Layout là gì và các quy tắc thường gặp khi thiết kế layout,

Per la prima volta in 35 anni la cover story di Vanity Fair è realizzata da un fotografo di colore, Dario Calmese, che ha immortalato Viola Davis: prima donna a vincere un Emmy come attrice protagonista, vincitrice di un Oscar e molto impegnata per la tutela dei diritti a Los Angeles dove ha partecipato attivamente …

Condé Nast Traveler’s May/June 2021 issue presents the annual Hot List, featuring editors’ picks for the best new hotels. In this year’s edition, we also spotlight restaurants, destinations, and more.

Sports Graphic Number 892号

Creative and Funny Illustrations. Mauro Gatti is a Milan, Italy based illustrator and graphic designer. The simple but funny illustrations reflect Mauro

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L'intolleranza al lattosio è una più diffuse nella popolazione mondiale. La storica culinaria Anne Mendelson mette in dubbio il latte come alimento miracoloso

We were given in our brief a few useful links and one of them was takes you straight to the Architectural Review magazine website. Here I was able to look through the interactive issue and get some…

In the 1960s and '70s, Piano was involved in the battle to revive decaying historic centers of cities. Now the Pritzker Prize-winning architect is fighting to save their often desolate outskirts.

The Belle Époque (the Beautiful Period) in France is conventionally dated from the end of the Franco-Prussian War in 1871 to the the outbreak of World War I in 1914. It was a period characterised by optimism, regional peace and economic prosperity, and of technological, scientific, and cultural innovation. Whilst showing key works from the Belle Epoque, I am including works from the fall-out of the period almost up to World War II, so as to put these works in context. Artists in the late 1800s found opportunities to present their work to the masses through advertising art that began to appear as billboards and posters, plastering the streets of Paris. “Affiche Artistique” was the term that the French used to describe a poster that contained artistic expression. The art was so impressive to the public, people began to collect the posters as soon as they went up, which is why they are so scarce today. Artists such as Henri de Toulouse-Lautrec, Jules Chéret, Théophile-Alexandre Steinlen, and Alfred Choubrac, contributed to the creative body of work that became what some called “a free museum for the masses”. The craze for collecting these examples of modern art was even given the name, "affichomanie", meaning “artistic poster mania”. Collectors today pay hundreds, if not thousands for original prints of these rare posters. This is part 4 of a 9-part series on art of the Belle Epoque. For more works in the series see parts 1 - 3 also. HENRY PRIVAT-LIVEMONT ( 1861 - 1936 ) Henry Privat-Livemont was born in Schaerbeek, Brussels, Belgium in 1861. Known mainly as a poster artist, between 1883 and 1889 he worked and studied in the studios of Lemaire, Lavastre and Duvignaud. With Lemaire he created the decor of the Théâtre Français and the Hôtel de Ville, Paris. He later moved back to Brussels and worked on theatres and casinos there. 1890 Ameublement poster by Henri Privat-Livemont 1895 Absinthe Robette poster by Henri Privat-Livemont 1896 Bec Auer poster by Henri Privat-Livemont 1896 Biscuits & Chocolat Delacre poster by Henri Privat-Livemont 1896 Cabourg a 5 heures de Paris poster by Henri Privat-Livemont 1896 Savon Cristel poster by Henri Privat-Livemont 1896c Cercle Artistique de Schaerbeek poster by Henri Privat-Livemont 1897 Bitter Original poster by Henri Privat-Livemont 1897 International Exhibition Brussels poster by Henri Privat-Livemont 1897 La Reforme, Le Masque Anarchiste poster by Henri Privat-Livemont 1897 Le Vague (The Wave) by Henri Privat-Livemont 1897c J. C. Boldoot Eau de Cologne Parfumerie poster by Henri Privat-Livemont The Scent of a Rose by Henri Privat-Livemont 1898 Beaux-Arts 6e. Exposition Annuelle poster by Henri Privat-Livemont 1898 Cover of The Poster magazine by Henri Privat-Livemont 1899 Helm Cacao poster by Henri Privat-Livemont 1899 Henry à la Pensée, Paris poster by Henri Privat-Livemont 1899 Rajah Coffee poster by Henri Privat-Livemont 1900 Biscuits de Beukelaer poster by Henri Privat-Livemont 1900 Cacao A. Driessen poster by Henri Privat-Livemont 1900 P D Corsets poster by Henri Privat-Livemont 1900 Palais de la Femme, Exposition de 1900 poster by Henri Privat-Livemont 1901 Bols' poster by Henri Privat-Livemont 1901 Orfèvrerie Miele & Co. poster by Henri Privat-Livemont 1901 The Sculptress poster by Henri Privat-Livemont 1901 Untitled poster design by Henri Privat-Livemont 1902 Michiels Frères Pépiniéristes Architectes de Jardins poster by Henri Privat-Livemont 1903 6eme Exposition Internationale de L'Automobile du Cycle et des Sports poster by Henri Privat-Livemont 1903 Automobile Club de France poster by Henri Privat-Livemont 1903 Manfacture Royale de Corsets, Bruxells poster by Henri Privat-Livemont 1903 Untitled poster design by Henri Privat-Livemont 1903 Untitled poster design by Henri Privat-Livemont Le Bec Liais poster by Henri Privat-Livemont Rajah Tea and Coffee poster by Henri Privat-Livemont Stained Glass Window in Hotel Saintenoy, Brussels by Henri Privat-Livemont JEAN DE PALEOLOGU Jean de Paleologu ( Paleologue ) ( 1855 - 1942 ) was a Romanian poster artist, painter and illustrator acive in France and the United states. He often signed his work Pal of PAL. Born in Bucharest, he trained in England, then returned to Romania and attended a military academy, before visiting London again several times and moving to Paris more permanently. He left Paris for the United States in 1900. 1897 Folies-Bergère, La Loïe Fuller poster by Jean de Paléologu Folies Bergère, La Loïe Fuller, Tous les Soirs poster by Jean de Paleologu Folies-Bergère, La Loïe Fuller by Jean de Paléologu Folies-Bergère, La Loïe Fuller poster by Jean de Paléologu Folies-Bergère, La Loïe Fuller poster by Jean de Paléologu La Loïe Fuller 1897 Theatre de Opéra-Comique "Sapho" / Emma Calvé poster by Jean de Paleologu Emma Calvé Alcazar d' Été La Belle Otero poster by Jean de Paleologu La Belle Otéro Folies-Bergère poster by Jean de Paléologu * * * * * Folies Bergère, Les Demoieselles du XXe Siècle poster by Louis Trinquier Trianon Folies Bergère, Tous les Soirs, Americans 'Sings' and Dancers poster by Maurice Biais Folies-Bergère, Cléo de Mérode Cléo de Merode Folies-Bergère, Jane Derval Jane Derval Folies-Bergère, La Folie d'Amour poster by Michel Gyarmathy Folies-Bergère, Le Capitaine Costentenus Le Capitaine Costentenus ( where are the tattoos? ) Folies-Bergère, Maurel poster by Daniel de Losques Folies-Bergère, Napoli Ballet Pantomime Folies-Bergère, Ramoneurs Musicaux Folies-Bergère

