ONE SIZE FITS MOST (90lb -155lb) Made with Lycra® Fabric Since its invention over sixty years ago, LYCRA® fiber set the standard as the world’s best-known spandex fiber brand. Lightweight and nearly invisible, LYCRA® fiber became the active ingredient in our clothes and revolutionized the way we wore them. Whenever it’s used in fabrics, LYCRA® fiber transforms garments into better fitting, durable clothes that move with our bodies, delivering fit, shape and comfort that lasts. Day after day. Wash after wash. Run after run. Swim after swim.
Who designed this? Cardin Ungaro: a butterfly in mink and organdie. Tunic and pants of open-work white organdie with St. Gall embroidery and intervals of ribbon beading under a vest shaped in rounds-of-white mink beaded with red ribbon. Above: Cardin's black wool crepe harnessed by a Mannoni metal sculpture - a headlight, sculptured in polished steel flashed by a diamond bulb. Below: Cardin white wool crepe hangs from polished metal straps on a scultured band by Mannoni Bottom: Ungaro's white stretch overalls with fuzzy-edged plaid running up and down the legs and edging the matching sculpted coat. Cardin Ungaro Givenchy Funnel-leg jumpsuit of skin-beige nylon pelted with thousands of snowflowers with diamante dew. A white cire sash is tied beneath the bosom. Sideline: brown ruffled pyjamas. transparent nylon legs flowing from a snug torso under a bias jacket that opens on a slant. More Givenchy Genius Big-cat black spots over tawny transparent organza bared-midriff, funnel-legged pyjamas. Saint Laurent Black linen over bareness. Brief tight top over a stretch of midriff, cape and skirt wrapped high at the thigh with a gypsy sash of cerise silk. Flamenco earrings and combs - all Saint Laurent. Twiggy wears Saint Laurent's white tunic crusted in paillettes and wooden beads, sashed in white satin worn over brown sequinned shorts. Lady-like transparency in chiffon, a part of Saint Laurent's new short 'Smoking'- the pants just above the knee. Saint Laurent's tunic pyjamas thickly clustered with little bunches of pink-and-blue flowers embroidered on lace and edged in pink linen. Castillo Castillo's bias toga of brilliant yellow crepe falling in points and folding over a classic narrow dress slit high on the left side. Earrings by Lena Baretti. GRES Tobacco linen skirt falls in a fan of pleats over one leg, wraps over one shoulder with a slit for the arm. Tiny shorts beneath. More Madame Gres Magic - the kite dress, pointed front and back, flowing from the open triangle neckline to the asymmetric hem - deeply slashed at both sides. Gres' navy bias cape taped in white over a navy jersey maillot skimming the body as fluidly as lotion. Twiggy in Romany-red organdie Dior Dior jewelry and shoes More Dior Organdie Byzantine robe flows to wide cuffs and wide hem from a mosaic mantle jewelled by ruby, amber, and emerald stripes. needs no introduction Courreges Two Girls In Paris The Twig and The Tree Vogue March 1968 Photography: Richard Avedon ... eyes on the sixties at devodotcom
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
ONE SIZE FITS MOST (90lb -155lb) Made with Lycra® Fabric Since its invention over sixty years ago, LYCRA® fiber set the standard as the world’s best-known spandex fiber brand. Lightweight and nearly invisible, LYCRA® fiber became the active ingredient in our clothes and revolutionized the way we wore them. Whenever it’s used in fabrics, LYCRA® fiber transforms garments into better fitting, durable clothes that move with our bodies, delivering fit, shape and comfort that lasts. Day after day. Wash after wash. Run after run. Swim after swim.
Mia Sara played gorgeous high schooler Sloane Peterson in 1986's 'Ferris Bueller's Day Off.'
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
David, Angie Zowie Bowie, 1974 TO BE CONTINUED ССЫЛКИ: Мода 70-х. Десятилетие свободы и эклектики 1970s in Fashions - статья в Википедии The…
"Jane Birkin's Got What It Takes - London Snap, Paris Dash" "Jane Birkin, greeny-blue eyes clear as the sparkle on a perfect day, shiny brown hair polished as chestnuts. She's got half a dozen films just behind her and plenty of fashion time to enjoy all this London snap and Paris dash." Above, the newest pet in London - a python weskit by Jane Muir. At Left, the python weskit over a snaky long brown silk jersey dress falling in bias folds. Jewels by Zolotas. At right, Ossie Clark's great beige,black, and red checquered kerchiefs floating over a veil-of-chiffon tunic and red-flowered black crepe pants. The print is Celia Birtwell. Jane in a flap-yolked jersey tunic-shirt green as the Chantilly woods. The pants, jacquarding down each leg taking turns at mossy green, violet, and pale grey. Turnout by Mic Mac. Tier upon tier of russet suede whirling up and about a laced tunic over knee-long pants by Ossie Clark. Boots by Francois Villon. Jane Birkin flapped, tabbed, and belted by Mic Mac in grey suede trench coat over pale-grey jersey pants - ambling down an alee in the hedge-lined Parc de Saint Cloud. At right - the fringe detail. Jane Brikin's Got What it Takes Vogue November 1969 Photography: Patrick Lichfield ... eyes on the sixties at devodotcom
"Jane Birkin's Got What It Takes - London Snap, Paris Dash" "Jane Birkin, greeny-blue eyes clear as the sparkle on a perfect day, shiny brown hair polished as chestnuts. She's got half a dozen films just behind her and plenty of fashion time to enjoy all this London snap and Paris dash." Above, the newest pet in London - a python weskit by Jane Muir. At Left, the python weskit over a snaky long brown silk jersey dress falling in bias folds. Jewels by Zolotas. At right, Ossie Clark's great beige,black, and red checquered kerchiefs floating over a veil-of-chiffon tunic and red-flowered black crepe pants. The print is Celia Birtwell. Jane in a flap-yolked jersey tunic-shirt green as the Chantilly woods. The pants, jacquarding down each leg taking turns at mossy green, violet, and pale grey. Turnout by Mic Mac. Tier upon tier of russet suede whirling up and about a laced tunic over knee-long pants by Ossie Clark. Boots by Francois Villon. Jane Birkin flapped, tabbed, and belted by Mic Mac in grey suede trench coat over pale-grey jersey pants - ambling down an alee in the hedge-lined Parc de Saint Cloud. At right - the fringe detail. Jane Brikin's Got What it Takes Vogue November 1969 Photography: Patrick Lichfield ... eyes on the sixties at devodotcom
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
Nora Attal and Lea Meylan are styled by Emmanuelle Alt in ‘Viva Mexico!’. Inez and Vinoodh shot the fashion story at Las Alamandas and Cuixmala in Mexico.
