Autumn Glow, Albert Rigolot. French (1862 - 1932)

Landscape at Hacking, Emil Jakob Schindler. Austrian (1842 - 1892)

“@DeCromarty Me vuelven loca los diseños de Morris para los papeles pintados.”

Silver Birch Poster by Ingrid Beddoes | Buy online at JUNIQE ✓ Reliable shipping ✓ Discover new designs at JUNIQE now!

Capturing the enthralling beauty of Scotland's serene coves, this enrapturing print brings the majestic tranquility of Ardtun Bay into your living space with its golden hour glow. The artwork is a striking tableau, with bold, contemporary strokes that create a vibrant impression of the descending sun casting its amber radiance across the water. As your gaze traverses the print, you'll witness the harmonious interplay of light and shadow, with the sun melting into the horizon and imparting hues of deep orange, vivid yellows, and a spectrum of blues onto the reflective bay. Silhouettes of the distant headlands stand as stoic guardians of the cove, their outlines sharply etched against the soft diffusion of the golden sky. The restless sea is rendered as a patchwork of liquid gold and sapphire, with the brushstrokes lending a sense of gentle movement to the calm waters. The reflections are a masterful mosaic of colour, mimicking the sky's transition from day to night. This print excels in evoking the quiet awe one experiences while witnessing nature's evening adieu. An evocative addition to any room, this piece will resonate with those who cherish the wild Scottish landscapes or anyone seeking a touch of nature's end-of-day splendour to adorn their walls. The artwork seamlessly weaves together the vitality of contemporary art with the timeless appeal of Scotland's rugged coastlines.

I have written previously on the above subject of painting on a budget and due to the escalation of prices propose to revisit . First a qualification. The above title suggests this is about the 'Best'. It isn't but instead about what I consider 'best buys' , combining price and quality. This isn't the same thing. Watercolour artists get ripped off (in my opinion), especially in paints but also to a lesser extent in brushes and paper. Professional artists nearly all recommend you buy 'the best quality products'. Some, not all, promote various brands, some telling you they are the 'best in the World' either being paid by the respective companies or supplied with product free for doing so or very cheap prices. I'm not saying all artists take this line but some undoubtedly do. The only one I know of that was very cynical about this was the late Ron Ranson, who used the cheapest materials in all three categories. I know of one artist who promoted a particular brand of paint then switched to another when the deal was withdrawn. Each was 'the best'. Enough of that now to a summary. These are only my opinions so you can take what you want from them or ignore them. There are a huge range of brands available in all these products so there may well be others I've missed , especially in the USA and other countries but my perspective is primarily a UK one. Daler Rowney, until recently a 'best buy'; have increased prices to the extent I've dropped them. I would stress I am very flexible in buying paints taking the view nearly all artists quality brands are acceptable subject to personal preference. Here prices of artist quality paints are horrendous. At the top end we have Daniel Smith, QoR and one or two lesser known. For the purpose of this exercise I have also discounted brands like Winsor & Newton at current prices. However look out for special offers and you may find them cheaper at some other outlets. I am only talking about what is currently on offer from Jacksons - a good benchmark. There are certain colours in these top brands that are 'must have' to some artists' Fair enough. Another might be Permanent Rose from Winsor & Newton (PV19). There are lots of paints made with PV19 but the Winsor & Newton one is a favourite of many flower painters. The following are my recommendations as things stand. I'm in a slight state of flux at the moment as what to buy so put these forward for consideration. Schmincke are a good buy IF you are comparing them with brands like Daniel Smith. The range is extensive with over 100 colours and prices are cheaper than Daniel Smith .You have to watch though in what price category each paint is listed as there is no industry standard. Schmincke don't have a lot in category one - the cheapest. They also do a 5ml in addition to the 15ml plus half and full pans. Another to look at is Talens (Rembrandt). They mainly do a 5ml tube but also a few colours in 21ml. Prices are pretty keen and if you only use a small amount of a certain colour I recommend the 5ml size. For bulk users the best buy is Lukas with a range of 70 colours, a few outstanding. They don't match the range of the others but all the standard colours are there. The problem may be they offer a 24ml tube size plus pans. This may be too large unless you paint a lot. Keep in mind though paints should last ten years or so, according to the chief chemist at Daler Rowney. However I have found that quite a few colours (pigments) solidify in the tube after much shorter periods, and that includes some from Daniel Smith. I know we are told to cut open the tubes and they can be utilised like pans but to me that's a pain! Lukas prices are excellent. Another brand well worth consideration is Sennelier. With nearly 100 colours they also do 21ml (the best buy), 10ml plus full and half pans. Prices are a little more than Lukas but still well short of Daniel Smith. There are two other groups of paints outside of the main European and American brands - I would include Holbein here also. They are the Korean brands, Mission Gold and Shin Han plus the Japanese Turner. Prices are really cheap compared to the others - almost too good to be true. I have written extensively about them in my back catalogue so read it and make your mind up. I am minded to try a few colours in some of these brands but be selective. I did try Shin Han a few years ago and was not impressed but the current range may be different. We then have the house brands which are growing all the time. They tend to have fewer colours, often less than fifty but claim to be 'artists quality'. Jacksons, which used to be made by Sennelier (they may still be); is one with 48 colours and new ones seem to pop up regularly. All the major companies now seem to have them both here and in America. Try a few colours by all means and you may be pleasantly surprised. The SAA have a growing range. Finally as I said at the beginning it's possible deals may be available at local shops that are normally more expensive. For instance I called in at Cass Art in Bristol the other day and two shops from them is an outfit called Stationery World or similar. That shop has been there many years and I spotted some art materials in the window. On going inside I was surprised to see a full range of Maimeri watercolours together with the budget Venezia range, Prices were better than current Jacksons on the Maimeri and Maimeris excellent budget brand is normally hard to find. There is also the Cotman brand from Winsor & Newton together with the excellent Talens budget brand Van Gogh if you are really strapped for cash - and many amateurs are. Thats it folks take your choice. For overseas visitors outside the EU Jacksons prices are less 20% VAT so even with carriage at cost only you may be pleasantly surprised how competitive they are.

