A useful shortcut to create period style panelling in your reception rooms that would otherwise be much more time consuming to create. They are made from moisture resistant MDF. Price is per open backed panel. No back panel is supplied with this product so the wall behind will show through. If your plastered walls aren't perfectly flat don't worry - you can apply thin 6mm mdf on the wall before attaching the panels to give a perfect finish. 9mm thick. Dado, skirting and edging sold separately. The panels with a perforated design (we call this Open Backed) require a reasonably good condition surface as this will still be seen where there square/rectangular cut outs. However this allows the panels to be “handed” so that installation is much easier (and cheaper!) than using a solid backed system. It also means that the panelling encroaches less into your room space. If the wall surface is not ideal it can always be lined first with a 6mm sheet of MDF glued to the wall and then our panels can be applied to this, but often a bit of surface filler and, of course, the eggshell paint finish will normally suffice.
Refinery29 breaks down the best stores to shop for vintage fashion in London.
source: Inside the Victorian Home, Judith Flanders, 2003 Remember that in the 19th Century, rooms were ideally single-purpose; thus, the proper Victorian home would have had a kitchen for cooking only, with separate rooms for food storage (the larder) and preparation (the scullery). Of course, as with today's kitchens, the truth was that not many homes could afford an "ideal" kitchen, and the room was used for a wide range of functions. In many homes, the kitchen actually had to serve as a bedroom for one of the servants. In the ideal kitchen, a scullery (no matter how small) was attached, with one, or even two sinks for cleaning food and washing and pots. A separate pantry for storing china and glass (and silver if there was any) might be as small as a closet. It typically had a small sink for washing dishes, of wood lined with lead to prevent chipping. The larder for fresh food storage might only be a large cupboard, and the storeroom for dried goods and cleaning equipment might be another. By the middle of the century, most middle-class homes did have running water, but it was expensive, nearly 10 % of the cost of the rent of the home, according to some estimates. The kitchen was usually the first to be connected to the city water supply, but by the 1870's, many middle-class homes had bathrooms with running water (heated on the kitchen range) and flush toilets as well. Our Homes in 1883 estimated that the average person needed twenty-two gallons of water a day, divided as follows: Domestic usage, excluding laundry 9 gallons Toilets 5 gallons Baths - one per week 5 gallons Washing clothes 3 gallons The kitchen was typically located below ground, or on the lowest floor of the house. As it supplied the hot water for the entire premises, the kitchen stove "blasted out heat all the year round for up to eighteen hours a day." Conditions inside the room were far from pleasant, with the gas burning all day and (at best) only a small window near the ceiling to remove the fumes. Floors were usually covered in linoleum, for ease of cleaning. This was often laid over a cement base in order to keep vermin away. "The labor, steam and dirt all centered around the kitchen range," fueled by coal fire. These came into common use by the 1840's. Before that time, baked items must be taken to a communal bakehouse for preparation. There were many styles of ranges, but the main features were a boiler to heat water and an oven (or ovens). By the 1860's, "improved" ranges had hot plates to keep soups simmering, keep hot dishes warm, and even to heat irons. They had a roaster with movable shelves, which could be converted from an open to a closed oven by moving valves. One of the main advantages of the range was that soot no longer fell into the food in the oven (although it still might come down the chimney and fall into the saucepans). Soot in food remained a common problem, especially as there was no temperature controls on the range as the modern stove has. Another common problem in the kitchen was waste. Thrift was a Victorian virtue, and every good housewife made certain that anything which could be reused would be. Of course, modern packaging had yet to be invented, so there was less to dispose of in that area - goods either arrived unwrapped, or wrapped in simple paper, which could be reused or burned if soiled. One reuse was as lavatory paper. One system which has vanished in the modern day was the collection of different waste by street traders who would regularly visit the back door of the home to buy various items: paper, metals, wood, even empty bottles. "Old textiles and bones were bought by the rag-and-bone man, who sold his wares to paper mills and to glue, gelatin, match, toothpick, and fertilizer manufacturers." Within the kitchen, the range must be large enough to cook meals for the family, which might contain a dozen people with the servants included. The Modern Householder in 1872 also listed the following necessities for "Cheap Kitchen Furniture:" an open