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
David, Angie Zowie Bowie, 1974 TO BE CONTINUED ССЫЛКИ: Мода 70-х. Десятилетие свободы и эклектики 1970s in Fashions - статья в Википедии The…
Photo: Getty This was going to be called ‘Not Invisible.’ Or given Charlotte Rampling’s honorary French status, ‘Pas Invisible’.
David, Angie Zowie Bowie, 1974 TO BE CONTINUED ССЫЛКИ: Мода 70-х. Десятилетие свободы и эклектики 1970s in Fashions - статья в Википедии The…
While I recover from Beach Brain, here are some fabulous photos of Daphne Selfe. The 87-year-old model has written a book The Way We Wore about her ‘life in clothes’ (a memoir based on her...
‘The Way We Wore’ is no ordinary lockdown selfies editorial. These are selfies for an auction benefiting Britain's National Health Service and the NAACP.
Marsha Hunt interview with Gary Sweeney for The Midnight Palace and The Way We Wore
David, Angie Zowie Bowie, 1974 TO BE CONTINUED ССЫЛКИ: Мода 70-х. Десятилетие свободы и эклектики 1970s in Fashions - статья в Википедии The…
The journey begins: behold the six-panel skirt of Hollywood pattern #1471.
Who designed this? Cardin Ungaro: a butterfly in mink and organdie. Tunic and pants of open-work white organdie with St. Gall embroidery and intervals of ribbon beading under a vest shaped in rounds-of-white mink beaded with red ribbon. Above: Cardin's black wool crepe harnessed by a Mannoni metal sculpture - a headlight, sculptured in polished steel flashed by a diamond bulb. Below: Cardin white wool crepe hangs from polished metal straps on a scultured band by Mannoni Bottom: Ungaro's white stretch overalls with fuzzy-edged plaid running up and down the legs and edging the matching sculpted coat. Cardin Ungaro Givenchy Funnel-leg jumpsuit of skin-beige nylon pelted with thousands of snowflowers with diamante dew. A white cire sash is tied beneath the bosom. Sideline: brown ruffled pyjamas. transparent nylon legs flowing from a snug torso under a bias jacket that opens on a slant. More Givenchy Genius Big-cat black spots over tawny transparent organza bared-midriff, funnel-legged pyjamas. Saint Laurent Black linen over bareness. Brief tight top over a stretch of midriff, cape and skirt wrapped high at the thigh with a gypsy sash of cerise silk. Flamenco earrings and combs - all Saint Laurent. Twiggy wears Saint Laurent's white tunic crusted in paillettes and wooden beads, sashed in white satin worn over brown sequinned shorts. Lady-like transparency in chiffon, a part of Saint Laurent's new short 'Smoking'- the pants just above the knee. Saint Laurent's tunic pyjamas thickly clustered with little bunches of pink-and-blue flowers embroidered on lace and edged in pink linen. Castillo Castillo's bias toga of brilliant yellow crepe falling in points and folding over a classic narrow dress slit high on the left side. Earrings by Lena Baretti. GRES Tobacco linen skirt falls in a fan of pleats over one leg, wraps over one shoulder with a slit for the arm. Tiny shorts beneath. More Madame Gres Magic - the kite dress, pointed front and back, flowing from the open triangle neckline to the asymmetric hem - deeply slashed at both sides. Gres' navy bias cape taped in white over a navy jersey maillot skimming the body as fluidly as lotion. Twiggy in Romany-red organdie Dior Dior jewelry and shoes More Dior Organdie Byzantine robe flows to wide cuffs and wide hem from a mosaic mantle jewelled by ruby, amber, and emerald stripes. needs no introduction Courreges Two Girls In Paris The Twig and The Tree Vogue March 1968 Photography: Richard Avedon ... eyes on the sixties at devodotcom
David, Angie Zowie Bowie, 1974 TO BE CONTINUED ССЫЛКИ: Мода 70-х. Десятилетие свободы и эклектики 1970s in Fashions - статья в Википедии The…
David, Angie Zowie Bowie, 1974 TO BE CONTINUED ССЫЛКИ: Мода 70-х. Десятилетие свободы и эклектики 1970s in Fashions - статья в Википедии The…
David, Angie Zowie Bowie, 1974 TO BE CONTINUED ССЫЛКИ: Мода 70-х. Десятилетие свободы и эклектики 1970s in Fashions - статья в Википедии The…
David, Angie Zowie Bowie, 1974 TO BE CONTINUED ССЫЛКИ: Мода 70-х. Десятилетие свободы и эклектики 1970s in Fashions - статья в Википедии The…
