Serve healthy, delectable meals in our authentic handcrafted Moroccan tagine, it can be a gift for any occasion, holiday or u can buy it for you, and it works for your Hotels, restaurants, Bar, Coffee Shop..., A wonderfully unique piece of North African décor, Moroccan tagines aren’t just great for cooking and eating. Dress up your kitchen or dining room with some bohemian flair with the bold colors and flowing lines of this tagine. Satisfaction Guaranteed: Handmade Collection is proud of our Moroccan heritage, and we strive to bring you only the best in authentic goods. Measurement 20 cm = 8 inches. 25 cm = 10 inches. 30 Cm = 11.81 Inches. ✈️ 💫We ship our packages with fast and secure delivery all over the world. This ensures reliable and fast delivery of your shipments no matter where you are in the world. IF YOU HAVE ANY QUESTIONS PLEASE LET ME KNOW VIA THE ETSY MESSAGING SYSTEM, I WILL BE HAPPY TO ANSWER YOU AND ASSIST YOU :)
A study into some of the earliest known pottery remains has suggested that the rise of ceramic production was closely linked with intensified fishing at the end of the last Ice Age.
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Brighten up your mornings with the Ratih Pour Over. Handmade in smooth ceramic in a V-shaped cone design with ribbed inner design to lengthen the extraction process for a greater brew. Pairs perfectly with Ageng Tea Pot / Speckled Cream. This pour over is part of the Kayu Studio ‘Tanah Liat’ Collection — which directly translates into Clay Collection in Javanese. This handmade collection is made by our skilled partners in Java, Indonesia. Dedicated to ethical practices, this little ceramics studio recycles clay and makes everything by hand by their in-house standard production. Due to the nature of handmade ceramics, all sizes and glaze colours are subject to small variations. Food and dishwasher safe. Note:Made for V60 O2 filters. Material:Ceramic Dimensions:12cmDia x 10cmH Country of Origin:Indonesia
Assia, a Lebanese village located in the heart of Batroun's district known for its centuries-old pottery technique that is 100% handcrafted without using any pottery machine not even a turntable. The Assia pottery collection is made from natural components: pottery sand that is extracted from the land and a quartz-like stone that is grinded and mixed with it. Each bowl and pot goes through a 6-day process and is dried naturally. Assia pottery’s main feature is its health advantages for cooking and general use. No artificial material is ever used and no varnish is applied to keep the pottery the most organic possible. Because the technique is fully handmade, each bowl and pot has its own specificities and may differ slightly from the display picture. Specifications: Approx. Dimensions: 18x8cm Approx. Weight: 700g *ADDITIONAL INFORMATION* Before using your Assia pot of the first time, kindly follow these instructions. 1. Pour 5cl of Olive oil into the pot. 2. Cook for 5min over low heat. 3. Wait for it to cool down. 4. Spread Olive oil on the entirety of the pot using a tissue.
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Antique Pottery 450. Large historic pottery pot from Bagan, Myanmar. Dimensions ar 9.5” x 9.5”. Some spalling but in over all good condition for its age which is estimated to be over 100 years old. Bagan is an ancient city located in the Mandalay Region of Burma. From the 9th to 13th centuries, the city was the capital of the Kingdom of Pagan, the first kingdom to unify the regions that would later constitute modern Myanmar. During the kingdom's height between the 11th and 13th centuries, over 4,000 Buddhist temples, pagodas and monasteries were constructed in the Bagan plains alone, of which the remains of over 2200 temples and pagodas still survive to the present day. (Source: Wikipedia) Bagan History The monuments seem to overwhelm the landscape. There are about 2,000 of them covering an area of 16 square miles on the eastern bank of the Ayeyarwady in central Myanmar. They are in different sizes and in a bewildering variety of shapes. They are also in varying stages of preservation and disrepair. Some of them throb with life, visited by devotees, a few have become little more than piles of bricks. Whence do they come, these monuments? Who built them? Why? To find an answer to questions such as these one has to travel back in time, to a time when Bagan flourished as a royal city, the heart of a great kingdom. Tradition has it that Bagan was founded by Thamoddarit in the early 2nd century. But perhaps it would be better to date the Bagan of the monuments from its establishment as a walled city, with twelve gates and a moat, by King Pyinbya in 849. The chronicles give a list of kings who reigned at Bagan from Thamoddarit onwards, with