Periwinkle capped mushrooms clustered in the woods. This original wood block print was inspired by the delight of discovering hundreds of mushrooms popping up in the woods during a rainy summer and fall. This is #6 in a series of prints that I call "The Year of the Mushroom." I use oil based inks and lightweight, acid free printmaking papers. Due to the nature of hand block-printing, there are variations between each print. Each signed original ships in a sturdy mailer. A lovely gift for a mycologist, naturalist, mushroom forager or anyone who enjoys the small wonders in life. Image dimensions: 4"x6" Paper: 8"x10"
PLEASE NOTE: All artworks are created digitally. The artwork is printed on matte, archival paper and the "textured paper" look is printed onto the paper. © 2021 High West Wild. All rights reserved.
Surface design pattern collection in blue, abstract designs, floral design, leaves and animals
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PLEASE NOTE: All artworks are created digitally and are printed on matte, archival paper. © 2023 High West Wild. All rights reserved. This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
A round up of how to gelatin print, inspirational images, and tutorials.
The standing appointment of the inspiration blog to start your creative week! This series includes a mix of the best graphics & all other design fields artworks
Linocut print on paper, illustration taken from my project "Où mes bonds me portent". This linocut can be used as a wall decoration, why not combined with other illustrations, is printed on Fabriano Rosapina 220g ivory paper. Format 25 x 35 cm. I manually print each copy, so each is unique with slight variations in color. There are 50 signed copies. They are sold unframed. I draw my project directly on the linoleum and the grave using gouges. Then I roll a water-based ink on the lino and lay the paper to make a manual print. If you would like another color than those offered, or if you have a question, don't hesitate to ask me.
High quality giclee print with nonfading ink on a premium textured paper or canvas. Size: 40 x 40 cm
My Name is Mark Lord and I have set up a lino print business called Lino Lord. I make limited edition hand printed quality prints to display in peoples homes or work places. I’m a professional photographer with 20 years experience and generally if I’m photographing people, animals and plants in our countryside then I’m … Continue reading "Meet the Maker: Mark Lord"
“One Day at a Time” is an archival print of original artwork by Lisa Congdon. Our acid-free giclée prints are printed on lush matte art paper in Portland Oregon. Our prints are only available here in our shop and in a few hand-selected retailers around the world. All open edition prints now have an integrated signature for authenticity. Open editionPRODUCT DETAILSSmall and medium prints are packaged with a stiff matboard backing in an eco-friendly clear bag. the larger prints are rolled in a tube. If you order a large and another size they will come rolled together.All work copyrighted © by Lisa Congdon.SHIPPINGAll shipping envelopes and boxes are chosen with both the safe transport of your item(s) and it’s environmental impact in mind. Responsibly harvested papers, recycled, recyclable and reusable materials are used as much as possible. We are a two person operation who carefully pack your orders throughout the week. While most orders ship quickly, please allow up to a week, as sometimes we get a lot of orders, and we get a little backed up. The most common turnaround time for orders to ship is 2-5 days. If you need something super quickly, please message us and we will see if we can help!INTERNATIONAL BUYERS: International orders usually take 1-4 weeks to arrive from our ship date. Once it leaves the U.S.P.S. we have no tracking until it is delivered by your local service. FEES: Some countries charge an import or custom’s fee. Please be aware of your country’s rules before you place your order. We cannot predict, nor are we responsible for the fees incurred by your country's postal service.
whilst on the subject of rug design i recieved news from belma kapetanovic who told me since her MA degree show at the chelsea college of art and design last september, she had received an overwhelmingly positive response to her rug design in particular. belma has thus teamed up with a supplier and is now offering made-to-order designer rugs via an online shop under the brand name 'element'.
