様々な太さや種類の毛糸、小石やビーズ、木の枝などを個性豊かに織り上げてみませんか？新しい手芸のかたち《weaving/手織物》。個性的で素敵なインテリアを手作りしましょう。

Welcome to a weaving studio where there are no mistakes, you learn , have fun, and create beautiful fiber arts with out ever having to have woven before . My name is Jill Sanders I own SAORI SANTA CRUZ studio in the rural redwood mountains of Santa Cruz county California. This is my 8th year since i opened up my Saori studio. This is Antoinette's scarf fresh off the loom! here is the studio class room early before students show up here is Lily and Gena weaving for the Saori learn to weave in a 2 hour try it class here Lily is trying on my Fall equinox jacket she brought a bag of knitting yarns she wants to use and is using the Glimakra ski shuttle here for your chunky art yarn Lily wanrs to come back to finish weaving for a vest Gena is done. Gena's scarf ! Antoinette 's scarf off the loom I LOVE SAORI! ```````````````````````````````````````````````````````````````````````````````````````````````` I wove and made a top this summer but i never wore it much so i remde this into a hooded vest! i love the remake it and wear it all the time now! in fact it insopire my student Leigh Anne to come and take a sewing class and make two hooded vests last week! cutting out trying on after it is basted together. ~~~~~~~~~~~~~~~~~~~~~~~~~ She had such a good time making two vests she came back and made two more simplier vests for gifts! isn't her hand woven Saori fabric amazing? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ remember the my little pony pink sparking yarn I spun last summer ? go click here for my past blog on spinning this yarn well for winter sostice gifts for our granddaughters i wove it on my saori PICCOLO loom the end of a ready made warp i used ever little bit of warp up! i cut it up and sewed pillows ! in the stilness of the longest day of less sun these pillows brightened up my day HAPPY 2017 WINTER SOLSTICE let the sun into your hearts Peace through fibers Jill Nickolene Sanders MY WEB SITE WWW.SAORISANTACRUZ.COM MY ETSY SHOP Classes here

Sewing your handwoven fabric can be scary! Use these tips and tricks for turning your weavings into something new and functional.

Welcome to a weaving studio where there are no mistakes, you learn , have fun, and create beautiful fiber arts with out ever having to have woven before . My name is Jill Sanders I own SAORI SANTA CRUZ studio in the rural redwood mountains of Santa Cruz county California. This is my 8th year since i opened up my Saori studio. This is Antoinette's scarf fresh off the loom! here is the studio class room early before students show up here is Lily and Gena weaving for the Saori learn to weave in a 2 hour try it class here Lily is trying on my Fall equinox jacket she brought a bag of knitting yarns she wants to use and is using the Glimakra ski shuttle here for your chunky art yarn Lily wanrs to come back to finish weaving for a vest Gena is done. Gena's scarf ! Antoinette 's scarf off the loom I LOVE SAORI! ```````````````````````````````````````````````````````````````````````````````````````````````` I wove and made a top this summer but i never wore it much so i remde this into a hooded vest! i love the remake it and wear it all the time now! in fact it insopire my student Leigh Anne to come and take a sewing class and make two hooded vests last week! cutting out trying on after it is basted together. ~~~~~~~~~~~~~~~~~~~~~~~~~ She had such a good time making two vests she came back and made two more simplier vests for gifts! isn't her hand woven Saori fabric amazing? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ remember the my little pony pink sparking yarn I spun last summer ? go click here for my past blog on spinning this yarn well for winter sostice gifts for our granddaughters i wove it on my saori PICCOLO loom the end of a ready made warp i used ever little bit of warp up! i cut it up and sewed pillows ! in the stilness of the longest day of less sun these pillows brightened up my day HAPPY 2017 WINTER SOLSTICE let the sun into your hearts Peace through fibers Jill Nickolene Sanders MY WEB SITE WWW.SAORISANTACRUZ.COM MY ETSY SHOP Classes here

Textured wall weaving create a lovely effect. In this tutorial, you will learn 5 simple and easy ways to add texture to your DIY wall weaving.

Looking for weaving ideas for kids? Start out with yarn weaving on a cardboard loom. A fun project for older elementary/middle school grades.

