This uniquely designed mug is perfect for your morning pick-me-up coffee, evening hot chocolate or some relaxing tea.If you're not buying this mug for yourself, then it will make a great gift to light up someone's day every time they have a drink.
German postcard. Ross Verlag, No. 3387/2. Paramount. Polish film actress Pola Negri (1897-1987) achieved notoriety as a femme fatale in German and American silent films between the 1910s and 1930s. In the late 1910s and the 1920s, she achieved notoriety as a femme fatale in silent films in Poland, Berlin, and Hollywood. Negri was an overnight sensation in Ernst Lubitsch' Madame du Barry/Passion (1919). Her vamp roles were so popular that she was a direct rival of Theda Bara, and lived in a Hollywood palace, modelled after the White House.
Granular synthesizer en Granular effectprocessor Bruikbaar als synthesizer en als effectprocessor Uitgebreide instelmogelijkheden voor de Grain-parameters via speciale potmeters Tot 32 samples kunnen worden opgeslagen (samples kunnen geïmporteerd en geëxporteerd worden via MIDI) Sampler functie 2 LFO's met verschillende golfvormen Kan ook worden toegepast op Grain-parameters Filter: LPF / HPF / BPF 128-Stepsequencer (3-stemmig polyfoon) 16 Pattern presets en 128 Pattern-geheugenplaatsen Pattern Chain Playback en Looping Chain Playback Shimmer Reverb met verschillende Reverb ruimtes 3,5 mm Jack sync in/uit MIDI in/uit Line in en uit Hoofdtelefoonaansluiting Ingebouwde luidspreker Stroomvoorziening via 9V DC netadapter (niet meegeleverd) of 6x AA-batterijen Afmetingen (L x B x H): 297 x 176 x 48 mm Gewicht: 790 g 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds Mei 2023 artikelnummer 567005 verkoopseenheid 1 stuk Number Of Keys 27 Touch-Sensitive No Aftertouch No Split Zones No Modulation Wheel No Number of simultaneous Voices 4 Sound Engine Digital MIDI interface 1x In, 1x Out Storage Medium None USB-port No Effects Reverb, Delay Arpeggiator Yes Number of Analog Outputs 1 Digital Output No Display No Pedal Connections None Dimensions 297 x 176 x 48 mm Weight 0,8 kg Toon meer
Tenha uma cobertura completa e duradoura com a base fluida de alta cobertura da NYX. Matifica e controla o brilho para todos os tipos de pele. Experimente agora! #NYX #maquiagem #basefluida #coberturacompleta #matificante #duradoura #todosostiposdepele #vegan.
Granular synthesizer en Granular effectprocessor Bruikbaar als synthesizer en als effectprocessor Uitgebreide instelmogelijkheden voor de Grain-parameters via speciale potmeters Tot 32 samples kunnen worden opgeslagen (samples kunnen geïmporteerd en geëxporteerd worden via MIDI) Sampler functie 2 LFO's met verschillende golfvormen Kan ook worden toegepast op Grain-parameters Filter: LPF / HPF / BPF 128-Stepsequencer (3-stemmig polyfoon) 16 Pattern presets en 128 Pattern-geheugenplaatsen Pattern Chain Playback en Looping Chain Playback Shimmer Reverb met verschillende Reverb ruimtes 3,5 mm Jack sync in/uit MIDI in/uit Line in en uit Hoofdtelefoonaansluiting Ingebouwde luidspreker Stroomvoorziening via 9V DC netadapter (niet meegeleverd) of 6x AA-batterijen Afmetingen (L x B x H): 297 x 176 x 48 mm Gewicht: 790 g 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds Mei 2023 artikelnummer 567005 verkoopseenheid 1 stuk Number Of Keys 27 Touch-Sensitive No Aftertouch No Split Zones No Modulation Wheel No Number of simultaneous Voices 4 Sound Engine Digital MIDI interface 1x In, 1x Out Storage Medium None USB-port No Effects Reverb, Delay Arpeggiator Yes Number of Analog Outputs 1 Digital Output No Display No Pedal Connections None Dimensions 297 x 176 x 48 mm Weight 0,8 kg Toon meer
