A portfolio of the work of award-winning illustrator Chris Wormell, represented by The Artworks Illustration Agency.
ReWilding Marjory interviews a woman who lives as a semi-nomadic hunter gatherer. Pixy travels through the National forests, BLM land, and friendly homesteads with a small herd of goats and two children. Would you want to join her and experience creating tribe?
Crops taken from my ‘rewilding’ illustration, created for the Architectural Review.
Conceptual editorial llustration about believe and disbelieve in sustainable energy sources. Windmill as alternative energy source against air pollution
-selected illustrations and progress photos for The Swiss Family Robinson by Johann David Wyss. This illustrated Spanish edition is an exclusive for Penguin Random House. Although this is not...
Nick Hayes, author of The Book of Trespass and environmental campaigner. See Nick’s portfolio of traditional and digital illustrations here.
Simon Prades (previously) uses muted color palettes to convey feelings of introspection, inquisitiveness, and even rage in his editorial illustrations. His work often features human portraits interwoven with natural elements such as coiling snakes and growing plants which combine detailed realism with abstracted and surreal environments. The German-Spanish artist and designer currently lives and works in Saarbrücken, Germany, and is regularly commissioned by a wide variety of publications—from Rolling Stone to Outside Magazine. More
We caught up with illustrator Jeroen Helmer to learn more about the background, workflow, and motivations of this uniquely gifted artist and committed rewilder.
Download this Premium Vector about Carbon footprint effect as nature co2 gas emission problem and sustainable ecology balance concept green foot step or recycle symbol eco friendly transport or energy linear flat vector illustration, and discover more than 140 Million Professional Graphic Resources on Freepik. #freepik #vector #co2 #carbonfootprint #ecology
I'm a Polish graphic designer, illustrator and set designer. Presently, I focus on mixed media graphic art, based mainly on photo manipulation, drawing, recently also 3D. I've graduated with honors from the Interior Architecture and Industrial Design Faculty at the State Higher School of Fine Art in Poznań (now the University of Arts).
For decades the leading nature writer has been collecting unusual words for landscapes and natural phenomena – from aquabob to zawn. It’s a lexicon we need to cherish in an age when a junior dictionary finds room for ‘broadband’ but has no place for ‘bluebell’
Rewilding frequently involves restoring populations of so-called “keystone species”. But what exactly are they, and how can they improve rewilding outcomes?
Its detractors argue it is an indulgence, but rewilding is gaining momentum with projects attracting investors, creating jobs and gaining community support
contiene: FAUNA-FLORA-HABITAT-PUBBLICAZIONI Sono entrata all'Accademia di Belle Arti già sapendo di voler fare l'illustratrice, ne sono uscita decisa a lavorare per la natura, in sua difesa. Negli anni '80 erano nati i Verdi in Italia e il discorso ambientalista era presente anche in TV, con i bellissimi e drammatici réportages di Manuela Cadringher. Sentivo, come ancora sento, il bisogno di dare un contributo con il mio lavoro, e sono ben presto arrivata al WWF, iniziando da subito una lunga collaborazione che ancora perdura. Sono poi arrivati lavori per il Bioparco di Roma, il Parco Nazionale d'Abruzzo, il Corpo Forestale dello Stato, l'Agenzia Regionale dei Parchi del Lazio, e numerosi altri Enti preposti alla tutela del territorio. Ho prodotto centinaia di disegni per pannelli, pieghevoli, manuali, mailings, molti dei quali sono andati persi perchè fino agli anni '90 si consegnavano direttamente gli originali. Viva il digitale! I started Art School with the aim to become an illustrator, and ended it having decided to work on and for Nature. In the '80s the Italian Green Party was born, and the environment was a topic discussed on TV, with the dramatic and beautiful réportages by Manuela Cadringher. I felt, as I still do, the urge to contribute with my work, and I soon arrived at WWF Italy, starting a long-standing collaboration. I later worked also for the Rome Biopark, the National Park of Abruzzi, the Forestry, the Lazio Regional Park Agency, and many other Agencies for the protection of environment. I produced hundreds of drawings for illustrative boards, posters, mailings, guides, many of which I lost at the time when you still had to hand in the original works. Up with digital! FAUNA Mammiferi-Mammals Uccelli- Birds Dal manuale "Uccelli nel Parco del Circeo" di N. Henson Extract from the book "Birds of the Circeo Park" by N.Henson Rettili e insetti- Reptiles and insects Pesci e molluschi- Fish and mollusks FLORA Fiori-Flowers Ortaggi- Vegetables HABITAT The little pond-WWF magazine cover Waterlogged forest-WWF panel Tropical forest and hummingbird Biosphere- Watercolour and Photoshop- The Forestry calendar Mediterranean sand dunes- WWF panel Coperina catalogo erboristico- Cover of herbal produce catalogue Packaging per prodotto erboristico-Packaging for herbal produce Sardinian insects -Museo di Montarbu In the wood- WWF panel Countryside- Co-author S.Maugeri, Biopark of Rome Mediterranean maquis- WWF didactic panel A butterfly garden-National Park of Abruzzo Lizard and maquis- Detail- WWF panel Salty marsh- WWF panel Section of a pond-Abruzzo National Park Life in the forest- Sicily Park Agency calendar. Watercolor, gouache and Photoshop Educational pond- National Park of Abruzzo Night by the sea-WWF panel Water from cliffs to the sea- WWF publication PUBBLICAZIONI (in progress) PUBLICATIONS G.Mondadori, 1994. 164 illustrazioni in b/n- G.Mondadori, 1994. 164 b/w illustrations B come Biodiversità- ARP Lazio, 2009, illustrazioni Concetta Flore. Scopri la Natura nelle isole dell'Arcipelago toscano, 2017, PNAT. Illustrazioni di Concetta Flore Uccelli nel Parco del Circeo, autore Nick Henson, illustrazioni di Concetta Flore, ARP Lazio 2010
Flourishing forests fill Hye Jin Chung’s work with life and colour, carefully tended with cut paper and drawn textures. We take a peek through the foliage and look at some of the techniques s…
