Celebrate the transformative power of change with our captivating poster titled "Endings Are New Beginnings." This unique artwork beautifully captures the essence of growth, reminding us that every ending is an opportunity for a fresh start and a vibrant new beginning. Embrace the beauty of transitions and infuse your space with positivity and optimism. The design features a mesmerizing blend of bold black and vivid colours, symbolizing the contrast between endings and new possibilities. Order Now and usher in a wave of positivity and inspiration! 🌈✨ High-Quality Digital Download: The high-resolution digital file ensures a crisp and detailed print, allowing you to print it on your preferred paper or canvas right from the comfort of your home. How to Use: - Purchase this listing. - After payment, you'll receive a download link to access your digital print. Make sure to check your junk folder. The files can also be accessed under Purchases in your Etsy account. - Print the artwork on your preferred paper or canvas using a colour printer or take it to a print shop. - Display it in your favourite frame or simply stick it to your wall using decorative washi tape or clips. Product Details: - File Format: High-resolution JPEG - Aspect Ratio: 2:3; 3:4; 4:5; ISO and 11X14 (5 files included) - Resolution: 300 DPI (for crisp, clear prints) Important: - Colors may vary slightly due to individual monitor settings. - This is a digital download; no physical print will be mailed to you. - For personal use only. You may print this artwork for yourself or as a gift, but commercial use or resale is prohibited. - As this is a digital product, refunds and exchanges are not available. However, if you encounter any issues, please get in touch with me, and I'll be happy to assist. - Frame and props shown in the listing images are for illustrative purposes only and are not included in the purchase.

Daily Angel Oracle Card: The Returning, from the Heart Of Faery Oracle Card deck, by Brian and Wendy Froud The Returning: “Profound Change ~ New Perspective ~ Understanding” “What…

Kimitachi wa dô ikiru ka poster cm. 30 x 40 - high quality paper and image - not framed - gift idea - home decor - collecting - shipped rolled - worldwide delivery - money back guarantee Plot: A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There, death comes to an end, and life finds a new beginning. A semi-autobiographical fantasy from the mind of Hayao Miyazaki. film link

Kimitachi wa dô ikiru ka poster cm. 30 x 40 - high quality paper and image - not framed - gift idea - home decor - collecting - shipped rolled - worldwide delivery - money back guarantee Plot: A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There, death comes to an end, and life finds a new beginning. A semi-autobiographical fantasy from the mind of Hayao Miyazaki. film link

From international bestseller, Karen McManus, comes the explosive third and final thrilling instalment in the acclaimed One of Us...series.Life hasn't been easy for the Bayview Crew. First they had to prove they weren't killers. Then a new generation had to outwit a vengeful copycat. Now, it's beginning again.At first the mysterious billboard seems like a bad joke: Time for a new game, Bayview. But when a member of the crew disappears, it's clear this 'game' just got serious - and no-one understands the rules.Everyone's a target. And now that someone unexpected has returned to Bayview, things are starting to get deadly.Simon was right about secrets - they all come out in the end.Number of pages: 368 pagesBook cover: PaperbackThe final part of the One of Us is Lying series