May / June 2024 This issue goes to press hot on the heels of my return from the Selvedge Textile Tour of India. I want to take this opportunity to thank my team for going above and beyond in putting the magazine together in my absence, to Katerina, Catherine, Florencia, Kate, and Ella – without your dedication; this issue simply would not have been possible. I also want to thank Param Pandya and Ravi Ramswami in India and all of the hundreds of artisans, designers, and curators from Ladakh to Kerala who invited us into their homes and hearts – your warmth and hospitality will stay with us forever.Leading a tour has highlighted the importance of teamwork, and in this issue, we focus on working hand-in-hand with others. For instance, the special relationship between teacher and student is explored in Nicola Miles’s article about her teacher and mentor, Lou Taylor. In this article, Taylor describes the pleasure of watching students encounter historic garments for the first time. In another story, we discover how Nike Davies-Okundaye balances the pleasure of solitary work and what she gains from sharing her skills by burning the midnight oil!Successful collaborations come in many forms and involve different levels of cooperation. Madrid-based Milliners Maleza joined forces with Claudy Jongstra in her LOADS project – the resulting hats were the outcome of discrete contributions from both designers. Similarly, when designer Odette Blum invited 27 artists to respond to a theme, she gave them a free hand – the project culminated in a book that celebrates their different visions. As Elizabeth King, Head of Costume Production at the Royal Opera House in London, explains, collaborations with more rigid external parameters require more skilled negotiations. Yet, when costume designer Sandy Powell realised a director’s vision, ultimate insight, intuition, and even greater communication were needed.During my time in India, I came face-to-face with collaborations between artisans and designers where both parties were equally respected. From this position of strength, they could overcome the challenges facing the craft community. The information age has brought new opportunities and the promise of a better quality of life but it also threatens the survival of the intangible cultural heritage of hand work. Thao Phuong shares her account of how artisan Phan Thi Thuan navigates the symbiotic relationship between tourists and craft in Vietnam by contributing to the greater interest in lotus-silk weaving and deftly demonstrating how crafts can survive hand in hand with tourism. Ramesh Menon of Save the Loom warns in Vinita Makhija’s article “Hope for Handloom” about “handmade being positioned on the premise of charity.” He notes, “Most who venture to support continue to play this card, damaging the sector. Handmade is the ultimate luxury and needs to be positioned and marketed in that realm.” Views shared by Madhu Vaishnav of Saheli Women, a co-operative based in Rajasthan. In a round-table conversation, Makhaja’s panel contributed insights into how technology can be used in tandem with the craft sector for mutual benefit. I leave you with the thought that perhaps to save craft; we must collaborate with technology. Polly Leonard, Founder Published on 15 April.
