Westchester County NY interior designer, Laurel Bern, gives helpful tips for choosing the best interior color schemes and it may not be what you think.

In this article I’d like to introduce you to a lesser known art gallery in the art world that offers some beautiful artworks including paintings of Scottish artists. The National gallery is f…

helloo :0) here is a picrew i made! it's pretty rad, so if you dig the art in this, feel free to follow my instagram @itslillyillustrates! ( https://www.instagram.com/itslillyillustrates ) you can use whatever you make in this as a profile picture or to share on social media, but please do not erase my credit! if you would like to alter anything after you use it you can, but do not claim my art as yours. i am always working on adding new items to my picrew! however, i am closing my requests. it can be overwhelming to deal with :0( 11/28: BIG UPDATE! 12/7: error fix こんにちは :0) 私はこの説明に翻訳者を使用しています!! こんにちは :0）これが私が作ったピクリューです！ とてもかっこいいので、このアートが気に入ったら、私のインスタグラム@itslillyillustratesをフォローしてください！ （ https://www.instagram.com/itslillyillustrates ） これで作成したものはすべてプロフィール写真として使用したり、ソーシャルメディアで共有したりできますが、私のクレジットを消去しないでください。 使用後に作成したものはすべて変更できますが、私のアートを自分のものと主張しないでください。 私は常に私のメーカーに新しいアイテムを追加することに取り組んでいます！ しかし、今私は私のリクエストグーグルフォームを閉じています。 それに対処することは圧倒的である可能性があります :0( 11/28: ビッグアップデート!

I love historical fiction. The drama, the intrigue and, oh– the fashion. I just assume all the period details regarding clothing are accurate. Or I did until my friend Liz shared it was he…

I found this great image online. you could just sense the paints thickness, he preached to let the paint retain the tracks of the brush. i have a little suspicion that as much as he squinted he would also blurred his vision with eyes wide open in order to eliminate the number of planes and detail, in order to see color mass and color variations. This is why i think he was among the greatest to capture flesh tones because he then was more able to see color by itself instead of color as the result of planes. Color as the result of planes tend to be less continuous, less harmonic, more fractal. While color as the result of color mass or color gradation as the result of a blurry vision tends to be more harmonious. another obvious hint would be that his portrait doesn't look sculptural like a modern day portrait that is so dependent on facial planes. Share your thoughts or your own revelations.