range, fender, fire irons; 1 deal table; bracket of deal to be fastened to the wall and let down when wanted; wooden chair; floor canvas; coarse canvas to lay before the fire when cooking; wooden tub for washing glass and china; large earthenware pan for washing plates; small zinc basin for washing hands; 2 washing-tubs; clothesline; clothes horse; yellow bowl for mixing dough; wooden salt-box to hang up; small coffee mill; plate rack; knife-board; large brown earthenware pan for bread; small wooden flour kit; 3 flat irons; an Italian iron, and iron stand; old blanket for ironing on; 2 tin candlesticks, snuffers, extinguishers; 2 blacking brushes; 1 scrubbing brush; 1 carpet broom; 1 short-handled broom; cinder-sifter, dustpan, sieve, bucket; patent digester; tea kettle; toasting fork; bread grater; bottle jack (a screen can be made with the clothes-horse covered with sheets); set of skewers; meat chopper; block-tin butter saucepan; colander; 3 iron saucepans; 1 iron boiling pot; 1 fish kettle; 1 flour dredger; 1 frying pan; 1 hanging gridiron; salt and pepper boxes; rolling pin and pasteboard; 12 patty pans; 1 larger tin pan; pair of scales; baking dish. Mrs. Mary Haweis gave "a useful little kitchen list for a very small household" which gave 109 items, not including cutlery or dishes! Among the brushes she thought indispensable were sets of stove brushes, boot brushes and scrub brushes, a bass (fiber) brush, a hair broom, a carpet broom, a sweep's broom, and a broom for the banisters -- none of which could serve any other purpose. The important thing for the Victorian home was to have the proper tools for cleanliness. The kitchen range must also be cleaned thoroughly and carefully, or the heated metal would spread the scent of scorched fat and burning food throughout the house. To clean a range, the fender and fire irons were first removed, then damp tea leaves were scattered over the coal to keep the dust down while cleaning was in progress. The ashes and cinders were raked out and separated, with the unusable ash saved for the dustman and the cinders reused in the fire. The flues were then cleaned and the grease scraped off the stove. The steel part was cleaned with bathbrick (powdered brick used as an abrasive) and paraffin, and the iron parts were blackleaded and polished. In a house with only one or two servants, the oven was swept and the blackleading applied only to the bars and front every day, and the rest was cleaned twice a week. If there were more servants, the entire process was repeated daily, including scraping out the oven and rinsing it with vinegar and water. Cleanliness was indeed next to godliness in the eyes of the Victorian citizen, and most of the cleaning was done in the scullery, companion to the kitchen and next up in our look Inside the Victorian Home.
This wonderful vintage child's book was published in 1904 by Charles Scribner's Sons. It is illustrated with 8 illustrations by Maxfield Parrish. It has wear to the cover which is becoming loose from the binding. Someone has scribbled some letters on the bottom of the pages. The Parrish prints are lovely and in good condition. Shipping is free in the U.S. Item#D1435 I hope you will visit my other Etsy shops: Moon Maiden Emporium: An emporium of sewing supplies, jewelry pieces, Victorian ephemera,postcards, buttons and many many treasures for your creative endeavors. The Jewel Mystique A shop of antique and vintage jewelry, antiques, Victorian ephemera and many little unusual items.
This wonderful vintage child's book was published in 1904 by Charles Scribner's Sons. It is illustrated with 8 illustrations by Maxfield Parrish. It has wear to the cover which is becoming loose from the binding. Someone has scribbled some letters on the bottom of the pages. The Parrish prints are lovely and in good condition. Shipping is free in the U.S. Item#D1435 I hope you will visit my other Etsy shops: Moon Maiden Emporium: An emporium of sewing supplies, jewelry pieces, Victorian ephemera,postcards, buttons and many many treasures for your creative endeavors. The Jewel Mystique A shop of antique and vintage jewelry, antiques, Victorian ephemera and many little unusual items.
Genesin Studio has designed a pale wood and antique marble interior behind a dusky-green Victorian shopfront for skincare brand Aesop's new Adelaide store (+ slideshow). Genesin Studio created the in
90 Warrington Road | Glazebury, Warrington WA3 5NH, England
Londen staat natuurlijk bij iedereen bekend om haar wereldberoemde attracties. Maar ik vind het altijd een uitdaging om juist de kleine, maar fijne pronkstukken in de metropool te ontdekken.
www.diaryofavintagegirl.com
These decorative tiles are 152 x152mm and are suitable for exterior use as they are frostproof. If they are going to be used externally we recommend that they are treated with silicon. Sold as single tiles.
Genesin Studio has designed a pale wood and antique marble interior behind a dusky-green Victorian shopfront for skincare brand Aesop's new Adelaide store (+ slideshow). Genesin Studio created the in
From grand curtains to exterior window treatments, check out this article for more information about taking inspiration from old Victorian trends
