The result of a four-month journey across Zambia, this volume bears witness to Paolo Solari Bozzi's love for the poetry of Southern Africa and its peoples. For four months in 2014, Paolo Solari Bozzi traveled across Zambia, penetrating into some of the lesser-known areas of this fascinating country, including the remote Bangwelu swamps, where the locals had hardly ever come across a European visitor. Using mechanical medium-format cameras and wide-angle lenses, Paolo depicts, in around 120 black-and-white pictures developed in his own darkroom, some aspects of the lives of Zambians at work--be they fishermen, harvesters, road workers, miners, or shopkeepers, without forgetting the innate beauty of a landscape captured in photographs taken from above.
Arcology: noun (plural arcologies) an ideal integrated city contained within a massive vertical structure, allowing maximum conservation of the surrounding environment. Origin: 1969: blend of archi…
Brutalist Style. Uncommon early shape. Fantastic patina. Wonderful sound. I bought this early piece at the Arcosanti foundry of Paolo Solari in Paradise Valley, Arizona in 1977. It is a sand-cast bronze bell, clapper, and hanging bar with his signature copper "fin" shaped windcatcher. All the parts are original, except for the internal chain between the clapper and the bell, which was replaced with a new Cosanti chain. It has a verdigris patina that has been enhanced from being exposed to a Northern California seaside environment. less
Sand cast bronze bell. Early bronze bell by Italian-American artist Paolo Solari. Done in the brutalist style All original 28” in length bell and ringer measuring 8’ of total length Signed Beautiful condition
Skip Sedona and forget the Grand Canyon? Architect Will Bruder leads us on a journey through slow food and rapid development in Phoenix, Arizona.
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Arcosanti, Charlotte Taylor. Limited edition of 12, printed on 310gsm Fine Art textured paper. A3 size. Charlotte Taylor’s illustrations feature both real and fictional spaces
Brutalist Style. Uncommon early shape. Fantastic patina. Wonderful sound. I bought this early piece at the Arcosanti foundry of Paolo Solari in Paradise Valley, Arizona in 1977. It is a sand-cast bronze bell, clapper, and hanging bar with his signature copper "fin" shaped windcatcher. All the parts are original, except for the internal chain between the clapper and the bell, which was replaced with a new Cosanti chain. It has a verdigris patina that has been enhanced from being exposed to a Northern California seaside environment. less
Les illustrations de Charlotte Taylor ont pour point de départ un espace architectural, parfois réel, parfois imaginé par l'artiste.
The result was 70s Style & Design, a book that's particularly relevant as '70s trends continue to influence fashion, from Louis Vuitton couture to ba...
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Brutalist Style. Uncommon early shape. Fantastic patina. Wonderful sound. I bought this early piece at the Arcosanti foundry of Paolo Solari in Paradise Valley, Arizona in 1977. It is a sand-cast bronze bell, clapper, and hanging bar with his signature copper "fin" shaped windcatcher. All the parts are original, except for the internal chain between the clapper and the bell, which was replaced with a new Cosanti chain. It has a verdigris patina that has been enhanced from being exposed to a Northern California seaside environment. less
Brutalist Style. Uncommon early shape. Fantastic patina. Wonderful sound. I bought this early piece at the Arcosanti foundry of Paolo Solari in Paradise Valley, Arizona in 1977. It is a sand-cast bronze bell, clapper, and hanging bar with his signature copper "fin" shaped windcatcher. All the parts are original, except for the internal chain between the clapper and the bell, which was replaced with a new Cosanti chain. It has a verdigris patina that has been enhanced from being exposed to a Northern California seaside environment. less
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
Prizes and exhibitions wellestablished photographers and promising new names on the international scene: three different events in Milan focus on architecture and
The result of a four-month journey across Zambia, this volume bears witness to Paolo Solari Bozzi's love for the poetry of Southern Africa and its peoples. For four months in 2014, Paolo Solari Bozzi traveled across Zambia, penetrating into some of the lesser-known areas of this fascinating country, including the remote Bangwelu swamps, where the locals had hardly ever come across a European visitor. Using mechanical medium-format cameras and wide-angle lenses, Paolo depicts, in around 120 black-and-white pictures developed in his own darkroom, some aspects of the lives of Zambians at work--be they fishermen, harvesters, road workers, miners, or shopkeepers, without forgetting the innate beauty of a landscape captured in photographs taken from above.