John Singer Sargent (1866 - 1925) was an American artist, considered the "leading portrait painter of his generation" for his evocation of Edwardian era luxury. During his career he created approximately 900 oil paintings and more than 2000 watercolours, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine and Florida, amongst others. For full biographical notes see part 1. For earlier works see parts 1 - 11 also. This is part 12 of a 23-part post on the works of John Singer Sargent: 1902 Mrs. Joseph Chamberlain oil on canvas 150.5 x 83.8 cm National Gallery of Art, Washington, DC 1902 Study of Mrs. Joseph Chamberlain graphite on wove paper 18.4 x 11.5 cm Harvard Art Museums - Fogg Museum, Cambridge, MA 1902 Study of Mrs. Joseph Chamberlain graphite on wove paper 18.4 x 11.5 cm Harvard Art Museums - Fogg Museum, Cambridge, MA 1902 Mrs. Knowles and her Children oil on canvas 182.9 x 151.1 cm Butler Institute of American Art, Youngstown, Ohio 1902 Peter A. B. Widener oil on canvas 148.9 x 98.4 cm National Gallery of Art, Washington, DC 1902 Mrs. Ralph Curtis with her Daughter, Sylvia graphite and watercolour on paper 34.3 x 49.5 cm Private Collection 1902 The Acheson Sisters oil on canvas 273.6 x 200.6 cm Chatsworth House, Derbyshire, UK 1902 The Misses Hunter oil on canvas 229.2 x 229.9 cm Tate, London 1902 The Spanish Fountain watercolour on paper Brooklyn Museum, New York 1902 Tomb at Toledo graphite and watercolour on paper 37.2 x 25.4 cm Rhode Island School of Design Museum of Art, Providence, RI 1902 William Merritt Chase, N.A. oil on canvas 158.8 x 105.1 cm The Metropolitan Museum of Art, New York 1902 William Marshall Cazalet oil on canvas 254 x 165.1 cm Private Collection 1902 Winifred, Duchess of Portland oil on canvas 226.1 x 110.5 cm Private Collection 1902-03c Queluz watercolour on paper 25.2 x 35.4 cm Brooklyn Museum of Art, New York 1902-04 Charles Stewart, Sixth Marquess of Londonderry, Carrying the Great Sword of State at the Coronation of King Edward VII, August 1902 and Mr. W. C. Beaumont, His Page on that Occasion oil on canvas 287 x 195.6 cm Museum of Fine Arts, Boston, MA 1902 Rio dell'Angelo watercolour on paper 24.8 x 34.9 cm Private Collection 1902 Side Canal in Venice watercolour on paper 45.7 x 30.5 cm Private Collection 1902 Side Canal, Venice graphite and watercolour on paper 29.2 x 44.5 cm Private Collection 1902 The Grand Canal, Venice graphite and watercolour on paper 24.8 x 34.9 cm Private Collection 1902-04 Palazzo Rezzonico graphite and watercolour on paper 50.8 x 32.4 cm Private Collection 1902-04c A Venetian Canal graphite and watercolour on paper 24.5 x 34.6 cm Cecil Higgins Art Gallery and Museum, Bedford, UK 1902-04c All' Ave Maria watercolour on paper 25.4x 35.7 cm Brooklyn Museum of Art, New York 1902-04c Boats in Harbour graphite and watercolour on paper 36.2 x 52.7 cm Private Collection 1902-04c Bridge and Campanile, Venice graphite and watercolour on paper 49.5 x 35.2 cm National Gallery of Art, Washington, DC 1902-04c Campiello di Santa Marina watercolour on paper 29.9 x 45.1 cm Private Collection 1902-04c Campo San Boldo watercolour on paper 24.1 x 34.3 cm Private Collection 1902-04c Gondolier Resting graphite and watercolour on paper 35.6 x 25.1 cm Private Collection 1902-04c Grand Canal at San Samuele graphite and watercolour on paper 24.8 x 34.9 cm Private Collection 1902-04c Green Door, Santa Maria della Salute graphite, watercolour and gouache on paper 53 x 35.9 cm The Metropolitan Museum of Art, New York 1902-04c In Venice graphite and watercolour on paper 24.8 x 34.9 cm Private Collection 1902-04c On the Zattere graphite and watercolour on paper 36.8 x 53.3 cm Private Collection 1902-04c Rio Amalteo with the Campanile of the Frari in the Distance graphite and watercolour on paper 45.7 x 30.5 cm Private Collection 1902-04c Rio de Ognissanti, with a View of the Gesuati graphite and oil watercolour on paper 24.1 x 34.3 cm Private Collection 1902-04c Rio dell'Osmarin graphite and oil on cardboard 25.4 x 35.6 cm Private Collection 1902-04c Rio di San'Andrea, Venice graphite and watercolour on paper 24.1 x 34.9 cm Private Collection 1902-04c Rio Eremite graphite and watercolour on paper 24.8 x 34.9 cm Private Collection 1902-04c San Geremia and Palazzo Labia graphite and watercolour on paper 35.6 x 25.4 cm Private Collection 1902-04c Shipping Venice: The Gesuati graphite and watercolour on paper 30.5 x 45.7 cm Private Collection 1902-04c Shipping, Venice watercolour on paper 29.9 x 46 cm National Gallery of Ireland, Dublin 1902-04c Side Canal, Venice graphite and watercolour on paper 29.9 x 36.8 cm Private Collection 1902-04c The Piazzetta graphite, watercolour and gouache on paper 34.9 x 24.8 cm Private Collection 1902-04c The Piazzetta with Gondolas graphite, watercolour and gouache on paper 24.5 x 34.9 cm Private Collection 1902-04c The Zattere, Venice graphite and watercolour on paper 24.8 x 34.3 cm Private Collection 1902-04c Venice, Sunset graphite and watercolour on paper 26 x 35.6 cm Private Collection 1902-04c Venice: Bridge with Figures graphite and watercolour on paper 31.8 x 21.6 cm Private Collection 1902-12c The Libreria oil on burlap 54.6 x 69.8 cm Private Collection 1903-04c Corner of the Libreria, Venice watercolour on paper 50.8 x 35.6 cm Private Collection 1903-04c The Libreria, Venice graphite and watercolour on paper 35.6 x 50.8 cm 1904 The Libreria watercolour on paper 50.8 x 35.6 cm Private Collection 1904-07c The Libreria, Venice graphite and watercolour on paper 35.6 x 51.1 cm Fine Arts Museums of San Francisco - de Young Museum, CA 1904-07c The Libreria, Venice graphite, watercolour and gouache on aper 56.8 x 45.1 cm National Gallery of Art, Washington, DC 1902c The Grand Canal, Venice graphite and watercolour on wove paper 24.8 x 35.2 cm Harvard Art Museums - Fogg Museum, Cambridge, MA 1902c Venetian Doorway watercolour on paper 54.6 x 37.2 cm Metropolitan Museum of Art, New York 1902c Zattere, Spirito Santo and Scuola graphite and watercolour on paper 24.8 x 34.9 cm Private Collection 1903 Boats, Venice watercolour on paper 35.6 x 50.2 cm 1902c Alpine Huts graphite and watercolour on paper 22.9 x 31.8 cm Private Collection 1902c Drying Sails watercolour on paper 35.5 x 50.8 cm Collection of Mrs. John Hay Whitney 1902c Fountain of Neptune, Florence oil on board 57.2 x 47.6 cm Art Institute of Chicago, IL 1902c Matterhorn graphite and watercolour on paper 45.7 x 32.4 cm Private Collection 1902c The Hon. Mrs. Gilbert Legh charcoal 63.5 x 45.7 cm Private Collection 1902c The Mother graphite and watercolour on paper 45.7 x 31.1 cm Private Collection 1902c Two People in a Boat graphite and watercolour on paper 29.5 x 44.8 cm Birmingham Museums and Art Gallery, UK 1902c Villa Papa Giulio oil on canvas 53.3 x 67.9 cm Private Collection 1903 Charles Martin Loeffler oil on canvas 87.5 x 62 cm Isabella Stewart Gardner Museum, Boston, MA 1903 Edward Robinson oil on canvas 143.5 x 92.1 cm Metropolitan Museum of Art, New York 1903 James Whitcomb Riley oil on canvas 77.5 x 90.2 cm Indianapolis Museum of Art, Indiana 1903 John Hay ( U.S. Secretary of State ) oil on canvas 74.9 x 61 cm Brown University Portrait Collection Providence, RI 1903 Major General Leonard Wood oil on canvas 76.2 x 63.5 cm Private Collection 1903 Major Henry Higginson oil on canvas 246 x 153.7 cm Harvard University Portrait Collection, Cambridge, MA 1902-08c Oxen on the Beach at Baia ( Bay of Naples ) watercolour on paper 25.4 x 35.6 cm Private Collection

