Meet Semih, a collage artist from Turkey, whose works may cause various emotions - starting with a giggle, bursting with a laugh, ending even on a mix of concussion and uneasiness. It is all in the name of art and creativity. Collages created by Semih are characterized by blending concepts and objects at the same time. The result is quite unique.
In what he calls "a bizarre confluence of coincidences", one photographer ended up quarantining with his mother and his ex-wife. No, that's not a sitcom tagline. That's Neil Kramer's life. But this experience did inspire Kramer to produce something comical—a photo series.
Do you remember how to make a paper cup phone? Does yarn work for cup phones? Teach your child how to make a string phone with cups and test how far it works.
Full disclosure, I’m a ‘90s kid, born and bred. It’s utterly ridiculous how much I miss watching Sunday morning cartoons while eating a huge bowl of cereal and playing with my beloved toys.
In what he calls "a bizarre confluence of coincidences", one photographer ended up quarantining with his mother and his ex-wife. No, that's not a sitcom tagline. That's Neil Kramer's life. But this experience did inspire Kramer to produce something comical—a photo series.
Check out the Vintage Rotary Phone in Appliances, Electronics from Anthropologie for 198.00.
There are two things you should try over the next week or so, and that includes these stuffed cabbage rolls and running with your phone and keys in one hand and the leash to a two year old (aka very energetic) husky in the other hand. Just kidding, don't try the latter! I tried this balanci
Want to increase your productivity? Research says to take a 5-minute break. This article talks about why and how you should take a break!
It’s Friday and my editor said I could write this.
Artist Emil Alzamora explores the human body through his figurative sculptures that distort, inflate, elongate, and deconstruct physical forms in order to reveal emotional situations and narratives. Alzamora works with a variety of materials including bronze, gypsum, concrete, and other ceramic materials to create pieces with smooth, almost nondescript surfaces to instead draw attention to shape and scale. Born in Peru, he began sculpting in the fall of 1998 in New York at the Polich Tallix fine art foundry, and has since exhibited in galleries and museums around the world, most recently at Expo Chicago and the International Sculpture Symposium In Icheon in South Korea. More
This lovely flock sits in the foyer of the Museum of Communication in Frankfurt. Made from telephone cabling and old handsets, they were one of the highlights of my visit there! Sculpture is "Telephone Sheep" by Jean-Luc Cornec.
Nothing heals the soul like memes and laughter.
The death of conversation.
Tanto Yensen is an Indonesian photographer who takes stunning pictures of frogs. The Jakarta-based animal enthusiast has a knack for getting up close and personal with his awesome amphibian subjects in order to give us a detailed glimpse into their surprisingly interesting world.
Follow @bardofthebored and get more of the good stuff by joining Tumblr today. Dive in!
French artist Gaëtan de Seguin's (b. 1971, Montpellier, France) latest series "J+...." is a reaction to the terrorists attack on French Satirical magazine Charlie Hebdo that took place in January 2015 and the March that took place later that month in Paris and cities around the world. de Sequin explains, "I immediately wanted my characters to gather and spread out of the canvas. Crowds. Be they dense or sparse, joyful, humble, silent or roaring, moving or obnoxious, etc. Their physical appearance does not matter. It is the combination of their convictions that tinctures the whole group." Each work titled “J+...", represents the number of days after the January 2015 events and when de Seguin began to work on the piece. Within this series, de Sequin employs two artistic methods, paint on canvas and Moucharabieh, a perforated wall composed mostly of geometrical, arabesque motifs, in the form of a screen, to animate his crowds. These anonymous characters, consisting of a multitude of silhouettes almost identical but remain singular, are represented by a unique pattern of markings further illustrates this “mosaic of a society, a patchwork of men”; each having their own fears, anxieties, but also their hopes and desires in a world that bears multiple aspects. These qualities within the painting and sculptural work show the individual as much as it offers him the possibility to melt into a much broader and abstract dimension. Within his sculptural pieces, which employ the principles of the moucharabieh, de Sequin continues to offer a different perspective. Questioning the individuals and his place into the grander scheme, he inserts negative space with the pieces to create an alternative focus for the viewer. As light moves through the sculptural works, casting a shadow of the crowd, de Sequin shows humankind constituted of individuals who interact as much as they ignore each other with a great humanism. After graduating from school and completing his military service, he studied art in Paris at ESAG Penninghen. Throughout his career, de Seguin’s works have evolved from abstraction towards figuration, which he continues to develop to this day. "I have always been the one who draws and the one who draws “blokes.” As soon as I lay a hand on anything I can draw on, I cover it up with silhouettes. In 40 years, I became responsible for a great bestiary! Each working session in my workshop gives birth to humankind constituted of individuals who interact as much as they ignore each other. All of them are wild and wise at the same time, creative and vain. As far as I offer to anyone the possibility to invent my characters’ own stories, my painting is decisive of a figurative type. “A thread, if need be… January 2015’s events, for instance, I immediately wanted my characters to gather and spread out of the canvas. Crowds… Be they dense or sparse, joyful, humble, silent or roaring, moving or obnoxious, etc.…Their physical appearance does not matter. It is the combination of their convictions that tinctures the whole group. This is what I am currently working on in my latest series “J+…”.I cover my canvas with a dominant, very dense, almost garish coat. This undercoat subsequently gets entirely covered. The general shade lightens up, and the color scheme fades into a monochrome of grey. At this stage, I can start painting, adding or extracting substance. The music I listen to imposes the rhythm for the group to pop up. Scratching with the most various tools, I can paint with all kinds of brushes. Each scratch represents a unique pattern which characterizes the individual as much as it offers him the possibility to melt into a much broader and abstract dimension." - Gaëtan de Seguin
Yes, Gen Z, there was a time before we depended on the internet for everything!!!
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