As seen on TV!
If you spent any quality time with your TV in the late ‘80s and early '90s, then it’s likely you got to know the loud and lovable Conners on “Roseanne.” Now, prepare to feel old, because the classic sitcom is celebrating the 25th anniversary of its debut Friday. Based on the real life experiences of creator Matt Williams and the “domestic goddess” stand-up comedy routines of its lead,
As seen on TV!
Robert Culp Net Worth. Robert Martin Culp was a well-known television actor, screenwriter, voice actor, and director in the United States. Culp is best known
Explore Avengers Photos' 90 photos on Flickr!
If you're teaching a novel with classic setting in the 1950's and 1960's then this is an opportunity you won't want to miss. This educational enrichment packet contains pertinent information concerning TV shows that were produced during this era. This reinforcement contains actual YouTube footage of many televisions shows that were produced during this time period. It is a wonderful teaching aid to open up your next novel. Students are able to first become immersed in the time period therefore understanding author's theme and voice as an interactive unit. This document comes complete with links and is easily emailed to a student data base. Students can they easily peruse material becoming accustomed to some of the area's favorite TV past times. Other FABULOUS Historical Fiction Novels Teachers that purchased this were also interested in: Lyddie by Karen Paterson - Vocabulary, Questions, Final EssayFarewell to Manzanar by Houston and Houston - Enrichment PacketThe Fighting Ground by Avi - Questions, Worksheets, Hessian ResearchThe Endless Steppe by Hautzig - Novel Questions and Map Unit or Book ReportThe Moved-Outers by Florence Crannel MeansVoices From Vietnam by Barry Denenberg - Questions and Research, or BookreportChildren of the River by Linda Crew - Enrichment Packet or Book ReportOne Day in the Life of Ivan Denisovich by Alexander Solzhenitsyn - Book ReportThe Story of the Peace Corps by Zachary Kent - Questions, Worksheet, Book ReportThe Story of Jonas Salk and the Discovery of the Polio Vaccine by Jim HargroveThe Crucible by Arthur Miller - Preliminary Activity - Summarizing Non FictionSoft Rain - (Cherokee Trail of Tears) Novel Packet - Questions-Vocab.-Worksheets Outsiders - Opening Speech Project Utilizing Newspapers/Online NewspapersThe Witch of Blackbird Pond - Preliminary 5 Paragraph Essay Internet ActivityThe Light in the Forest - Internet Indian Medicine ActivityChariot of the Sun God - Guided Question Response or Book ReportRomeo and Juliet - Teacher's Background GuideImportance of Being Earnest by Oscar Wilde - Guided Question WorksheetTelevision Shows of the 50's and 60'sSongs of the 50's and 60's for Teaching LiteratureInteresting Facts About Shakespeare's Globe TheatreProper Etiquette During the Victorian EraBram Stoker's Dracula Guided QuestionsAcross Five Aprils Project ChoicesCivil War Poetry AssignmentOur Town Guided Question Response
It’s probably not a revelation to tell you that Pinterest skews heavily female. 70% in fact, according to a recent study. But what’s more interesting is that men and women use Pinterest for vastly dif
A sitcom is a magical thing - it gives you a sense of relatability and life-likeness while at the same time being so totally far-fetched it’s amazing. So, basically, watching a sitcom is like watching life in a parallel reality. And some TV series manage to balance on that tiny line so perfectly that they soon become real classics, if not the best series ever. Wondering which ones they are? Well, wonder no more and check out our list dedicated to the best sitcoms of all time as ranked by audiences and critics instead.
