I made these two quilt tops for fall, the second one begin with the scraps from the first one. Then I had a baby... and now I’ve had some time to see again. So these two quilts are in the shop! Bo
A Quilt Block For Any Season A beautiful design that forms sparkling stars using just four fabrics. The block is a nine-patch made up of 4” units, which are based on two traditional blocks: Diamond…
Spotlight at 40 Quilt
Beautiful Quilt from Tokyo Quilt Festival, via rengebatake.
Jan and Gena sure know how to make lovely quilts and it was my pleasure to quilt for them both. Quilt Information: Pattern - Homegrown by Sue Spargo Measurements - 46" x 46" Batting - Wool - Purchased from me. Backing - Supplied by customer. Quilting - Custom Quilting. Threads - Glide. Quilt Information: Pattern - Unknown to me. Measurements - 37" x 43" Batting - Supplied by customer. Backing - Supplied by customer. Quilting - Custom Quilting. Threads - Glide. Quiltmekiwi Etsy Store quilt feature! I thought I might feature one of the cot quilts for sale on my Etsy store from time to time. This is a sweet 1930's panel cot quilt with a 'bubbly' e2e Quilting design.
On Saturday, June 2, we attended the Wine Country Quilt Show , sponsored by the local quilt guilds from Petaluma, Sonoma and Santa Rosa, C...
Use this standard quilt size chart to design your next project. It covers all sizes from baby to California King. Size chart is easy to read and printable.
The description card reads, "Crazy Quilt 1883-1893 Silk, cotton, wool, and linen, pieced and embroidered with silk and cotton threads Crazy quilts, which emerged after 1850, were usually composed of small, irregular-shaped fragments of silk, wool, and other fragments pieced together. The seams were then embroidered using a variety of stitches. They acquired the name “crazy quilts” because of the strong colors and busy, confusing nature of their designs, typical of Victorian taste."
Bling (Best of Show) by Katherine Jones I thoroughly enjoyed my first QuiltCon, in Savannah this weekend. Here are some of my favorite quilts. Wavelength by Rebecca Bryan, quilted by Angela Walters Wholecloth by Angela Walters Ventana by Allison Glass, quilted by Angela Walters Madonna by Brittany Bowen Burton, quilted by Natalia Bonner by Brittany Bowen Burton, quilted by Natalia Bonner Not Easy Being Green by Mary Keasler Not Easy Being Green by Mary Keasler Go North by Maritza Soto Go North by Maritza Soto designed by Lisa Congdon, pieced and quilted by Gina Pina Boulder Field by Kathy York Caged by Amy Friend Vertigo by Elaine Poplin Finding the One by Miriam Coffey Still With Her by Liz Harvatine Meeting of the Geese by Sylvia Schaefer Synapse by Kari Vojtechovsky Synapse by Kari Vojtechovsky Community quilts made for the Emanuel AME Church Project Moonie McMoonFace by Melissa Averinos Tulsa by Jane Swanson Tulsa by Jane Swanson Folksy Fish by Sarah Sharp; quilted by Karlee Porter Square Count Game by Debra Jalbert Square Count Game by Debra Jalbert Say Anything by Lisa Flower Wax and Wane by Susan Kyle Whatever by Katie Larson Big Island Blossoms by Sherry Cifaldi-Morrill Through My Lens by Brigitte Heitland Jubilant by Maria Varner Bioberella by Hillary Goodwin Bioberella by Hillary Goodwin Tea and Skittles by Thomas Knauer Tea and Skittles by Thomas Knauer In Carrboro by Chawane Kimber Inside Out by Sue Bleiweiss Dipped Dimension by Kathleen Probst Dipped Dimension by Kathleen Probst Gradient in Denim by Matthew Boudreaux Gradient in Denim by Matthew Boudreaux Smoke by Katherine Jones Smoke by Katherine Jones Safety Network by Sherri Lynn Wood Finding Harmony by Cinzia Allocca Finding Harmony by Cinzia Allocca Scattered by Jess Frost Scattered by Jess Frost Lincoln by Kim Super Black and White Botanical Quilt by Lesley Gold Quilt no. 019: Of Discontent (back and front) by Shelby Skumanich Quilt no. 019: Of Discontent by Shelby Skumanich #CUquilt by Ginerva Martin #CUquilt by Ginerva Martin I Know the Stars are There Beyond the Clouds, 2 by Heidi Parkes I Know the Stars are There Beyond the Clouds, 2 by Heidi Parkes One of the beautiful QuiltCon ribbons Autumn is Wistful by Chawne Kimber Autumn is Wistful by Chawne Kimber Tartan Tattoo by Linzi Upton Volunteer showing back of Tartan Tattoo by Linzi Upton Tartan Tattoo by Linzi Upton Infused Plaid by Cassandra Beaver Direction Optional by Stephane Ruyle Direction Optional by Stephane Ruyle Austin Quilt by Gina Pina Austin Quilt by Gina Pina The Disintegration of the Persistence of Artichokes by Sylvia Schaefer The Disintegration of the Persistence of Artichokes by Sylvia Schaefer Learn more about the Modern Quilt Guild and Quilt Con here: https://community.themodernquiltguild.com/home
