\ living in the past /
We came across gifted photographer Kelly Tan aka LovePaperPlane on Instagram and dazzled by her surreal images. She is a full-time mother and a self-taught photographer and artist from Malasia. She enjoys spending time on Instagram and creating digital artworks while her little baby is taking nap. She usually works on her own shots and
In anticipation for the upcoming beautiful.bizarre curated exhibition 'Bitter | Sweet', opening this Saturday 18March at 19 Karen Contemporary Artspace, we reached out to Alexandra Levasseur one of the contributing artists. Currently living and working in Montreal, Canada, Alexandra has created work that whispers intimate and beautiful secrets. Creeping rose vines twist around glaciers and glittering stalactites. A girl dreams while an arrow on fire burns bright, piercing her heart. Pastel swaths of impasto paint surround and penetrate these beings, deeply pensive in their solitude, Alexandra's work is a gorgeous illusory and allegorical world, close enough to pour over with the eyes but deep enough to become lost within. Read on for a sneak peak at Alexandra's gorgeous contributions to the show, and a deeper look at an artist's process. https://youtu.be/YrMJnZnRAp0 Time lapse video of
Having famous parents is not without its downsides.
It's time to break free from what's holding you back & embrace God's limitless hand in your life!
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From Puss In Boots to The Company of Wolves, entrants to the 2012 Book Illustration competition were challenged to design a new edition of one of Angela Carter's most sensuous and sinister works, her short story collection The Bloody Chamber. Take a look at the efforts of the six illustrators shortlisted for the contest, run by the House of Illustration and The Folio Society
Same. Edie Fake from Gaylord Phoenix 8, published by the crucial Pegacorn Press
25 x 20 cm
These days I have been reading Anaïs Nin’s essays, and thinking about them a lot, in particular I am fascinated by her devoted diary keeping, the conflict of dreams vs reality, the reason one…
"The German Tango," by Louis Raemaekers (c. 1916) DIMENSIONS • 9" x 12" (Image: 7.13" x 10.5") • 12" x 16" (Image: 9.5" x 14") • 16" x 20" (Image: 11.5" x 17") • 20" x 30" (Image: 16" x 23.63") • 24" x 36" (Image: 19" x 28") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK ----------------------------- "The German Tango" is a political cartoon by Louis Raemaekers, an outspoken critic of Germany during the First World War. A 1916 collection of his works contains the following commentary by John Buchan: "A blonde woman, wearing the Imperial crown and with her hair braided in pigtails like a German backfisch, is whirling in a tango with a skeleton partner. Her face is livid with terror and fatigue, her limbs are drooping, but she is held by inexorable bony claws. On the feet of the skeleton are dancing pumps, a touch which adds to the grimness. This ghoulish dance does not lack its element of ghastly ceremonial. "The Dance of Death has long been the theme of the moralist in art, from Oreagna's fresco on the walls of the Campo Santo at Pisa to Holbein's great woodcuts and our own Rowlandson. In Germany especially have these macabre imaginings flourished. The phantasmagoria of decay has haunted German art, as it haunted Poe, from Dürer to Boecklin. But the mediaeval Dance of Death was stately allegory, showing the pageant of life brooded over by the shadow of mortality. In M. Raemaekers' cartoon there is no dignity, no lofty resignation. He shows Death summoned in a mad caprice and kept as companion till the revel becomes a whirling horror. "It is the profoundest symbol of the war. In a hot fit of racial pride, Death has been welcomed as an ally. And the dance on which Germany enters is no stately minuet with something of tragic dignity in it. It is a common vulgar shuffle, a thing of ugly gestures and violent motions, the true sport of degenerates. Once begun there is no halting. From East to West and from West to East the dancers move. There is no rest, for Death is a pitiless comrade. From such a partner, lightly and arrogantly summoned, there can be no parting. The traveler seeks a goal, but the dancers move blindly and aimlessly among the points of the compass. Death, when called to the dance, claims eternal possession." ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.
Thank God it's Friday. Because if you were on your Monday morning commute in Tokyo right now, the day probably wouldn't be getting off to the greatest start. I had never before seen this practice of "stuffing" people into subway cars. I also had no idea subway staff are hired to do just that... [you
"Martini" kristin fouquet This is my favorite hangover story. A raise of the glass to the inimitable Dorothy Parker. You Were Perfect...
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I recommend reading these quotes with a piping hot cup of coffee, no matter your mood, first thing in the morning.
My anaconda don't want none unless you birth sons, hon.
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On paper, she is Britain's lost surrealist; an English debutante who cut herself off from her wealthy family, fell in love with Max Ernst and eloped with him to Paris, finding herself in the centre of surrealist movement. Separated from Ernst by war, she later ended up in Mexico, and became one of t
