Ricca's forms are thrown loosely on the wheel. Rokuro-molded parts are cut and combined to form the shape. Glazes in matte and glossy finishes are layered over slip, creating colourful drips and pooling glazes, revealing abstract landscapes and obscured manuscripts. The glaze is applied as if painting and drawing by sc
Ricca's forms are thrown loosely on the wheel. Rokuro-molded parts are cut and combined to form the shape. Glazes in matte and glossy finishes are layered over slip, creating colourful drips and pooling glazes, revealing abstract landscapes and obscured manuscripts. The glaze is applied as if painting and drawing by sc
Ceramics by Meredith Stewart Here is my best-selling bowl, chun on tenmoku. I make 750gm, 250gm and really big ones - six kilos or more. It took four years of glazings and firings with notes to work...
Thrown at the potter's wheel with white porcelain clay. Sides carved to let the glaze pool in and break on the ridges to add texture. Rough MeasurementsH: 7 cmW: 25 cmWeight: 1.1 kg
I will be sharing my top glaze picks based on the best Glazes and underglazes I have used, to help select cool glazes and underglazes to try.
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Gloopy or Runny When people talk about ‘drippy’ glazes, it generally falls into one of two extremes. One option is the thick gloop style glazes that have the viscosity to form thick beads without flowing. The other is the kind of glazes that run all the way down the side of a piece. Most glazes ca
The Esme Vase series in Crawl is a collection of wheel-thrown stoneware vessels by Brooklyn-based ceramicist Kalya O'Donoghue. Drawing inspiration from the ocean's surf and otherworldly tide pool textures, Kalya breaks glaze compounds down to their chemical foundation so she can adjust and rebuild them, creating unique surface treatments on each of her ceramic pieces. Utilizing basic material science, she integrates foreign materials, like steel, into her work. The engineered glazes and metal elements lend her work a solid yet delicate, almost airy feeling. Available in three distinct sizes, each vessel is watertight and may be used with freshly cut stems.
Ricca's forms are thrown loosely on the wheel. Rokuro-molded parts are cut and combined to form the shape. Glazes in matte and glossy finishes are layered over slip, creating colourful drips and pooling glazes, revealing abstract landscapes and obscured manuscripts. The glaze is applied as if painting and drawing by sc
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Ricca's forms are thrown loosely on the wheel. Rokuro-molded parts are cut and combined to form the shape. Glazes in matte and glossy finishes are layered over slip, creating colourful drips and pooling glazes, revealing abstract landscapes and obscured manuscripts. The glaze is applied as if painting and drawing by sc
It all begins with an idea.
Tidal Pool
Tidal Pool
Cone 6 oxidation, Photo 1: Norse Blue is a semi-opaque blue gloss glaze that displays shades of light blue and green. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent where thinner and pool darker around surface textures. Cone 10 reduction, Photo 2: Color darkens.
