Historical Turkish male and female costumes from the european part of the Ottoman Empire. The costume history by Auguste Racinet, 1888.
The POOR THINGS costume exhibit at ASU FIDM includes Holly Waddington’s exquisite designs, with pieces worn by Emma Stone, Mark Ruffalo, Willem Dafoe,
Lucy Kirkwood returns to the National Theatre with The Welkin, starring a brilliant ensemble led by Maxine
Christian Tagliavini is an Italian-Swiss photographer. For his stunning series “Dames di Cartone” (Cardboard Women) and “1503”, representing 16th and 17th century fashion po…
Hello all, this is my 200th article, and I thought i should do something rather different. I will do an overview of the folk costumes of Europe. I will follow nation-states, as inappropriate as that may be, but i will also cover nations without states. Some very small and obscure ethnic groups will be omitted for lack of available material. I will also not be covering the north Caucuses, as there is simply too much material there. Where there is a recognized or unofficial 'National Costume' I will show that. This will necessarily not include much in the way of explanation. Iceland Upphultur Peysufot Faldbuningar Faroe Islands Ireland Scotland England Wales Brittany Bigoudin Kemper [Quimper] Plougastel France Berry Normandie [Normandy] Provence Euskadi [the Basque Country] Andorra [also Rousillon and Catalonia] Spain Andalucia La Mancha Galicia Portugal Minho Madeira Algarve Monaco [also Nice] Italy Lombardy Lazio Calabria Arbëreshë [Italo Albanians] Vatican City There is no women's costume for the Vatican Sardinia Florinas Orgosolo Quartu Sant'Elena Malta Switzerland Appenzell Valais/Wallis Graubunden/Grisons Liechtenstein Germany Miesbach, Bavaria Gutach, Schwartzwald Scheesel, Lower Saxony Luxembourg Belgium The Netherlands Volendam Beveland Staphorst Friesland [Frisia] West East North Denmark Fanø Hedebo Amager Norway There have been several attempts to design a national costume, but most of them have not received much acceptance. The most successful was a simplified form of the Hardanger costume, but this is currently little used, as most people wear their local bunad. Hardanger Setesdal Gudbrandsdal Sweden National Costume Värend Rättvik Sabme [Lappland] Jokkmokk Kautokeino Skolt Finland Häme, western Finland Kaukola, Finnish Karelia Tuuteri, on the Finnish Isthmus Estonia Järva-Jaani, North Estonia Muhu Island Setu, South Estonia Livonia Latvia Latgale Vidzeme Nica Lithuania Aukštaitija Žemaitija Vilnius Kaszëbskô [Kashubia] Poland Łowicz, Mazowsze Krakow, Małopolska Podhale One of many Górale or Highlander costumes Sorbia [Lusatia] Chosebus [Cottbus], Lower Lusatia Slepo [Schleife], Upper Lusatia Catholic costume, Upper Lusatia Bohemia Plzeň [Pilsen] Blata Nové Paky, Northeast Bohemia Moravia Hanak Valašsko Vlčnov, Slovacko Slovakia Myjava Detva Šariš Hungary Palóc Kalocsa Matyó Austria Montafon, Vorarlberg Tyrol Upper Austria Slovenia Gorenjsko Dolenjska Bela Krajina Croatia Posavina Zagrebačko Prigorje Dubrovnik/Konavle Bosnia Moslem town costume East Hercegovina Orthodox Serbian Costume Travnik, Catholic Croatian Costume Serbia Šumadija Vojvodina Gniljane Crna Gora [Montenegro] Macedonia Skopska Blatija Galichnik Radovish Gorani Albania North Albania and Kosovo [Gheg] Sulovë, Central Albania Fieri, South Albania [Tosk] Greece Amalia Costume, Athens Kriti [Crete] Karagouna, Thessaly Cyprus Bulgaria Sofia [Shope] Rhodope Severnjashko [North] Vlach in Serbia in Greece in Albania Romania Wallachia Transylvania Moldavia Moldova Gagauz Crimean Tatar Ukraine Central Ukraine Hutsul Volyn' Carpatho-Rusyn, Lemko Komancha Venhryny [Čirč region] Jakubany Belarus Svetlahorski region, Western Polissia Malarytski region, Eastern Polissia Russia Peasants from northern Russia Kaluga Province Voronezh Province Karelia [Russian held part] Tver' Province Karelians Veps Nenets The Nentsi [formerly known as the Samoyed], live along the arctic coast from the White Sea to well past the Urals, and thus into Asia. Komi Permliak Udmurtia Northern Udmurt Southern Udmurt Mari-El Ural Mari Mordovia Erzya Moksha, Contemporary Costume Men Chuvashia Anatri Chuvash bride and her father Anat Enchi bride, groom and married woman Virial Chuvash Matchmaker Tatarstan [Kazan'] Bashkortostan [Bashkir] Kalmuk [Kalmyk] Thank you for reading, I hope that you have found this to be interesting and informative. Roman Kozak
