Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: The Vertebrate Band, &c. 10 Plate 93. 148 BANDS. Text Appearing After Image: Plate 94. The Undulate Band. BANDS Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
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The Dekorative Vorbilder, was a decorative arts periodical published by Julius Hoffman in Stuttgart, Germany from 1890 until the late 1920s. The series featured work from a variety of artists, and it...
Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: Plate 174. The Circle Diaper, &c. EEPEATING ORNAMENT. 285 Text Appearing After Image: The Circle Diaper, &c. Plate 175. 286 The Circle Diaper, &c — Various Diapers. 12th centuries, painting begins, followed by Glass-painting strictlyso-called, the design being outlined in brown paint; flashed glass, &c.followed later. After passing through a period of decadence; and almost vanishingduring the last two centuries; Glass-painting has, of late years, againbecome the object of great attention, and especially that branch which,leaving strict painting on one side, produces its most striking effectswith coloured glass and leaden cames. The vigorous outlines,produced by the lead-setting, enhance the brilliancy of the- colours,and prevent the impleasant optical effect produced by the blending ofcontiguous tints. We have here to deal only with the ornamental decoration olsnrfaces by painting or mosaic. The best examples are to be foundin the transition period from the Romanesque to the Gothic style inthe churches of Germany, France, and England, the three countriesw Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Volume title pages, -v. 3, The decorator's assistant and weekly record of painting, sculpture, popular science &ct.; v. 4-5, The decorator's assistant
Miscellaneous nineteenth and twentieth century illustrated and photographic postcards, showing architectural details and scenes. Mostly from Great Britain and...
This is an excerpt from “Carving the Acanthus Leaf” by Mary May. DRAWING THE SYMMETRICAL ‘S’ CURVE This example works with multiple curves and shows how to draw a symmetrical design tha…
Added color t.p.: The encyclopedia of ornament
Printed in Germany
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Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: The Circular Panel. Plate 158.17* ^60 ENCLOSED ORNAMENT. Text Appearing After Image: Plate 159. The Circul Panel. ENCLOSED OENAMENT. 261 Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
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Download the Vector abstract golden background with arabic motifs. Art deco wedding, party pattern, geometric ornament. 4684999 royalty-free Vector from Vecteezy for your project and explore over a million other vectors, icons and clipart graphics!
A single issue, in wraps and apparently complete, of The American Art Student and Commercial Artist, from October, 1924 (Volume 8, Number 2).The central...
72 p., 8 leaves of plates : 19 cm
xx, 267 p. : 21 cm
After taking a look at Art Deco last week, I became curious about Art Nouveau. "What's the difference?" kept entering my mind. So I did a little research. Flower border Turns out I'm addressing them backwards: Art Nouveau (new art) is the earlier style and is more naturalistic. That should have been last week's inspiration. Art Nouveau architecture My mnemonic: First, art is "nouveau," (pronounced new-voe) and natural; it includes shapes from nature such as leaves, arcs, ferns. Note the arcs, parabolas, and flower stamens Then, it decorates and styles a space, including sleek, geometric lines, chrome, zigzags. This is a broadly defining way of remembering the differences, but I need something. As you look at the modern quilts below, note the arcs, parabolas, flowers, and stylized, contrasting lines. Do you agree that these have some elements of Art Nouveau? Do you find that they also have elements of Art Deco as well? It gets a little confusing, doesn't it?
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216 p
A collection of Christopher Dresser design prints from his textbook the Art of Decorative Design, all in the Public Domain.
40 elements ART NOUVEAU style. Flourishes calligraphic ornaments and frames. Retro style of design elements, postcard, banners, logos - 10 illustration files PNG Vintage elements ART NOUVEAU style for your card, label, border, sticker, menu, signboard, t-shirt, book, magazine, notebook and any other application. Dimensions files: 4096x4096, 72 px !!!You download the pdf file, which will contain a link to the google drive folder in which these files are located
Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: 3). Itis self-evident that Lanterns must be so arranged that they can beopened for cleaning, &c. Plate 218. The Pendant-lajip. 1. Old Moorish, iron. United collections, Carlsruhe. 2. Mediaeval, wrought-iron, for several candles, German, (Pormen-schatz). 3. French, Hotel Vogue, Dijon, 17th century, (Lart pour tous). 4. Modern, for Electric glow-light, by Peter, of Esslingen, (Ge-werbehalle). 5—6. Modern, (Gewerbehalle). The Chandelier. (Plate 219.) The arrangement, of a considerable number of lights in circularform on a framework intended for suspension, led to the constructionof the Chandelier. In the Middle Ages: the lights were all placedin the same plane so that they formed a ring (fig. 2); the Re-nascence secured greater richness and variety of design by a numberof rings, an arrangement which has usually been retained in ourmodern Chandeliers (fig. 3 and 4). Further variety is attained bythe alternation of the lights in the different rings. Wroucrht - iron 374 METAL OBJECTS. Text Appearing After Image: Plate 218. The Pendant-Lamp. The Chandelier. — The Modem Lamp. 375 and bronze, along with glass (Venetian chandeliers), and of late yearscheap cast-iron, and zinc, are the chief materials. Original, and uni-que in design is the mermaid chandelier consisting of female half-figures terminating in fish-tails, and furnished with antlers to carrythe candles (fig. 1). The slender chains by which these mer-maids, and other lamps and lanterns, were suspended, are replaced inmodern chandeliers by a tube which also serves as a gas-pipe. Inthe former case the chain was carried over pulleys so that the lightcould be shifted higher or lower; in modern chandeliers the adjust-ment is effected by means of a stuffing-box with balance weights(fig. 7). Very frequently the lower end of the Chandelier terminatesin a ring, to facilitate the change in height. In addition to the globesround the flames, guards are often placed over them, to protect theceiling from heat and soot. Each burner must be connecte Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Explore the fascinating portfolio of hand painted wedding invitations that combine drawings, watercolour washes and acrylic paint gestural backgrounds.