One of our favorite ways to finish hand woven fabric is with a hemstitch. It’s…

We all wear clothing on a daily basis, use it for upholstering furniture around the house, use them as bedclothes, and hang drapes and many other things that

Sydney-based artist Michelle Robinson weaves textured fibers in vibrant hues into playful, bright wall-hangings and accessories.

Create Stunning Results with More Complex Designs! Strips of fabric woven together were used to create the top for this mini quilt. It’s a fun technique that’s well worth learning, as it can be used many different ways. Part of the fun of the process is not knowing just what the final results will be …

If you’re a seamstress extraordinaire than you are no stranger to bias tape. You probably know a handful of ways you can apply it to your sewing projects. If you missed it, we show you how to make your own bias tape here! However, if you’re not a sewing whiz, fear not! We treated our bias tape […]

This post contains affilitate links. This means if you make a purchase through the links in this post I may receive a small commission at no extra cost to you. Click here to read my full disclosure policy.

Make this DIY easy net produce bag for the grocery stores and farmer's market with only rope! No special tools needed!

Learn how easy it is for kids to weave bracelets, necklaces and headbands with 3 drinking straws and some yarn (with video).

I'm going to call this technique doodle weaving, because there is no planned shape. Just the fun of doodling in different colors! I really love weaving like this, because it can be very creatively freeing. There is no special technique to this. Each color I wove with the plain weave and I'm sure a lot

You are currently reading our archived blog. While these older posts may not reflect our current vision and direction, we encourage you to visit our new website at wunderled.com to explore our latest, updated content. There, you'll find a wealth of valuable articles, resources, and insights that align with our current focus and over 60+ Free […]

Last week I tried weaving with fabric, so this week I wanted to try weaving with denim. Denim is a really neat texture, because it has a stiffness to it and has it's own pattern in the way it is woven. I also like how it frays when cut. This again is a great opportunity

One of our favorite ways to finish hand woven fabric is with a hemstitch. It’s…

Basketry, art and craft of making interwoven objects, usually containers, from flexible vegetable fibres, such as twigs, grasses, osiers, bamboo, and rushes, or from plastic or other synthetic materials. The containers made by this method are called baskets. The Babylonian god Marduk “plaited a

We loved our DIY Bias Tape Weaving so much that we knew we had to make something with it! The trick was deciding exactly what to make with it. After much deliberation, the Bias Tape Weaving Pillow was born! This eye-catcher is the perfect puff to grace your couch this summer. In punchy colors, it […]

Make a colorful, free-form doodle weaving using a homemade cardboard loom. Simple enough for kids, teens, and adults alike!

Five Things That I Wish I'd Known When I First Started Weaving on a Frame Loom from a completely self-taught weaver who learned entirely by trying things, Googling, and learning through mistakes.

DIY Woven Fabric Basket Tutorial - FREE

Sydney-based artist Michelle Robinson weaves textured fibers in vibrant hues into playful, bright wall-hangings and accessories.

When people are starting out weaving, a big question that comes up is 'how do you make shapes?'. There of course are a lot of ways to weave shapes. One of the easiest ways, which I of course wanted to re-share for those of you who are newer to the blog, is weaving angles and

It has been WAY TOO LONG since I have blogged. I have a couple of things I need to catch up on, but you can see a somewhat more constant update of what I've been doing on Instagram. A while ago I discovered @t_jaye on Instagram and her handy little Wefty Needle. I've done a little fabric weaving before (tutorial here!) and knew I had to try this method. I was especially smitten with the triaxial weaves, meaning that rather than just horizontal and vertical axes, there are three. (Sorry for the terrible photo quality, I took the first one at night to post on Facebook. Ha.) I used part of a Jaybird Quilts palette jelly roll. This was just after I had baby #4 and wanted something that would be quick, so I used the full strips. Next time I will cut them in half lengthwise and do something tinier! I put some fusible interfacing on my board first and fused the fabric to it before taking the pins out. It worked fairly well to stabilize it until quilting, only a few edge pieces fell out and they were easy to put back in. I cut it into two pieces and added some solid navy strips to the top and bottom. I used a lovely home dec weight solid sateen by Freespirit. Quilting was an issue. I quilted the borders first, but knew I wouldn't be able to quilt over the weaving without my foot catching and causing all kinds of mayhem. Water soluble stabilizer worked wonders! I laid it over the top, quilted, and carefully rinsed (and rinsed and rinsed) it out. I did some fun graffiti quilting with monofilament thread to add texture without distracting from the 3-D effect of the weaving. I didn't get any more progress shots, so here's the finished purse! I did an open triaxial weave for the flap and topstitched the strips in place. It's hard to tell, but it has all of my favorite pockets! Cell phone, pens, and two zipper pockets, one waterproof. Because hand sanitizer explodes. I love how it turned out!