Model - Illyria Okami Costume - Fairytas Photography - Studio Sheridan's Art Edited in Capture One Pro & Adobe Photoshop
“Love it! Very festive and she looks gorgeous!!” Handbag Queen exclaimed of the cover. Not everyone was so enthused. “She looks sad and tired. This cover
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Warrior from the Edge of Time and Beyond the Seam of Space. Powered by an unknowable source. Animated by Spirits Great. Guided by the Hand of Fate. ---- Photographer: C'est moi Photographer's Assistant: Judith Turano Model/Couture/MUA: Tithann Thanh ---- Strobist Info: Elinchrom BX500Ri into bounce umbrella over camera
This cape has always intrigued me. I never understood it and was dying to know more. So off to research I went. Here's what I uncovered. I'm sure most of you have seen these are your Azorean relatives homes: The liquor bottles designed to represent the capote e capelo. I always thought they were so funny looking, but it was a tradition, and I never thought twice about it. Until now.... (side note: these bottles are selling for HUNDREDS of dollars on Ebay. Who would have thought?) "A large cape that covered a woman's figure, allowing only a glimpse of her face, the origin of the “capote-e-capelo” is controversial. Some say that it came from Flanders and others state that it is an adaptation of mantles and cowls that were fashionable in Portugal in the 17th and 18th centuries. Regardless, for centuries the “capote-e-capelo” was a typically Azorean woman's garment used in Faial. Varying from island to island in the cut of the cape and the arrangement of the cowl, Faial had the extravagant shape of a wedge resting on the shoulders and which jutted out in front for over a palm. The common characteristic of the “capote-e-capelo” was that it was made of a strong, heavy electric-blue cloth that lasted for generations and was handed down from mothers to daughters. The women of the Azores stopped wearing the “capote-e-capelo” around the 1930's. " There is a description of the Azorean capote in chapter V of Mark Twain’s “The innocents Abroad” "Here and there in the doorways we saw women with fashionable Portuguese hoods on. This hood is of thick blue cloth, attached to a cloak of the same stuff, and is a marvel of ugliness. It stands up high, and spreads abroad, and is unfathomably deep. It fits like a circus tent, and a woman‘s head is hidden away in it like the man’s who prompts the singers from his tin shed in the stage of an opera [….] a woman can’t go within eight points of the wind with one of them on; she has to go before the wind or not at all." I've gathered some photos of some of them for you to see the various shape and sizes. This photo shows Faial on the left and Sao Miguel on the right. Notice how different there are. From all the research I've done, it does seem that Faial had the biggest Capote out of everyone. If you would like to see more of these old photos, and some from a museum housing some of these, click here. Mulher Do Capote If you happen to come across anymore photos or history, let us know! We would love to add them to this.
To the Radiant Southern Sun, I give you Queen Susan the Gentle.Aslan Queen Susan Pevensie (1928-?) was the second-born of the Pevensie children (after Peter), and was the eldest sister. She was known to the Narnians as Queen Susan the Gentle, and was known to be logical (to the point of being stubborn sometimes), motherly, and more serious than her younger sister, Lucy. During her reign at the Narnian capital of Cair Paravel, she was also known as Queen Susan of the Horn. Oh, Susan! She's intere