The formal Regency era lasted from 1811 to 1820 AD, but the period from 1795 to 1837 AD is also sometimes regarded as part of the Regency era. Technically the term Regency refers to a time period in British history, but it is commonly applied to the same time period in other countries, such as France, Russia, and the United States, because of the wide reach of the aesthetic. In the US, this time period is sometimes referred to as the Federalist Era. This aesthetic gained notoriety largely becaus
With Daphne Bridgerton and the Duke of Hastings having set the bar for an epic romance, we’re left daydreaming about love in a bygone era
A pictorial representation of the changing fashions in headdresses and hairstyles for the evening during the Regency period.
I don’t often get the chance to dress up for an evening out, but when I do, I quite enjoy it. I have a Christmas party to attend next week that’s one of those evenings out. A special dress, m…
Beautiful Regency Era Print of Gorgeous Princess Marthe-Lucile Bibesco in 1911 by artist Boldini. 5 x 7 unmatted on Epson Premium paper. For slightly different coloring and larger sizes visit this link: https://www.etsy.com/listing/1308707961/beautiful-regency-era-print-of-portrait?click_key=932b1a530939d6e3af3f5e52d7ccb80b3171147d%3A1308707961&click_sum=f33e9fbd&ref=shop_home_active_1&sts=1 Mat and frame not included.
To make sure the Georgian or Regency gentleman made a good impression there were numerous cravat wearing, cravat caring, and cravat tying tips. Among them
It is November! And that means Thanksgiving and also Vernet! November is the last month to finish up the projects for the fashion plate collection, so I am busy tying up loose ends (figuratively and literally!) and am getting pretty excited about everyone's big reveal next month. I will not hide the fact that when I was invited to join in this project I chose what was perhaps the least visually exciting plate. I don't like a lot of fancy details, in general, and gravitate toward severely plain. (Just take a look at my modern wardrobe if you don't believe me. Almost everything is solid black, brown, gray and blue.) But the more I delved into my project the more I realized that there are still some pretty quirky details. I recently finished up my chemisette. I spent a while trying to figure out the hem of the chemisette ruffles. Then a while trying to figure out how to make the ruffles. Plus the chemisette. I've never made one before, because they are too fussy looking for my taste. The "B" 1800-1825 chemisette in Janet Arnold's PoF 1 was pretty helpful in finally clueing me in on how to put this together. I ended up draping a little partial bodice with a 1" stand collar. The ruffles were made and attached separately. There are two ruffles and the edges are vandyked. This seems to have been a popular shape for the edges of ruffles and trimming in the 18-teens. I hemmed them with a small hem. The points on the ruffles were staggered. Then the ruffles were gathered and whipped to a narrow tape as per instructions in PoF 1. This was a very long and tedious process. Finally the ruffles were done and ready to be attached! Here you can see that the ruffle is wider in the center than at the sides. One ruffle was stitched to the top of the neckband, and the other at the bottom of the neckband. Tapes were sewn to the neck to tie closed and run through the hem to tie at the waist. All done. I feel a little ridiculous in it, but it does add to the proper look. The fabric is a fantastic cotton organdy that holds its shape wonderfully, even without starch. I sort of love this fabric! So that's the chemisette. Sarah
This lovely Regency era gown was designed for the 1995 adaptation of Jane Austen’s Sense and Sensibility. It was made for Emma Thompson as Elinor Dashwood. The dress was seen again very briefly on...
