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Between 1915 and 1925 the German illustrator Stefan Eggeler produced drawings, graphic works, woodcuts and etchings, often published as book illustrations.

Jean-Marie Mathias Philippe-Auguste Comte de Villiers de L'Isle-Adam (1838 ¿ 1889) stammte aus einer alten, verarmten Adelsfamilie und war ein verträumtes und übersensibles Kind. Seit 1857 lebte er in Paris, wo er sich als Journalist durchschlug und mit Mallarmé und Baudelaire befreundet war. Beeinflusst von Poe und Richard Wagner verfasste er Dramen (»Axel«), Romane (»Die Eva der Zukunft«) und vor allem Erzählungen mit oftmals grotesk-grausamem Inhalt, in denen er radikale Kritik an den Sitten seiner Zeit übte. Villiers de L'Isle-Adam gilt als Wegbereiter des Symbolismus und einer der bedeutendsten französischen Novellisten des 19. Jahrhunderts.

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Grausame Geschichten von Villiers de L¿Isle-Adam

Der aus einer verarmten Adelsfamilie stammende Philippe-Auguste Comte de Villiers de L'Isle-Adam (1838¿1889) lebte seit 1857 in Paris, wo er sich als Journalist durchschlug und mit der literarischen Avantgarde der Zeit Kontakt hatte. Neben Bühnenstücken und einem der ersten Science Fiction-Romane (»Die Eva der Zukunft«) verfasste er unter dem Einfluss nicht zuletzt von Poe vor allem raffiniert konstruierte Erzählungen mit grotesk-grausamem Inhalt, mit denen er zu einem der wichtigsten Wegbereiter des französischen Symbolismus wurde.

É de confundir! — Conto de Auguste Villiers De L’isle-Adam Numa cinza manhã de novembro, eu ia descendo pela beira do rio em passo apressado. Uma garoa fria molhava o ar. Passantes negros, abrigados em guarda- chuvas disformes, se entrecruzavam. O Sena amarelado carregava seus barcos de mercadorias parecidos com besouros. Nas pontes, o vento fustigava bruscamente os chapéus, cujos donos lutavam com o espaço para salvá-los, fazendo aqueles gestos e contorções sempre tão penosos para o artista. Minhas idéias eram pálidas e brumosas; a preocupação de um encontro de negócios, aceito na véspera, atazanava minha imaginação. O tempo era curto, resolvi me abrigar debaixo da marquise de um portão, de onde seria mais cômodo fazer sinal para um fiacre. Na mesma hora notei, bem ao meu lado, a entrada de um prédio quadrado, de aparência burguesa. Ele tinha se erguido na bruma como uma aparição de pedra, e, apesar da rigidez de sua arquitetura, apesar do vapor sinistro que o envolvia, percebi de imediato um certo ar de hospitalidade que serenou meu espírito. "Sem a menor dúvida", pensei, "as pessoas que moram aqui são gente sedentária! Essa soleira é um convite a parar! A porta não está aberta?" Então, com a maior polidez do mundo, satisfeito, chapéu na mão — até mesmo meditando em um madrigal para a dona da casa —, entrei, sorridente, e logo me deparei, no mesmo nível, com uma espécie de sala de teto envidraçado, de onde caía a luz do dia, lívida. Nas colunas estavam pendurados roupas, cachecóis, chapéus. Mesas de mármore estavam instaladas em todos os cantos. Vários indivíduos, de pernas esticadas, cabeça levantada, olhos fixos, jeito confiante, pareciam meditar. E os olhares eram sem pensamentos, os rostos eram da cor do tempo. Havia pastas abertas, papéis desdobrados perto de cada um deles. E então percebi que a dona da casa, com a cortesia acolhedora com que eu estava contando, era ninguém menos do que a Morte. Olhei para meus anfitriões. Decerto, para escapar dos aborrecimentos da vida azucrinante, a maioria dos que ocupavam a sala tinha assassinado seus corpos, esperando, assim, um pouco mais de bem-estar. Quando estava ouvindo o barulho das torneiras de cobre presas no muro e destinadas a regar diariamente aqueles restos mortais, escutei o ruído surdo de um fiacre. Ele parou defronte do estabelecimento. Fiz a reflexão de que meus homens de negócios estavam esperando. Virei-me para aproveitar a boa fortuna. De fato, o fiacre acabava de vomitar, na soleira do prédio, colegiais de pileque, que precisavam ver a Morte para acreditar nela. Olhei para o fiacre vazio e disse ao cocheiro: "Passage de L’Opéra!" Um pouco depois, nos bulevares, achei o tempo mais encoberto, sem nenhum horizonte. Os arbustos, vegetações esqueléticas, pareciam indicar vagamente, com a ponta dos galhos negros, alguns pedestres aos policiais ainda sonolentos. O carro ia apressado. Pela vidraça, os passantes me davam a impressão de água correndo. Chegando ao meu destino, pulei para a calçada e peguei a passagem, repleta de rostos preocupados. No final do corredor, bem na minha frente, reparei na entrada de um café — desde então consumido por um famoso incêndio (pois a vida é um sonho) —, relegado ao fundo de uma espécie de galpão, debaixo de uma arcada quadrada, de sinistra aparência. Os pingos de chuva que caíam no vidro de cima escureciam mais ainda a pálida claridade do sol. "É aqui", pensei, "que me esperam os meus homens de negócios, de copo na mão, olhos brilhantes e desafiando o Destino!" Então, virei a maçaneta da porta e me deparei, no mesmo nível, com uma sala onde a claridade do dia caía do alto, lívida, pela vidraça. Em colunas havia roupas, cachecóis, chapéus pendurados. Mesas de mármore estavam instaladas em todos os cantos. Vários indivíduos, de pernas esticadas, cabeça levantada, olhos fixos, jeito confiante, pareciam meditar. E os rostos eram da cor do tempo, os olhares eram sem pensamentos. Havia pastas abertas, papéis desdobrados perto de cada um deles. Olhei para esses homens. Decerto, para escapar das obsessões da insuportável consciência, a maioria dos que ocupavam a sala tinha, muito tempo antes, assassinado suas "almas", esperando assim um pouco mais de bem-estar. Quando estava ouvindo o barulho das torneiras de cobre presas no muro e destinadas a regar diariamente aqueles restos mortais, a lembrança do ruído surdo do carro voltou ao meu espírito. "Com toda a certeza", pensei, "aquele cocheiro deve ter sido atacado, no correr do tempo, por uma espécie de estupor, pois simplesmente me trouxe, depois de tantas circunvoluções, ao nosso ponto de partida! Todavia, confesso (caso haja um equívoco), o segundo olhar é mais sinistro que o primeiro!..." Então, em silêncio fechei a porta envidraçada e voltei para casa, firmemente decidido — desconsiderando o exemplo e pouco me importando com o que pudesse me acontecer — a nunca mais fazer negócios. Título original: A s'y meprendre!, In Contes Cruels, 1883 Tradução de Rosa Freire D'Aguiar