Okay, raise your hand if you are looking forward to scenes like this. My hand is up….both of them. image And although not the hottest summer on record for Northeast Georgia, I am looking forward to some cooler, fall like weather. Here’s a bit of a recap of what was going on at Top This Top...

Capturing the mesmerising tranquillity of one of Scotland's cherished natural wonders, this exquisite print invites the viewer to ponder the serene beauty of Loch Faskally, Pitlochry, through a spectacle of abstract impressionism. The artwork is a symphony of harmoniously blended tones and textures that reflect the enigmatic spirit of the Scottish Highlands. Cast your gaze upon the jubilant juxtaposition of cerulean blues and mossy greens intermingling with amber yellows and creamy whites, creating a visual representation of the loch's placid waters and the vibrant foliage that graces its banks. The bold strokes and thoughtfully applied swaths of colour evoke a sense of the undulating hills and whispering trees that edge this tranquil body of water. In this abstraction, the boundaries between land, water, and sky are playfully blurred, suggesting the reflective qualities of the loch and the fluid continuity of the natural world. The varying densities of paint application suggest depth and movement, while the subtle hints of underlying warmth seem to emulate the fleeting Scottish sunlight filtering through an overcast sky. A testament to the allure of Scotland's rugged yet picturesque landscapes, this print pays homage to the ever-changing reflections and moods of the loch, encapsulating its essence rather than its exact likeness. Perfect for those who appreciate the wilderness of the Scottish Highlands and the avant-garde approach of abstract impressionism, this piece is sure to evoke a contemplative atmosphere and add a touch of sophistication to any space.

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The Watchmaker’s Shop Fanfare The Magic Lantern title unknown Painter On The Roof Christmas title unknown Window Shopping title unknown Candy Shop The Bakery The Toy Shop The Fruit Stand The …

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When it comes to kids, there is no end to their curiosity. Remember how your little one didn't even start speaking properly yet but had...

Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. The Print This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are “sprayed” onto high-quality paper. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface.   Paper Type: Giclee Print Finished Size: 9" x 12" Arrives by Fri, Apr 19 Product ID: 56012911288A

boudhabar: Lichen on a Mesquite tree

Scott Mattlin (American) Quiet Prelude, oil on canvas, 16 x 12 inches, private collection.