Автор - ЯННА_КОТ . Это цитата этого сообщения John Singer Sargent (1856-1925) …

« Per quanto superficiale e pieno di lenocini divenisse il suo lavoro, Boldini fu sempre capace di trasmettere nello spettatore la gioia ispiratagli dalle assurdità che ritraeva. Anche il più insopportabile dei suoi ritratti rivela un immenso dive...

The Grammy-winning artist on moving past rejection and self-sabotage to the bird’s-eye view that allowed her to write her confessional new album: “At least once in an artist’s career they really have to fully lay it out there.”

Soon after his birth in 1958 Bocelli, 51, was diagnosed to be suffering from congenital glaucoma which made him partially blind

Artist: John Singer Sargent (American, Florence 1856–1925 London). Date: 1883–84. Culture: American. Medium: Oil on canvas. Dimensions: 82 1/8 x 43 1/4i...

There arose in the 1880s, the phenomena of the “professional beauty.” A curious phase had come over society wherein publicity became the fashion, and from it, the craze to exhibit photo…

Multi-platinum Norwegian superstar Alan Walker returns with his new single – “Dreamer,” which is also his first release in 2023, and it’s bound to pull at some nostalgic heartstrings for many listeners. It all started with a Twitter poll where Alan asked his community an enigmatic question – “Should we take it back to the […]

From small-town beginnings, she became a dominating trans-global force of creativity. This is how it happened.

Exhibition dates: 24th October 2015 – 14th February 2016 Michael Clarke, Director of the National Galleries of Scotland, with Paul Cézanne’s The big trees (c. 1904) Photo:…

PRETTYMUCH's Austin Porter tells PEOPLE why new EP Phases is the band's most personal release yet — and why they're selling their paintings for charity

LOS ANGELES, CA - FEBRUARY 08: Singer 'Weird Al' Yankovic, winner of Best Comedy Album for 'Mandatory Fun,' poses in the press room during The 57th Annual GRAMMY Awards at the STAPLES Center on February 8, 2015 in Los Angeles, California.

John Singer Sargent 1856-1925 Verenigde Staten

John Singer Sargent, Simplon. Lesson, 1911 John Singer Sargent rose to fame for his finely rendered oil portraits. At his peak, he was one of the most sought-after artists for portrait commissions. But, he was also a remarkable watercolorist. I cover the following in the post: Watercolors brought out a different side to Sargent's work.