Cores divertidas e uma maneira rápida de calçar e sair por aí – o que mais seu filho poderia precisar? Estilo Jordan clássico? Não se preocupe, também temos. Materiais premium e espuma macia sob os pés significam que as crianças podem arrasar com eles nos dias de escola, brincadeiras e tudo mais.BenefíciosA faixa aderente permite que você abra a área do cadarço como um livro para ajudar a facilitar para você - ou seu filho - a deslizar os pés que não param.O couro autêntico e sintético na parte de cima oferece durabilidade e estrutura.A borracha no solado ajuda a proporcionar ampla tração aos seus pequenos.Detalhes do ProdutoPuxador no calcanharPerfurações na região dos dedos
May / June 2024 This issue goes to press hot on the heels of my return from the Selvedge Textile Tour of India. I want to take this opportunity to thank my team for going above and beyond in putting the magazine together in my absence, to Katerina, Catherine, Florencia, Kate, and Ella – without your dedication; this issue simply would not have been possible. I also want to thank Param Pandya and Ravi Ramswami in India and all of the hundreds of artisans, designers, and curators from Ladakh to Kerala who invited us into their homes and hearts – your warmth and hospitality will stay with us forever.Leading a tour has highlighted the importance of teamwork, and in this issue, we focus on working hand-in-hand with others. For instance, the special relationship between teacher and student is explored in Nicola Miles’s article about her teacher and mentor, Lou Taylor. In this article, Taylor describes the pleasure of watching students encounter historic garments for the first time. In another story, we discover how Nike Davies-Okundaye balances the pleasure of solitary work and what she gains from sharing her skills by burning the midnight oil!Successful collaborations come in many forms and involve different levels of cooperation. Madrid-based Milliners Maleza joined forces with Claudy Jongstra in her LOADS project – the resulting hats were the outcome of discrete contributions from both designers. Similarly, when designer Odette Blum invited 27 artists to respond to a theme, she gave them a free hand – the project culminated in a book that celebrates their different visions. As Elizabeth King, Head of Costume Production at the Royal Opera House in London, explains, collaborations with more rigid external parameters require more skilled negotiations. Yet, when costume designer Sandy Powell realised a director’s vision, ultimate insight, intuition, and even greater communication were needed.During my time in India, I came face-to-face with collaborations between artisans and designers where both parties were equally respected. From this position of strength, they could overcome the challenges facing the craft community. The information age has brought new opportunities and the promise of a better quality of life but it also threatens the survival of the intangible cultural heritage of hand work. Thao Phuong shares her account of how artisan Phan Thi Thuan navigates the symbiotic relationship between tourists and craft in Vietnam by contributing to the greater interest in lotus-silk weaving and deftly demonstrating how crafts can survive hand in hand with tourism. Ramesh Menon of Save the Loom warns in Vinita Makhija’s article “Hope for Handloom” about “handmade being positioned on the premise of charity.” He notes, “Most who venture to support continue to play this card, damaging the sector. Handmade is the ultimate luxury and needs to be positioned and marketed in that realm.” Views shared by Madhu Vaishnav of Saheli Women, a co-operative based in Rajasthan. In a round-table conversation, Makhaja’s panel contributed insights into how technology can be used in tandem with the craft sector for mutual benefit. I leave you with the thought that perhaps to save craft; we must collaborate with technology. Polly Leonard, Founder Published on 15 April.
Granular synthesizer en Granular effectprocessor Bruikbaar als synthesizer en als effectprocessor Uitgebreide instelmogelijkheden voor de Grain-parameters via speciale potmeters Tot 32 samples kunnen worden opgeslagen (samples kunnen geïmporteerd en geëxporteerd worden via MIDI) Sampler functie 2 LFO's met verschillende golfvormen Kan ook worden toegepast op Grain-parameters Filter: LPF / HPF / BPF 128-Stepsequencer (3-stemmig polyfoon) 16 Pattern presets en 128 Pattern-geheugenplaatsen Pattern Chain Playback en Looping Chain Playback Shimmer Reverb met verschillende Reverb ruimtes 3,5 mm Jack sync in/uit MIDI in/uit Line in en uit Hoofdtelefoonaansluiting Ingebouwde luidspreker Stroomvoorziening via 9V DC netadapter (niet meegeleverd) of 6x AA-batterijen Afmetingen (L x B x H): 297 x 176 x 48 mm Gewicht: 790 g 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds Mei 2023 artikelnummer 567005 verkoopseenheid 1 stuk Number Of Keys 27 Touch-Sensitive No Aftertouch No Split Zones No Modulation Wheel No Number of simultaneous Voices 4 Sound Engine Digital MIDI interface 1x In, 1x Out Storage Medium None USB-port No Effects Reverb, Delay Arpeggiator Yes Number of Analog Outputs 1 Digital Output No Display No Pedal Connections None Dimensions 297 x 176 x 48 mm Weight 0,8 kg Toon meer
De focus van deze zwarte LED opbouwspot is de RGB-functie, die met een afstandsbediening wordt bediend en naast 7 vaste kleuren ook dynamische kleurveranderingen mogelijk maakt. Een neutraal witte lichtkleur van 4000K is ook geïntegreerd. Alle functies van deze LED opbouwarmatuur kunnen met een afstandsbediening worden bediend. Dim het licht, kies uit verschillende kleuropties, stel een timer in of zet het nachtlampje aan. De LED plafondlamp is ideaal voor de kinderkamer en slaapkamer, want hij heeft een nachtlichtfunctie (laagste dimniveau, warm wit licht), een timer van 30 minuten en kleurrijke lichtkleuren. Een geïntegreerde geheugenfunctie slaat de met de afstandsbediening gekozen instellingen op voor de volgende keer dat hij via de wandschakelaar wordt ingeschakeld. Zo worden uw parameters niet gereset na het uitschakelen van de LED-armatuur via de lichtschakelaar. Met een diameter van 380 mm en een hoogte van 50 mm heeft de LED plafondlamp een aantrekkelijk formaat.
