Worldbuilding and RPG Campaign Management tools for all Storytellers, Dungeon Masters and fiction Authorss
Learn the art of world-building in your sci-fi, fantasy or alt-history story with these 10 key elements of world-building!
Learn the art of world-building in your sci-fi, fantasy or alt-history story with these 10 key elements of world-building!
A simple worldbuilding worksheet to help you create a magic system for your story world - worldbuilding questions for the people, the mechanics & the world.
RPG Character Sheets, Art, and Much More.
A story's setting comes in layers--place, time, culture, foreground and background, etc. When I work on setting, sometimes I close my eyes and imagine the place in all its minute details. The sights, sounds, smells, tastes and textures. The people, plants and animals. What time of year is it? What's the weather like? Is the sky clear or overcast? How does the air taste? What is in the distance? What is immediately close by. I may take the time to write all this down, but usually I just imagine it in my head, and then I pick key details to weave through the story. This gives the reader a sense of place and it gives them a chance to imagine the setting in their heads, too. As a fantasy writer, I hear a lot about "world building" as if it is unique to speculative fiction. World creation is a huge part of writing regardless of genre. Anyone who writes a work of fiction is creating a world (sometimes non-fiction, too). I don't care if its realistic or romance, fantasy or sci-fi, or whatever. Part of writing is to create a world for the characters to exist in. The book could be set in New York City or Buford, Wyoming, but we can't assume the reader has been there. The writer must build the world. I find creating realistic places difficult. If I make my setting an acual place, I'm confined to the reality of that place. For example, the laws of physics have to apply. More importantly, I think, writing a real place means recreating what already exists. Stephanie Meyer wrote twilight with out ever visiting Forks, Washington. When I first read Twilight, I found her descriptions of the High School to be very odd. Seriously, what school in the north has separate buildings for each classroom? Google street view is fine, up to a point, but if you really want the reader to immerse themselves in a place, the author must immerse herself in a place. Writing fantasy has it's own pitfalls as well. Though the setting is fantastical, it must also be believable. This is a fine line to walk. Building a fantasy world means creating your own universe with your own laws of physics (or laws of magic or whatever). The key to this is consistency. Create rules for the world and live by them. There is one sticky point for me in the Harry Potter series. (Which is hard to find because J.K Rowling does a super job of world building). The thestrals that pull the school carriages appear to those who have seen death. After Cedric's death, Harry get's on the carriages the end of HP4 without seeing the thestrals. However, he can see them at the start of HP5. Fantasy authors can re-imagine the world as they wish, but being consistent to the rules of your own world is crucial. Creating a believable fantasy world involves immersing myself in this one. I pay attention to my surroundings using all my senses. How do things look, taste, feel, smell, sound. Also how does the passage of time feel? If my character is standing on top of a cliff looking down, how can I describe a sense of vertigo to give the imaginary cliff real depth? I wrote most of my novel before traveling to Spain, but the experience of being in a uniquely different place helped me redefine and recreate my setting. I soaked in all my surroundings--the vague impressions, the little details--like I was looking at the world for the first time. I considered how culture shapes a place and the place shapes the culture. And I wove these nuances into my writing. Then I came back home to the same, familiar surroundings. Somehow the world looked different because I was looking at it differently. What shapes the places that I've always took for granted? How can see the familiar for the first time? Sometimes mundane occurrences like walking down the street can have new meaning if I am looking at them though the eyes of a writer.
Let’s talk about world-building, writers! Over the past few weeks, we’ve broken down several key world-building elements here on the blog, including the development of fictional cultures , languages , and magic systems — all to celebrate the arrival of World-Building Warrior , our latest wr
Fallcrest lies near the middle of the broad borderland region known as the Nentir Vale. The vale is now mostly empty, with a handful of living villages and towns scattered over this wide area. Abandoned farmsteads, ruined manors, and broken keeps litter the countryside. Bandits, wild animals, and monsters roam freely throughout the vale, threatening anyone who fares more than few miles away from one of the surviving settlements. Travel along the roads or river is usually safe—usually. But every
World building can be a huge undertaking. You can put countless hours into it, so you need to figure out much depth and scope you want or need. What are your goals? How can you improve your world by asking questions? Do you want to breathe life into the world with unreliable narrators?
Master list of over 112 world-building questions for writers. From questions about culture to the economy and environment of the world.
When we had our sit down the other day we didn't really talk too much about the civilization level of the "Barbarian" Celts that lived t...