From Walls Republic Please note: Burke Decor does not accept wallpaper returns at this time. Why? Wallpaper is produced in batches (similar to tile) and due to dye-lot variations that occur based on when the rolls are produced, we are unable to accept returns. ...Read More This item is FINAL SALE and nonreturnable.
original linocut prints featuring a collage of underwater creatures in black, green or burnt orange. paper: heavyweight white paper 250gsm size: a3 delivered unframed to create this print i sketched out the design onto the lino, which i then hand carved, inked and hand printed onto the paper. ————————————————————— PLEASE NOTE: each print is one of a kind and will slightly vary from each other and the photographs as they are hand printed. each print is therefore unique and special! all prints are signed and numbered by me on the reverse side. each purchase is carefully wrapped in tissue paper and string and safely packaged into card backed envelopes. if you have any specific requests, feel free to let me know when placing an order. ————————————————————— if you would like to see more of my work, i invite you to check out my instagram - @gaiabygg. thank you :)
Artist Ravi Zupa adds to his growing troupe of quirky characters with exhilarated sloths, angry cats, and self-conscious raccoons.
Surface design pattern collection in blue, abstract designs, floral design, leaves and animals
PLEASE NOTE: All artworks are created digitally and are printed on matte, archival paper. © 2020 High West Wild. All rights reserved.
Jose David Morales
Bring Scandinavian style into your home with this modern flower poster. Its black and cream colours elegantly contrast and complement each other, creating a stunningly sophisticated look that is sure to elevate your decor.
The standing appointment of our design inspiration blog, so we can start better our creative week! This series of posts contains a mix of graphic design and all other design fields artworks, therefore you'll find only the best pieces from designers all over the world. Check out this week's roundup of inspiration!
Inspired by my 17 years old cat, who loves to sit on a warm heater in winter. By ICONEO. For catlovers. Printed on Fine Art Paper.
'Swooping and Swirling' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individually or as sets of 2, 3, 4, 5, 6, 7 or 8. There is also a separate edition available ( 10 each) of small, 11 5/8 Inches x 11 5/8 Inches, linoleum block prints which are in fact the 6 detail squares of 'Chittering and Chattering,' each printed in yet a different shade of blue. Sold individually or as sets of 2, 3, 4, 5 or 6. These prints are all unframed. Lisa Houck is a highly established Boston artist with a large following devoted to her exceptional paintings, watercolors, mosaics, prints and public art projects. At times reminiscent of Folk and Aborigine art as well as Matisse, inspired as well by James Audubon and Hokusai, Houck is as known for her gorgeous and elegant color as a sensibility both playful and quite serious that is uniquely her own. Among the many large public art commissions the artist has completed for interior and exterior sites in Boston and nationwide in mosaic and mural format are permanent installations for The Dana Farber Cancer Institute, Children's Hospitals in Boston and Waltham, The Frieda Garcia Park, Fort Point Channel, The Cambridge Senior Center, and 4 libraries in Broward County, Florida. LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers SELECTED SOLO EXHIBITIONS: Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. SELECTED GROUP EXHIBITIONS: Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan SELECTED PUBLIC COLLECTIONS, NUMEROUS PRIVATE COLLECTIONS: Museum of Fine Arts, Boston Fogg Art Museum Boston Athenaeum The Boston Company The Boston Public Library Brigham and Women’s Hospital Fidelity Investments Goodwin Procter Harvard Business School Harvard Community Health Plan Brunnier Museum, Ames, IA Coopers & Lybrand Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ GRANTS/PROJECTS: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River Festival, installed in Inman Square, 1987. Poster for the Haystack Mountain School of Crafts, 1987. PUBLICATIONS: Providence Journal, “Artists Put a Modern Face on Mosaics”, by Bill Van Siclen, May 2010 Ceramics Monthly, “Up Front,” volume 56, January 2008 Harvard Review 32, Spring 2007 Boston Athenaeum, Annual Report, 2006 Making and Decorating Stylish Screens: Cover Art, by Katherine Duncan Aimone, Lark Books, 2003. Cambridge Center for Adult Education: Catalog Cover, Spring, 2000. Paper Art: “Working From Pulp,” by Michael G. LaFosse, Quarry Books, 1998. Arts Media: “Lasting Impressions: Looking at the Land,” Mary Behrens, June, 