May / June 2024 This issue goes to press hot on the heels of my return from the Selvedge Textile Tour of India. I want to take this opportunity to thank my team for going above and beyond in putting the magazine together in my absence, to Katerina, Catherine, Florencia, Kate, and Ella – without your dedication; this issue simply would not have been possible. I also want to thank Param Pandya and Ravi Ramswami in India and all of the hundreds of artisans, designers, and curators from Ladakh to Kerala who invited us into their homes and hearts – your warmth and hospitality will stay with us forever.Leading a tour has highlighted the importance of teamwork, and in this issue, we focus on working hand-in-hand with others. For instance, the special relationship between teacher and student is explored in Nicola Miles’s article about her teacher and mentor, Lou Taylor. In this article, Taylor describes the pleasure of watching students encounter historic garments for the first time. In another story, we discover how Nike Davies-Okundaye balances the pleasure of solitary work and what she gains from sharing her skills by burning the midnight oil!Successful collaborations come in many forms and involve different levels of cooperation. Madrid-based Milliners Maleza joined forces with Claudy Jongstra in her LOADS project – the resulting hats were the outcome of discrete contributions from both designers. Similarly, when designer Odette Blum invited 27 artists to respond to a theme, she gave them a free hand – the project culminated in a book that celebrates their different visions. As Elizabeth King, Head of Costume Production at the Royal Opera House in London, explains, collaborations with more rigid external parameters require more skilled negotiations. Yet, when costume designer Sandy Powell realised a director’s vision, ultimate insight, intuition, and even greater communication were needed.During my time in India, I came face-to-face with collaborations between artisans and designers where both parties were equally respected. From this position of strength, they could overcome the challenges facing the craft community. The information age has brought new opportunities and the promise of a better quality of life but it also threatens the survival of the intangible cultural heritage of hand work. Thao Phuong shares her account of how artisan Phan Thi Thuan navigates the symbiotic relationship between tourists and craft in Vietnam by contributing to the greater interest in lotus-silk weaving and deftly demonstrating how crafts can survive hand in hand with tourism. Ramesh Menon of Save the Loom warns in Vinita Makhija’s article “Hope for Handloom” about “handmade being positioned on the premise of charity.” He notes, “Most who venture to support continue to play this card, damaging the sector. Handmade is the ultimate luxury and needs to be positioned and marketed in that realm.” Views shared by Madhu Vaishnav of Saheli Women, a co-operative based in Rajasthan. In a round-table conversation, Makhaja’s panel contributed insights into how technology can be used in tandem with the craft sector for mutual benefit. I leave you with the thought that perhaps to save craft; we must collaborate with technology. Polly Leonard, Founder Published on 15 April.