Well here it finally is - the third and final installment of Regency Furniture from Ackermann's Repository. This post will cover the furniture items from Series 3 which were published from 1823-1828. One of my favorites from AR Series III - Ser3 v11 1828 furniture plate 35 - Sofa Sadly, 1828 was the last year Ackermann's Repository was published; but what a bounty of images they provided in their 20 years of publication. It's been a true pleasure posting about them and I hope you've enjoyed seeing them too! Series 3 of Ackermann's Repository ran from 1823-1828 and with it came a lovely array of home furnishings that included: sofas, beds, chairs, accessories and Gothic styled furnishings. 1823 There were only five furniture plates published in this year however among them was a beautiful faineante and an amazing state bed that were not to be missed. Ser3 v1 1823 - furniture plate 09 - Lady's Work Table Description for the above Lady's Work Table Ser3 v1 1823 Furniture plate 27 - Cabinet Bookcase Ser3 v1 1823 Furniture plate 33 - Faineante Description for the above Faineante Ser3 v2 1823 Furniture plate 03 - chairs Ser3 v2 1823 Furniture plate 15 - State Bed 1824 A larger assortment of furnishes appeared in the monthly issues for 1824; including some very unusual items for the collector and those lovers of timepieces. Ser3 v3 1824 Furniture Plate 3 - Bookcase Ser3 v3 1824 Furniture plate 9 - Dressing Case Ser3 v3 1824 Furniture Plate 15 - French Bed Chamber Ser3 v3 1824 Furniture plate 21 - Cabinet Glass (Collectors Display Cabinet) This is the description for the above "Collectors" display cabinet Ser3 v3 1824 Furniture plate 27 - Astronomical Clock I created a fun piece of artwork called "Waiting for Midnight" using this item in the background. Ackermann's Repository description of the above Astronomical Clock Ser3 v3 1824 Furniture plate 35 - Table and Chairs Ser3 v4 1824 - Furniture Plate 3 - Alcove Window Curtains 1825 As we move through 1825; we go from more classical styles including an impressive "camp bed" to heavier Gothic pieces that will continue through 1827. Ser3 v5 1825 Furniture plate 11 - sofa Ser3 v5 1825 furniture plate 17 - Chairs Ser3 v5 1825 Furniture plate 23 - Sideboard Ser3 v5 1825 Furniture plate 29 - Table, Chair and a Settee/Window Seat in the new French Fashion Ser3 v5 1825 Furniture plate 34 - Gothic Fire Place Ser3 v6 1825 Furniture plate 5 - Camp Bedstead Description for the military rigged Camp Bedstead shown above Ser3 v6 1825 Furniture plate 11 - Gothic Lamp Ser3 v6 1825 Furniture plate 17 - Fire Place Ser3 v6 1825 Furniture plate 23 - Gothic Bookcase Ser3 v6 1825 Furniture plate 29 - Gothic Chairs Ser3 v6 1825 Furniture plate 35 - Gothic Sofa 1826 All the furnishings in the 1826 issues are of the Gothic style - even the window treatments. Ser3 v7 1826 - Furniture plate 11 Curtains Ackermann's Gothic Ser3 v7 1826 - Furniture plate 35 Curtains Ackermann's Gothic Ser3 v7 1826 Furniture plate 5 - Side Board Ser3 v7 1826 Furniture plate 17 - Gothic Table Ser3 v7 1826 Furniture plate 23 - Gothic Bed Ser3 v7 1826 Furniture plate 29 - Gothic Chairs Ser3 v8 1826 Furniture plate 5 - Grand Piano Forte Ser3 v8 1826 Furniture plate 11 - Flower Stands Ser3 v8 1826 Furniture Plate 17 - Candelabras Ser3 v8 1826 Furniture plate 23 - Gothic Piano Forte Ser3 v8 1826 Furniture plate 29 - Gothic Sofa Ser3 v8 1826 Furniture plate 35 - Gothic Chairs 1827 Gothic, Gothic and more Gothic that was the trend for 1827. There are all kinds of Gothic goodies from looking glasses to keys. Ser3 v9 1827 Furniture plate 5 - Gothic Looking Glass Ser3 v9 1827 Furniture plate 9 - Gothic Bed Ser3 v9 1827 Furniture plate 17 - Gothic Bookcase Ser3 v9 1827 Furniture plate 23 - Gothic Cabinet Ser3 v9 1827 Furniture plate 29 - Gothic Bureau Ser3 v9 1827 Furniture plate 35 - Gothic Desk & chair Ser3 v10 1827 Furniture plate 11 - Gothic Toilette Ser3 v10 1827 Furniture plate 5 - Gothic Whist Table Ser3 v10 1827 Furniture plate 17 - Gothic Utensils 1828 So with this being the last year for Ackermann's Repository the furniture plates returned to items of a more classical fashion. Beautiful and elegant just as I like to think of regarding the Regency era. Ser3 v11 1828 Furniture plate 11 - Drawing Room