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A few years ago I got a call out of the blue from Twentieth Century Fox Publicity. The 7th season of MASH was being released in Great Britain and they wanted to know if I would do a phone conference call with British journalists to promote the new DVD’s. It would take about an hour. I asked when the conference was planned. “3:00 today she said, cheerfully.” “Great,” I said, “If the first seven seasons of MASH are delivered to my house by 3:00 I will do the interview.” An hour later a messenger was at my door. The point is this: not only do writers not make a lot of money off these DVD releases, the studios won’t even give us free copies. Unless of course, THEY need something. And it’s not just writers. I was having lunch with one of the cast members of CHEERS and she said Paramount never sent her a copy of the DVD’s. I love how in the new WGA contract, if a studio plans on having bonus tracks on a film DVD they must invite the writer to do one. That’s only fair, of course, since directors always get to do them. But here’s the catch: The studios are not obligated to USE the writer’s bonus track, nor are they obligated to pay him for his time and effort. Reminds you of Lucy teeing up the football for Charlie Brown, doesn't it? I don’t think we’ll strike over this issue, but it’s yet another example of how the studios view us. And this brings up another point – one that Mark Evanier brought up once in his fine blog – should writers, directors, whoever get compensated for recording bonus tracks? If you’re a director and own a piece of the film then it’s certainly in your best interests to do a bonus track and sell more copies, but what about the rest of us? Yes, it’s fun to do and nice to have your contribution recognized, but are the studios using your ego to take advantage of you? I’ve only done a couple – my two SIMPSONS episodes. It was fun. It was easy. Gracie Films gave me copies of the DVD's without my even asking for them. And the way they recorded the track was just to screen the episode and we chimed in as it rolled. So the whole thing took maybe a half hour. I never thought about compensation. But what if the studio that made VOLUNTEERS came to me and said they were doing a big anniversary edition and wanted me to do a bonus track for free? First of all I would plotz that anyone would want to do an anniversary edition, but then I would be faced with a dilemma. Should I or shouldn’t I? It reminds me of a great Woody Allen joke from his stand-up days. (That's two Woody Allen jokes in two days.) He was offered a Vodka commercial and didn’t feel it was morally right. But the pay was great. So he went to his rabbi for counsel. The rabbi told him to take the moral high ground. So he passed on the commercial. And then a few months later he saw it and who was selling the Vodka? His rabbi. I would probably agree to do the bonus track. And they wouldn’t use it.
The Bob Newhart Show is an American sitcom created by David Davis and Lorenzo Music for CBS. It ran from September 16, 1972 to April 1, 1978 for six seasons. Bob Newhart plays Dr Robert Hartley, a psychologist based in Chicago. Each episode is split between Hartley's hectic home life and the time he spends with his various patients, including mean-spirited and neurotic Elliot Carlin (Jack Riley), milquetoast Marine veteran Emil Peterson (John Fiedler) and shy, reserved Lillian Bakerman (Florida
You heard me. I was a week into my freshman year at U.S.C.
recuerdos del ayer, años 60,70,80,90 y mas. De todo un poco. series de tv, peliculas, recuerdos, anecdotas, musica, cine y mas
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Being an adult sucks sometimes. Recently I have been longing for the simpler days of my childhood; a time where I could do and say silly things and nobody would think me nuts. So I am led to writing this hub; the first in a series of hubs that...
Entdecke TARZAN die Serie und Kult-70er Jahre. Hier findest Du Kindheitserinnerungen und Nostalgie pur. Gleich ansehen!
Tim Lusher: The small screen takes a trip back to the 1980s this month, with dramas about Boy George, the day of Charles and Diana's wedding, an adaptation of Martin Amis's Money and the finale of Ashes to Ashes. But which are the most memorable shows of that decade?
Combining Southern icons like moonshine running, muscle cars, car chases and country music, The Dukes of Hazzard TV series ran for seven seasons between 1979 and 1985. Rewind and remember the show here!
My "to watch" list just got so darn good.