Granular synthesizer en Granular effectprocessor Bruikbaar als synthesizer en als effectprocessor Uitgebreide instelmogelijkheden voor de Grain-parameters via speciale potmeters Tot 32 samples kunnen worden opgeslagen (samples kunnen geïmporteerd en geëxporteerd worden via MIDI) Sampler functie 2 LFO's met verschillende golfvormen Kan ook worden toegepast op Grain-parameters Filter: LPF / HPF / BPF 128-Stepsequencer (3-stemmig polyfoon) 16 Pattern presets en 128 Pattern-geheugenplaatsen Pattern Chain Playback en Looping Chain Playback Shimmer Reverb met verschillende Reverb ruimtes 3,5 mm Jack sync in/uit MIDI in/uit Line in en uit Hoofdtelefoonaansluiting Ingebouwde luidspreker Stroomvoorziening via 9V DC netadapter (niet meegeleverd) of 6x AA-batterijen Afmetingen (L x B x H): 297 x 176 x 48 mm Gewicht: 790 g 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds Mei 2023 artikelnummer 567005 verkoopseenheid 1 stuk Number Of Keys 27 Touch-Sensitive No Aftertouch No Split Zones No Modulation Wheel No Number of simultaneous Voices 4 Sound Engine Digital MIDI interface 1x In, 1x Out Storage Medium None USB-port No Effects Reverb, Delay Arpeggiator Yes Number of Analog Outputs 1 Digital Output No Display No Pedal Connections None Dimensions 297 x 176 x 48 mm Weight 0,8 kg Toon meer
Tenha uma cobertura completa e duradoura com a base fluida de alta cobertura da NYX. Matifica e controla o brilho para todos os tipos de pele. Experimente agora! #NYX #maquiagem #basefluida #coberturacompleta #matificante #duradoura #todosostiposdepele #vegan.
Siz: Medya* Siz: Sen benim adresimi nereden biliyorsun aq? Siz: Hayır abi madem biliyorsun beni mi sikeceksin? Siz: Yemin ederim saygım var desteklerim ama o gruba dahil değilim. Siz: Netflix alacak param yok diye 1 aydır kaçak sitelerden izlediğim diziden beni taciz ediyorsun. Siz: Hayır ne istiyorsun, Buse? Siz: Medya* Siz: Buse sadece 19 km uzaklıkta...
May / June 2024 This issue goes to press hot on the heels of my return from the Selvedge Textile Tour of India. I want to take this opportunity to thank my team for going above and beyond in putting the magazine together in my absence, to Katerina, Catherine, Florencia, Kate, and Ella – without your dedication; this issue simply would not have been possible. I also want to thank Param Pandya and Ravi Ramswami in India and all of the hundreds of artisans, designers, and curators from Ladakh to Kerala who invited us into their homes and hearts – your warmth and hospitality will stay with us forever.Leading a tour has highlighted the importance of teamwork, and in this issue, we focus on working hand-in-hand with others. For instance, the special relationship between teacher and student is explored in Nicola Miles’s article about her teacher and mentor, Lou Taylor. In this article, Taylor describes the pleasure of watching students encounter historic garments for the first time. In another story, we discover how Nike Davies-Okundaye balances the pleasure of solitary work and what she gains from sharing her skills by burning the midnight oil!Successful collaborations come in many forms and involve different levels of cooperation. Madrid-based Milliners Maleza joined forces with Claudy Jongstra in her LOADS project – the resulting hats were the outcome of discrete contributions from both designers. Similarly, when designer Odette Blum invited 27 artists to respond to a theme, she gave them a free hand – the project culminated in a book that celebrates their different visions. As Elizabeth King, Head of Costume Production at the Royal Opera House in London, explains, collaborations with more rigid external parameters require more skilled negotiations. Yet, when costume designer Sandy Powell realised a director’s vision, ultimate insight, intuition, and even greater communication were needed.During my time in India, I came face-to-face with collaborations between artisans and designers where both parties were equally respected. From this position of strength, they could overcome the challenges facing the craft community. The information age has brought new opportunities and the promise of a better quality of life but it also threatens the survival of the intangible cultural heritage of hand work. Thao Phuong shares her account of how artisan Phan Thi Thuan navigates the symbiotic relationship between tourists and craft in Vietnam by contributing to the greater interest in lotus-silk weaving and deftly demonstrating how crafts can survive hand in hand with tourism. Ramesh Menon of Save the Loom warns in Vinita Makhija’s article “Hope for Handloom” about “handmade being positioned on the premise of charity.” He notes, “Most who venture to support continue to play this card, damaging the sector. Handmade is the ultimate luxury and needs to be positioned and marketed in that realm.” Views shared by Madhu Vaishnav of Saheli Women, a co-operative based in Rajasthan. In a round-table conversation, Makhaja’s panel contributed insights into how technology can be used in tandem with the craft sector for mutual benefit. I leave you with the thought that perhaps to save craft; we must collaborate with technology. Polly Leonard, Founder Published on 15 April.