1997. Boston Globe: “Perspectives,” Christine Temin, April 9, 1997. American Craft: “Commissions,” August/September, 1996. Art Plan: “Cambridge’s Multi-Purpose Senior Center,” Cambridge Arts Council, 1996. Boston Phoenix: “The Weekend,” November 2, 1990. Art New England: “Lisa Houck: A Long Walk to View Some Petroglyphs,” Meredith Fife Day, July/August 1989. Boston Sunday Globe: “A Happy Case of Life Imitating Art,” Anthony Tommasini, January 8, 1989. Boston Globe, Calendar: “Exhibits: Other Dimensions,”: Critic’s Tip, Christine Temin, April 21, 1988. Boston Globe, Calendar: “Exhibits: Views From the West,” Critic’s Tip, Christine Temin, October 22, 1987. Art New England: “Lisa Houck, Kendall Square Station,” Abstracts, Thomas Frick, October 1987. Boston Globe, Calendar: “Exhibits: Bright Universe,” Critic’ Tip, Robert Taylor, June 18, 1987. Boston Globe: “Perspectives,” Christine Temin, November 27, 1986. Boston Globe, Calendar: “Exhibits: Cosmic Happenings,” Critic’s Tip, Robert Taylor, May 8, 1986. bright blue/green print of a swooping bird on Somerset Velvet Antique paper (off white), one of a series of 4 bird prints by Lisa Houck sold individually or as a set of 2, 3, or 4. Each measures 36 x 24 inches, each blue varies slightly from print to print. The others in the series are more intense in color.
"Swim" is a triple print of Koi fish, inspired by the Japanese art of Sumi-e. The original piece was created in 2017 and is done in ink. ***Each order comes with three prints PAPER // This is a giclée art print on archival Moab paper DETAILS // Details including pencil marks and brush stokes are left on the print to retain the integrity of the original art. SIZES // The sizes are the dimensions of the entire piece together. For example, the 60 x 40" would arrive as three 20 x 40" prints SHIPPING // Each print is made to order and shipped directly from my printer via USPS ***For more work, inspiration and process : https://www.instagram.com/studioxjess
2016 Topic 15: Patterns Kellie Bloxsom-Rys Well hello everyone, Darcy here with a new topic. For the next two weeks we will be exploring Patterns and their uses in art. We enjoy looking at patterns, done well they embody a sense of harmony. We see patterns everyday in nature, we marvel at flowers and butterflies, the stripes on shells and animal furs. Patterns in art can be symbolic or decorative and in the modern age of readily available home decor, we are all surrounded by patterns. The definition of pattern is 'a combination of elements repeated in a recurring and regular arrangement.' Before we start, let's see who won the Topic 14: Colour Mixing Challenge... What a fortnight, so much colour. My most favourite part of arting. There are colours I love, colours that are my go to safe choices, and ones I dislike intensely. I have seen some wonderful colour combinations on your blogs, and it is apparent that you have been pushing yourselves to use new mixes, this is a great thing. Keep it up! The winner of Colour Mixing is: Rachel from Arty Beginnings Email Darcy to claim your prize. [email protected] AntlerMagick Patterns appear in many art forms, but in the main they are inspired by nature, these are the visible regularities we see in the trees, waves, spirals, cracks, stripes, spots, rock formations. These were studied by Greek philosophers to explain order and by mathematicians who concluded that equations could describe complex spiral growth patterns. As for artists, they have always struggled to match the beauty of patterns in nature. One very unique pattern that we all carry with us at all times is our fingerprint, try printing with it and see what you can make. Woxys Why is there such patterning in nature? It is used for many reasons: plants use patterns to attract pollinating insects; some patterns are there as camouflage, such as an insect mimicking its surroundings or a tiger hiding within tall grasses; sexual attraction is another reason that patterns have developed in nature. All these uses of patterns result in survival! Humans don't have the same need to cover ourselves for survival, though anyone that is a slave to fashion may disagree. We do, however love patterns as decoration. For the longest time they have been around in many art forms. Every culture has distinct patterns that have been used in textiles, architecture, scrolls and manuscripts, masks and paintings. From the Greek border patterns and Aztec woven blankets to the modern day patterns that we use in our home decor. Some patterns are symbolic, they represent beliefs, the natural world, history and tradition. Within this framework colours and shapes have specific meanings, they are passed down through the generations. Historians have used these patterns to establish