On 14 September 1964 the American science fiction television series "Voyage to the Bottom of the Sea" premieres on ABC (American Broadcasting Company). The series, based on the 1961 film, was created by Irwin Allen, it used the movie sets, costumes, props and models from the film. The main characters were played by Richard Basehart (Admiral Nelson) and David Hedison (Captain Lee Crane). A total of 110 episodes were produced: 32 filmed in black-and-white (1964–1965) and 78 in color (1965–1968). The first two seasons took place in the then future of the 1970s. The final two seasons took place in the 1980s. The musical score "The Seaview Theme" was written by Paul Sawtell. Richard Basehart as Admiral Harriman Nelson David Hedison as Captain/Commander Lee Crane Synopsis The world's first privately owned nuclear submarine, the SSRN Seaview, was designed by Admiral Harriman Nelson (Richard Basehart). The Seaview does oceanographic research for the Nelson Institute of Marine Research... Richard Basehart as Admiral Harriman Nelson, David Hedison as Captain/Commander Lee Crane and Bob Dowdell as Lieutenant Commander Chip Morton Richard Basehart as Admiral Harriman Nelson, David Hedison as Captain/Commander Lee Crane, Del Monroe as Kowalski, Bob Dowdell as Lieutenant Commander Chip Morton and Terry Becker as Chief Sharkey Awards The series won 4 Emmy awards during its run: Primetime Emmy for Outstanding Individual Achievements in Entertainment - Special Photographic Effects: L.B. Abbott (special photographic effects) (1965) Primetime Emmy for Individual Achievements in Cinematography – Special: L.B. Abbott (photographic effects) and Howard Lydecker (photographic effects) (1966) Primetime Emmy for Individual Achievements in Cinematography – Cinematography: Winton C. Hoch (cinematographer) (1966) Primetime Emmy for Individual Achievements in Film and Sound Editing: Don Hall (sound editor),Dick Le Grand (sound editor), Daniel Mandell (sound editor) and John Mills (sound editor) (1967) Richard Basehart as Admiral Harriman Nelson and David Hedison as Captain/Commander Lee Crane Main Cast Richard Basehart as Admiral Harriman Nelson David Hedison as Captain/Commander Lee Crane Bob Dowdell as Lieutenant Commander Chip Morton Derrik Lewis as Lieutenant Commander O'Brien (1st-2nd seasons) Henry Kulky as Chief "Curly" Jones (1st season) Terry Becker as Chief Petty Officer Francis Ethelbert Sharkey (2nd–4th seasons) Del Monroe as Kowalski Arch Whiting as Sparks Paul Trinka as Patterson Richard Basehart as Admiral Harriman Nelson David Hedison as Captain/Commander Lee Crane Trivia James Doohan was offered the part of Chief Sharkey but he turned it down because in the same week he was offered the role of Chief Engineer Montgomery Scott in "Star Trek" (1966). Del Monroe appeared in both the film and TV series. He played the same character "Seaman Kowski" in the film and "Seaman Kowalski" in the TV series. "Voyage to the Bottom of the Sea" ABC promo 1 (1964) "Voyage to the Bottom of the Sea" ABC promo 2 (1964) "Voyage to the Bottom of the Sea" ABC promo 3 (1964)
The archetypal sixties secret agent show, The Avengers has the unique distinction of being the only British programme ever to get a prime time slot on American network television. The overwhelming international success of its later years tends to overshadow its relatively humble beginnings as a largely studio-bound show shot on videotape, at which point the storylines were confined to the conventional TV thriller-fodder of the time. The lead character from the beginning was John Steed, a government agent, who was partnered on a rotating basis by one of a group of sidekicks; David Keel, a young doctor, Venus Smith, a nightclub singer, Martin King, another medic, and Cathy Gale, a widowed academic martial arts expert. Pretty soon Cathy Gale became Steed’s full-time partner and the others were dropped. During this era the distinctive look of The Avengers began to evolve. Steed’s clothing shifted gradually from the stereotype trenchcoat of the TV spy to the immaculate tailoring which would become his hallmark, and Cathy’s penchant for leather catsuits mirrored her self-confident, assertive