to make your face completely modular (based on shapes and oh so analytic). The second part of the assignment requires you to create a promotional campaign with deliverables advertising the typeface. Problem:...
A - Z bread typography
Typography, in my opinion, arguably, is the most significant form of expression in visual communication. Let me tell you why I think that, any other form of visual communication — graphics…
Bureau Sandra Doeller
Read Type notebook by Xiaoyang Wang on Issuu and browse thousands of other publications on our platform. Start here!
hong kong, 2020 / to spark interest in foundry 852 - a wpp campus, i collaborated with designers from hong kong and around the world to create typographic posters that brought our 'space to create' campus launch idea to life. each poster featured traditional chinese characters that had been playfully reinterpreted using dynamic, colourful illustrations that reflected the meaning of each headline. we also created digital animations of the illustrations, including an interactive installation where the chinese characters would respond to the movements of people in the new campus in real-time.
Love designed by Rafael Serra. Connect with them on Dribbble; the global community for designers and creative professionals.
James Joyce
♫ Wilhelm and the Dancing Animals - Wake Up ♪
Sometimes **typography** is all you need to communicate your ideas effectively. Graphics can support the type or type can support the graphics, but to deliver the message precisely, you need to make sure your type is expressive enough, your design is distinctive enough and the composition is strong enough. The results are sometimes crazy, sometimes artsy, sometimes beautiful, but often just different from things we're used to. Thus designers explore new horizons and we explore new viewing perspectives which is what inspiration is all about.