A blog about crochet and other crafty DIY things

Soft Plaid Recently, I started learning how to use the rigid heddle loom through Craftsy’s class Rigid Heddle Weaving by Angela Tong. If you are looking for a beginner class, or are needing a…

Weaving is a great way to create art and use all sorts of fibers and fabrics both new and recycled. This idea for creating a loom with an embroidery hoop and weaving in a spiral looks like a great …

Good Things puts your head in a creatively tidy place with a celebration of the best artistic grids

here are many more addictive weaving tutorials to try this summer which you can even learn online. You can find websites with videos where the whole process can be viewed. Weave beads on your clothes and even decorate your homes with your weaved articles.

Dibujo realizado para el Programa de Artesanía UC. 2010

Changing colors of the threads you're weaving with is a really fun part of weaving. Maybe you've only switched threads in a new row, or maybe you have switched colors in the middle of a weave, but didn't quite like the way it looked. I've listed the many ways I deal with weaving in different

Weaving your fabric can be a great way to add a little bit of texture and fun to your sewing projects. This kind of reminds me of a woven vest my mom had made for me years ago when I was younger....did any of you have one of those?

Weave faster on the loom with a 6 simple tips. By managing your designs better and using proper weaving tools, finish weaving faster.

A little bit ago, I received a question from a reader who had woven all the way down to the bottom of her loom. Her weave was finished and ready to take off the loom, but now she realized she didn't have much warp thread left to finish the weave. She asked if she had

Beginner weaving projects for kids ages 7+. From cardboard loom weaving to weaving on sticks and drinking straws. Make trivets, headbands, bookmarks, wall art and more...