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Hermetic Library Fellow T Polyphilus reviews Isis by Auguste de Villiers de l’Isle Adam, translated by Brian Stableford. The proto-decadent short novel Isis was the first published prose composition of Auguste de Villiers de l’Isle Adam, and has only recently been translated to English by Brian Stableford. Although the author’s dedication claims that the title […]

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Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. Figurative Art Think reality delights? You bet your walls do too. So, why not introduce them to our collection of figurative art. Make acquaintance with inspiring muses of famous masters or get a glimpse of pop culture icons caught on camera. Any masterpieces you choose will give your space a unique story to share in our handcrafted frames. This genre of art involves a realistic depiction of living as well as inanimate objects. Artists like Jean Michel Basquiat, Norman Rockwell, and Banksy are renowned for giving a platform to cultural commentary and human experiences through their art. The Print This art print displays sharp, vivid images with a high degree of color accuracy. A member of the versatile family of art prints, this high-quality reproduction represents the best of both worlds: quality and affordability. Art prints are created using a digital or offset lithography press. Paper Type: Art Print Finished Size: 12" x 18" Arrives by Sat, Jun 15 Product ID: 55630636102A

Descargar Cuentos crueles en pdf gratis El trabajo de Auguste Villiers de L’Isle-Adam está caracterizado por la creación de escenas llenas de misterio, donde la realidad es descrita con belleza irónica y macabra. Ahora, gracias al PDF que acompaña esta reseña, podrás disfrutar de Cuentos crueles, donde se reúnen los mejores relatos del autor francés. […]

Der aus einer bretonischen Adelsfamilie stammende Philippe Auguste Graf von Villiers de L'Isle-Adam (1838 - 1888) war ursprünglich Journalist und schaffte 1883 mit den »Grausamen Geschichten« den literarischen Durchbruch. Seine düster-fantastischen, zwischen Romantik und Realismus angesiedelten Erzählungen, oftmals mit einer grausamen Pointe, beeinflussten Autoren wie Stéphane Mallarmé, Joris-Karl Huysmans oder Charles Beaudelaire.