My ongoing Testing series is inspired by scientific imagery. Each piece is an actual test investigating the interaction of materials.

Posters make ideas visual for all kinds of causes including social change, struggles for peace, and icon political campaigns. These visual messages can also document time and place and define a culture. All That Jazz: A selection of Jazz Posters from the Collection of Howard Courtney is on view at the Stambaugh Studio Theatre Gallery from January 17–February 17, 2012 at Ohio Northern University. The exhibit showcases about 50 works out of over 1,200 posters, representing several countries and the Chicago jazz scene. The collector Howard Courtney has a Bachelor of Arts in anthropology, an M.A. in Arabic, a graduate certificate in Middle Eastern Studies and additional graduate work in Mesopotamian Archaeology and Persian Literature. He taught at several junior colleges in the United States and at the Birzeit University in Jordan, where he lived in the Middle East for several years. Courtney eventually worked as a parole agent, supervising mental patients and sex offenders when they were released from the penitentiary. Due to the dangerous job, Courtney retired 20 years ago. “I often joke that I was a born collector and started collecting when I was a child,” stated Courtney as he described his poster collection. “Over the years my interests have included specialized stamp collections, stained glass windows, Persian carpets, World War I posters, art, ancient Middle Eastern pottery, antiques, art pottery, autographs and Jazz posters.” Courtney has been a jazz fan since my early teen-years, “due to my parents’ interest in such,” he explained. “But also having lived in small towns, or out-of-the-way places, there was not much of an opportunity to see the major participants in person. Consequently, I had to live my jazz fantasies through recordings and reading about the musicians.” While attending junior college in his hometown of Port Huron, Michigan, “I met a handful of others whom were also interested in jazz. We formed a jazz club and would travel the 60 miles to Detroit to attend concerts. Over the years, I bought many recordings of the musicians I liked and currently have over 4,000 jazz CDs, 300 classical and 100 opera CDs. Although I played the saxophone in the high school band and took piano lessons, I realized I had absolutely no talent. So, I gave it up after graduation. But, after college, I sang in the chorus of Opera Illinois for 11 years.” Throughout Courtney’s lifetime, he had the opportunity to maintain his interests in jazz and to see many performers live in concert. Reviewing his collection, he explained, “With the rich history of Chicago jazz and the opportunity to attend a performance almost daily, I began to ask for posters once a performance was over. Soon I knew which stores, hallways and bulletin boards would have them. Seven years later, I had over 1,300 different posters from 1927 to the current week. Now, I am well known to Chicago jazz musicians fans as “The Poster Man.” Courtney’s criteria for collecting a poster comprised of the genuine advertisements created at the time for an actual event. “I do not knowingly collect later printings or posters that only have a jazz theme. Without me asking, numerous well-known musicians from all over the world have given me posters of their performances once we have met and they see how serious I am about them. Most musicians never see the posters they are listed on as they fly to a performance. Often they are astounded when I appear and ask them to autograph a 30-year old poster they were listed on as they often didn’t know existed.” Courtney’s jazz poster collection is currently archived at the University of Chicago Library that holds accumulations of autographs, photographs, programs, flyers, tickets, business cards, etc. “They have approached me several times about donating my poster collection, but that is a decision I will make in the future. Since I have no musical talent, my philosophy is that my contribution to jazz history is preserving the posters and other memorabilia.”

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