Pyinbya as the 34th king. But legend is inextricably mingled with history, and sometimes overshadow it, in the accounts of the kings in the chronicles, and it is only with the 42nd king in the list, Anawrahta, that Bagan emerges into the clear light of history. The two and a half centuries from Anawahta's( 1044-1077) accession to the throne in 1044 to the flight of Narathihapate (1256-1287) from the capital in 1283 in the face of the Mongol invasion were the years of Bagan's greatness. The kingdom stretched from Bhamo in the north and far down to the south, from the Thanlwin river in the east to the Western Yoma in the west. Bagan was known as Tattadesa, the Parched Land, to the Mons, and not much rice was grown in the environs of the capital itself. But the royal city could draw upon the rich rice granaries of Kyaukse, 90 miles to the northeast, and Minbu, 70 miles to the south. The Ayeyarwady river linked it to the sea and to the commerce of the Indian Ocean. There was much intercourse with neighbouring countries. Support was given to King Vijaya Bahu I (105 9-1114) of Sri Lanka to sustain him in his struggle against the Chola of southern India to help him re-establish a purified Buddhism. Missions were sent to the northern Song capital of Kaifeng. Repairs were made to the Mahabodhi temple at Bodh Gaya in northern India. Perhaps more salient than all these indications of economic well-being and political power was the fact that Buddhism flourished exceedingly in Bagan. Tradition, basing itself upon the Sinhalese chronicle, the Mahavamsa, attributes the origins of Buddhism in Myanmar to the mission of Sona and Uttara who, in the 3rd century B.C., came to Suvannabhumi, usually identified with That on, on the Gulf of Mottama. Some modern scholars dispute this point. But even if tradition is to be ignored, there can be no denying that Buddhism was already flourishing in Myanmar in the 1st century A.D., as attested by the archaeological evidence at Peikthanomyo (Vishnu City), 90 miles southeast of Bagan. Buddhism was also an invigorating influence at Thayekhittaya, near modern Pyaymyo 160 miles south of Bagan, where a developed civilization flourished from the 5th to the 9th century. Notwithstanding the fact that Buddhism had enjoyed a long history in Myanmar before the 11th century, the reign of Anawrahta provided a landmark in the development of Buddhism in Myanmar. Anawrahta was a king of strong religious zeal as well as one of great power. His clay votive tablets, made to acquire merit, are found widely in Myanmar from Katha in the north to Twante in the south. These votive tablets usually have, on the obverse, a seated image of the Buddha in the earth-touching attitude, with two lines underneath which express the essence of the Buddhist creed: The Buddha hath the causes told Of all things springing from causes; And also how things cease to be, 'Tis this the Mighty Monk proclaims. On the reverse would be the prayer: Desiring that he may be freed from samscira the Great Prosperous King Aniruddha himself made this image of the Lord. The chronicles relate that a monk from Thaton, Shin Arahan, came to Anawrahta in Bagan and preached to him the Law, on which Anawrahta was seized with an ecstasy of faith and said, "Master, we have no other refuge than thee! From this day forth, my master, we dedicate our body and our life to thee! And, master, from thee I take my doctrine!" Shin Arahan further taught Anawrahta that without the Scriptures, the Tipitaka, there could be no study, and that it was only with the Tipitaka that the Religion would last long. Anawrahta, informed that there were thirty sets of the Tipitaka at Thaton, sent an envoy with presents to its king,Manuha, and asked for the Tipitaka. Manuha refused, on which Anawrahta sent a mighty army, conquered Thaton, and brought back the thirty sets of Tipitaka on Manuha's thirty-two white elephants, as well as Manuha and his court and all manners of artisans and craftsmen. From its patronage by Anawrahta is usually dated the flourishing of Theravada Buddhism in Myanmar, and the monuments of Bagan, with only a few exceptions, are all monuments of Theravada Buddhism. The establishment of Theravada Buddhism as the dominant religion of Myanmar did not preclude the existence of other schools and beliefs. Prior to the coming of Buddhism there existed in Myanmar a folk religion which involved the worship of nats or spirits to whom offerings were made. The spirits were not only those of nature, but also of personages who had died a violent or tragic death. At Bagan the cult of the Mahagiri ("Great Mountain") rato-brother and sister who had their abode at Mount Popa, 40 miles to the southeast of Bagan-was particularly strong This folk religion persisted in a symbiotic existence