From the bestselling author of Crow Planet, a compelling journey into the secret lives of the wild animals at our back door. In The Urban Bestiary, acclaimed nature writer Lyanda Lynn Haupt journeys into the heart of the everyday wild, where coyotes, raccoons, chickens, hawks, and humans live in closer proximity than ever before. Haupt's observations bring compelling new questions to light: Whose "home" is this? Where does the wild end and the city begin? And what difference does it make to us as humans living our everyday lives? In this wholly original blend of science, story, myth, and memoir, Haupt draws us into the secret world of the wild creatures that dwell among us in our urban neighborhoods, whether we are aware of them or not. With beautiful illustrations and practical sidebars on everything from animal tracking to opossum removal, The Urban Bestiary is a lyrical book that awakens wonder, delight, and respect for the urban wild, and our place within it. Product DetailsISBN-13: 9780316178525 Media Type: Hardcover Publisher: Little - Brown and Company Publication Date: 09-17-2013 Pages: 352 Product Dimensions: 5.60(w) x 8.40(h) x 1.30(d)About the Author Lyanda Lynn Haupt has created and directed educational programs for Seattle Audubon, worked in raptor rehabilitation in Vermont, and as a seabird researcher for the Fish and Wildlife Service in the remote tropical Pacific. She is the author of Pilgrim on the Great Bird Continent and Rare Encounters with Ordinary Birds (winner of the 2002 Washington State Book Award). Her writing has appeared in Image, Open Spaces, Wild Earth, Conservation Biology Journal, Birdwatcher's Digest, and the Prairie Naturalist. She lives in West Seattle with her husband and daughter.Read an Excerpt Read an Excerpt The Urban Bestiary Encountering the Everyday Wild By Lyanda Lynn Haupt Little, Brown and Company Copyright © 2013 Lyanda Lynn Haupt All rights reserved. ISBN: 978-0-316-17852-5 CHAPTER 1 Entering the Bestiary A New Nature, a New Bestiary It sounds like an urban myth, but it isn't. One day a lost coyote wandered into downtown Seattle. It was promptly discovered by a group of crows, who hate coyotes for their habit of preying on crow fledglings. The crows began to chase and dive-bomb the coyote, who, increasingly confused and disoriented, attempted to escape his tormentors by scampering, no one quite knows how, through the front doors of the Federal Building. From there, things got even worse for the young coyote, who had never been indoors and, horribly frightened, began running blindly about, slamming his thin, gangly body into the glass walls until he spotted the refuge of an open elevator and quickly slipped in. The doors closed, and the coyote was caught inside. Not knowing what to do, the building officials rang the police and the local wildlife officers, but help was delayed because no one would believe that there really was a coyote stuck in the downtown Federal Building elevator. Nearly three hours later, state fish and wildlife officers managed to trap the coyote—who was found to be a healthy male, probably just eight months old—and then relocated him unharmed to a suburban forested area. Of course, no one was able to see the coyote inside the elevator. At first, I imagined him relieved. No people, no crows, a chance to draw a breath. But it is much more likely that his terror only increased in a cramped space with no exit, no glimpse of sky or earth. So many of us are seeking gracious, creative ways of inhabiting our urban homes in this time of ecological upheaval. We want to respect the wild animals that make their homes alongside us and help them to flourish. But what does this really mean? The downtown-coyote incident, and so many others like it, unleash a tangle of questions that force us to revisit the depth, complexity, and necessity of these interrelationships, questions that are deeply relevant to all of us, whether we keep urban chickens and a garden, or live in a tiny, rented studio apartment: What is that coyote doing here, out of its forest? Whose "home" is this? Where does the wild end and the city begin? And what difference does it make to us as humans living our everyday lives? As human habitations cut more deeply and rampantly into open space, wild animals are left with smaller, more fragmented areas in which to live, eat, and breed. The rural buffer that once separated cities from wilderness in the past is disappearing as small farms are overrun by big agriculture and urban sprawl. The tidy divisions once labeled, respectively, urban, rural, and wild are breaking down as animals that once lived well beyond urban edges are now turning up in city neighborhoods with some regularity, and human- wild encounters of all kinds are increasingly frequent, startling, and confusing. Some of these animals have long coexisted with humans, and we simply see them more often now because there are more of us living in close quarters: many