I will try to post some patterns to use for setting 12 inch finished blocks. It is not as simple as I thought it would be, because the images can't just be copied and pasted into the blogger template, but have to be uploaded separately. Plus, I can't figure out how to add in a table that I usually use for yardage and cutting instructions, so I will add that as a list, instead. At the store, we have a booklet available which I wrote some years ago, which contains 21 patterns. Unfortunately I can't just upload all of those at once either, as the computer that 19 of them were stored on crashed a few years ago, so I would have to re-type them all. (And I have no clue which USB stick they were backed up on.) Not to say that I wouldn't do that sometime, but not all at once. This is Setting number 20 from the booklet and has been very popular in previous years. 20. Two Side Sashing a Setting Pattern for 12-Inch Blocks uses 20 blocks finished size is about 74" x 88" a Periwinkle Pattern by Michelle Harris, 2012, free to print out and use for personal use The sampler blocks are 12-1/2" with the seam allowances; they will finish at 12" when sewn into the quilt. There are sashing strips only on 2 sides of the blocks. When laid out to form the pattern, the blocks rotate back and forth. (NB, This is a good pattern for when your sampler blocks have not all come out at the same size! you could cut the sashings wider, and then trim them all to one size before you assemble them into the quilt top, thus absorbing the size differences from block to block) Fabrics: A. Light Grey in the picture , used for Sashing for Blocks 1.1m (44") Cut 2 strips, 15" by the wof,* from these strips, sub-cut 20 rectangles, 3" x 15" Cut 1 strip, 12-1/2" x wof from this strip, and from the leftovers above, sub-cut 20 rectangles, 3" x 12-1/2" B. Inner Border Fabric (finishes at 1-1/2") .5m (18") Cut 8 strips, 2" x wof C. Outer Border Fabric (finishes at 6-1/2") 1.5m (60") Cut 8 strips, 7" x wof D. Binding Fabric .7m (24") Cut 9 strips, 2-1/2" x wof *wof means the width of fabric from selvage to selvage, usually between 42" and 44" Step One: Sew the Sashing rectangles to the sides of each block. If there is any variation in the size of your blocks, now is the time to even them all up! Measure them, and then trim them all to the same size, cutting the extra bits off of the sashing rectangles to keep the points on your sampler block intact. Step Two: Lay out the 20 blocks into a 4 column, 5 row arrangement, referring to the diagram above to see how to rotate the block. You might want to shift the blocks around until you are pleased with the way that the colors balance out. Sew the blocks into rows, and then sew the rows together. Step Three: Add the borders. To make the strips long enough, you will have to join the strips end to end and the cut the border to the size needed. When joining lengths, some people prefer to use a diagonal join . To do that, just overlap the ends of the strips at a 90° angle ,and then sew from corner to corner. Trim off the extra fabric and press. Cut the length of the borders as you go, because the length of them depends on the size of your central unit as it grows larger. Using the narrow, 2" strips for the inner border, cut the two side borders to the same measurement as the height of your center unit. Sew them to the sides and press seams out. Cut the top and bottom borders to the new width of the center unit and sew them on. Repeat this for the outer borders. Step Four: Layer the quilt with the batting and backing, and baste. Quilt! Step Five: Binding. Trim away the extra batting and backing fabric. This uses a double fold binding. Sew the 2-1/2" strips of binding fabric end to end with 45° diagonal seams. Trip away the extra fabric, and then press the strip in half lengthwise, with right side facing out, matching the raw edges. Starting partway along one of the sides, stitch the raw edges of the binding to the top side of the quilt, folding the strip into a false iter at each corner. Turn the folded edge of binding to the back of the quilt and had stitch it into place.
