Beautiful 'Psychedelic nature' Poster Print by Siobhan Lamb ✓ Printed on Metal ✓ Easy Magnet Mounting ✓ Worldwide Shipping. Buy online at DISPLATE.

Caption This 25 April 2021: Provide a creative caption for the picture. We will select 15+ of the best captions and publish as Wisepicks

The Guide's art critic Skye Sherwin on a month in pop culture visuals, from Mishka Westell's poster for the Austin Psych Fest to Mankowitz's gravity-defying Eurythmics shot

These Pictures Remind Us Why We Usually Just Keep Our Eyes Down When We're Working Out

Surreal Realities in Drawings

The standing appointment of the inspiration blog to start your creative week! This series includes a mix of the best graphics & all other design fields artworks

Although it has been said a thousand times before, it doesn’t make it less accurate — self-esteem starts with loving yourself, first and foremost. Now, there are tons of ways and thousands of paths to finding love for yourself, and one of them is getting empowering self-love tattoos to serve as a constant reminder of your worth and beauty.

(above poster by Rob Fitzpatrick / @_rf82) When discussing psychedelic poster art from the 60s and 70s you often read about ‘The Big Five’, namely Rick Griffin, Victor Moscoso, Wes Wilson, Stanley Mouse and Alton Kelley. Of course there were many more; Martin Sharp, Nigel Weymouth, Hapshash & The Coloured Coat, Bonnie MacLean, Peter Max… all and many more can lay claim to have contributed to a new movement in poster art that took from Art Nouveau, Op Art and Surrealism. With a new wave of psychedelia in music prevalent for a good decade now, who working today is pushing the envelope in the same way as these graphic giants? There are plenty of illustrators and designers creating very passable versions of the 60s style across record sleeves, posters, T-shirts and videos but, rather than rehashing the past glories of the 60’s greats, who is approaching the psych era in the 10’s with a fresh eye? Here’s my stab at calling who will be remembered for their work in this arena in decades to come. It’s fairly evenly divided between Brits and Americans (with the exception of Sweden’s Robert Gnista and South Africa’s Simon Berndt) and the UK brings more photo collage and attempts to convey the analogue process’ of print to the table whilst elsewhere designers adopt a more illustrative approach, slavish to the original 60s ethos. Luke Insect (UK) www.lukeinsect.com