songbirds, hawks, raccoons, skunks, squirrels, and opossums. But a few of these animals are unsettlingly wild: Coyotes. Even bears and cougars. Seeing them, we have conflicting thoughts rush through our heads. We can almost glimpse the fresh mountain streams, the images of bright, clean wilderness these creatures signify within our psyches. We want to run toward them. We want to run the other way. We notify the media. We protect our cats and shield our children. We hope that they thrive. We wish they would leave. "It's the city, they don't belong," some suggest, and argue for eradication. "They were here first," others say generously, but far, far too simplistically. And when they do leave, we crane our necks for the last glimpse of fur, tail, paw. The practice of assembling written bestiaries—compendiums of animal lore and knowledge—began in medieval times. They were often lavishly illustrated volumes, lettered by monastics on vellum, edged with hand-mixed colors and gilt. The medieval bestiaries were wonderful in that they blended the best of medieval science—what was believed to be factually true about each animal—with unreservedly fanciful descriptions. These were not meant to be fantastical, and they were based on a combination of observation, conjecture, and pure imagination. All of this was presented as equally objective, with no teasing out of the observed, the assumed, and the conjured. This is in line with a broader reluctance in the highly superstitious medieval culture to distinguish the real from the fabulous in daily life. In The Time Traveler's Guide to Medieval England, historian Ian Mortimer writes, "At times it seems that medieval people pride themselves on the quantity of their knowledge, not its quality or correctness." While there were scientists and rationalists, Mortimer suggests that you "will find their writings even more outlandish than the prophecies." All of these medieval tendencies are recapitulated in the extant bestiaries, and in them we also glimpse the ray of light that Mortimer finds in such scientific murkiness: "It is from the same belief that anything is possible that the greatest discoveries are made." Perhaps the most famous and beautiful extant bestiary is the gilt-edged Aberdeen Bestiary, penned in the twelfth century. The Aberdeen Bestiary spent much of its circuitous history in ecclesial or monastic settings, but we know that for a time it resided with the English royal family. The manuscript entered the library at Westminster under Henry VIII, and it bears his royal shelf mark. It is unclear how the book came into royal keeping, but Aberdeen history of arts professor Jane Geddes suggests that it was likely "plucked" during the dissolution of a monastery's assets. We don't know whether Henry himself had any personal interest in the volume, though some members of the royal family were captivated by the subject of wild creatures. That the book was thoroughly studied and not just an objet d'art like many of our own coffee- table volumes is revealed in the well-thumbed corners of the vellum pages. In the early seventeenth century, when the Scottish king James VI became King James of England, the Bestiary passed from the royal collection to Marischal College in Aberdeen, and it is housed today in the Aberdeen University Library. The Aberdeen Bestiary's entry for beavers exhibits the classic medieval bestiary components of observation, imagination, and allegory. The beaver is accurately described as possessing a tail that is flat like a fish's and fur that is soft like an otter's; it was prized for its testicles, which were said to contain a medically potent liquid that could cure headache, fever, and "hysteria" (this liquid would have been castoreum, located in a small glandular sac at the base of the tail on both male and female beavers). It is noted, impossibly, that to keep from being killed by a hunter, a beaver would castrate itself and toss its testicles in the hunter's path, and if it encountered another hunter, it would lift its tail to demonstrate its useless, testicle-less condition. Morality-laden allegory is woven throughout the Bestiary. Here, like the beaver, men should castrate their vices and toss them away to avoid the devil. Elsewhere, the jay is "the most talkative species of bird and makes an irritating noise." Just as we try to close our ears to such chatter, so should we avoid the "empty prattle of philosophers or the harmful wordiness of heretics." Less often, an animal's behavior is held up as a model of virtue rather than vice, as with the dove, who rests near flowing water so that it can spot the reflection of an overhead hawk and flee to safety, just as we should study scripture to "avoid the plotting devil." With more dovelike qualities, we, too, might "assume the wings of contemplation and fly to heaven." But it's not all moralizing. There are hundreds of sweet, earthen moments in the Bestiary, evidence of quiet and humble observation: The