personality, making her a true partner for Steed rather than the ineffectual sidekick the female lead would have been in most television programmes of the time. For most aficionados, however, The Avengers was at its height in the two seasons that paired Steed with Emma Peel, the widow of a test pilot believed killed in a plane crash. The bantering relationship between the characters hinted at a greater affection, and, more importantly, a partnership of true equals; hardly surprising that Emma Peel became an early feminist icon. The stories became more quirky and surreal, taking full advantage of the move from videotape to film; as well as improbable cold-war espionage plots, like a parrot being taught to recite top secret missile plans, the pair tangled with killer robots, mind-swapping devices, shrinking rays, and a deranged cartoonist who took on the persona of his superhero creation. When Emma left, after being reunited with her husband who had been discovered alive and well in the jungle, Steed was partnered with Tara King, a young, novice agent fresh out of training school. The relationship was now more that of a mentor and student; although Tara was just as capable of taking care of herself as her predecessors, Steed’s obvious affection for her was more avuncular than before. This final season also introduced Steed’s boss, an irascible overweight paraplegic, codenamed Mother, who provided extra comedy relief. The stories continued to be as inventive and bizarre as ever, including a toxin which induced fatal sneezing fits, a drug which made its victims say the opposite of whatever they meant, and a device which could rot wood to dust in seconds. The format was revived in the seventies as The New Avengers, of which more shortly. The show continues to be celebrated in books and with the release of restored DVDs and it seems likely to continue in the near future as the 50th anniversary of the shows debut is almost upon us: the first episode was first broadcast on 7 January 1961 and already 50th anniversary spin-offs (such as Marcus Hearn's The Avengers: A Celebration) are already hitting the bookstore shelves. Here, we'll have to contend ourselves with a celebration of the 48th anniversary of the release of the first Avengers spin-off novel. The Avengers by Douglas Enefer Consul Books 787, 1963, 126pp, 3/6. Cover design by Sam Sulliman [FC: Patrick Macnee, Honor Blackman] Britain's most highly successful television thriller series—The Avengers (A.B.C. Television). Based on the television series which has thrilled millions, Douglas Enefer's new novel, presenting those same characters you have come to know on the television screen, brings the kind of reading pleasure that is only rarely available. Those characters who have thrilled millions on television, now between the covers of a thrill-a-page novel. Deadline by Patrick Macnee (ghosted by Peter Leslie) Hodder 757, (Nov) 1965, 188pp, 3/6. Cover: photo [FC: Patrick Macnee] Titan Books 1852-86561-X, Aug 1994, 188pp, £3.99. Cover: photo [FC: Patrick Macnee, Diana Rigg] Someone is tampering with speeches reported in the continental editions of British newspapers: antagonising other nations and causing anti-British riots abroad. John Steed and Emma Peel are called in to go undercover at The Courier newspaper in Fleet Street. Their mission: to identify and track down the Brotherhood, a band of neo-fascist ruthless criminals who will stop at nothing—not even murder—to bring down the Government and seize power. Dead Duck by Patrick Macnee (ghosted by Peter Leslie) London, Hodder 826, (May) 1966, 160pp, 3/6. Cover: photo [FC: Patrick Macnee] Titan Books 1852-86572-8, Oct 1994, 160pp, £3.99. Cover: photo [FC: Diana Rigg, Patrick Macnee] When Steed and Mrs Peel witness a sudden death at a neighbouring table in a five star restaurant, they become involved in a bizarre puzzle: why are people dropping dead after eating duck? And what is the connection between a doctor, a gamekeeper and a painter? Their investigation leads them to a ruthless conspiracy, and a plot being hatched in the wilds of the East Anglian marshes. The Floating Game by John Garforth Panther Books 2175, (Jan) 