Earlier this year, some of our Tasmanian MQG members got together at one of our sewing days and started putting blocks together for our raffle quilt. One of our very dedicated members (my friend Lauren) then put the rest of the blocks together. We worked together to piece the top - and then it was handed over to me for the quilting (which I finished back in April). We made this quilt using a bundle of Kona solids, and Carolyn Friedlander's fantastic Aerial pattern. The blocks are all paper pieced, so it was the perfect choice for a group quilt in terms of making sure the blocks were all the same size. It went together like a dream! It took me a while to decide how to quilt this one, but I knew I wanted to keep it fairly simple since it's such a dynamic and complex design. I ended up deciding to quilt in the ditch in all the seams in each block, and then chose one colour within each block to do some free motion organic straight lines. I think it works really well - the texture is really lovely without distracting from the complexity of the blocks. I used coordinating Aurifil thread for all the quilting - my healthy thread stash certainly came in handy ;o) How to quilt the borders had me stumped for a while - but I ended up extending out the 'fractured' lines within the blocks, and then filling in the spaces around them with some swirls and a couple of feathery designs. It wasn't until I quilted the last border that I discovered what I should have done across the whole border - rather than extending the line and echoing it at an angle on both sides (as in the photo above), it looks much more effective where I've just echoed one side (as in the lower area in the photo below). I'm still really happy with how this one came out, but it was a really great learning experience and has given me ideas for how to quilt future projects :o) We are currently selling raffle tickets for this quilt, and the winner will be drawn at the Craft and Quilt Fair in July. The money we raise will be going to a support a sewing program at our local Women's Prison. I am thrilled that we are supporting this program - I know so many people (including myself) who have found sewing and quilting to be amazing therapy when going through difficult times in life. If you are interested in purchasing tickets, please contact us at tassiemqg at gmail dot com. xx Jess PS stay tuned for my MisDirection pattern release later this week! I can't wait to show you my amazing testers versions.
Several months ago (January this year actually) I did a 2 inch postage stamp quilt that I really liked- such a great way to use up those scr...
I joined Amanda's Nine Patch a Day quilt along last April and finished the first half of the blocks in May and the second half of the blocks in June. I finally got around to piecing the top of the...
Ook dit jaar krijgt u bij elke aankoop in onze winkel weer een gratis blok van de maand. Samen vormen deze 12 uniek ontworpen blokken een mooie quilt met een speciaal thema. Dit jaar staan de blokken van de maand in het teken van ‘De knusse keuken’. Deze blokken zijn nu ook als patroon te bestellen.
I made these two quilt tops for fall, the second one begin with the scraps from the first one. Then I had a baby... and now I’ve had some time to see again. So these two quilts are in the shop! Bo
Quilt detail
As it turns out I am not very motivated to clean my studio. I headed out there this weekend with all good intentions of getting my space clean and I honestly cleaned (or more accurately, contemplated cleaning) for a total of five minutes before I found myself distracted by a drawing I had started at Quiltcon in my Compositional Quilting/DRAWING class. I have to admit that after returning home from Quiltcon I have felt a little panicked. Panicked that I taught everything I had and that I was going to be out of ideas. I began looking through some of the pictures I had taken while teaching (admittedly way too few) and that beautiful quote by Leonard Nimoy came back to me again. "The Miracle is this, the more we share, the more we have." Some Brilliant student work Wow. Wow. Wow. and WOW. It was either the threat of cleaning or all of the energy and openness that I absorbed from my students that inspired me again....or maybe a little bit of both. I wasn't really out of ideas after all. Phew. I put away any thoughts about cleaning (which wasn't hard) and started drawing and then quilting something I am pretty sure will be a sample for another class. As a rule I don't generally mark on quilts. A whole cloth type quilt is obviously an exception to this rule. In my Compositional Quilting/DRAWING class we spend the class marking on mylar and then marking on a whole cloth. Many years ago I took a whole cloth design class from Karen McTavish. It was a full day spent designing a whole cloth quilt that we took home to quilt. If you ever find yourself with an opportunity to take a class with her or see her lecture, DO IT, I'm not kidding. Whole cloth quilts are traditional by nature and are generally designed using beautiful floral or feathered motifs, stencils and if you have the patience the quilting usually involves some trapunto. This was my finished Wholecloth quilt from Karens class. From class to quilt. In my Compositional Drawing-(expanded version) class it is my hope to merge the traditional with a more modern aesthetic. I don't know that a whole cloth will ever be considered "modern" but I do believe in my heart of hearts that there is a place for this type of quilting and design somewhere. This is the fundamental basis for Compositional Quilting Filling in the blanks I had to get rid of my free motion drawn swirls, I found I could not follow my own drawings. I managed to quilt in the areas of feathers I should have left unquilted Some new moon ideas This is as far as I got, not bad for a weekend. As you can see, cleaning is overrated and I am not out of ideas yet. I am hoping to be teaching this class and many others in the near future. I will keep you posted on the details here. For those of you who feel inspired by this post, awesome. For those of you who enjoyed this post but feel less inspired and more discouraged by this post this last picture is for you. While I openly admit I have skills, I know that those skills didn't come without a lot of failures, practice and flat out shitty quilting. Give yourself the benefit of the doubt, be ok with shit quilting, move on, take classes, learn as much as you can from yourself and others. You will never quilt exactly like me, just as I will never quilt exactly like Karen McTavish. And thank goodness for that, lord knows theres only room for one of her, and me and you. Be ok with that. You be You.