with Theravada Buddhism at Bagan. But that was not all. Mahayana Buddhism, with its pantheon of Bodhisattvas who had postponed their entry into nirvana to help their fellow creatures find salvation, also continued to have a tenuous presence at Bagan, a presence which can be detected in some of the details of the monuments. There was a presence too of Hinduism, which the court drew upon for some of its rituals and ceremonies. Religious fervour, brought on by the flowering of Theravada Buddhism, inspired the men and women of Bagan to undertake great works of merit and to give lavishly to the Religion. The donation of a noble lady is thus recorded: When our Lord Kinkathu passed away, our Lord's wife, who loved her husband as her own life, was agitated at the law of instability and made three dwellings to the Three Gems. Out of a heart of boundless faith she built the three dwellings wishing that the merit of her good deed would go to the three persons: her deceased lord, her mother and her father. Her private property, the nine kinds of gems, her gold and silver, red copper and white copper, iron, lead, her outward property, such as boats, elephants, cattle, buffaloes, goats, ivory, and her slaves and lands and gardens-in order that such property might be a support to the Religion, she offered them without stint to the Lords"s Religion and allotted them to the three dwellings, and, calling the earth to witness, she poured the water of offering. The usual aspiration in these religious donations w as to acquire merit, be reborn in the celestial realms, to come into the presence of Metteyva, the next Buddha, and finally to attain nibbana. But sometimes the aspiration would rise higher-to that of Buddhahood itself. A good example of this aspiration is provided by the dedicatory prayer-written in elegant Pali verse-offered by King Alaungsithu (1113-1163) on building the Shwegugyi temple in 1131: By merit of this act I would behold Metteyya, captain of the world, endued With two and thirty emblems, where he walks Enhaloed on a rainbow pathway fair Like Meru King of mountains, and sets free Samsara's captives by his holy words. There might I hear good Law, and bending low Offer the four things needful to the Lord And all his monks, till clad in virtues eight Informed by such a Teacher, I become A Buddha in the eyes of spirits and men... A noble aspiration indeed! But whatever the aspiration, the merit acquired by the donation was not meant for the donor alone, but for all. Thus Queen Pwa Saw made this prayer of dedication: May my noble husband lord the king, my son the king, my grandson the king, these three kings, and all the future kings to come share equally with me the merit of this work. May the princes and princesses, the queen and all her ladies-in-waiting, the ministers and all the hosts, the Thagya, Brahma, the four Guardians of the world and all the spirits, Tataw the Yama King, men and other beings who dwell in our would-system and other world-systems from Avici hell below to the celestial realms above also get a share of my merit. May they escape the miseries of samsara and reach nibbana which is free from misery." With great magnanim-ity, then, Queen Pwa Saw shared the merit of her act with all beings of the thirty-one realms: the twenty celestial realms of the brahmas, the six celestial realms of the thagyas or devas, the mundane realm, and even the four hells. The donors of Bagan indeed gave lavishly to the Religion. But what were the expenses of building the p
Moroccan handmade ceramic tagine, Moroccan ceramics, handmade pottery tagine in Morocco. This small tagine is ideal for use at home or you can offer as a gift. It is handmade and painted by local artisans and designed by them, this product is not only handmade with traditional expertise, but also with 100% natural ingredients. Waist: 13 cm in diameter 14 cm High 5 cm thick The possible irregularities that you can find on this piece guarantee its true artisanal manufacture and accentuate its charm. DELIVERY once the order has been processed our products will be shipped via DHL EXPRESS. Do not hesitate to contact me if you have any questions or if you would like to see other photos. Birthday, Ramadan, Eid and many others.., halloween. Perfect for Black Friday sales, Christmas gifts, party favors, New Years gifts. Great gift ideas for Valentine's Day, Mother's Day, Father's Day too! Ideal as an Easter gift for your family and friends, and the next Mother's Day gifts., Winter dresses, Halloween gifts, autumn, ideal for Black Friday sales, Cyber Monday sales, gifts for her, gifts for mom, gifts for mom, gifts for girlfriend, great for black friday sales, cyber monday sales, gifts for her, gifts for mother, winter dresses, great handmade christmas gifts,