1967, 127pp, 3/6. Cover: photo [FC: Diana Rigg, Patrick Macnee] The American Mafia moves in on Britain—using a mocked-up 'Russian' spy ring as a front. Very clever. Emma and Steed rush around after Soviet operators who simply don't exist! But the best laid schemes of mice and men and Mafia... Russian agents, the real thing, move in on the Mafia's fake set-up... The Laugh was on Lazarus by John Garforth Panther Books 2176, (Jan) 1967, 128pp, 3/6. Cover: photo [FC: Patrick Macnee, Diana Rigg] Emma mixes it by night with zombies in a famous London cemetery, while Steed is given his come-uppance by three exquisite Oriental dollies who know all the vicious tricks. The fun is fast and furious. And very lethal. The Passing of Gloria Munday by John Garforth Panther Books 2203, (Mar) 1967, 128pp, 3/6. Cover: photo [FC: Diana Rigg] A siren in distress rescued by Steed in his vintage Bentley is taken to Blackpool and murdered by a tycoon in electronics whose posse of pop pirates threaten to clamber aboard the ship of state; whereupon Emma Peel sings falsetto and George Washington sweeps the floor... and the battle against the pop dictators is on! Heil Harris! by John Garforth Panther Books 2204, (Mar) 1967, 124pp, 3/6. Cover: photo [FC: Patrick Macnee] Did Hitler die in a bunker or is he celebrating his 78th birthday today and living in exile in Hertfordshire...? That's the question worrying Steed after meeting a certain 78-year-old Herr Harris who dreams of catastrophe and is clearly connected with mystic rites being practiced in the Herts countryside. But Steed soon finds the world facing a far graver danger... Emma Peel—elected dictator of Great Britain!In the US, the Panther novels were reprinted by Berkeley Medallion, who continued to publish further novels which were not published in the UK. The US Berkeley series ran as follows: 1 The Floating Game by John Garforth (Apr 1967) 2 The Laugh was on Lazarus by John Garforth (May 1967) 3 The Passing of Gloria Munday by John Garforth (Jul 1967) 4 Heil Harris! by John Garforth (Sep 1967) 5 The Afrit Affir by Keith Laumer (Apr 1968) 6 The Drowned Queen by Keith Laumer (Jun 1968) 7 The Gold Bomb by Keith Laumer (Sep 1968) 8 The Magnetic Man by Norman Daniels (Dec 1968) 9 Moon Express by Norman Daniels (Feb 1969) A further novel, The Saga of Happy Valley by Geoff Barlow (Albion Press, 1980), published in Australia, was a unlicensed and featured the characters John Steade and Emma Peale.
1964! What a great year for TV for a kid. I loved the magic shows like My Favorite Martian and Bewitched. they were ok to watch with parents in the room. Hollywood gave us The Munsters and The Addams Family that year as well. So I thought I'd share a bit of my top 10 favorites from 1964 for you youngsters out there... :) 1. Bewitched (1964–1972) A witch married to an ordinary man cannot resist using her magic powers to solve the problems her family faces. Bewitched is an American television sitcom fantasy series, originally broadcast for eight seasons on ABC from September 17, 1964, to March 25, 1972. It is about a witch who marries an ordinary mortal man and vows to lead the life of a typical suburban housewife. The show enjoyed great popularity, finishing as the number two-rated show in America during its debut season, staying in the top ten for its first three seasons, and just missing this mark with an eleventh-place ranking for both seasons four and five. The show continues to be seen throughout the world in syndication and on recorded media. 2. The Addams Family (1964–1966) The misadventures of a blissfully macabre but extremely loving family. The Addams Family is an American horror/black comedy sitcom based on the characters from Charles Addams' New Yorker cartoons. The 30-minute television series was created by David Levy and Donald Saltzman and shot in black-and-white, airing for two seasons on ABC from September 18, 1964, to April 8, 1966, for a total of 64 episodes. The show is also notable for its opening theme that was composed and sung by Vic Mizzy. 