traditions and cultural practices. Think about Tartan fabric, those patterns represented each of the Scottish clans. Hmong textiles are unique, no two are identical as the patterns represent the stages of life of the maker. Lertpan In the West we also see patterns used to pinpoint historical periods, we see certain floral patterns for example, and we know immediately that they are from the Arts and Crafts period. Similarly, we recognise specific designers by their patterns. Both painting and patterning started out as embellishments, but painting evolved into a fine art, whereas patterning is associated more with just decoration. William Morris set out to change this, and designed many gorgeous patterns to be used on wallpaper and fabric. He wanted to improve life by bringing the 'beautiful' to domestic settings. 'Art by and for the people' ' as a happiness to the maker and the user' Ironically the only people who could afford these items were the rich. William Morris Now with mass production and the availability of affordable paints, stencils and stamps we can all bring the beauty of patterns into our homes. So how do we use patterns in our modern art? Pattern is one of the principles of art - the repetition of elements within a project, those elements can be lines, shapes or colours. Patterns can be hugely important, more so than you would think, they are the underlying structure that organizes the surface. They can appear as the focal point, or just an accent, but in reality they form the skeleton of a composition. By carefully placing patterns you can bring a whole project together. This is no more apparent than in the backgrounds that we create. Here is a perfectly simple background, it has repeating shapes and colours and would support a focal image. Or your pattern can be a stand alone focal point, this hand carved stamp makes a striking pattern on fabric. Spotted Stones For centuries we have used patterns on ceramics, these can be hand painted, stamped, stencilled or carved right into the pot. We are so lucky now that printed material is readily available, specifically patterned scrapbook papers. The possibilities are endless with preprinted papers, and some of the patterns on them are stunning - sometimes too pretty to use. Hands up who has pretty paper hidden away? If you can bear to use them the patterns look fabulous on clean backgrounds like these cards. Notice how small the patterned pieces are compared to the size of the cards, very little is used, but there is great impact. Jennifer McGuire Not all patterning needs to be coloured, you can still create patterns by cutting away the substrate, like this card with a die cut corner. Pam E Another way to inject patterns without overwhelming the project is by adding patterned embellishments, like these fabulous buffed celluloid buttons. You could always make your own with fabric or even die cut some patterned paper and cover it with UTEE. Susan Elliott Care should be taken with patterns, as too many can clash and make it hard to look at the project. It is possible to use lots of patterns, but one or more of the other principles of art should come into play, such as unity and proportion. With this paper doll you can see lots of patterns, on every limb, all different and yet they work. Unity has been introduced with the simple colour scheme, can you imagine if these were all different colours, they would not be as easy to look at. The other consideration that helps is proportion, smaller patterns on smaller areas, more open patterns on the wings etc. Kimberly Crick Here stamps have been used in such a delicate way to add pattern to the background so that it supports the more dominant pattern of the large heart. Using clear embossing in the background has enabled layers of patterns to build up. Tracy Evans A fabulous way to add patterning is with stencils, from tiny to very large, like this stunning wall stencil. Planet Stencil Library Patterns can be very powerful in creating 'movement' and directing your eye to specific points of a project. Look carefully at the patterns on these stair tiles a lot of them suggest an upward movement inviting you to go up. Chosen wisely, patterns have influence. Decoist Where do we find inspiration for the patterns that we choose to use in art? You just have to look around you, patterns are everywhere. From metal plates.. ..to beautiful architecture. next time you are out, look up! Look at ceilings, and roofs, chimneys, spires, tiles, railings, and columns. Patterns are everywhere. Start taking photos, keep a record of patterns that you like. Bahrain National Theatre In fact you have only to sit in the sunshine and the patterns will come to you. Fabulous inspiration just from shadows. Let's look at more