La obra de József Fischer (1901-1995) está indisolublemente unida a la de su esposa Eszter Pécsi (1898-1975), una de las primeras ingenieras tituladas en Hungría, y que realizó el cálculo estructural de muchos de los edificios diseñados por su marido, como la villa Járitz. Fischer aglutina en sus primeros proyectos la influencia del cubismo, las referencias a la pintura de Lajos Kassák (1887-1967) y la arquitectura de Le Corbusier o Gropius.
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This was the coolest thing I saw all season and it was the last looks on my last show of the season. I guess patience has its rewards.
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These homes make a clean first impression with their crisp white facades.
Frinton-on-sea is a small coastal town in Essex, just one and a half hours by train from London. It is well-known for its long, curved beach and the almost 1,000 beach huts that line its promenade. The main street, Connaught Avenue, has several cafes and restaurants (including a great ice cream shop called Pop-pins), a book shop, a shop selling art deco objects and vintage clothing as well as a number of other stores. Slightly less well known, but the reason for my recent visit, is its collection of art deco buildings constructed between 1934 and 1936 and located a short walk from the centre of the town, on the Frinton Park Estate. The Estate was to be part of a grand plan for up to 1,000 modernist buildings devised and designed by the slightly eccentric architect Oliver Hill. Returning from a holiday in Europe, enthused by the modernist architecture he had seen, Hill's proposal for Frinton included a new shopping centre, train station, town hall and school in addition to residential properties. He also drew up designs for a hotel that was to have been built in the under cliff and the estate information bureau. The information bureau was realised and survives today as a residential property called the Round House which, I understand, has a wonderful mosaic floor made from Poole Pottery depicting Hill's plans for the town. Unfortunately Hill's grand scheme did not come to fruition as the company building the estate went into liquidation in 1935 having built less than twenty properties. However, these houses, and later additions built in a similar style still stand and attract many architecture fans each year. It is a pleasure to stroll along Audley Way, Waltham Way and Graces Walk admiring these pristine white and very well maintained buildings. In a few cases, red window frames, yellow doors or grey decorative features over the main door add a touch of colour and extra class to the houses. Those overlooking the sea are particularly striking with towers, long balconies, curves and portholes. Above all else, they are very large. The estate is on private land and only residents are allowed to park, but it is easy to stroll around and no-one seemed to mind my taking photographs. The planned shopping centre never materialised, Frinton Park Court which stands on the junction of Central Avenue and Walton Road was designed as retail space and a dress shop and a bakery stood there for ten months before closing in 1935 due to lack of business and distance from the rest of the town. It was used for some years as a meeting place for a local Masonic Lodge but is currently in a very poor state of repair with an uncertain future. It is interesting that the estate attracts so many architectural enthusiasts today but was looked down on in the 1930's by some of the more established Frinton residents as being not quite the thing. The town also has a number of Arts and Crafts style houses (a style originally favoured by Hill), some designed by the great Charles Voysey - another reason for a day trip. Hill was a bit of a character. Apparently a keen naturist, he also drove a pink Rolls Royce. Both an architect and a landscape gardener, he designed the art deco style Midland Hotel in Morecambe, built in 1932, was responsible for one of the stands at the British Empire Exhibition in 1924 and Joldwynds, another stunning art deco house in Holmbury St. Mary, Surrey, built in 1932 for a the first Baron Greene. The hotel he had planned for fronton was to have been a near replica of the Midland but unfortunately it was never built. His greatest achievement is generally believed to be Landfall, at Poole in Dorset with its references to a luxury liner. Landfall was completed just before the Second World War and was Hill's last major work. Its a great shame his grand scheme for Frinton-on-sea did not fully materialise but the houses that were built give a hint of what might have been and together with the pretty main street and attractive sea front make the town a greta place to visit for the day. You might also like Picture Post 32 - Lawn Road Flats, Belsize Park
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Los cerramientos y techos de cristal pueden ser una estupenda solución para sacar más partido a tu casa. Permiten aprovechar los espacios al aire libre durante todo el año, potencian la iluminación natural en la casa y aíslan de forma eficaz mejorando la eficiencia energética y reduciendo la factura eléctrica… Sistemas y cerramientos para que la […]
Description Dreamy silk organza gown with architectural sleeves inspired by vintage cut glass. Intricately seamed throughout with fitted waist and mock neck. The multi-godet hemline opens into a sweeping skirt that seemingly floats when you walk. Two fabric covered buttons at back neck, zipper closure at side seam. Slip sold separately. Pairs perfectly with the Long Slip. Details Design Notes: Due to the delicate seaming along the waist and bust, as well as the fragile nature of non-stretch silk organza, we recommend allowing 2-4" of ease and sizing up on this style if you are between sizes. Length measurement referenced above is taken from center back. 100% Silk Organza Sustainably and ethically made in California Model is 5'8" and wearing size small Approximate Garment Measurements: Size Bust Waist Hip Length Shoulder XS 34" 29" 44" 59" 16" S 36" 31" 46" 60" 16.5" M 38" 33" 48" 61" 17" L 40" 35" 50" 62" 17.5" XL 42" 37" 52" 63" 18" 1X 44" 39" 54" 64" 18.5"
Follow http://thevintagologist.tumblr.com/ more than 10.000 posts of vintage lifestyle, design, fashion, art, cars, architecture, music and stuffs
The mixed-used masterplan of YueHaiWanJia commercial district aims at combining shops, restaurants, leisure, museum, bars, KTV, cinema, hotels and...