This display home in Parkerville fuses the most-loved design features from its local community with modern, high-end materials.

The Boy and The Heron poster cm. 30 x 40 - high quality paper and image - not framed - gift idea - home decor - collecting - shipped rolled - worldwide delivery - money back guarantee Plot: A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There, death comes to an end, and life finds a new beginning. A semi-autobiographical fantasy from the mind of Hayao Miyazaki. film link

(first posted 9/2/2011) I hope everyone will spend a moment of quiet remembrance today for the occasion of the end of the bloodletting that was World War II. It was […]

This display home in Parkerville fuses the most-loved design features from its local community with modern, high-end materials.

War ends, yet its dark shadow remains, a family is forced to flee their home. As they journey through hunger, long cold nights and homelessness, a heart locket whispers words of hope. And a country that's faraway calls for those that are no longer wanted. It offers new beginnings and a precious place, once more to call home.

'Gripped me and didn't let go until the wickedly twisted ending.' Jenny Blackhurst, author of How I Lost You. A heartbreaking and unputdownable psychological thriller perfect for fans of Linda Green, K.L. Slater and Teresa Driscoll. You lost your daughter. You will never forgive yourself. Now someone's determined to make you pay... Seventeen years ago, something happened to Jess's daughter Beth. The memory of it still makes her blood run cold. Jess has tried everything to make peace with that day, and the part she played in what happened. It was only a brief moment of desire... but she'll pay for it with a lifetime of guilt. To distance herself from the mistakes of the past, Jess has moved away and started over with her family. But when terrifying things begin happening in her new home, Jess knows that her past has finally caught up with her. Somebody feels Jess hasn't paid enough, and is determined to make her suffer for the secrets she's kept all these years. What everyone's saying about The Daughter: 'Omg this book was soooo good. I couldn't put it down... It was such a shocking twist at the end. All the revelations that came to light at the end were fantastic. This book had everything. Great characters, content and a shocking ending. What more do you want from a book?' 5 stars, Goodreads reviewer 'Full of suspense and had me biting my nails down to my knuckles!!... This was a fantastic book, which I would highly recommend if you love a good thriller! You will certainly not be disappointed with this one!' 5 stars, Stardust Book Reviews 'Tense, twisty and all too close to home: Lucy Dawson is brilliant at spinning our worst nightmares from everyday scenarios.' Erin Kelly author of He Said/She Said 'I flew through it. It's a hold your breath, race to the end, one-sitting read. Delicious twists!' Jo Spain, author of The Confession 'This book is INTENSE. Be prepared for one heck of a thrilling ride!' Goodreads reviewer 'Holy twist and turns!!... There will be moments of awe, surprise, shock, a few shakes of the head, and tons of questions, but this story caters to the readers who love a good psychological thriller that will have you questioning every single character in the book.' Goodreads reviewer 'Oh MY, OHH MYY! WOOW, this was soo INTENSE!!... Kept me on the edge of my seat throughout. The first few chapters just tore at my heartstrings! This riveting story will definitely have you reading until the small hours... Let's just say, this book is the reason I love this genre!' Goodreads reviewer 'I didn't want to stop!... It was a surprising ending, not what I was expecting at all.' Goodreads reviewer 'I loved it!! I read it in around a day as I found the really hard to put down. A fabulous read that I can highly recommend' Goodreads reviewer 'The first chapters are a heart-wrenching, one tissue won't be enough, tearjerker... The ending is a never-saw-it-coming surprise.' Goodreads reviewer | Author: Lucy Dawson | Publisher: Bookouture | Publication Date: Jan 24, 2018 | Number of Pages: 286 pages | Language: English | Binding: Paperback | ISBN-10: 1786813300 | ISBN-13: 9781786813305

In the follow-up to their charming NEW YORK TIMES BESTSELLER, What If It's Us, best friends Adam Silvera (They Both Die At The End) and Becky Albertalli (Simon vs. The Homo Sapiens Agenda) reunite to give Arthur and Ben another shot at true love. From the creator of 13 Reasons Why, What If It's Us is soon to be a feature film!Ben has spent his first year of college working on his fantasy manuscript with his writing partner Mario, who is a great Spanish tutor, and an even better kisser. So why can't he stop thinking about the fact that Arthur's back in town two years after they called it quits?Arthur is in New York for a dream internship on Broadway, with a boyfriend back at home that he couldn't be happier with. But when he comes upon Ben cuddled up with a mystery boy, he starts to wonder if his feelings for Ben ever truly went away. Even as the boys try to focus on their futures, they can't seem to help running into each other in the present. Is the universe forcing them to question if they're actually meant to be?Possibly not. After all, things didn't work the first time around. Possibly yes. After all, the sparks are still flying. Sometimes you just have to take a leap of faith and raise a glass. Here's to celebrating old friends! Here's to embracing new beginnings! Here's to believing in second chances!PRAISE FOR WHAT IF IT'S US: 'Romantic, realistic and sweet, this perfectly captures New York, teenage love and life in that gray area when you're not quite an adult and not quite a child either.' Lauren James, author of The Loneliest Girl in the UniversePRAISE FOR ADAM SILVERA: 'A phenomenal talent.' Juno Dawson, author of Clean and WonderlandPRAISE FOR BECKY ALBERTALLI: 'The love child of John Green and Rainbow Rowell.' Teen Vogue; 480 pages; Published: 28/12/2021