The Kearsarge at Boulogne, (detail) - Edouard Manet 1864 Impressionism

Veuillez lire attentivement toute la page avant d'acheter ! Ce n'est PAS un kit, du fil dentaire et du tissu NON inclus Tableau de point de croix compté de qualité supérieure. Points : 200w x 400h Taille finie : 14 points : 14,3" X 28,6" ; 36,3 cm X 72,6 cm 18 points : 11,1" X 22,2" ; 28,2 cm X 56,4 cm 22 pièces : 9,09" X 18,2" ; 23,1 cm X 46,4 cm Couleur : 128 (représentée pour le fil dentaire DMC) ; utilise des couleurs de fil solide, tous les points sont des points complets. Pas de demi-point ni de point arrière. Tableau électronique PDF noir et blanc avec symboles. L'image montre les résultats cousus, pas l'art original. Vous pouvez télécharger votre patron immédiatement après le paiement. CLAUSE DE NON-RESPONSABILITÉ: En raison des limites et des incohérences de divers moniteurs d'affichage, les couleurs que vous voyez sur votre écran peuvent ne pas être totalement exactes reproduction du produit réel. Les images d'écran sont conçues comme un guide seulement et ne doit pas être considéré comme absolument correct. Ce tableau a été conçu et imprimé avec nos meilleures intentions de étant sans fautes. Cependant, la possibilité d'une erreur humaine, l'impression les erreurs ou la variation des coutures individuelles existent, et nous regrette que nous ne puissions en être responsables.

Stare in casa non è una condanna ma un'opportunità per riscoprire il proprio piccolo mondo privato. Vediamo quali suggerimenti ci può dare l'arte...

Alexander Lufer, Red Dog, 2010, Oil on canvas, 100 x 110 cm.

British illustrator Alison Friend exercises her imagination to explore these questions and much more in her current solo exhibition, 'While You Were Out...' at Harman Projects Los Angeles.

Salvador Dali "Divine Comedy": The Fourth Terrace : Accidia Image Size: 13 x 10 in. Frame Size: 24.5 x 22 in. Condition: Excellent Framed Mint condition from the publisher in the 1960's We have nearly all 100 lithographs available from the Divine Comedy Check our listings Plus; See our other listings or Ask about original Lithographs from Dali's largest suite ; the Biblia Sacra published in the 1960's A suite of 105 images

Chances are your love and caring were legitimate feelings, but to continue this balance and get rid of the dissonance, you’ve created a new reality where you’re better off.

images.google.es/imgres?imgurl=http://bp0.blogger.com/_iY... © de la imagen Karin Jurick.

Johan Jungblut [1860-1912] was born in Sarrebourg on the French/German border in April of 1860, although in 1885 he made the German city of Dusseldorf his home. Johan Jungblut was a solitary figure who lived alone; he made frequent trips to Holland to paint, specialising in Winter scenes infused with tranquil light. Today the museums of Brooklyn and Mayence (in France) display his work.

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Dots of colour, lines and arches form trees full of blossoms, flowers in the most varied shapes and delicate grasses. The plants look as if they were hand-painted and densely cover the black-green background. Through their contrast to the background, the shades of green, red and yellow gain even more luminosity. An unusual, colourful addition to the Country House style that looks equally good in the living room or kitchen. Carrier material Non-woven wallpaper Surface Smooth Look Matt Suitability for bathrooms Limited, protective coating recommended Dimensions 0.52 m Width × 10.05 m Height Sales Unit Per roll Pattern repeat 0.80 m Offset match Grammage 183 g/m2 Design Trees, Blossoms Basic colour Black green Pattern colour Dark brown, Dark green, Fern green, Golden yellow, Red Characteristics Good lightfastness Low flammability Strippable Paste the wall Spongeable Theme Worlds Country style Funky Kitchen Living Room Dining Room Gastronomy Botanical Wallpaper Forest and Trees Floral Wallpaper Design Wallpaper Vintage Wallpaper #Trees #Blossoms Sample A 1:1 depiction of the wallpaper as a sample which you can check or print out. Do you have any questions concerning this product? Item number: 431712 Show more

Annie Stegg Gerard

First Light © 2014 by Karen Mathison Schmidt 12 x 9 inches • oil on archival, museum-quality 3/4" cradled Gessobord TM gloss varni...

Materials: oil on canvas. Dimensions: 61 x 74 cm. Source: nettle-pokrzywa.blogspot.ro/2012/09/john-atkinson-grimsha.... I have changed the light, contrast and colors of the original photo.

A Flight of Bees is a giclée print on Minuet Paper by Little Fish Design. From a limited edition of 100 this artwork is initialled and numbered on the reverse by the artist.

Frieze

William Holbrook Beard

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0 Artworks by Diane Leonard, Saatchi Art Artist

British artist Carne Griffiths creates light, ethereal works using surprising media. What started out as an experiment with calligraphy inks lead to an entire palette of inks mixed with drinkable liquids such as tea, whiskey and vodka. After discovering these media in a happy accident, Griffiths began creating works with a loose sense of figuration. While female characters are at the center of his work, they become obscured in floral patterns and dripping colors, the organic, fluid quality of which tends to direct the flow of each piece. Take a look at some images of Griffith's work courtesy of Coates and Scarry and the artist after the jump.