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Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. Travel Art Art is the best way of seeing the world when travel isn’t possible. Explore our curation of travel art for a trip around the globe. See from tourist favorites landmarks–the Eiffel tower– to hidden gems like the breathtaking landscapes of Yosemite National Park. Whether you find a cozy reminder of home, your dream destinations, or even cool maps of the world, our handcrafted frames will give it the perfect finishing touch. The Print This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are “sprayed” onto high-quality paper. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface.   Paper Type: Giclee Print Finished Size: 12" x 18" Arrives by Thu, May 16 Product ID: 56328615860A

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Auguste de Villiers de L'Isle Adam: Das tote Haupt und andere ErzählungenEine Auswahl von Erzählungen aus »Grausame Geschichten« (Berlin, E. Eisselt, 1904, übersetzt von Hanns Heinz Ewers und Marie Ewers aus'm Weerth) und »Legende vom weissen Elefanten« (München, G. Müller, 1924, übersetzt von Marie Ewers aus'm Weerth).Inhaltsverzeichnis:Das tote Haupt und andere Erzählungen.Das tote Haupt.Legende vom weissen Elefanten.Das Geheimnis der schönen Ardiane.Der Herzog von Portland.Die Liebe zum Natürlichen.Antonie.Sylvabel.Erlesene Liebe.Catalina.Das Recht der Vergangenheit.Das Paar von Toledo.Das Ringspiel.Der Zar und die Nachteulen.Der Schwanentöter.Vox populi.Neuausgabe, herausgegeben von Karl-Maria Guth, Berlin 2023.Der Text dieser Ausgabe wurde behutsam an die neue deutsche Rechtschreibung angepasst.Gesetzt aus der Minion Pro, 11 pt.Die Sammlung Hofenberg erscheint im Verlag Henricus - Edition Deutsche Klassik GmbH, Berlin

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Auguste de Villiers de L'Isle Adam: Das zweite Gesicht und andere Novellen Die Erzählungen entstanden zwischen 1867 und 1889. Erstdruck dieser Übersetzung und Zusammenstellung: Berlin, Buchverlag fürs Deutsche Haus, 1909. Inhaltsverzeichnis: Vorwort. Das zweite Gesicht. Tse-i-las Abenteuer. Sei ein Mann. Vera. Die Unbekannte. Der Bote des Leonidas. Die Königin Ysabeau. Miltons Töchter. Das Wunder. Dunkle Erinnerungen. Die Marter durch Hoffnung. Die Bienfilâtres. Die Räuber. Das Haus des Glückes. Der Verkünder. Akedysseril. Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2021. Der Text dieser Ausgabe wurde behutsam an die neue deutsche Rechtschreibung angepasst. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Odilon Redon, Mystisches Gespräch, 1896. Gesetzt aus der Minion Pro, 11 pt. Henricus - Edition Deutsche Klassik GmbH

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Héroes, femmes fatales y góticos : España imaginada Dossier elaborado por Christine Sétrin, con la colaboración de Ángel Pozo. ▲Ilustración : Wikimedia Commons. A partir del siglo XVIII, España con…

Jean-Marie Mathias Philippe-Auguste Comte de Villiers de L'Isle-Adam (1838 ¿ 1889) stammte aus einer alten, verarmten Adelsfamilie und war ein verträumtes und übersensibles Kind. Seit 1857 lebte er in Paris, wo er sich als Journalist durchschlug und mit Mallarmé und Baudelaire befreundet war. Beeinflusst von Poe und Richard Wagner verfasste er Dramen (»Axel«), Romane (»Die Eva der Zukunft«) und vor allem Erzählungen mit oftmals grotesk-grausamem Inhalt, in denen er radikale Kritik an den Sitten seiner Zeit übte. Villiers de L'Isle-Adam gilt als Wegbereiter des Symbolismus und einer der bedeutendsten französischen Novellisten des 19. Jahrhunderts.

Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. Figurative Art Think reality delights? You bet your walls do too. So, why not introduce them to our collection of figurative art. Make acquaintance with inspiring muses of famous masters or get a glimpse of pop culture icons caught on camera. Any masterpieces you choose will give your space a unique story to share in our handcrafted frames. This genre of art involves a realistic depiction of living as well as inanimate objects. Artists like Jean Michel Basquiat, Norman Rockwell, and Banksy are renowned for giving a platform to cultural commentary and human experiences through their art. Travel Art Art is the best way of seeing the world when travel isn’t possible. Explore our curation of travel art for a trip around the globe. See from tourist favorites landmarks–the Eiffel tower– to hidden gems like the breathtaking landscapes of Yosemite National Park. Whether you find a cozy reminder of home, your dream destinations, or even cool maps of the world, our handcrafted frames will give it the perfect finishing touch. The Print This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are “sprayed” onto high-quality paper. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface.   Paper Type: Giclee Print Finished Size: 12" x 18" Arrives by Sat, May 25 Product ID: 55993489917A