From the 7 Generations Seriesby David A Robertson | Illustrated by Scott B. HendersonGrade: for grades 9–12 In 1964, two brothers are taken from the warm and loving care of their grandparents, and spirited away to a residential school, miles from home. James, assigned to manual work on the grounds, sees less and less of his younger brother, Thomas. James soon discovers the anguish that Thomas is living under, which leads to unspeakable tragedy. The pain and guilt that dogs James continues to affect his troubled son, Edwin (introduced in book 1). But a new understanding is dawning between them… Ends/Begins is book 3 in the graphic novel series 7 Generations. Other books in this series: Book 1: Stone tells the story of a young Plains Cree man in the early 19th century, who fulfills his destiny as a warrior as he avenges his brother’s death. Book 2: Scars, the story of the orphan White Cloud, set against the smallpox epidemic of 1870-1871. Book 4: The Pact, a story of redemption, as James and his son, Edwin, reconcile their past and begin a new journey.

“Others Were Emeralds kept me on the edge of my seat from beginning to end. With lyrical and moving prose, Lang tells a stunning tale of love, loss, and the true power of friendship. A deep, beautiful novel." — Etaf Rum, New York Times bestselling author of A Woman is No Man Internationally acclaimed poet Lang Leav’s debut adult novel combines her poetical lyricism and emotional acumen to create an enthralling coming of age narrative set against the backdrop of anti-Asian sentiment sweeping Australia in the late 90’s. A stirring portrayal of guilt, loss, and memory, Others Were Emeralds explores the inherent danger of allowing our misconceptions to shape our reality. What comes first, the photograph or the memory? The daughter of Cambodian refugees, Ai grew up in the small Australian town of Whitlam populated by Asian immigrants who once fled war-torn countries to rebuild their shattered lives. It is now the late '90s and despite their parents' harrowing past, Ai and her tightknit group of school friends: charismatic Brigitte, sweet, endearing Bowie, shy, inscrutable Tin, and politically minded Sying, lead seemingly ordinary lives, far removed from the unimaginable horrors suffered by their parents. But that carefree innocence is shattered in their last year of school when Ai and her friends encounter a pair of racist men whose cruel acts of intimidation spiral into senseless violence. Grappling with the magnitude of her grief at such a young age, Ai leaves Whitlam for college before her trauma has a chance to fully resolve.  In her second year of college Ai suffers a mental health crisis, driving her back home to Whitlam, a place she swore never to return. There, she reconnects with those she left behind and together they are compelled to look back on the tragedy that shaped their adolescence and examine the role they may have unwittingly played. DETAILS ISBN-13: 9780063304024 Publisher: Harper Perennial Publication Date: September 5, 2023 Pages: 288

This 3 bedroom, 2 bathroom Craftsman house plan features 2,117 sq ft of living space. America's Best House Plans offers high quality plans from professional architects and home designers across the country with a best price guarantee. Our extensive collection of house plans are suitable for all lifestyles and are easily viewed and readily available when you begin the process of building your dream home. All our house designs are easy to read, versatile and affordable with a seamless modification process available if your plans need to be changed to suit your lifestyle and personal choice.

Dimensions (Overall): 7.9 Inches (H) x 5.3 Inches (W) x .8 Inches (D) Weight: .5 Pounds Suggested Age: 22 Years and Up Number of Pages: 304 Genre: Fiction + Literature Genres Sub-Genre: Thrillers Publisher: William Morrow & Company Theme: Supernatural Format: Paperback Author: Paul Tremblay Language: English Street Date: July 2, 2019 TCIN: 76345477 UPC: 9780062679116 Item Number (DPCI): 248-62-9786 Origin: Made in the USA or Imported If the item details above aren’t accurate or complete, we want to know about it. Report incorrect product info.