Un. Fass. Bar.
Ok. Das ist schon lustig.
Face time, Sebastian Herzau
De Italiaanse Ilaria Margutti kwam als schilder bij toeval in aanraking met de grenzeloze mogelijkheden van borduren. Centraal thema: dappere vrouwen.
Atelier Schilder cabinet card, 1911 (dated and stamped on reverse) / from JosefNovak on Flickr
The Hans Hartung exhibition at the Istituto Nazionale Per la Grafica in Rome literally on Fontana di Trevi was a happy surprise both in terms of selection of work (there were pieces which have not been shown to the public before) and the location of the building. I mean it was literally on Fontana di Trevi in Rome. I really don't understand why they weren't more people visiting this amazing free exhibition. I mean as there were only two other people viewing the exhibition at the same time as me I got a private tour of the rooms and the exhibition; the friendly attendant even opened the window for me to see Fontana di Trevi below, stunning views and the flag flapping away on The Quirinale building. The exhibition itself was brilliant; it showed clearly how Hans Hartung (1904-1989) worked (at the end of the exhibition there was a film about him and how he worked in his studio which was really interesting) and it included works from the Hans Hartung Bergman Foundation Antibes. It included biographic details - what interested me most was that he studied at the Graphical Akademie fur Kunste and in 1925 he went to a class run by Kandinsky but he wasn't convinced of non figurative art with a dogmatic agenda, as he said himself 'his speech on the use and symbolism of the circle, oval, square and rectangle I had neither seduced nor convinced. I had no desire to paint the coils to represent eternity'. Between 1927-1929 he went on holiday in the South of France and studied Cezanne, Van Gogh, and Cubism. These studies were to influence his work until 1933; he also studied the relationship between mathematics and aesthetics; in 1928, in Monaco, he studied painting techniques & materials with Max Dormer and in 1929 he married Norwegian painter Anna-Eva Bergman. I always enjoy reading about the biography of the artist and his I found interesting especially because I believe we are living in troubled times so I find inspiring an artist who experienced difficulties. The big change in his life was the death of his father which caused him to experience insecurity, and subsequently he had serious nervous problems. National Socialism was on the rise so he decided to leave Germany and moved to the Balearic Islands with his wife, and his moods improved - as he said himself 'We were living in poverty but life smiled on us again. My mood improved, I found myself a taste for painting', but all of this was short-lived as his assets were blocked in Germany and he was forced to leave the Balearic Islands and go first to Paris then to Stockolm. L 11, 1957 – lithography Around 1937 he is strongly influenced by the sculptures of Julio Gonzales and at the same time is experiencing extreme poverty and having problems with lack of materials, but it is at this point - I feel - that there is an important change in his work, thanks to his friend called Helion, who tells him to stay faithful not to change mistakes on the canvas or on the drawings and to reproduce mistakes and be natural in his work. Hartung will stick to this way of working till the 1960's. I thought while looking at the exhibition that I did find Hartung's work to be very precise, physical so opposite to someone who just reproduces mistakes. The most difficult period for Hartung is between 1942-1944 when he gets incarcerated in Gerona, the death of Julio Gonzales whom he admired, and then he gets badly wounded and is operated on his knee with no anaesthetics; all his drawings of this period are lost. Between 1945-1946 he gets the French Nationality Military Medal, the Croix de Guerre and finally the Legion of Honour in1952 has many exhibitions. In the present exhibition are many lithographs; there are some large works placed opposite smaller works of similar nature contrasting in colours with a minimalist selection of colour mainly simple intertwined stripes or lines, for example black on white or white, blue and black or white black and yellow, but it's all well defined. The works are done on paper and on canvas, they are gestural, but they don't feel heavy, they don't have names, they are called simply H1973-24,73 or L 1974-14,1974; some are lithographs like L1973-45,1973, others are made using acrylics like T1974-R14 or T1975-R35,1975; there are also some woodcuts, etching acquatint. I am interested in this as I have worked in printmaking myself. G 8, 1953 - way to sugar and aquatint - two bars H 1973-26 1973 - woodcut The 1974-14 1974 - lithography ink - two bars I was also interested in the combination of materials he uses. Sometimes he uses vynil on canvas, other times gesso on board. Some of the works in the exhibition are scratched 'sgraffiato' that he does quite unusually using a brush. I particularly liked T1963-E25 that you can see below, it gave sense of suspension; I found it to be ethereal, also T1963-45, L120-L93,L106. In all the works I observed a rhythm of different lines or scratches with a dramatic effect and made to be central on the canvas or drawing but I don't feel, as other art critics have said, that they are 'expressionist' as for me they are well thought meaning planned, yes there is a sense of direct feeling but more towards a mimetic activity than expressionism, and it has been recently discovered that he based them on sketches which kind of changes the original dynamic of the work, and yes they are gestural, physical but some of the work actually made me think of nature in a very abstract way, of blades of grass, and one can see clearly he is not interested in observation work or working from memory.
De "Waterlelie" is een prachtig kunstwerk van Ohara Koson. Het toont een subtiel en gedetailleerd beeld van een waterlelie die op het oppervlak van het water drijft. De delicate bloemblaadjes en de spiegeling in het water creëren een gevoel van rust en harmonie. Het werk straalt een serene en tijdloze schoonheid uit.