inspiration of patterns being used in art. I love this one, patterns inside a pattern. Whilst the patterns are all different, and could clash if side by side, there is unity with the background colour and also in the golden shapes around each pattern. Jill Ricci Lots of layered patterns here, but each compliments the others in their 'section' , although there is a lot going on, the linear aspects are very effective in sectioning this panel and making you examine each area separately instead of being overwhelmed by the whole piece. Janet O'Neal How cute are these little dresses, again take note how the patterns were chosen carefully for their size. Nederhoff I am not sure these would stand up to our rain, but they are great, so much detail! Jessica van der Hilst Rebecca Blair does a phenomenal amount of work in her journals, mostly with geometric patterns. Her pages all look so striking. Even words can form a pattern, try doing this with the words to a favourite song or poem. Cheryl Sorg Or perhaps you have an old chair that need a new identity, what better way than with funky and bright patterned fabric. Parade. A really fun way to make patterns to create a Mandala. There are lots of videos on this subject, but Guadalupe Brizuela Cabal is especially known for her Mandalas, see her work in this video. Watch part 2 here. So are you ready to get patterning? Stripes, spots, jiggly,wiggly lines, flowers, spirals,geometrics ...the list is endless. Remember to choose your patterns carefully, look at colours, check the proportions, see how they interact. However you pattern up your life over the next two weeks have fun doing it. Don't forget to follow Darcy and Leandra's pinterest boards if this topic pushes your buttons, you will see plenty more examples to whet your appetite there! I am really looking forward to seeing what you create over the next 2 weeks! Darcy Topic 15: Patterns PaperArtsy Blog Challenge We'd love you to share your ideas and link up your creative response to our current blog topic. Take a minute to read the challenge guidelines below. All links go in the draw to win a voucher to spend on products of your choice from the PaperArtsy online store. The Patterns link will close 17:00 (London Time) Sunday, 21st Aug, winner will be announced 2 hours later at 19:00. 1. The challenge is a for you to show how you are inspired by the current blog topic. Your entry should contain: - a mention of which post inspired you and why, and - a link in your blog post to that original post on the PA blog. The whole concept of this challenge is 'play along with us'. You are encouraged to put your own twist on ideas you see on our blog, do your own thing - whatever grabs you! 2. The link you put on our linky page must lead directly to the specific post on your blog where you have explored the technique/ idea mentioned in point 1 above. Don't link to the home page of your blog. 3. We prefer your challenge blog post is created exclusive to our challenge, but if our topic fits perfectly with another challenge, then you may link to both if appropriate. 4. You are most welcome to use stamps/ products/ substrates you have to hand from a variety of companies, we do not expect you to exclusively use PA products - it's lovely when you do though! 6. You can enter as many times as you like. We don't want to restrict your creativity! NB. Link closes at 17:00 Sunday 21st Aug (London Time) 7. The winner of the random draw will receive a £50 credit voucher to be redeemed on the PaperArtsy Website. The credit voucher includes VAT and postage. We request that one of your purchases is an A5 rubber stamp. You can add any other items to your basket, but the final total should not exceed £50. 8. Each fortnight on Sunday, the winner will be announced at 19:00 (London time). In the same post, the link for the next fortnight will be posted. 9. It's your responsibility to claim your prize coupon from Darcy. email: [email protected] Good Luck! If you have any questions, don't hesitate to ask!
This Modern Botanical Print is the perfect touch for any home or office. Packed with a bohemian vibe, neutral colours, and an orange accent, it's ideal for adding a touch of style with a unique botanical twist. Leaf it to us, and your space will be looking green with envy!
Eine neue Kunstserie, pastellfarbene Überraschungen und kugelrunde Favorten. Hier entlang für eine Runde Interior-Inspiration
It’s time for your weekly dose of inspiration! The single, most powerful method for mining the freshest products from this fast moving industry is via the
Caption This 15 December 2020: Provide a creative caption for the picture. We will select 15+ of the best captions and publish as Wisepicks
Repeat patterns by Zoe Feast for fabric and surface design