Explore Jessica's Quilting Studio's 7594 photos on Flickr!
Circa 2016 Sew Along is now over. If you would like a pattern you can purchase a printed copy or download a PDF copy here.
The composition of Nancy Eha's 'bead physics' is rich in detail and layers, inviting the viewer to explore the story she tells.
The modern quilt craze has hit Japan ! Here are some spectacular results from Japanese quilt artists. When the Sunset Crowns Mt. Fuji in ...
(Someone pointed out that I had not included a picture of myself in front of my quilt in the last post...this is right after the Winner's Circle big reveal program was over. Thank you to whoever grabbed my camera and got the picture!) Ready for the show??? The first 8 quilts are the big money winners. I "borrowed" the first pictures of each quilt from the quilts.org website, where they are flat, square, and true-colored, LOL. But I am not sure you can zoom in on their pics for details, so I have included any good shots I took. There was no way I could get satisfactory, square pictures of all quilts, as you will see. I will share the shots I have! DISCLAIMER: I am a crappy photographer!! The lovely, soft lighting of the show venue and the super bright spotlights of the Winner's Circle celebration were challenging for my iPhone. I usually bring my old-fashioned Sony "point and shoot" camera because it takes pretty good pics...should have packed it... QUILTS: A WORLD OF BEAUTY MAJOR PRIZES The Handi Quilter Best of Show - $12,500 "Eternal Beauty" Sherry Reynolds Laramie, Wyoming USA The International Quilt Festival Founders Award - $7500 "Over the Waves" Setsuko Matsushima Otsu-Shi, Shiga JAPAN The Baby Lock World of Beauty Award - $7500 "An Old Woman With Joyous Face" Marina Landi Sao Paulo BRAZIL with Natasha De Souza Bugarin The RJR Fabrics Robert S. Cohan Award for Traditional Artistry - $5,000 "Reminiscence" Mariko Takeda Nagoya-Shi, Aichi-Ken JAPAN The Gammill Master Award for Contemporary Artistry - $5,000 "Velvet Flowers" Linda Anderson La Mesa. California USA The Pfaff Master Award for Machine Artistry - $5,000 "Hope" Ximo Navarro Sirera Canals, Valencia SPAIN The Koala Studios Master Award for Innovative Artistry - $5,000 "Silent Canary" Patricia Kennedy-Zafred Murrysville, Pennsylvania USA The Superior Threads Master Award for Thread Artistry - $5000 "Blue Anemone" Andrea Brokenshire Round Rock, Texas USA Judge's Award, Vicki Anderson - $250 "Ruby" Roxanne Nelson Calgary, Alberta CANADA Judge's Award, Jonathan Gregory - $250 "Stone Lakes" Jan Soules Elk Grove, California USA Judge's Award, Carrie Nelson - $250 "The Architecture of Trees" Suzan Engler Panorama Village, Texas USA QUILTS: A WORLD OF BEAUTY CATEGORY AWARDS 1st - $1,000 2nd - $700 3rd - $300 ABSTRACT, LARGE (sponsored by Elna) 1st - "A Self-Portrait in an Ancient Bronze Mirror" Eudjoo An Yongin-Si, Gyeonggi-Do SOUTH KOREA 2nd Place - "Fractal" 3rd - "Antelope Canyon Mosaic" Kimberly Lacy Colorado Springs, Colorado USA Honorable Mention - "Winter Squash" Maren Johnston Santa Barbara, California USA ABSTRACT, SMALL (sponsored by Benartex) 1st - "Cool Jazz" Shirley Gisi Colorado Springs, Colorado USA 2nd - "Flax Fields" Leah Gravells Edmonton, Alberta CANADA 3rd - "Lepidopteran" Caryl Bryer Fallert-Gentry Port Townsend, Washington USA ALTERNATIVE TECHNIQUES (sponsored by Madeira Thread) 1st - "Small Happy Crazy Quilt" Aki Sakai Hachiouji, Tokyo JAPAN 2nd - "Fair and Square" Rachel Daisy Springwood, New South Wales AUSTRALIA 3rd - "The Royal Huntress" Karlee Porter Clinton, Utah USA Honorable Mention - "Who Let the Dogs In?" Sandra Branjord Sun City, Arizonia USA Much more to come!!! In stitches, Teresa :o)