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Ervaar de schoonheid en allure van Johannes Cornelisz zijn "Portret van een meisje in het blauw" met onze prachtige kunstdruk collectie. Dit fascinerende meesterwerk vangt de essentie van tijdloze elegantie en gratie en toont Monets vermogen om leven en emotie in zijn onderwerpen te brengen. Of u nu kiest voor een poster, canvas of plexiglas, dit kunstwerk zal zeker een vleugje natuurlijke schoonheid en rust toevoegen aan elke kamer.
0 Artworks by Carlos San Millán, Saatchi Art Artist
The French artist's depiction of anonymity and claustrophobia is jarring in its harmoniousness; this tension speaks to us now, more than ever, argues Alice Bergin.
Wees creatief, ontdek een heerlijk rustgevende hobby en schilder dit prachtige "Afrikaanse Vrouw" Number PaintingToe aan een nieuwe hobby of wil je gewoon heerlijk tot rust komen? Probeer dan één van onze Number Paintings. Dit is het Schilderen-op-Nummer in een compleet nieuw jasje, volg gemakkelijk de patronen met de bijgeleverde verven en creëer je eigen kunstwerk. Mengen is niet nodig en met 3 kwastjes ben je volledig voorzien om direct aan de slag te gaan.Deze complete sets zijn ideaal voor beginners en creatieve kunstliefhebbers die zijn/haar vaardigheden willen ontwikkelen, testen of aanscherpen. Volg de patronen of creëer je eigen stijlSpeciaal voor het testen van je vaardighedenLinnen Canvas, 40 x 50 cmElke Painting bevat Canvas, 3 kwasten en alle bijbehorende vervenWerkt rustgevend en verlicht stressIdeaal ter decoratie van je kamerVeilig en beschermde verzending (in harde buis)Gratis verzending en retourneren binnen 14 dagenLet op: levertermijn voor Number Paintings is 3-4 weken Bestel vandaag en betaal geen verzendkosten Voor al onze Number Paintings --> Klik hier Over Science Factory Science Factory is opgericht voor en door echte Science liefhebbers. Naast dat wij staan voor kwaliteit bieden wij je onze producten aan tegen scherpe prijzen. Onze producten worden GRATIS bij jou thuis afgeleverd en als je niet tevreden bent kun je 14 dagen na ontvangst retourneren.
Jedes Schild hat eine Geschichte.
Artist Jeanne Mammen Berlin, 21. November 1890 - 22 April 1976
De prachtige Mountain ash (Sorbus aucuparia) van Pierre-Joseph Redouté, Redouté was een Belgische schilder en plantkundige. Hij werd het meest bekend door zijn schilderijen van bloemen in de tuin van Malmaison.
Face time, Sebastian Herzau
Mit dem Holzschild "endlich Kuschelwetter" bringst du die richtige Stimmung in dein Zuhause. Das Dekoschild ist 7x14x1 cm groß. Unsere Holzschilder sind im Vintage Shabby Look und werden mit viel Sorgfalt von Hand in unserer Werkstatt zugeschnitten, mit Kreidefarben lackiert, geschliffen, beschriftet und mit Klarlack versiegelt.Jedes Stück wird von Hand bemalt -ohne Schablone oder ähnliche Hilfsmittel - was jedes Schild zu einem Unikat macht. Die Holzschilder werden mit einer Aufhängung aus Draht und einem Dekoband versehen. Material : – Trägerplatte aus Multiplex Holz – Hochwertige Kreidefarben (Grundierung Grau, Oberschicht Weiß) – Drahtaufhängung – Farblich abgestimmtes Dekoschleifen Band Unsere Produkte werden mit viel Liebe zum Detail entworfen und von Hand gefertigt. Von Hand bemalt und beschriftet. 100 % Handmade, 100 % Norddeutsch. Gleich nach der Bestellung fertigen wir die Produkte an und versenden Sie gut verpackt. Unsere Schilder können im Innenbereich und im geschützen Aussenbereich aufgehängt werden. Die Holzschilder sind perfekt als Geschenk oder kleines Mitbringsel geeignet. Holz ist ein Naturprodukt und da jedes einzelne Schild in 100 % Handarbeit ( wie oben beschrieben ) hergestellt wird, sind Abweichungen von der bildlichen Darstellung möglich – machen aber jedes Holzschild einzigartig! Bitte beachten Sie, dass das Schild mit seiner Drahtaufhängung für Kinderhände ungeeignet ist, da ein Draht nun mal spitze Enden hat. Deshalb auch bei der Aufhängung den Draht zurechtbiegen, damit auf dem Untergrund keine Kratzer entstehen. Da der Draht nicht beschichtet ist, entsteht mit der Zeit eine rostige Patina. Dieses unterstreicht den Shabby Look zusätzlich. Das Kinners 73 Team wünscht Ihnen viel Freude an dem Produkt oder beim Verschenken. Erfahre mehr über diesen Artikel
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Hier wird ein jeder Gast nett begrüßt, ein schöner Blickfang ziert dieses Schild für den Eingangsbereich... Dieses Holzschild habe ich in liebevolle Handarbeit, die Schrift tief ins Holz eingebrannt. Das XXL Schild hat eine stolze Größe von 110 x 40 cm .
De Italiaanse Ilaria Margutti kwam als schilder bij toeval in aanraking met de grenzeloze mogelijkheden van borduren. Centraal thema: dappere vrouwen.
