Opal scroll for Lady Alexandria Wright. Mertyiger and banner inspired by heraldic displays, background inspired by works by Simon Bening, Br...
A year after I did the Black Pelican for the husband, the wife who already had a Pelican, got her Laurel. Her husband contacted me and commissioned her Laurel scroll, so I did it to match his Pelican. Again based on a Black Hours by the Master of Anthony of Burgundy, c, 1470. This was 11 x 17 (I think) and is done in metallic gold and silver, the only white is on the helm. The source page was mirrored for this.
As you may have noticed, I do some scribal stuff. A little bit of calligraphy and illumination. Sometimes. I may also have a ridiculous collection of inks. Remember these? Yeah, there's more now. I have a problem, really. One of the companies I buy from is a very small organization called Scribal Workshop. I met
Detail of an historiated initial 'C'(olor), of an artist mixing colours, from James le Palmer's Omne Bonum, England (London), c. 1360 - c. 1375, Royal 6 E. vi, f. 396 It has been very interesting - and extremely gratifying - to hear about the new discoveries and exciting research recently...
You live in the middle ages (500 AD to 1500 AD) and you are a a scribe traveling on your way to the Lord’s keep or perhaps on pilgrimage and wish to keep notes of your journey. Perhaps your …
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Помните, осенью у меня был пост "Чистейшей прелести чистейший образец" ? The Luttrell Psalter, England ca. 1325-1340, British Library, Add MS 42130, fol. 178v Так вот, по весне я решила добавить вам прелести. Образцовая прелесть, чистота 146 процентов! The Luttrell Psalter, England ca. 1325-1340,…
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Not too long ago, at our local Larurel's Prize Tourney (I have picture of that coming soon), I was approached and asked to design a charter for a new children's A&S award. For those of you unfamiliar, a charter is a scroll that has spaces left blank for the recipient's name, the date, royal signatures,