3. Gilligan's Island (1964–1992) Seven men and women are stranded on an uncharted island following a torrential storm. Gilligan's Island is an American sitcom created and produced by Sherwood Schwartz. The show had an ensemble cast that featured Bob Denver, Alan Hale Jr., Jim Backus, Natalie Schafer, Russell Johnson, Tina Louise, and Dawn Wells. It aired for three seasons on the CBS network from September 26, 1964, to April 17, 1967. The series followed the comic adventures of seven castaways as they attempted to survive on an island on which they had been shipwrecked. Most episodes revolve around the dissimilar castaways' conflicts and their unsuccessful attempts, for whose failure Gilligan was frequently responsible, to escape their plight. 4. The Munsters (1964–2004) A family of friendly monsters has misadventures, never quite understanding why people react to them so strangely. The Munsters is an American sitcom depicting the home life of a family of benign monsters starring Fred Gwynne as Frankenstein's monster-type head-of-the-household Herman Munster; Yvonne De Carlo as his vampire wife, Lily Munster; Al Lewis as Grandpa, the over-the-hill vampire who relishes talking about the "good old days"; Beverley Owen (later replaced by Pat Priest) as their teenage niece Marilyn Munster, whose all-American beauty made her the family outcast; and Butch Patrick as their half-vampire, half-werewolf son Eddie Munster. 5. The Man from U.N.C.L.E. (1964–1968) The two top agents of the United Network Command for Law and Enforcement (U.N.C.L.E.) fight the enemies of peace, particularly the forces of T.H.R.U.S.H. The Man from U.N.C.L.E. is an American spy-fiction television series[1] produced by Metro-Goldwyn-Mayer Television and first broadcast on NBC. It follows secret agents, played by Robert Vaughn and David McCallum, who work for secret international counterespionage and law-enforcement agency called U.N.C.L.E. The series premiered on September 22, 1964, completing its run on January 15, 1968. 6. Shindig! (1964–1966) A musical variety show featuring the biggest acts in rock-n-roll performing their latest hits. Shindig! is an American musical variety series which aired on ABC from September 16, 1964, to January 8, 1966. The show was hosted by Jimmy O'Neill, a disc jockey in Los Angeles at the time who also created the show along with his wife Sharon Sheeley, British producer Jack Good, and production executive Art Stolnitz. The original pilot was rejected by ABC and David Sontag, then Executive Producer of ABC, redeveloped and completely redesigned the show. A new pilot with a new cast of artists was shot starring Sam Cooke. That pilot aired as the premiere episode. 7. Flipper (TV Series 1964–1967) Flipper is an American television program first broadcast on NBC from September 19, 1964, until April 15, 1967. Flipper, a bottlenose dolphin, is the pet of Porter Ricks, Chief Warden at Coral Key Park and Marine Preserve (a fictional version of John Pennekamp Coral Reef State Park in Key Largo, Florida), and his two young sons, Sandy and Bud. The show has been dubbed an "aquatic Lassie", and a considerable amount of children's merchandise inspired by the show was produced during its first run. 8. Daniel Boone (1964–1970) Daniel Boone is an American action-adventure television series starring Fess Parker as Daniel Boone that aired from September 24, 1964, to May 7, 1970, on NBC for 165 episodes, and was produced by 20th Century Fox Television, Arcola Enterprises, and Fespar Corp. Ed Ames co-starred as Mingo, Boone's Cherokee friend, for the first four seasons of the series. 9. Jonny Quest (1964–1965) The Quest family and their bodyguard investigate strange phenomena and battle villains around the world. 10. Valentine's Day (1964–1965) Valentine Farrow works for O.D. Dunstall in a New York publishing house. He is young and single and constantly chased by women. While in the Army, he was saved by "Rocky" Sin, a poker-playing con artist, who now serves as Farrow's valet.
As seen on TV!
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The Southern roots of the beloved 1970s television show
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The Monkees may have been a prefab TV band, but there was nothing made up about their real-world success. Here's a look back!