May / June 2024 This issue goes to press hot on the heels of my return from the Selvedge Textile Tour of India. I want to take this opportunity to thank my team for going above and beyond in putting the magazine together in my absence, to Katerina, Catherine, Florencia, Kate, and Ella – without your dedication; this issue simply would not have been possible. I also want to thank Param Pandya and Ravi Ramswami in India and all of the hundreds of artisans, designers, and curators from Ladakh to Kerala who invited us into their homes and hearts – your warmth and hospitality will stay with us forever.Leading a tour has highlighted the importance of teamwork, and in this issue, we focus on working hand-in-hand with others. For instance, the special relationship between teacher and student is explored in Nicola Miles’s article about her teacher and mentor, Lou Taylor. In this article, Taylor describes the pleasure of watching students encounter historic garments for the first time. In another story, we discover how Nike Davies-Okundaye balances the pleasure of solitary work and what she gains from sharing her skills by burning the midnight oil!Successful collaborations come in many forms and involve different levels of cooperation. Madrid-based Milliners Maleza joined forces with Claudy Jongstra in her LOADS project – the resulting hats were the outcome of discrete contributions from both designers. Similarly, when designer Odette Blum invited 27 artists to respond to a theme, she gave them a free hand – the project culminated in a book that celebrates their different visions. As Elizabeth King, Head of Costume Production at the Royal Opera House in London, explains, collaborations with more rigid external parameters require more skilled negotiations. Yet, when costume designer Sandy Powell realised a director’s vision, ultimate insight, intuition, and even greater communication were needed.During my time in India, I came face-to-face with collaborations between artisans and designers where both parties were equally respected. From this position of strength, they could overcome the challenges facing the craft community. The information age has brought new opportunities and the promise of a better quality of life but it also threatens the survival of the intangible cultural heritage of hand work. Thao Phuong shares her account of how artisan Phan Thi Thuan navigates the symbiotic relationship between tourists and craft in Vietnam by contributing to the greater interest in lotus-silk weaving and deftly demonstrating how crafts can survive hand in hand with tourism. Ramesh Menon of Save the Loom warns in Vinita Makhija’s article “Hope for Handloom” about “handmade being positioned on the premise of charity.” He notes, “Most who venture to support continue to play this card, damaging the sector. Handmade is the ultimate luxury and needs to be positioned and marketed in that realm.” Views shared by Madhu Vaishnav of Saheli Women, a co-operative based in Rajasthan. In a round-table conversation, Makhaja’s panel contributed insights into how technology can be used in tandem with the craft sector for mutual benefit. I leave you with the thought that perhaps to save craft; we must collaborate with technology. Polly Leonard, Founder Published on 15 April.