Happy March 1st! And because it is the first Wednesday in March, we are once again opening our monthly theme for the Modern Quilt Along series that we are doing in 2017. If you need a refresher of what this series is, go HERE to read the introduction post on the why’s and how’s. The theme […]
When i arrived back from our trip to the seaside i got on with hand quilting this scrappy summer quilt, and after just a few evenings it was done :) ...i quilted it round the edge of each square and then diagonally across the middle of the squares..........i chose a red and white striped binding for it, inspired by the striped awnings of the flower market in nice........ ..............i love the prints in this quilt, as well as the floral feel and the bright fruit appliques and i liked how the red and white striped binding brought it all together............. .................the backing is a gorgeous pam kitty picnic fabric with cherries and roses on yellow...... .............i love all kinds of quilts and a huge variety of patterns, but i know i will always want to make ones with simple squares (and maybe a bit of embellishment) every now and then...... ..............i enjoy using text prints as a decorative feature too, and love how they look with a colourful image appliqued on top, like the cherries below which are sewn onto a patch of sew mama sew fabric......... ............i took pictures of this quilt all around the house, as usual following the best light, as well as avoiding bright sunlight..........here it is on an old chair in front of a book case on the top floor of our old house............ ...........sometimes i like to add buttons to my quilts, and i had a little look at these fruit buttons from just another button company to see if any would look nice on my new quilt............. ...........i decided just to add the lemon slice to the patch which had lemons appliqued on it....... ...............here is daisy whirling and twirling with the new quilt.........the children use the quilts and the crochet blankets to make houses and tents and to wrap up their toys and each other :)............. ...............we thought the chicken might look pretty with the quilt too...........it is a money box and full of loose change at the moment so is very heavy............ .............just as my summer quilt is finished we are feeling autumn in the air............the weekend was a mix of autumn coolness, strong winds, grey days and some sunshine..........we had a special outing to a lovely garden where i took this photo of the golden dahlias............ ..............and i will leave you with this photo of the gorgeous zinnias which have been brightening up the cutting garden recently...........though a snail or two have been secretly munching on them over the weekend and the effect was not a good one.............. ..............thank you for visiting me today, lovely readers, it is so good to see you...........and thank you too for taking the time to leave a comment, it is always a treat to hear from you too :).............i hope you have a wonderful week ahead, wherever in the world you may be..............back soon xxxxxxxxx
Cathedral quilt blocks - a block it seems everyone tends to admire, with its complicated yet beautiful look. The block itself can be quite intimidating, for the seasoned or the new quilter.
A blog about two modern cousins who quilt, sew, knit, stitch and craft everyday.
Its been awhile since I've shared client quilts, and I have quite a few for you to enjoy. Here are some of my favorites. - Bridget - ...
There was so much to take in as I walked through the quilts at QuiltCon, I did notice three things. 1) Curves 2) Hand-quilting 3)U pcycled materials.
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Yellow wedding ring quilt
Wanting to create a new quilt for your little bundle of joy? Check out these baby quilt kits you can use to start with your project.