Preamble This is the fifty-ninth post in the "Art Resource" series, specifically aimed to construct an appropriate knowledge base in order to develop an artistic voice in ArtCloth. Other posts in this series are: Glossary of Cultural and Architectural Terms Units Used in Dyeing and Printing of Fabrics Occupational, Health & Safety A Brief History of Color The Nature of Color Psychology of Color Color Schemes The Naming of Colors The Munsell Color Classification System Methuen Color Index and Classification System The CIE System Pantone - A Modern Color Classification System Optical Properties of Fiber Materials General Properties of Fiber Polymers and Fibers - Part I General Properties of Fiber Polymers and Fibers - Part II General Properties of Fiber Polymers and Fibers - Part III General Properties of Fiber Polymers and Fibers - Part IV General Properties of Fiber Polymers and Fibers - Part V Protein Fibers - Wool Protein Fibers - Speciality Hair Fibers Protein Fibers - Silk Protein Fibers - Wool versus Silk Timelines of Fabrics, Dyes and Other Stuff Cellulosic Fibers (Natural) - Cotton Cellulosic Fibers (Natural) - Linen Other Natural Cellulosic Fibers General Overview of Man-Made Fibers Man-Made Cellulosic Fibers - Viscose Man-Made Cellulosic Fibers - Esters Man-Made Synthetic Fibers - Nylon Man-Made Synthetic Fibers - Polyester Man-Made Synthetic Fibers - Acrylic and Modacrylic Man-Made Synthetic Fibers - Olefins Man-Made Synthetic Fibers - Elastomers Man-Made Synthetic Fibers - Mineral Fibers Man Made Fibers - Other Textile Fibers Fiber Blends From Fiber to Yarn: Overview - Part I From Fiber to Yarn: Overview - Part II Melt-Spun Fibers Characteristics of Filament Yarn Yarn Classification Direct Spun Yarns Textured Filament Yarns Fabric Construction - Felt Fabric Construction - Nonwoven fabrics A Fashion Data Base Fabric Construction - Leather Fabric Construction - Films Glossary of Colors, Dyes, Inks, Pigments and Resins Fabric Construction – Foams and Poromeric Material Knitting Hosiery Glossary of Fabrics, Fibers, Finishes, Garments and Yarns Weaving and the Loom Similarities and Differences in Woven Fabrics The Three Basic Weaves - Plain Weave (Part I) The Three Basic Weaves - Plain Weave (Part II) The Three Basic Weaves - Twill Weave The Three Basic Weaves - Satin Weave Figured Weaves - Leno Weave Figured Weaves – Piqué Weave Figured Fabrics Glossary of Art, Artists, Art Motifs and Art Movements Crêpe Fabrics Crêpe Effect Fabrics Pile Fabrics - General Woven Pile Fabrics Chenille Yarn and Tufted Pile Fabrics Knit-Pile Fabrics Flocked Pile Fabrics and Other Pile Construction Processes Glossary of Paper, Photography, Printing, Prints and Publication Terms Napped Fabrics – Part I Napped Fabrics – Part II Double Cloth Multicomponent Fabrics Knit-Sew or Stitch Through Fabrics Finishes - Overview Finishes - Initial Fabric Cleaning Mechanical Finishes - Part I Mechanical Finishes - Part II Additive Finishes Chemical Finishes - Bleaching Glossary of Scientific Terms Chemical Finishes - Acid Finishes Finishes: Mercerization Finishes: Waterproof and Water-Repellent Fabrics Finishes: Flame-Proofed Fabrics Finishes to Prevent Attack by Insects and Micro-Organisms Other Finishes Shrinkage - Part I Shrinkage - Part II Progressive Shrinkage and Methods of Control Durable Press and Wash-and-Wear Finishes - Part I Durable Press and Wash-and-Wear Finishes - Part II Durable Press and Wash-and-Wear Finishes - Part III Durable Press and Wash-and-Wear Finishes - Part IV Durable Press and Wash-and-Wear Finishes - Part V The General Theory of Dyeing – Part I The General Theory Of Dyeing - Part II Natural Dyes Natural Dyes - Indigo Mordant Dyes Premetallized Dyes Azoic Dyes Basic Dyes Acid Dyes Disperse Dyes Direct Dyes Reactive Dyes Sulfur Dyes Blends – Fibers and Direct Dyeing The General Theory of Printing There are currently eight data bases on this blogspot, namely, the Glossary of Cultural and Architectural Terms, Timelines of Fabrics, Dyes and Other Stuff, A Fashion Data Base, the Glossary of Colors, Dyes, Inks, Pigments and Resins, the Glossary of Fabrics, Fibers, Finishes, Garments and Yarns, Glossary of Art, Artists, Art Motifs and Art Movements, Glossary of Paper, Photography, Printing, Prints and Publication Terms and the Glossary of Scientific Terms, which has been updated to Version 3.5. All data bases will be updated from time-to-time in the future. If you find any post on this blog site useful, you can save it or copy and paste it into your own "Word" document etc. for your future reference. For example, Safari allows you to save a post (e.g. click on "File", click on "Print" and release, click on "PDF" and then click on "Save As" and release - and a PDF should appear where you have stored it). Safari also allows you to mail a post to a friend (click on "File", and then point cursor to "Mail Contents On This Page" and release). Either way, this or other posts on this site may be a useful Art Resource for you. The Art Resource series will be the first post in each calendar month. Remember - these Art Resource posts span information that will be useful for a home hobbyist to that required by a final year University Fine-Art student and so undoubtedly, some parts of any Art Resource post may appear far too technical for your needs (skip over those mind boggling parts) and in other parts, it may be too simplistic with respect to your level of knowledge (ditto the skip). The trade-off between these two extremes will mean that Art Resource posts will