To equip yourself for success in the workplace of the future, you need more than technical knowledge. Find out which valuable soft skills employers will be looking for in the next ten years.
‘A million times’ By Humans since 1982 Humans since 1982 a collaborative project created by artists Bastian Bischoff and Per Emanuelsson. One from Germany
Explore Vincent X's 5973 photos on Flickr!
Download this HD wallpaper of Technology Robot Technical Background Poster. You can download more Technology Robot Technical Background Poster, Technology, Science, Fiction wallpaper photos for totally free and use as phone wallpapers. | 862361
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Communicating technical findings to non-technical stakeholders is a critical skill that bridges the gap between complex data insights and actionable business decisions. Here’s a concise guide on how…
Mechanical diagrams of engines, lenses, and other complex contraptions are combined with finely rendered human figures in the astonishingly detailed works
Download this HD wallpaper of Use Of Information Technology Business Background Hd. You can download more Use Of Information Technology Business Background Hd, Abstract, Tech, Electronic wallpaper photos for totally free and use as phone wallpapers. | 789026
About The Artwork Math linear mathematics education circle background with geometrical plots,seamless background Original Created:2019 Subjects:Abstract Materials:Canvas Styles:AbstractFine ArtPop ArtModern Mediums:AcrylicDigital Details & Dimensions Digital:Acrylic on Canvas Original:One-of-a-kind Artwork Size:24 W x 24 H x 2 D in Frame:Not Framed Ready to Hang:Not applicable Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:United States. Have additional questions? Please visit our help section or contact us.
Download this Premium Photo about Technical plan drawing with ruler and spirit level, and discover more than 49 Million Professional Stock Photos on Freepik. #freepik #photo #buildingtools #constructiontools #carpentry
Azmi Studio is an experienced XR software development studio incorporating skilled resourceful to offer custom AR/VR/MR & Game Development services.
Machine Learning Illustration designed by Kamil Sypień. Connect with them on Dribbble; the global community for designers and creative professionals.
This article is about the LEGO figure. For the theme, see Minifigures. Minifigures, commonly referred to as a "minifig", or simply just "fig", are small plastic figures just over 1 1/2 inches (4 cm), or four bricks tall. They connect to LEGO System Bricks, and usually consist of 9-10 parts, though certain unique minifigures in some themes can have as few as 7 or more than 10 depending on the character they are intended to portray. The minifigure was designed by LEGO model builder Jens Nygaard Kn
that-feel: An Iconic Design for Coffee Lovers I recently ran across the following image of one of the early blueprints for the iconic moka pot… View Post
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Printed circuit board in black and white. Computer techmology seamless pattern, vector
Mumbai, India, September 10, 2014: ESET, a global player in proactive protection for more than 25-years, has received excellent results in the
Check out these lovely illustrations by Peter Hutton. I found them over at Megadeluxe.com where Hutton explained how he does it. “The drawings are not cut aways as in a technical drawing, all they are is ...
Reading and vocabulary ws. - ESL worksheets
Famed for its surrealist sleeve design, Hipgnosis also took rock portraiture into altered states. In our recent May issue, Adrian Shaughnessy reviews a recently…
St. Sebastians Martyr (detail), circa 1620-1630 Jacob Matham (1571 - 1631), was a Dutch engraver and pen-draughtsman, whose critical fortunes were mainly bound up with the name of Hendrick Goltzius,...
What Are Key Project Management Skills? In this article, we will review both technical and soft skills in project management. It is obvious that a good project
Image 13 of 28 from gallery of Soviet Modernism 1955-1991: Unknown Stories. Residential building on Minskaya Street, 1980s, Bobruisk, Belarus © Belorussian State Archive of Scientific-Technical Documentation
Foto: Toda la Península Itálica está sujeta a sacudidas sísmicas. La del pasado 24 de agosto me conmocionó particularmente, quizás porque la casa que debo a este blog, mi Casa Instigadora en Petre…
Built by Grupo ARKHOS in Chihuahua, Mexico with date 2013. Images by Jorge Taboada Morón. The PIT3 project is for the Tecnológico de Monterrey, Chihuahua Campus. It is a research and innovation center. It is...
A product designer is someone who designs the look of different types of products, from mobile devices to vehicles. Typically, these individuals receive a host of information about a new product, including its use, target market, and functionality, and they create mock-ups of what the actual product will look like. They also have to work with the ease of use for the product, so it’s not all about the aesthetics. Although many product designers work with a variety of different items, most will specialize in one particular item, especially if they work for a company that specializes in that item. Part of their job in working with the same item is to make improvements and increase the functionality and efficiency of the product.
Luisa Russo is a young artist who, since early start of her research, was interested first in graphic design and then in constructive dynamics, trying to explore new creative options in formal aspects as well as in technical, operational, speculative ones, in materials and contents, where the bond between art and technology, or art and science, is always a difficult one to decipher. As to the “legitimacy” of new tools used in art and creativity, the artist brings light with her surprising identity: observing, analysing, building up a hypothesis. In other words, she knows how to create links between “idea” and “creating an idea” in relation to materials, technologies and information available, where “geometry and human” and “idea and poetry” come in relation together and complement each other. Starting from the assumption that in the real world nothing is defined or definable, her research represents the rationalist spirit which, starting from basic principles, intuitively or experimentally identifiable -such as the axioms of Geometry or the principles of Mechanics and Physics-, tries through a deductive process to be able to develop new problems and to find new aesthetic solutions where nothing is left to the randomness of improvisation. Even the irrationality is guided by the compactness of the “shape”, so that even the substance making the artwork becomes conscious stratification of different moods: in this way in Luisa Russo’s artworks one can observe the miracle of the pacific coexistence between the “motives of the heart” and the “motives of the intelligence”, in accordan- ce with the author’s unexposed faith in the consistency between aesthetic and ethic conscience. In her scientific similarities and correspondences, her work is for her on the verge of not only the phenomenon world, but also of an approach to research based on and explained through its features and its constructive elements. Despite trying to carry forward a research that is not only a sort of optic-vi- sual game, where the dynamics of creating the artwork bring up a rational emotional participation of the viewer, Luisa’s work is “shape” turning into “structure” - “content and container”: their functioning leads to a process of transformation which doesn’t necessarily lead to the “diverse”, but to the mutation of the work with respect to the perception of it, also beyond its space, the space occupied by it and the space that remains beyond the viewer’s perception capabilities. In her work one can see The formal perfection, the shape The inspiring thought, the content The power, aesthetic value The beauty, corresponding to the true and to the world of the ideas in Aristotle’s terms. We could say that the research brought forward by the artist is a flow that goes directly from the artwork to the viewer, where the artwork’s emotional power projects itself in those who look at it and touches them emotionally. On the contrary, the expressive value, or structure, goes from the viewer to the artwork: “I observe a painting and am able to appreciate it: thanks to my sense of aesthetics and to my knowledge I decipher it and can understand “what’s behind it”. Visible out of the invisible. Shape is the skeleton of the artwork, content is its brain; The expressive value or structure is the beauty of the face and of the body, the aesthetic value is the heart.