Awesome quilting by Michele Turner
We have begun our ambitious crazy quilting class with seven lovely and talented ladies. As we mentioned in a previous post, Crazy Quilting—Start to Finish, we have created a six-month crazy quilting class that teaches our students how to piece their blocks, stitch and embellish them, and finally put them together in the format of their choice. Taking photos of the class models for reference All our ladies had been eagerly awaiting this class and were ready to get started. Each student was instructed to bring at least 24 different fabrics, which could include cottons, silks, satins, or any other fabric they liked. We did have some fancy fabrics for sale to help their collection, but some of our ladies had been collecting fabrics over time, just for a future crazy quilt. A rainbow assortment of silks, satins, and velvets Many of these fabrics were sourced from thrift stores. One student's collection Each lady received four different patterns, as well as a fabric Little Red Riding Hood vintage postcard print to use as a center for one of their blocks. Most of the patterns were put together the same way, by having a center piece and then sewing each section around that center piece. We had the ladies bring in four 9" squares of flannel to be used as a base for the block, and Teri demonstrated how to construct the block with the flannel base. The flannel base provides a great support for the future block embroidery, and it also helps manage some of those slippery fabrics. The first piece is centered on the base. The second piece attached. As each piece is added, the excess underneath is trimmed away. Ready for embroidery After the demonstration, the ladies got to it and began constructing their blocks. Getting ready to choose fabrics Going around the center block with the next piece Checking if this fabric is a good fit This block is ready to be trimmed to its finished size. Such beautiful, bright colors We designed the patterns to be 8.5" finished, so having 9" base allowed for a little wiggle room as we pieced. An 8.5" square ruler was used to bring the pieced blocks down to their finished size. Trimmed and ready to go After the block was finished, the ladies basted around all four sides, and their blocks are ready for next month's embroidery session. Some of our students' finished blocks: The silver fabric in this block is a lacy overlay. Most of these fabrics were found at local thrift stores. As an unexpected treat, one of our students brought in some antique crazy quilt blocks that she had purchased. The blocks were in various stages of completion, absolutely beautiful, and she has more of them to bring to the next session. We can't wait to see them, and we will be sure to share them with you as well. Such lovely embroidery This unfinished, basted block is mostly made of silk. Another block a little further along in regard to the stitching Everyone was able to complete one block and will have the other three ready for our February meeting, where we will be focusing on motif selection, transferring design, and stitching the motifs. Thank you for joining us as we build these crazy quilts, and please come back to see the outcome of our next session.
Baskets Advent Calendar Bags Lanyards Postcard Scrappy Rug Selvage Coaster Potholder Wallets
Mom was looking for a new project to work on, so we flipped through magazines and books looking for inspiration. I came across a lovely possibility in Fons & Porter’s Best of Love of Quil…
Photos above © (Melissa) Happy QuiltingThis quilting pattern is available as a free download... Download Pattern: Dutch Treat
One Block Takes On Many Different Looks! Deep, rich colors are simply stunning in this inviting quilt. It’s so easy to imagine curling up with it during cold weather. Part of the quilt’s charm is that each block is different. Actually, every block is the same but they’re all colored differently. Variations in color and …
This quilt made its way to me from Arizona. A gal is teaching this pattern (a Jacqueline de Jonge pattern) in a class at a community college and asked me to quilt it after seeing an article I wrote…
Original Design category of Blogger's Quilt Festival Fall 2015 - Indigo fabrics
* C l u e S i x * Temecula’s history is deep in the past, and Butterfield Blues is sure to make it last. The log cabin block has stood the test of time, and these special ones are a favorite of mine. * H i n t * Make 24 Log Cabin blocks using cutting instructions on page 67 and assembly instructions on page 68-69 of Returning to Temecula. Additional Pieces - cut as follows: from dark prints - 2 strips, 1" x 4" from light prints - 2 strips, 1" x 4" Assemble Row Six using diagram above, add additional 1" strip to top and bottom of each row. Finished Row 4" x 43-1/2" including seam allowance Add Row Six to each side of center unit. Just joining us? Get all the details here. Order a copy of Returning to Temecula here. Share your progress tag us on Instagram using #tqcscavengerhuntsewalong
Photos above © (Julie Cefalu) The Crafty Quilter This quilting pattern / tutorial is available for free... Full post: Nordic Mini Quilt Along
We’re back on the road for the last leg of the Golden State series journey with the Eastern Sierra quilt pattern now available here ! We first sailed to Balboa Island with equilateral triangles, hiked up to Mammoth Lakes with sewing curves, then drove to Metropolis with half rectangle triangles. O