hopefully be useful in parts to most, but unfortunately may not be satisfying to all! Twill Weave Twill weave is one in which each warp or filling (weft) yarns floats across two or more filling or warp yarns with a progression of interlacings by one to the left or right to form a distinct diagonal wale (i.e. a ridge on a textured woven fabric such as corduroy). A float is that portion of a yarn which crosses over two or more yarns from the opposite direction. Twill weave fabric. Twill weave varies in the number of harnesses used. The simplest twill requires three harnesses. The more complex twills may have as many as 15 to 18 harnesses and are woven on looms with a dobby attachment. Note: on a loom, a harness is the frame containing heddles through which the warp is drawn and which, in combination with another such frame or other frames, forms the shed that determines the woven pattern. A twill weave blanket which was created using 8 harnesses and 10 treadles. Twill weave is often designated by a fraction (for example, 2/1) in which the numerator indicates the number of harnesses that are raised and the denominator indicates the number of harnesses that are lowered when a filling yarn is inserted. The fraction 2/1 would be read as “two up, one down”. A 2/1 twill is shown in the figure below. The floats on the surface are the warp yarns, making it a warp surface or warp-faced twill. Top: Schematic of a 2/1 twill weave. Bottom: Twill weave fabric – three-harnesses 2/1. Characteristics All twill fabrics are characterized by diagonal wales which vary in prominence, direction and degree of angle. The prominence of a twill wale may be increased by the use of long floats, combed yarns, ply yarns, hard-twist yarns, twist of yarns opposite to the direction of the twill line and by use of high thread counts. Fabrics with prominent wales such as gabardine may become shiny because of flattening due to the pressure of wear. A cotton gabardine trench coat with facing panels and a detachable warmer in soft wool cashmere. If the ridges have been flattened by pressure, steaming will raise them to remove the shine. Pure white vinegar (5%) or sandpaper may be used to remove shine caused by either pressure or wear. Dip a piece of terry cloth in the vinegar, wring it out and rub hard and fast in both directions of the cloth in the shiny area. As the cloth dries the odor will disappear. Do not iron or press, as either process may flatten the ridges again. Use sandpaper with a gentle rubbing motion. The direction of a twill wale usually goes from lower left to upper right in wool and wool-like fabrics – right-hand twills – and from lower right to upper left in cotton or cotton like fabrics – left-hand twills. Twill fabric is also woven in two different directions: a left handed or S twill (figure A above) and a right handed or Z twill (figure B above). Left hand twill is also known as “S twill” and right hand twill is also known as “Z twill”. Right hand twill is known to have a flatter and smoother surface compared to other twill fabrics. The facts above are only important in deciding which is the right and wrong side of a twill fabric. In some fabrics that have a very prominent wale or are made with white and colored yarns, the two lapels of a coat or suit will not look the same (see figure below). Twill wales in lapel look unbalanced. This cannot be avoided and if it is disturbing, a garment of different design should be chosen. The degree of angle of the wale depends on the balance of the cloth. The twill line may be steep, regular or reclining. Twill angle steeper than the ideal angle of 45 degrees. The greater the difference between the number of warp and filling yarns, the steeper the twill line will be. Steep twill fabrics have a high warp count and therefore are stronger in the warp direction. The importance of the angle is that it serves as a guide in determining the strength of the fabric. The diagram below shows how the twill angle changes in steepness when the number of warp yarns changes and the filling yarns remain the same in number. Twill angle depends on the ratio of warp to filling. Twill fabrics have a number of common characteristics. They have a right and wrong side. If there are warp floats on the right side, there will be filling floats on the wrong side. If the twill wale does up to the right on one side, it will go up to the left on the other side. Twill fabrics have no up-and-down. Check this fact by turning the fabric upside down and then examine the direction of the twill wale. Face. Back. Sheer fabrics are seldom made with a twill weave. Printed designs are seldom used, except in silk and lightweight twills because a twill surface has an interesting texture and design. Soil shows less on the uneven surface of twills than it does on smooth surfaces. Sheer Panel Sleeve twill circle dress. Fewer interlacing gives the fabric more softness, pliability and wrinkle recovery than a comparable plain weave fabric would because the yarns can now move more freely. When there are fewer interlacings, yarns can be packed closer together to produce a higher count fabric with more weight and durability. If a plain weave fabric and a twill weave fabric had the same kind and number of yarns, the plain weave fabric would be stronger because of interlacings. Classification of Twill Fabrics Twill weave fabrics are classified according to the kind of yarn exposed on the surface, as even-sided twills and filling lace twills. Note: Filling-faced twills are not