Elizabeth Metcalfe considers how a movement that began in the late nineteenth century is still relevant today and highlights how its distinctive designs for fabrics, wallpapers and furniture continue to inspire interiors.
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Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: Vertebrate. When the main-stem oscillatesfrom side to side (as in Plate 93. 4, 5, & 8), then the arrangementis termed Undulate. Plate 93. The Vertebrate Band, &c. 1—6. Paintings, Greek, terracotta vessels. 7—8. French, mural paintings, 13th century, (Racinet). 9. Glass window, Cathedral, Bourges, 14th century, (Racinet). 10. Medieval. 11. Intarsia, Sta. Maria in Organo, Verona, 1499. 12. Modern, plate-border. Plate 94. The Undulate Band. 1—3. Persian, metal vessels, (Racinet). 4. Indian. 5. Byzantine, glass mosaic, San Marco, Venice, (Musterornamente). 6. Portion of Romanesque initial, 13th century, Berlin Museum. 7. Romanesque, portal of cathedral, Lucca, (Musterornamente). 8. Gothic flat carving, end of 15th century, (Musterornamente). 9. Medieval, mural painting, Swedish church. 10. French, mural painting, 13th century, (Racinet). 11. Early Gothic, French. 12. Gothic, manuscript ornamentation. 13. Late Gothic, flat carving, 15th century, (Musterornamente). BANDS. 147 Text Appearing After Image: The Vertebrate Band, &c. 10 Plate 93. 148 BANDS. Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Half title: Ornamental design for woven fabrics
108 p. : 24 cm
xx, 267 p. : 21 cm
First edition by Charles J. Strong
From our Songbird series: 4x8 Long Stem is adapted from a Talwin Morris book jacket. It harmonizes perfectly with our 4x8 and 8x8 Songbird tiles.
M.A. and J. van Nieukerken. Tegels damestoilet eerste verdieping Bataafsche Petroleum Maatschappij, 1916. Collectie NAi, NIEU 270 Ondanks de opkomst van moderne stromingen als het functionalisme, bleven de gebroeders van Nieukerken stug vasthouden aan hun traditionele, ambachtelijke en historiserende architectuur. M.A. and J. van Nieukerken. Tiles for ladies room in the Bataafsche Petroleum Maatschappij, The Hague, 1916. NAI Collection, NIEU 270 Despite the emergence of modern movements such as Functionalism, the Van Nieukerken brothers stuck to their traditional, artisanal and historicising style of architecture.
Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: The Square Diaper, &c. Plate 171. 280 REPEATING ORNAMENT. Text Appearing After Image: f y^-^^-^-^/--^^ J Plate 172. The Circle Diaper, &c. The Circle Diaper, Scale Diaper, &c. 281 In the Arabian and the Moorish styles, incrustations of Mosaics instone and glazed terracotta were a popular method of wall-decoration.The art of mosaic has never acquired a firm footing in northerncountries. Plate 172. The Circle Dlu>ee, &c. 1. Mosaic, cathedral, Monreale, Sicily. 2. Arabian mosaic, stucco on stone, (Pxisse dAvennes). 3. Eoman mosaic. 4. Marble mosaic, windows, cathedral, Florence, (Hessemer). 5. Geometrical pattern, Sta. Croce, Florence. 6. Marble mosaic, San Vitale, Ravenna, (Hessemer). 7. Modem tesselated mosaic, Sorrento. 8 and 10. Moorish mosaic, Ambassadors Hall, Alhambra, Granada, (Owen Jones).9. Arabian mosaic, stucco on stone, (Prisse dAvennes). The Scale Diaper, &c. (Enamel.) (Plate 173.) Where the surfaces of metal utensils and vessels are to receivea flat decoration this is usually effected by engraving, etching, dam-askeening, enamel, or niell Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
3 p. \U+fffd\., 53 p., 1 \U+fffd\., 192 pl. 25 cm
3 p. \U+fffd\., 53 p., 1 \U+fffd\., 192 pl. 25 cm
statement of responsibility: by Owen Jones; illustrated by examples from various styles of ornament. One hundred folio plates, drawn on stone by F. Bedford,...
1. Treats of prehistoric art; ancient art and architecture: Eastern, early Christian, Byzantine, Saracenic, Romanesque, Gothic, and renaissance architecture...
3 p. \U+fffd\., 53 p., 1 \U+fffd\., 192 pl. 25 cm