Chairs Ser3 v11 1828 Furniture plate 17 - Drawing Room Seats Ser3 v11 1828 Furniture plate 23 - Toilette Ser3 v11 1828 Furniture plate 29 - Side Board Ser3 v11 1828 furniture plate 35 - Sofa Ser3 v12 1828 Furniture plate 5 - Fireplace Ser3 v12 1828 Furniture plate 11 - Drawing Room Table Ser3 v12 1828 furniture plate 17 - Pier Table Ser3 v12 1828 Furniture plate 23 - Bed Ser3 v12 1828 Furniture plate 29 - Flower Stand Ser3 v12 1828 Furniture plate 35 - Cabinet And this concludes the furniture plates for Ackermann's Repository. I hope you have enjoyed it as much as I have! *************** I started posting images from Ackermann's Repository on my blog back at the end of June 2011 and have been blogging about them for over 6 months. It's kind of sad for me to wrap up the series after putting so much time and effort into it but alas my muse is calling me in other directions. I'm sure I'll revisit items from Ackermann's every once and a while just for the grins and giggles of it; but I hope you keep checking back just to see what other fun things has caught my fancy. I was able to do this series thanks to the archive of Ackermann's Repository volumes from the Library of Philadelphia Museum of Art that are available online at www.archive.org (a wonderful resource of amazing vintage images and books). If you have enjoyed seeing these images from Ackermann's Repository and would like the opportunity to see and read an original for yourself they are are available at www.archive.org Click HERE then choose the volume you are interested in. You can then see and read them online or download them to your computer for future reference. Enjoy! Till Next time...
If you’ve read Leveling Up Your Regency Look: Part 1, then you’re all ready to start building your Regency ensemble. You’ve figured out which part of the Regency you want to repre…
Bumble Button Free download & print Victorian, Edwardian & Vintage Ephemera. For crafters & artists. Journals Labels, Greeting Cards, Scrapbooking.
Hinton Ampner, National Trust property in Hampshire
A Regency History guide to the titles of married daughters of dukes, marquesses and other peers during the Georgian period.
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A wealthy heiress, a charming rake, or a poor nobody?
If you’ve read Leveling Up Your Regency Look: Part 1, then you’re all ready to start building your Regency ensemble. You’ve figured out which part of the Regency you want to repre…
(click to enlarge) Maxfield Parrish (American, 1870-1966) Reveries, 1813 Oil on canvas
Joseph Frederic Charles Soulacroix - Secrets -- detail
The Regency Era in the Muggle World is not much different from the Magical World when it came to the busy time of what is called "The Social Season." Three people intertwined since their school days have become strangers to one another as soon as they stepped into the real world. As they joined society. And just as they thought they could navigate the real world without hardship, reality bites... love bites harder. CARINA BLACK has failed to be successful in her first two seasons. Though a life of a spinster is years away but to prolong her time at the marriage market would cause trouble to her and to her family. Given the title as the "Diamond of the Season" on her first year, it is expected that Carina would already be married with children, but it was quite the opposite, maybe it is her family history that intimidates them? But who could ever say no to a Black? Maybe pride of losing their name? Or maybe it is because of her uncertainty, the longing of the return of a lost love? ROMAN ALSTON is the eldest son of the second born son, which meant his life is just as important as any second-born-son. But even with the freedom he has he was still entrapped, and there was no way out for him... unless he leaves, which he can never do. THEODORE NOTT is no romantic, but he is heartbroken. Torn between two clashing things that would never go along, his heart and his mind. After years of listening to his mind, causing himself with so much pain, he gives into his heart's desire and comes home to see the very woman he has been in love with for the past five years and to finally give his goodbye, for her sake and his... if only that were the case.