discussed in this section since they are seldom used. They are usually reclining twills. Examples of even-sided twills. Even-Sided Twills Even-sided twills have the same amount of warp and filling yarn exposed on both sides of the fabric. They are sometimes called reversible twills because they look alike on both sides, although thre direction of the twill line differs. Better quality filling yarns must be used in these fabrics than in warp-faced twills since both sets of yarns are exposed to wear. They are 2/2 twills and have the best balance of all twill weaves. Reversible twill 2/2 – even-sided. Notice change of warp and filling. Notice change of warp and filling. Warp yarns are dark to correspond the checkerboard design. Serge is a 2/2 twill with a rather subdued wale, which is still quite apparent. Cotton serge of fine yarn, high count is often given a water-repellent finish and used for jackets, snow suits and raincoats. Heavy yarn cotton serge is used for work pants. Wool serge gets shiny from abrasions and repeated pressing but is not the subject to flattening of the wale as gabardine. Luster comes from the smoothness of yarns. Good quality wool serge is made of fine fiber, two ply worsted yarns and has a high thread count. Serge comes in various weights. Dress: 1806-1810, twill-weave silk and silk serge. Twill flannel is similar to serge in construction but differs in appearance. Flannel has a napped surface, which gives it a soft fuzzy appearance. The filling yarns are low-twist, larger yarns specially made for napping. Some flannels have a 2/1 construction. Flannels may be either woolen or worsted. Worsted flannels, frequently used in tailored suits, are easy to press and will take and hold a sharp crease. They usually have less nap than woolen flannels and are less apt to show wear at the edges of the sleeves and elbows. Low-count flannels will tend to get “baggy” in areas of stress because there are fewer points of contact between fibers in low-twist yarns. The fibers tend to pull past one another when there is tension in the fabric. Brushed worsted wool flannel suit. Surah is a printed filament twill fabric of 2/2 construction, which is used in silk-like dresses, linings, ties and scarves. Surah is a soft, lightweight lustrous silk characterized by fine twill lines. Because it isn’t durable, it’s best used in ties and vest fronts. Warp-Faced Twills Warp-faced twills have a prominence of warp yarns on the right side of the cloth. Since warp yarns are made with higher twist, they are stronger and more resistant to abrasion; thus, they should be more durable than comparable filling-faced fabrics. They are widely used in utility garments. Twill 2/1 – warped-faced. Examples of warp-faced twills. Drill is a fairly heavy cotton fabric used for work clothing, uniforms and ticking. It is piece dyed. It also has many uses in the unfinished, gray-goods state. For example, it makes good ironing board covers. Cotton drill (cotton twill). Jean is lighter in weight than drill. It is used for children’s play clothes, draperies, slipcovers, and work shirts. Jean is not heavy enough for work pants. Jean fabric – light green floral print. Denim is a yarn dyed fabric that comes in two weights. Overall denim is made of heavier yarns than drill and usually has blue yarns in the warp and natural yarns in the filling. Sportswear denim is similar to drill in weight and may have stripes, plaids or appear to be a solid color. It is used in sports wear, slipcovers and the like. Blue jeans, Levi and Levi Strauss for example, and dungarees and overalls are made from denim; the name refers to the cut of trousers. Fashion fabrics in denim may be napped, over printed or figured. Embroidered denim jeans. Gabardine is a warp-faced steep twill with very prominent distinct wale. It has a 63o angle or greater and always has more warp than filling. Cotton gabardine is made with 11, 13 or 15 harnesses. Long floats, which make the diagonal lines, are combined with short floats between the wales. Cotton gabardine is used for slacks and shorts, wind-repellent jackets and raincoats. Rayon and wool gabardine are sometimes made with a three-harness arrangement in which the warp yarns are crowded close together, giving a steep twill. Vintage rayon gabardine cowboy jacket and shirt. Herringbone Fabric Herringbone fabrics have the twill line reversed at regular intervals to give a design that resembles the backbone of a fish. These may be steep or regular twills and the twill lines may be equally prominent or one side may be more subdued. Dark grey Herringbone jacket. Reference: [1] N. Hollen and J. Saddler, Textiles, 3rd Edition, MacMillan Company, London (1968).

"Weaving On A Cardboard Loom", originally published in 1976, is digital copy of a flatloom weaving book. This book teaches you basic knots and techniques on a flatloom, and has patterns to make 16 flatloom weaving projects. ★ ✩ Weaving Books ✩ https://www.etsy.com/shop/TheStarShop?section_id=25095961 ★ This pattern is a digital download and is delivered to you immediately upon receipt of payment. ★ Sale! 2 books for $9 with code: 2BOOKS 3 books for $11 with code: 3BOOKS 5 books for $17 with code: 5BOOKS 8 books for $23 with code: 8BOOKS 13 books for $35 with code: 13BOOKS

here are many more addictive weaving tutorials to try this summer which you can even learn online. You can find websites with videos where the whole process can be viewed. Weave beads on your clothes and even decorate your homes with your weaved articles.