After a remarkable debut with The Archies, Agastya Nanda is set to mesmerize audiences once again in Sriram Raghavan's upcoming project, "Ikkis," a
Chaldean Flag | Unique Design Print | High Quality Materials | Size - 3x5 Ft / 90x150 cm | Made in EU Made in EU (Very high quality materials); Size: 3 x 5 feet (90 x 150 cm +- 2-3 percents); Single Sided (the back side of the flag is mirror-imaged); Material: 100% Polyester (high quality and weatherproof polyester); Have a double seams for a much better durability; Finishing: with grommets (if you need a different finishing, contact us and we will be able to change it to white or black hooks, laces or laces and pocket); Washing instructions: Flags can be washed in a washing machine at 30º; The flag has UV protection coating, which is perfect for outdoor use; Printing techniques: Dye sublimation printing (digital, full colour, 90-95% visibility on reverse); Due differences of monitor parameters, the colors of the design could look slightly different. If you will have additional questions about the product, please contact us and we will answer all the questions for you! Before the first use We recommend you to wash your digital printed flag at 30 ° before the first use outdoors. Our online printed scrapings will not be washed before delivery, which may leave slight residues of the digital printing equipment in the cloth. This can lead in rare cases to a slight leakage of the colors in the first rain. For a long life Flags must be able to escape freely and should not rub on branches, masts, wires or walls. Exposure to the sun and weather influences the flag life. We recommend that you bring in your digital printed flags in bad weather. Every 2-3 months the flag should be washed at 30 ° C. Please take care that you do not pull your flag over the floor with the covering, otherwise it can be very easy to damage the seam.
Two stray puppies have recently been adopted by Buddhist nuns in Vietnam and the two haven't stopped hugging each other ever since. Though the bigger pup still looks too tiny and helpless to even take care of himself, he keeps on holding his younger friend dearly in protection.
Tenha uma cobertura completa e duradoura com a base fluida de alta cobertura da NYX. Matifica e controla o brilho para todos os tipos de pele. Experimente agora! #NYX #maquiagem #basefluida #coberturacompleta #matificante #duradoura #todosostiposdepele #vegan.
Parametric 3-band harmonic EQ in 500 module format Analogue EQ circuit that uses harmonic saturation to boost and cut frequencies Parametric LO and HI shelving bands with ±10 dB cut/boost Parametric MID band with ±10 dB cut/boost and fixed Q factor LO, MID and HI LED indicators to show saturation level ±20 dB input and output levels for dense harmonic saturation or clean EQ effects Stereo link without additional cable via OptoSync for two adjacent Carnaby modules 3.5 mm Jack socket for connecting non-adjacent modules Circuit auto-calibration for perfect stereo matching between all modules Stepped front panel controls for fast recall and precise feel Form factor: 500 module 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds Juli 2023 artikelnummer 564060 verkoopseenheid 1 stuk Pre-Amp No 48 V Phantom power No compressor No limiter No equalizer Yes De-Esser No other processors No Rack/Frame No supplies No
Granular synthesizer en Granular effectprocessor Bruikbaar als synthesizer en als effectprocessor Uitgebreide instelmogelijkheden voor de Grain-parameters via speciale potmeters Tot 32 samples kunnen worden opgeslagen (samples kunnen geïmporteerd en geëxporteerd worden via MIDI) Sampler functie 2 LFO's met verschillende golfvormen Kan ook worden toegepast op Grain-parameters Filter: LPF / HPF / BPF 128-Stepsequencer (3-stemmig polyfoon) 16 Pattern presets en 128 Pattern-geheugenplaatsen Pattern Chain Playback en Looping Chain Playback Shimmer Reverb met verschillende Reverb ruimtes 3,5 mm Jack sync in/uit MIDI in/uit Line in en uit Hoofdtelefoonaansluiting Ingebouwde luidspreker Stroomvoorziening via 9V DC netadapter (niet meegeleverd) of 6x AA-batterijen Afmetingen (L x B x H): 297 x 176 x 48 mm Gewicht: 790 g 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds Mei 2023 artikelnummer 567005 verkoopseenheid 1 stuk Number Of Keys 27 Touch-Sensitive No Aftertouch No Split Zones No Modulation Wheel No Number of simultaneous Voices 4 Sound Engine Digital MIDI interface 1x In, 1x Out Storage Medium None USB-port No Effects Reverb, Delay Arpeggiator Yes Number of Analog Outputs 1 Digital Output No Display No Pedal Connections None Dimensions 297 x 176 x 48 mm Weight 0,8 kg Toon meer
