Explore Maxi Winter's 832 photos on Flickr!
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South Africa-based photographer and filmmaker Nico Krijno explores the connection and correspondence between the human body and its surroundings in an otherworldly way and always with a hidden sexual allusion, but these in equal measures with a particular focus on the humour that, as a matter, of fact stems from them. Through his passion for […]
We visited the charming seaside town of Hastings on a day trip from Hawthbush Farm where we stayed a couple of weeks ago. It is a favourite place of my fathers and we have friends here too so have visited a few times in the past. It is a working fishing town, with tall, imposing shiplap …
Learn what the angels are trying to tell you by showing you number 84 and then decide what to do with your life and future decisions.
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Decorate laptops, Hydro Flasks, cars and more with removable kiss-cut, vinyl decal stickers. Glossy, matte, and transparent options in various sizes. Super durable and water-resistant. My Lucky number is 63 Sports Sixty-Three.
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The Sao Paulo Bottoms are perfect for limiting your tan lines! The slim straps and cheeky bottoms provide the perfect amount of coverage for a sunny day. Bottoms include adjustable side ties.
Follow my advent calendar to find a festive treat all the way up until Christmas Day!
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A number is a mathematical object used to count, measure and label. Original examples are natural numbers 1, 2, 3, 4, 5, and so on. Numeral symbols is represents a number. Origin numbers are still a invisible secret. But I think it's safe to say that, as civilization advanced the numbers put forward by them;
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Numbers are ancient, meaningful, and powerful. It was the Pythagoreans in the 6th century BC who were one of the first groups to popularize the idea that numbers are not merely mathematical symbols but actually carry spiritual significance. As Pythagoras was once quoted to have said, “Number is the ruler of forms and ideas and the cause of gods and daemons.” Thanks to Pythagoras, we have a system of numerology that ascribes different meanings to numbers. But numerology is only one side of the coin: numbers have been given special meanings all throughout history, religion, and cultural mythology. From east
Unravel the secrets behind captivating numerical logos! Discover how colors, shapes, and patterns can transform digits into dynamic brand stories.
My wife got me the 1970 and '71 NYAD Annuals for Christmas and that lead me to ask Murray Tinkelman to clarify a few things about trends in illustration and graphic design at the time. Yesterday Murray explained how Pushpin Studios influenced the industry during that period. Today we discuss the role of the typographer during the same period... ~ Leif Peng LP: From looking through these books and from flipping through magazines from the early 1970s, it seems like often the concept or solution to almost any ad or design was entirely typographic. Can you tell me a little about Herb Lubalin? I've heard his name for a very long time - I see it again and again in these early 1970s NYAD Annuals - and I'm wondering if he was one of the people who shifted the visual landscape in commercial art. MT: Absolutely. He was an "illustrator with type." Herb was the most talented and best graphic designer I ever worked for. Whether it was when he was with U&lc (Upper & Lower Case) or some other client, he made every job I ever did for him look infinitely better after he got through with it. (Below, the December 1979 issue of U&lc, art by Murray Tinkelman, design by Herb Lubalin) MT: He would make additions - not on my art, but in the typography and design - he was a genius; a true, true genius. (Below, from the 50th NYAD Annual, design & art direction by Herb Lubalin, 1970) LP: And the thing is, Murray, I can't help but think that the beauty of working with type - in the manner Herb Lubalin did - is lost on most of today's designers. Do you know what I mean? MT: Yes I do. LP: Like, I don't think there's that same appreciation for how beautiful and vital letterforms are, the way it was when he and his fellow designers... When I look at that early '70s period in graphic arts, that typifies that period; that loving treatment of typography at that time. MT: Yes it does. And the use of hand lettering. Tom Carnase did a lot of the hand lettering for Lubalin. (Below, from the 50th NYAD Annual, hand lettering by Tom Carnase, design & art direction by Herb Lubalin, 1970) LP: Right. MT: It was, in those ways, really a golden era and I was lucky to have come on the scene at that time and work with Herb Lubalin. You know, in one of our earlier conversations I mentioned that breakthrough I had at the Saturday Evening Post... and Herb Lubalin was acting art director at the Post when that piece got published. LP: Oh my gosh! (Below, Saturday Evening Post DPS by Murray Tinkelman, October 1961, art direction by Herb Lubalin) MT: Yeah. I did a painting, 18" square of this wolverine and it had a tree in the background and a little bear climbing the tree and a little collage butterfly, a pink sky... and when I picked up the magazine at a newsstand; seeing it printed for the first time ever, I thought, "My God! Where's my piece?! It's been destroyed!" And then it took about ten seconds for me to realize it was so much better now, with all that crap removed and his incredible typography surrounding what was left of my painting. (Murray chuckles) That got in every show; it got in the Type Directors' Show (not because of my painting, because of Herb's type), it got into the Art Directors' Show (because of Herb's art direction), it got into the Illustrators' Show (that, at least, was because of my painting). LP: Although this early '70s ad series below isn't by Herb Lubalin, I find it demonstrates in the most spectacular fashion the effectiveness of strong typography as an integral element in a powerful graphic design. LP: Lubalin said "You can do a good ad without good typography but you can't do a great ad without good typography." I think this series proves his point. Continued tomorrow * Murray Tinkelman has won Gold Medals from The Society of Illustrators, The New York Art Directors Club and The Society of Publication Designers. He has over 200 Awards of Merit from The Society of Illustrators. Murray is the director of Hartford Art School’s limited-residency Master of Fine Arts in Illustration program. * Many thanks to Tony Gleeson for providing the scans of the Audi Fox ad series
Ardor Woodcut print by Liv Rainey-Smith Edition of 30 hand pulled woodcut prints Signed and numbered Oil-based ink on acid-free cotton rag paper (all archival materials) 6 x 4 inch image size 10 × 8 inch paper size Shipped flat via First Class Mail or International Airmail. Portland artist Liv Rainey-Smith specializes in the superannuated art of hand-pulled xylographic prints. Her unique woodcut process incorporates a mixture of traditional and modern tools as well as a blend of European and Japanese printmaking technique. Each woodcut print is an original impression direct from the hand-carved woodblock
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What does Numerology 9 mean and symbolize when you see it in your life. The meaning of Number 9 and personality traits and compatibility.
Check our FREE Number Tracing Worksheets for tracing numbers 1-10. There are separate sets for tracing numbers using crayons or pencil.
15 designed by Steve Wolf. Connect with them on Dribbble; the global community for designers and creative professionals.
A simple logic and maths puzzle has sparked debate on Facebook after thousands of people have debated over the answer.