The Australian photographer Tom Blachford discovered a dark side to the desert oasis of Palm Springs, shooting its modernist housing by moonlight
It might be a little too stylised for some, but if you want a period house that really is ready to just walk into, this five-bedroomed art deco property
Der Plissé-Standmixer von Alessi besticht durch sein dynamisches, skulpturales Design, das von der Welt der Mode und der Architektur inspiriert ist. Der von Michele De Lucchi entworfene Mixer hat eine einzigartige Oberflächenstruktur, die an plissierten Stoff erinnert. Er ist einfach zu schön, um im Küchenschrank versteckt zu werden! Der Standmixer ist für die Zubereitung von 1 bis 2 Portionen pro Anwendung ausgelegt und eignet sich besonders gut für Getränke für unterwegs, da sein Behälter mit einem Fassungsvermögen von 550 ml auch als Smoothie-Flasche verwendet werden kann. Dank des funktionalen Designs und des mitgelieferten Deckels mit Ausgusstülle können Sie den Behälter verwenden, um Ihren Frühstückssmoothie oder Proteinshake zur Arbeit, ins Fitnessstudio oder zu anderen Aktivitäten mitzunehmen. Der Mixer wird außerdem mit einem kleineren Behälter geliefert, der sich ideal für die Zubereitung von Toppings und Gewürzen eignet. Haben Sie schon einmal Pesto selbst gemacht?
Imagem 1 de 23 da galeria de Bráz Trattoria / Memola Estúdio + Vitor Penha. Fotografia de Lufe Gomes
Le mixeur personnel Plissé d’Alessi adopte un design dynamique et sculptural inspiré des mondes de la mode et de l’architecture. Conçu par Michele De Lucchi, ce mixeur présente une texture de surface unique qui ressemble à un tissu plissé. Il est tout simplement trop beau pour rester caché dans le placard de la cuisine ! Le mixeur personnel est conçu pour préparer 1 à 2 portions à la fois. Il est particulièrement adapté aux boissons à emporter puisque son récipient de 550 ml se transforme en tasse à smoothie. Grâce à son design fonctionnel et à son bouchon muni d’un bec verseur, vous pouvez utiliser le récipient pour transporter votre smoothie ou votre boisson protéinée du matin au travail, à la salle de sport ou à n’importe quelle autre activité de la journée. En outre, le mixeur est livré avec un récipient plus petit, idéal pour préparer les sauces et les condiments. Avez-vous déjà préparé du pesto maison ?
Around two and a half years ago, we featured another art deco property in this area which was pretty much full renovated. Not so this 1930s art deco property in Middleton On Sea, West Sussex.
Der Plissé-Standmixer von Alessi besticht durch sein dynamisches, skulpturales Design, das von der Welt der Mode und der Architektur inspiriert ist. Der von Michele De Lucchi entworfene Mixer hat eine einzigartige Oberflächenstruktur, die an plissierten Stoff erinnert. Er ist einfach zu schön, um im Küchenschrank versteckt zu werden! Der Standmixer ist für die Zubereitung von 1 bis 2 Portionen pro Anwendung ausgelegt und eignet sich besonders gut für Getränke für unterwegs, da sein Behälter mit einem Fassungsvermögen von 550 ml auch als Smoothie-Flasche verwendet werden kann. Dank des funktionalen Designs und des mitgelieferten Deckels mit Ausgusstülle können Sie den Behälter verwenden, um Ihren Frühstückssmoothie oder Proteinshake zur Arbeit, ins Fitnessstudio oder zu anderen Aktivitäten mitzunehmen. Der Mixer wird außerdem mit einem kleineren Behälter geliefert, der sich ideal für die Zubereitung von Toppings und Gewürzen eignet. Haben Sie schon einmal Pesto selbst gemacht?
An interview with Yusuke Seki, a director of Yusuke Seki Studio about his work 'I SEE ALL' and 'Bang & Olufsen Pop-up Store Kyoto'. photography: Takumi Ota, Tomooki Kengaku words: Reiji Yamakura/IDREIT
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This is a really good idea for those of you who have wallpaper on your walls, but still want to make moodboards or just display your favorite pictures. Lean a wooden board, painted or unpainted, agai
About Large Baroque style Austrian ormolu mounted musical clock Austrian, early 19th Century Total height: 211cm Clock: Height 135cm, width 86cm, depth 52 Stand: Height 76cm, width 81cm, depth 48cm The clock is designed in the Baroque style and in an architectural manner. The clock case is centred with a circular enamel dial surrounded by gilt bronze ribbons and swags. The surrounding case is crafted from ebonised wood accented rosewood. Gilt bronze columns encompassed with winding garlands flank the dial on either side, while the case below is also architectural in manner. The base is raised on a bracket-like support, which features an ebonised wood shelf adorned with a gilt bronze Greek key pattern frieze. Allegories of music in gilt bronze stand atop the roof, while a sculpture of Apollo functions as a finial. The interior of the clock features a single-cylinder music box with a small organ and 21 tubes activated by a bellows. The clock is set atop a later plinth.
Leather / Zamak knob OBLONG 0507. The perfect handle for kitchen, bathroom and bedroom.