Explore ARTECULTURA's 256 photos on Flickr!
The eavesdroppers
This ad appeared in the October 1817 issue of La Belle Assemblee. I wasn't able to find much more about P. Burgess and his penetrating brushes, but I did
It is November! And that means Thanksgiving and also Vernet! November is the last month to finish up the projects for the fashion plate collection, so I am busy tying up loose ends (figuratively and literally!) and am getting pretty excited about everyone's big reveal next month. I will not hide the fact that when I was invited to join in this project I chose what was perhaps the least visually exciting plate. I don't like a lot of fancy details, in general, and gravitate toward severely plain. (Just take a look at my modern wardrobe if you don't believe me. Almost everything is solid black, brown, gray and blue.) But the more I delved into my project the more I realized that there are still some pretty quirky details. I recently finished up my chemisette. I spent a while trying to figure out the hem of the chemisette ruffles. Then a while trying to figure out how to make the ruffles. Plus the chemisette. I've never made one before, because they are too fussy looking for my taste. The "B" 1800-1825 chemisette in Janet Arnold's PoF 1 was pretty helpful in finally clueing me in on how to put this together. I ended up draping a little partial bodice with a 1" stand collar. The ruffles were made and attached separately. There are two ruffles and the edges are vandyked. This seems to have been a popular shape for the edges of ruffles and trimming in the 18-teens. I hemmed them with a small hem. The points on the ruffles were staggered. Then the ruffles were gathered and whipped to a narrow tape as per instructions in PoF 1. This was a very long and tedious process. Finally the ruffles were done and ready to be attached! Here you can see that the ruffle is wider in the center than at the sides. One ruffle was stitched to the top of the neckband, and the other at the bottom of the neckband. Tapes were sewn to the neck to tie closed and run through the hem to tie at the waist. All done. I feel a little ridiculous in it, but it does add to the proper look. The fabric is a fantastic cotton organdy that holds its shape wonderfully, even without starch. I sort of love this fabric! So that's the chemisette. Sarah
PDF Kreuzstich-Muster - die kokette Abenteuer (von Vittorio Reggianini) Letztes Foto zeigt, wie es aussieht, das fertige Stück Mit Ihrem Kauf erhalten Sie: Ein Pdf-file mit schwarzen und weißen Symbole Ein Pdf-file mit Coored Symbolen Ein JPG-Bild des Bildes Eine Taste Seite in DMC Zahnseide code Stiche: 370 x 500 Größe (auf 14 Count Aida Stoff): 26.43 x 35,71 Zoll 67,13 x 90.71 cm ES GIBT ANDERE GRÖßEN ERHÄLTLICH WENN SIE EINE ANDERE GRÖßE WÜNSCHEN, KONTAKTIEREN SIE MICH BITTE Ich werde Ihre Muster per e-Mail innerhalb von 24 Stunden nach der Zahlung senden. Jede Frage oder einen Kommentar, bitte kontaktiere mich Gerne nähen!!! Vielen Dank für Ihren Besuch :) Erfahre mehr über diesen Artikel
Need help naming a regency romance character? Have a look at our list of regency romance character names, broken down by character type!
The thirst intensifies.
In honor of Jane Austen's birthday, we round up the best movies celebrating her life and reinterpreting her novels.
Cahier/Carnet de notes de 90 pages. ===> 15,24 x 22,86 - Papier crème ligné gris souris. Couverture papier brillant. Produit de haute qualité, très bon rapport qualité prix. Dans ce cahier vierge aux allures d'antan, vous allez apprécier d'écrire vos envies, vos souhaits et tous vos rêves... Plusieurs collections: Collection Sweet by Lhattie Haniel Collection Regency by Lhattie Haniel
I am not the biggest fan of regency dresses (because I love tiny-waist-line )...but somehow my Ingenue just wanted this type of dress to wear :)
